Embracing Collection (page 8)

Death the Wooer, c1895, (1923). Artist: Alphonse Legros
Death the Wooer, c1895, (1923). From The Studio Volume 84. [London Offices of the Studio, London, 1923]

The First Revival of the Chap-Book Style, 1885, (1946). Artist: Joseph Crawhall
The First Revival of the Chap-Book Style, 1885, (1946). Izaak Walton : His Wallet Bookeby Izaak Walton (1593-1683) published by Leadenhall Press in 1885

Posthumus. My queen! My mistress! O lady weep no more. Cymbeline: Act I, Scene I, c1875. Artist: Robert Charles Dudley
Posthumus. My queen! My mistress! O lady weep no more. Cymbeline: Act I, Scene I, c1875. A scene from Cymbeline by Shakespeare. From The Illustrated Library Shakespeare

Die Erfullung, 1905. Artist: Gustav Klimt
Die Erfullung, 1905. Die Erfullung (Fulfilment) is part of the Stoclet Frieze a series of three mosaics for the Stoclet Palace in Brussells. From The Studio Volume 96

Cupid and Psyche, 19th century. Artist: William Etty
Cupid and Psyche, 19th century. From The Studio Volume 85. [London Offices of the Studio, London, 1923]

Courtship in a Cowshed, c18th century. Artist: Julius Caesar Ibbetson
Courtship in a Cowshed, c18th century. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

Madonna of the Harpies, 1517. Artist: Andrea del Sarto
Madonna of the Harpies, 1517. Painting housed in the Uffizi Gallery, Florence, Italy. From The Worlds Greatest Paintings, edited by T. Leman Hare. [Odhams Press Ltd, London, 1934]

Portrait of Domenico Morelli and his Grandchild, c1900 (1901-1902). Artist: Alinari
Portrait of Domenico Morelli and his Grandchild, c1900 (1901-1902). A portrait of the Italian painter Domenico Morelli (1823-1901) with his grandaughter. From The Studio Volume 24

Return of the Prodigal, c20th century (1914-1915). Artist: Charles Sargeant Jagger
Return of the Prodigal, c20th century (1914-1915). A design for a relief by Charles Sargeant Jagger (1885-1934). From The Studio Volume 63. [The Offices of the Studio, London, 1914-1915]

Two Roses ;Maude Millett and Annie Hughes, British actresses, 1888. Artist: W&D Downey
Two Roses ; Maude Millett and Annie Hughes, British actresses, 1888. A photograph from The Theatre, A Monthly Review, Volume XI, January to June, 1888, Strand Publishing Company, London, 1888

Rosina Filippi and Sari Petrass, actresses, c1912(?). Artist: Rotary Photo
Rosina Filippi and Sari Petrass, actresses, c1912(?). Rosina Filippi as Julesa and Sari Petrass as Ilona in Gipsy Love

Ivy Millais and Marie Leonhard, actresses, c1900s(?). Artist: Foulsham and Banfield
Ivy Millais and Marie Leonhard, actresses, c1900s(?). Ivy Millais as Stephanus and Marie Leonhard as Marcia in The Sign of the Cross

Pan and Syrinx. Illustration of the story from Ovids Metamorphoses, where the nymph Syrinx was pursued by the amorous Pan

The embarrassment of the hoods, 1882-1884. Artist: J Rocault
The embarrassment of the hoods, 1882-1884. A print from La France et les Francais a Travers les Siecles, Volume IV, F Roy editor, A Challamel, Saint-Antoine, 1882-1884

Lord Cornwallis and Joseph Bonaparte embrace in Amiens, France, 1802 (1882-1884). Charles Cornwallis, 1st Marquess Cornwallis (1738-1805) was a British colonial administrator and soldier

Yes, I Do. Artist: Underwood & Underwood
Yes, I Do. Stereoscopic card detail

Partiality. Artist: Underwood & Underwood
Partiality. Stereoscopic card detail

Loves Token. Artist: American Stereoscopic Company
Loves Token. Stereoscopic card detail

George Greatly Admires Ethels Beautiful Complexion. Artist: Underwood & Underwood
George Greatly Admires Ethels Beautiful Complexion. Stereoscopic card detail

Blissful Moments. Artist: American Stereoscopic Company
Blissful Moments. Stereoscopic card detail

A scene from The Babes in the Wood, at Covent Garden Theatre, London, 1875. Artist: David Henry Friston
A scene from The Babes in the Wood, at Covent Garden Theatre, London, 1875. A print from The Illustrated London News, 9th January 1875

Hugo de Groot (Grotius), 17th century Dutch jurist and philosopher, c1870. Artist: CL van Kesteren
Hugo de Groot (Grotius), 17th century Dutch jurist and philosopher, c1870. A print from Nederlands Geschiedenis en Volksleven in Schetsen, by J Van Lenner and J Ter Gouw. (Leiden, AW Sijthoff, c1870)

The Coal Hole

Cupid and Psyche, late 19th century. Stereoscopic card. Detail

Cupid and Psyche, 1889, (1938). Artist: William-Adolphe Bouguereau
Cupid and Psyche, 1889, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Robert Evett (1874-1949) and Denise Orme (1885-1960) in The Merveilleuses, early 20th century. Artist: Rotary Photo
Robert Evett (1874-1949) and Denise Orme (1885-1960) in The Merveilleuses, early 20th century

Beatrice Terry and H. Marsh Allen in The Palace of Puck, 1907

Social Beings, 1876 (1891). Artist: George du Maurier
Social Beings, 1876 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch

The Summer Girl and Her Sweetheart. Artist: American Stereoscopic Company
The Summer Girl and Her Sweetheart. Stereoscopic card detail

Julia Neilson and Fred Terry in The Scarlet Pimpernel, c1905. Artist: Ellis & Walery
Julia Neilson and Fred Terry in The Scarlet Pimpernel, c1905. Terry and Neilson starred in the play, set during the French Revolution, at Londons New Theatre in 1905

Helen Stephens and Alice Arden, American athletes, Berlin Olympics, 1936. Helen Stephens won gold medals in the womens 100 metres and 4x100 metres relay. Alice Arden competed in the high jump

Romeo and Juliet, late 19th century. The balcony scene from Shakespeares play

A Man embracing a Woman, ca 1524. Artist: Dossi, Dosso (ca. 1486-1542)
A Man embracing a Woman, ca 1524. Found in the collection of the National Gallery, London

Afternoon in Naples (L Apres-midi a Naples), c. 1875. Artist: Cezanne, Paul (1839-1906)
Afternoon in Naples (L Apres-midi a Naples), c. 1875. Found in the collection of the National Gallery of Australia, Canberra

Venus and Adonis, 16th century. Artist: Luca Cambiaso
Venus and Adonis, 16th century. Found in the collection of the Regional W Wereshchagin Art Museum, Mykolaiv, Ukraine

The Lamentation over Christ, late 16th or early 17th century. Artist: Leandro Bassano
The Lamentation over Christ, late 16th or early 17th century. Found in the collection of the Regional W Wereshchagin Art Museum, Mykolaiv, Ukraine

Davids Farewell to Jonathan, 1642. Artist: Rembrandt Harmensz van Rijn
Davids Farewell to Jonathan, 1642. Found in the collection of the State Hermitage, St Petersburg

Return of the Prodigal Son, after 1600. Artist: Jacopo Palma
Return of the Prodigal Son, after 1600. A parable in which a younger son requests his portion of the family property and leaves home for a distant country

A Mournful Parting, 1780s. Artist: Louis Leopold Boilly
A Mournful Parting, 1780s. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Venus and Adonis, 1750s. Artist: Etienne Jeaurat
Venus and Adonis, 1750s. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

The Lamentation over the Dead Christ, late 15th or early 16th century. Artist: Gerard David
The Lamentation over the Dead Christ, late 15th or early 16th century. Found in the collection of the State Hermitage, St Petersburg

Venus and Adonis, c1614. Artist: Peter Paul Rubens
Venus and Adonis, c1614. Rubens, Pieter Paul (1577-1640). Found in the collection of the State Hermitage, St. Petersburg

Heracles and Omphale, 18th century. Artist: Francois Boucher
Heracles and Omphale, 18th century. Boucher, Francois (1703-1770). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Lovers, c1597. Artist: Manohar
Lovers, c1597. Found in the collection of the Freer Gallery of Art, Washington, DC

Dark Eyes, Lubok print, mid 18th century. Lubok (plural Lubki) prints were Russian popular prints with simple graphics portraying stories derived from literature, religion and popular tales

Composition, 1870s. Artist: Andrei Osipovich Karelin
Composition, 1870s. Found in the collection of the State Museum of History, Moscow

Mothers Day, 21st May 1944, Vichy French poster, 1944. Artist: Phili
Mothers Day, 21st May 1944, Vichy French poster, 1944

Arrival of General Voyron at Marseilles on his return from China, 1901. Illustration published in Le Petit Journal, 13th October 1901

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