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Enemy Collection (page 3)

Background imageEnemy Collection: Henry VI of England and the Dukes of York and Somerset, 1450 (1864)

Henry VI of England and the Dukes of York and Somerset, 1450 (1864). After returning from Ireland, Richard, Duke of York (1411-1460), is surprised to find Edmund Beaufort (1406-1455)

Background imageEnemy Collection: The Parable of the Wheat and the Tares. Artist: Fetti, Domenico (1588 / 90-1623)

The Parable of the Wheat and the Tares. Artist: Fetti, Domenico (1588 / 90-1623)
The Parable of the Wheat and the Tares. Found in the collection of Thyssen-Bornemisza Collections

Background imageEnemy Collection: Aruns and Brutus, 1852. Artist: John Leech

Aruns and Brutus, 1852. Artist: John Leech
Aruns and Brutus, 1852. From The Comic History of Rome, by Gilbert A A Beckett, illustrated by John Leech. [Bradbury, Agnew & Co, London, 1852]

Background imageEnemy Collection: Richard pardons the archer who shot him, 1199 (1864). Artist: James William Edmund Doyle

Richard pardons the archer who shot him, 1199 (1864). Artist: James William Edmund Doyle
Richard pardons the archer who shot him, 1864.Richard I, (1157-1199) on his deathbed. Although he forgave the enemy archer who shot him

Background imageEnemy Collection: Three Studies of a Man Poniarding a Fallen Foe, c1480 (1945). Artist: Leonardo da Vinci

Three Studies of a Man Poniarding a Fallen Foe, c1480 (1945). Artist: Leonardo da Vinci
Three Studies of a Man Poniarding a Fallen Foe, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Background imageEnemy Collection: Indian scalping his dead enemy, 19th century

Indian scalping his dead enemy, 19th century

Background imageEnemy Collection: Henry I, Duke of Guise, 1580, and Francis de Montmorency, 1576 (1882-1884)

Henry I, Duke of Guise, 1580, and Francis de Montmorency, 1576 (1882-1884). Guise as a general of infantry, and Montmorency as Marshal of France

Background imageEnemy Collection: Attack and repulse of the Russians, before Sebastopol, Crimean War, (1857). Artist: DJ Pound

Attack and repulse of the Russians, before Sebastopol, Crimean War, (1857). Artist: DJ Pound
Attack and repulse of the Russians, before Sebastopol, Crimean War, (1857). Engraving from Englands Battles by Sea and Land, Volume V, Russia and Turkey, (The London Printing and Publishing Company)

Background imageEnemy Collection: Traditional enemies assembled at a peace conference in Claudetown, Sarawak, c1899, (1922)

Traditional enemies assembled at a peace conference in Claudetown, Sarawak, c1899, (1922). Artist: Dr Charles Hose
Traditional enemies assembled at a peace conference in Claudetown, Sarawak, c1899, (1922). The great peace-making at Marudi, Baram District, between the Kayan, Kenyah

Background imageEnemy Collection: The Advance that Failed, First World War, 1914-1915, (1920). Artist: Bernard Partridge

The Advance that Failed, First World War, 1914-1915, (1920). Artist: Bernard Partridge
The Advance that Failed, First World War, 1914-1915, (1920). Kaiser Wilhelm II: Have you had enough? Tsar Nicholas II: No; have you?. A cartoon that originally appeared in Punch

Background imageEnemy Collection: The German army marching through Brussels, First World War, c1914 (1920)

The German army marching through Brussels, First World War, c1914 (1920). Illustration from The Illustrated War Record of the Most Notable Episodes in the Great European War 1914-1918

Background imageEnemy Collection: Richard II stopping the combat between the Dukes of Norfolk and Hereford, 1398

Richard II stopping the combat between the Dukes of Norfolk and Hereford, 1398. The king intervening in the blood feud between Henry Bolingbroke, Duke of Hereford and Thomas de Mowbray

Background imageEnemy Collection: Clive on the roof of the Nawab Siraj Ud Daulahs hunting lodge, India, 1757, (1893)

Clive on the roof of the Nawab Siraj Ud Daulahs hunting lodge, India, 1757, (1893). Artist: Richard Caton Woodville II
Clive on the roof of the Nawab Siraj Ud Daulahs hunting lodge, examining the enemy lines, India, 1757, (1893). In 1757 at the Battle of Plassey

Background imageEnemy Collection: The Modern Cains Lament, 1798. Artist: J Kay

The Modern Cains Lament, 1798. Artist: J Kay
The Modern Cains Lament, 1798. O Harrie whether shall I fly. I am this day, A Murderer of thousands, Every one that finds me will count me his Enemy and slay me

Background imageEnemy Collection: Friends and Enemies, 1914

Friends and Enemies, 1914. A sheet distributed to French troops to help them distinguish Allied from enemy troops in World WarI

Background imageEnemy Collection: The nobles plucked red or white roses and put them in their caps, 15th century, (1905)

The nobles plucked red or white roses and put them in their caps, 15th century, (1905). Artist: As Forrest
One after another all the nobles plucked red or white roses and put them in their caps, 15th century, (1905). The founding of the Houses of York and Lancaster; Richard, Duke of York

Background imageEnemy Collection: Robert E Lee surrenders to Ulyssess Grant, 9 April 1865, (1872)

Robert E Lee surrenders to Ulyssess Grant, 9 April 1865, (1872). Confederate general Lee surrenders to Grant, general in chief of the Union army during the American Civil War

Background imageEnemy Collection: With a spear our foe is done 1941 Artist: Kukryniksy

With a spear our foe is done 1941 Artist: Kukryniksy
With a spear our foe is done, then we did him with a gun, as before with steel we fought him, so we smash him where we spot him, 1941

Background imageEnemy Collection: Lets Smite and Annihilate the Enemy Hip and Thigh!, 1941. Artist: Kukryniksy

Lets Smite and Annihilate the Enemy Hip and Thigh!, 1941. Artist: Kukryniksy
Lets Smite and Annihilate the Enemy Hip and Thigh!, 1941

Background imageEnemy Collection: Battle of Fleurus, 26th June 1794, (1892). Artist: Jean-Baptiste Mauzaisse

Battle of Fleurus, 26th June 1794, (1892). Artist: Jean-Baptiste Mauzaisse
Battle of Fleurus, 26th June 1794, (1892). A print from the Le Petit Journal, 8th October 1892

Background imageEnemy Collection: Face the Enemy, 1884, (1890). Artist: F Meaulle

Face the Enemy, 1884, (1890). Artist: F Meaulle
Face the Enemy, 1884, (1890). The Campaign in Alsace, Franco-Prussian war, 1870. A print from the Le Petit Journal, 13th December 1890

Background imageEnemy Collection: St Margaret, 15th century

St Margaret, 15th century. From the Hungarian National Gallery, Budapest

Background imageEnemy Collection: The fight against the Papacy and the Empire, 16th century

The fight against the Papacy and the Empire, 16th century. From the National Library of France, Paris

Background imageEnemy Collection: Theatre Scene, 1844. Artist: Utagawa Kunisada

Theatre Scene, 1844. Artist: Utagawa Kunisada
Theatre Scene, 1844. From a private collection

Background imageEnemy Collection: Painting, unknown title, 17th century. Artist: Baldassare Franceschini

Painting, unknown title, 17th century. Artist: Baldassare Franceschini
Painting, unknown title, 17th century

Background imageEnemy Collection: Medallion of Alfonso V Aragon, King of Naples and Sicily, 15th century. Artist: Pisanello

Medallion of Alfonso V Aragon, King of Naples and Sicily, 15th century. Artist: Pisanello
Medallion of Alfonso V Aragon, King of Naples and Sicily, 15th century. The inscription reads Venator intrepidus (The intrepid hunter)

Background imageEnemy Collection: Hercules and Cerberus, c1634. Artist: Francisco de Zurbaran

Hercules and Cerberus, c1634. Artist: Francisco de Zurbaran
Hercules and Cerberus, c1634. From a private collection

Background imageEnemy Collection: Pectoral showing the Pharaoh smiting his enemies, Egypt, 12th Dynasty, c19th century BC

Pectoral showing the Pharaoh smiting his enemies, Egypt, 12th Dynasty, c19th century BC. The cartouche names Amenemhat III. From the Egyptian Museum, Cairo

Background imageEnemy Collection: Rameses III smiting his enemies before Amun-Ra, Mortuary Temple, Medinat Habu, Egypt, c12th cen BC

Rameses III smiting his enemies before Amun-Ra, Mortuary Temple, Medinat Habu, Egypt, c12th cen BC
Relief of Rameses III smiting his enemies before Amun-Ra, Mortuary Temple of Rameses III, Medinat Habu, Luxor, Egypt, c12th century BC

Background imageEnemy Collection: Relief of enemy prisoners, Temple of Rameses III, Medinat Habu, Egypt, c12th century BC

Relief of enemy prisoners, Temple of Rameses III, Medinat Habu, Egypt, c12th century BC
Relief of enemy prisoners (Sea Peoples?), Temple of Rameses III, Medinat Habu, Egypt, c12th century BC

Background imageEnemy Collection: Relief of Enemy captives, Mortuary Temple of Rameses III, Medinat Habu, Egypt, c12th century BC

Relief of Enemy captives, Mortuary Temple of Rameses III, Medinat Habu, Egypt, c12th century BC
Relief of Enemy captives (Sea Peoples?), Mortuary Temple of Rameses III, Medinat Habu, Egypt, c12th century BC

Background imageEnemy Collection: Reliefs of Enemy captives, Mortuary Temple of Rameses III, Medinat Habu, Egypt, c12th century BC

Reliefs of Enemy captives, Mortuary Temple of Rameses III, Medinat Habu, Egypt, c12th century BC
Reliefs of Enemy captives (Sea Peoples), Mortuary Temple of Rameses III, Medinat Habu, Luxor, Egypt, c12th century BC

Background imageEnemy Collection: Relief of Soldiers, Temple of Rameses III, Medinat Habu, Luxor, Egypt, c12th century BC

Relief of Soldiers, Temple of Rameses III, Medinat Habu, Luxor, Egypt, c12th century BC

Background imageEnemy Collection: Relief of Ramesses III leading captives, Temple of Rameses III, Medinat Habu, Egypt, c12 centuryBC

Relief of Ramesses III leading captives, Temple of Rameses III, Medinat Habu, Egypt, c12 centuryBC
Relief of Ramesses III leading captive enemies (the Sea People), Temple of Rameses III, Medinat Habu, Luxor, Egypt, c12 century BC

Background imageEnemy Collection: Relief of Rameses III smiting enemies, Mortuary Temple of Rameses III, Medinat Habu, c1200BC

Relief of Rameses III smiting enemies, Mortuary Temple of Rameses III, Medinat Habu, c1200BC
Relief of Rameses III smiting his enemies (the sea peoples) before the gods, Mortuary Temple of Rameses III, Medinat Habu, Luxor, Egypt, c12th century BC

Background imageEnemy Collection: Relief of the Pharaoh smiting his enemies, Temple sacred to Amun, Mut and Khons, Luxor, Egypt

Relief of the Pharaoh smiting his enemies, Temple sacred to Amun, Mut and Khons, Luxor, Egypt

Background imageEnemy Collection: Relief of the Pharoah in chariot riding down his enemies, Temple of Amun, Karnak, c14th century BC

Relief of the Pharoah in chariot riding down his enemies, Temple of Amun, Karnak, c14th century BC. The reliefs appear on the Third Pylon built by Amenhotep III (Amenophis III)

Background imageEnemy Collection: Detail of relief of Pharaoh in chariot riding down his enemies, Temple of Amun, Karnak, c1400 BC

Detail of relief of Pharaoh in chariot riding down his enemies, Temple of Amun, Karnak, c1400 BC
Detail of a relief of the Pharaoh in his chariot riding down his enemies, Temple of Amun, Karnak, Egypt, c14th century BC. The reliefs appear on the Third Pylon built by Amenhotep III (Amenophis III)

Background imageEnemy Collection: Detail of a relief of Pharaoh smiting his enemies, Temple of Khnum, Ptolemaic & Roman Periods

Detail of a relief of Pharaoh smiting his enemies, Temple of Khnum, Ptolemaic & Roman Periods
Detail of a relief on the first Pylon of the Pharaoh smiting his enemies, Temple of Khnum, Esna, Egypt, Ptolemaic and Roman Periods

Background imageEnemy Collection: Pharaoh smiting his enemies, Temple of Khnum, Ptolemaic and Roman Periods

Pharaoh smiting his enemies, Temple of Khnum, Ptolemaic and Roman Periods
Closeup of Pharaoh smiting his enemies before Knum (ram-headed god) and Sekhmet (lion-headed goddess), the first Pylon, Temple of Khnum, Esme, Egypt, Ptolemaic and Roman Periods

Background imageEnemy Collection: Reliefs of Pharaoh smiting enemies, The first Pylon, Temple of Khnum, Esna, Egypt

Reliefs of Pharaoh smiting enemies, The first Pylon, Temple of Khnum, Esna, Egypt
Reliefs of Pharaoh smiting enemies before Knum (ram-headed god) and Sekhmet (lion-headed goddess), The first Pylon, Temple of Khnum, Esna, Egypt, Ptolemaic & Roman Periods

Background imageEnemy Collection: Meeting of Generals Grant (left) and Lee, American Civil War, 1865. Artist: Currier and Ives

Meeting of Generals Grant (left) and Lee, American Civil War, 1865. Artist: Currier and Ives
Meeting of Generals Grant (left) and Lee, American Civil War, 1865. Grant and Lee meeting on Palm Sunday 1865 to work out terms for the surrender of Lees Army of Northern Virginia

Background imageEnemy Collection: Extraordinary Mildness of the Political Season, 1869. Artist: John Tenniel

Extraordinary Mildness of the Political Season, 1869. Artist: John Tenniel
Extraordinary Mildness of the Political Season, 1869. Disraeli congratulating Gladstone on the Sovereigns speech at Opening of Parliament

Background imageEnemy Collection: Mycenaean gold seal-ring, 17th-12th century BC

Mycenaean gold seal-ring, 17th-12th century BC
Mycenaean gold seal-ring from Shaft Grave IV at Myceneae, Greece. It shows a warrior fighting three enemies, and is apparently influenced by Cretan work, 17th-12th century BC

Background imageEnemy Collection: Russian barbed wire entanglements, Russo-Japanese War, 1904-5

Russian barbed wire entanglements, Russo-Japanese War, 1904-5

Background imageEnemy Collection: Friends or Foes?, 1876. Artist: Joseph Swain

Friends or Foes?, 1876. Artist: Joseph Swain
Friends or Foes?, 1876. The British Lion, travelling, meets the Russian Bear, who is armed, at the crossroads. This relates to the recent conflict between Turkey and Bulgaria

Background imageEnemy Collection: Arms of Precision, 1878. Artist: Charles Samuel Keene

Arms of Precision, 1878. Artist: Charles Samuel Keene
Arms of Precision, 1878. The setting is a Sham Fight, Aldershot.The Brigade Major is saying to the Officer of Artillery: If you Fire by the Compass due South, at a range of Two Miles



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