East Anglia Collection (page 2)

The quarterdeck, Royal Navy training establishment, Shotley, Suffolk, 1936. Known within the service as HMS Ganges, Shotley was Britains largest Royal Naval training establishment from 1905 until it

Oak press, Strangers Hall, Norwich, Norfolk, 1910. Artist: Edwin Foley
Oak press, Strangers Hall, Norwich, Norfolk, 1910. A print from The Book of Decorative Furniture, Volume I, TC and EC Jack Limited, 35 Paternoster Row, and Edinburgh, 1910

The Kings Room Oxburgh Hall, Norfolk, 1910. Artist: Edwin Foley
The Kings Room Oxburgh Hall, Norfolk, 1910. A print from The Book of Decorative Furniture, Volume I, TC and EC Jack Limited, 35 Paternoster Row, and Edinburgh, 1910

A Sketch at Walberswick, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

Views of Sandringham, Norfolk, 1887. Sandringham church, Old Oak, Sandringham Park, Lych Gate, Sandringham church, Sir Dighton Probyns house, the Bachelors cottages

East front and principal entrance, Sandringham, Norfolk, 1887. Queen Victoria purchased the Sandringham estate in 1862 as a home for her eldest son, the Prince of Wales, and his new bride

The Dairy, Sandringham, Norfolk, 1887. Queen Victoria purchased the Sandringham estate in 1862 as a home for her eldest son, the Prince of Wales, and his new bride, Princess Alexandra

Euston Hall, Suffolk, home of the Duke of Grafton, 1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Reverend FO Morris

Stowlangtoft Hall, Suffolk, home of the Wilson family, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland

Sandringham, Norfolk, home of the Prince of Wales, c1880. Sandringham was built for Albert, Prince of Wales, eldest son of Queen Victoria and later King Edward VII

Witchingham Hall, Norfolk, home of Viscount Canterbury, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland

Somerleyton, Suffolk, home of Baronet Crossley, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Reverend FO Morris

Gunton Park, Norfolk, home of Lord Suffield, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Reverend FO Morris

Nether Hall, Suffolk, home of the Greene family, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Reverend FO Morris

Melton Constable, Norfolk, Lord Hastings, c1880
Melton Constable, Norfolk, home of Lord Hastings, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, edited by Reverend FO Morris

On the River at Beccles, Suffolk, 1924-1926. Artist: Louis Burleigh Bruhl
On the River at Beccles, Suffolk, 1924-1926. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, Volume 4, 1924-1926

Post Office and Town Hall, Ipswich, Suffolk, c1905. [Valentines & Sons Ltd. Dundee and London]

Rectory House, Great Snoring, Norfolk, end of the 15th century, (1893). An illustration from A Short History of the English People, by John Richard Green, illustrated edition, Volume II

Kimberley Hall, Norfolk, home of the Earl of Kimberley, c1880. The house stands in grounds landscaped by Capability Brown

The High Street, Cromer, Norfolk, 1924-1926. Artist: Francis Frith & Co
The High Street, Cromer, 1924-1926. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume III, Hutchinson and Co, 1924-1926

Coltishall Lock, Norfolk, 1924-1926. Artist: John Harrap and Son
Coltishall Lock, Norfolk, 1924-1926. Coltishall is a village situated on the River Bure in the Norfolk Broads. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume III

Barges on the Stour, with Dedham Church in the Distance, 1811. Artist: John Constable
Barges on the Stour, with Dedham Church in the Distance, 1811. From the Victoria and Albert Museum, London

Traditional Norfolk boats, 1814. Artist: William Henry Pyne
Traditional Norfolk boats, 1814. Top and bottom are Norfolk hay boats, small square-rigged coastal vessels with shallow draught which enabled them to navigate English east coast estuaries

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