Skip to main content

Dante Collection (page 3)

Background imageDante Collection: The crust came drawn from underneath in flakes, c1890. Creator: Gustave Doré

The crust came drawn from underneath in flakes, c1890. Creator: Gustave Doré
The crust came drawn from underneath in flakes, like scales scraped from the bream, or fish of broader mail, c1890. Dante

Background imageDante Collection: He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré

He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré
He, soon as there I stood at the tombs foot, ey d me a space, then in disdainful mood address d me: " Say, what ancestors were thine?", c1890. Dante and the Roman poet Virgil

Background imageDante Collection: He answer thus return d: The arch-heretics are here, c1890. Creator

He answer thus return d: The arch-heretics are here, c1890. Creator
He answer thus return d: " The arch-heretics are here", c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageDante Collection: The guide, who mark d how I did gaze attentive, thus began, c1890. Creator: Gustave Doré

The guide, who mark d how I did gaze attentive, thus began, c1890. Creator: Gustave Doré
The guide, who mark d how I did gaze attentive, thus began: " Within these ardours are the spirits, each swath d in confining fire", c1890

Background imageDante Collection: Be none of you outrageous, c1890. Creator: Gustave Doré

Be none of you outrageous, c1890. Creator: Gustave Doré
Be none of you outrageous: ere your time dare seize me, come forth from amongst you one, who having heard my words, decide he then if he shall tear these limbs, c1890

Background imageDante Collection: And straight the trunk exclaim d, Why pluck st thou me?, c1890. Creator

And straight the trunk exclaim d, Why pluck st thou me?, c1890. Creator
And straight the trunk exclaim d, " Why pluck st thou me?", c1890. Dante and the Roman poet Virgil encounter men who who have been transformed into trees

Background imageDante Collection: Then, not to make them sadder, I kept down my spirit in stillness, c1890

Then, not to make them sadder, I kept down my spirit in stillness, c1890
" Then, not to make them sadder, I kept down my spirit in stillness", c1890. Count Ugolino, his sons and grandsons condemned to death by starvation in the Torre dei Gualandi

Background imageDante Collection: That pierced spirit... was he who gave the Pharisees council, c1890. Creator

That pierced spirit... was he who gave the Pharisees council, c1890. Creator
" That pierced spirit, whom intent thou view st, was he who gave the Pharisees council, that it were fitting for one man to suffer for the people", c1890

Background imageDante Collection: New terror I conceived at the steep plunge, c1890. Creator: Gustave Doré

New terror I conceived at the steep plunge, c1890. Creator: Gustave Doré
New terror I conceived at the steep plunge, c1890. Dante and the Roman poet Virgil ride on the back of Geryon, the Monster of Fraud

Background imageDante Collection: Sir! Brunetto! And are ye here?, c1890. Creator: Gustave Doré

Sir! Brunetto! And are ye here?, c1890. Creator: Gustave Doré
" Sir! Brunetto! And are ye here?", c1890. Dante and the Roman poet Virgil meet Dantes tutor and guardian, Brunetto Buanaccorso Latini, in a firestorm

Background imageDante Collection: Love brought us to one death: Caina waits the soul, who split our life, c1890. Creator

Love brought us to one death: Caina waits the soul, who split our life, c1890. Creator
Love brought us to one death: Caina waits the soul, who split our life, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageDante Collection: O senseless spirit! let thy horn for thee interpret, c1890. Creator

O senseless spirit! let thy horn for thee interpret, c1890. Creator
" O senseless spirit! let thy horn for thee interpret: therewith vent thy rage, if rage or other passion wring thee", c1890

Background imageDante Collection: And, lo ! Towards us in a bark comes an old man, c1890. Creator: Gustave Doré

And, lo ! Towards us in a bark comes an old man, c1890. Creator: Gustave Doré
And, lo ! Towards us in a bark comes an old man, c1890. Charon, ferryman of the dead. Illustration from " The Vision of Hell" (Inferno)

Background imageDante Collection: Onward he moved, I close his steps pursued, c1890. Creator: Gustave Doré

Onward he moved, I close his steps pursued, c1890. Creator: Gustave Doré
Onward he moved, I close his steps pursued, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageDante Collection: A lion came, gainst me as it appear d, c1890. Creator: Gustave Doré

A lion came, gainst me as it appear d, c1890. Creator: Gustave Doré
A lion came, gainst me as it appear d, with his head held aloft, and hunger-mad, c1890. Illustration from " The Vision of Hell" (Inferno)

Background imageDante Collection: Not more furiously on Menalippus temples Tydeus gnawed, c1890. Creator: Gustave Doré

Not more furiously on Menalippus temples Tydeus gnawed, c1890. Creator: Gustave Doré
Not more furiously on Menalippus temples Tydeus gnawed, than on that skull and on its garbage he, c1890. Dante and the Roman poet Virgil visit a frozen lake

Background imageDante Collection: By the hair it bore the sever d member, lantern-wise pendant in hand, c1890. Creator

By the hair it bore the sever d member, lantern-wise pendant in hand, c1890. Creator
By the hair it bore the sever d member, lantern-wise pendant in hand, which look d at us and said, " Woes me!", c1890

Background imageDante Collection: Then Geddo at my feet outstretch d did fling him, crying, Hast no help for me my father

Then Geddo at my feet outstretch d did fling him, crying, Hast no help for me my father
" Then Geddo at my feet outstretch d did fling him, crying, Hast no help for me my father! ", c1890. Count Ugolino

Background imageDante Collection: all-searching Justice, dooms to punishment the forgers, c1890. Creator: Gustave Doré

all-searching Justice, dooms to punishment the forgers, c1890. Creator: Gustave Doré
Then my sight was livelier to explore the depth, wherein the minister of the most mighty Lord, all-searching Justice, dooms to punishment the forgers noted on her dread record, c1890

Background imageDante Collection: Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?

Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?
But Virgil roused me: " What yet gazest on? Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?", c1890

Background imageDante Collection: Then seizing on his hinder scalp, I cried: Name thee, or not a hair shall tarry here

Then seizing on his hinder scalp, I cried: Name thee, or not a hair shall tarry here
Then seizing on his hinder scalp, I cried: " Name thee, or not a hair shall tarry here", c1890. Dante and the Roman poet Virgil walk on a frozen lake

Background imageDante Collection: Take good heed, thy soles do tread not on the heads of thy poor brethren, c1890

Take good heed, thy soles do tread not on the heads of thy poor brethren, c1890
" Look how thou walkest. Take good heed, thy soles do tread not on the heads of thy poor brethren", c1890. Dante and the Roman poet Virgil walk on a frozen lake

Background imageDante Collection: Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré

Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré
Call thou to mind Piero of Medicina, if again returning, c1890. Dante and the Roman poet Virgil encounter Pier da Medicina who must hold open his windpipe to speak

Background imageDante Collection: Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator

Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator
" Now mark how I do rip me! lo! How is Mahomet mangled!", c1890. Dante and the Roman poet Virgil witness the suffering of the prophet Mohammed, who is repeatedly ripped open

Background imageDante Collection: The other two look d on, exclaiming, Ah! How dost thou change, Agnello!, c1890

The other two look d on, exclaiming, Ah! How dost thou change, Agnello!, c1890
The other two look d on, exclaiming, " Ah! How dost thou change, Agnello!", c1890. The Florentine thief Agnello Brunelleschi and Cianfa Donati the serpent merging into a single body

Background imageDante Collection: Tuscan... disdain not to instruct us who thou art, c1890. Creator: Gustave Doré

Tuscan... disdain not to instruct us who thou art, c1890. Creator: Gustave Doré
" Tuscan, who visitest the college of the mourning hypocrites, disdain not to instruct us who thou art", c1890. Dante and the Roman poet Virgil encounter the Hypocrites

Background imageDante Collection: Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Creator

Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Creator
Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageDante Collection: Amid this dread exuberance of woe ran naked spirits wing d with horrid fear, c1890

Amid this dread exuberance of woe ran naked spirits wing d with horrid fear, c1890. The damned, handcuffed with snakes: With serpents were their hands behind them bound

Background imageDante Collection: But the other proved a goshawk... and in the boiling lake both fell, c1890. Creator

But the other proved a goshawk... and in the boiling lake both fell, c1890. Creator
But the other proved a goshawk able to rend well his foe; and in the boiling lake both fell, c1890. Two demons fall into a lake of molten pitch

Background imageDante Collection: In pursuit he therefore sped, exclaiming; Thou art caught, c1890. Creator

In pursuit he therefore sped, exclaiming; Thou art caught, c1890. Creator
In pursuit he therefore sped, exclaiming; " Thou art caught", c1890. The demon Alichino chases the escaping sinner Bonturo Dati

Background imageDante Collection: This said, they grappled him with more than hundred hooks, c1890. Creator: Gustave Doré

This said, they grappled him with more than hundred hooks, c1890. Creator: Gustave Doré
This said, they grappled him with more than hundred hooks, c1890. Naked sinners are punished by demons. Illustration from " The Vision of Hell" (Inferno)

Background imageDante Collection: There stood I like the friar, that doth shrive a wretch for murder doom d, c1890

There stood I like the friar, that doth shrive a wretch for murder doom d, c1890. Dante and the Roman poet Virgil encounter Pope Nicholas III

Background imageDante Collection: Thais is this, the harlot, c1890. Creator: Gustave Doré

Thais is this, the harlot, c1890. Creator: Gustave Doré
Thais is this, the harlot, whose false lip answer d her doting paramour that ask d, " Thankest me much!", c1890

Background imageDante Collection: Why greedily thus bendest more on me?, c1890. Creator: Gustave Doré

Why greedily thus bendest more on me?, c1890. Creator: Gustave Doré
" Why greedily thus bendest more on me, than on these other filthy ones, thy ken?", c1890. Dante and the Roman poet Virgil encounter Alessio Interminei of Lucca immers d in ordure

Background imageDante Collection: Ah! How they made them bound at the first stripe!, c1890. Creator: Gustave Doré

Ah! How they made them bound at the first stripe!, c1890. Creator: Gustave Doré
Ah! How they made them bound at the first stripe!, c1890. Naked sinners are lashed by demons. Illustration from " The Vision of Hell" (Inferno)

Background imageDante Collection: Forthwith that image vile of fraud appear d, c1890. Creator: Gustave Doré

Forthwith that image vile of fraud appear d, c1890. Creator: Gustave Doré
Forthwith that image vile of fraud appear d, c1890. Dante and the Roman poet Virgil encounter the fell monster with the deadly sting

Background imageDante Collection: Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré

Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré
Unceasing was the play of wretched hands, ...to shake off the heat, still falling fresh, c1890. Dante and the Roman poet Virgil witness the damned afflicted by flakes of fire

Background imageDante Collection: One cried from far: Say to what pain ye come condemn d, c1890. Creator

One cried from far: Say to what pain ye come condemn d, c1890. Creator
One cried from far: " Say to what pain ye come condemn d, who down this steep have journied? Speak from whence ye stand, or else the bow I draw", c1890

Background imageDante Collection: And there at point of the disparted ridge lay stretch d the infamy of Crete, c1890

And there at point of the disparted ridge lay stretch d the infamy of Crete, c1890. Dante and the Roman poet Virgil encounter the Minotaur

Background imageDante Collection: Haste now, the foremost cried, now haste thee death!, c1890

Haste now, the foremost cried, now haste thee death!, c1890
" Haste now, " the foremost cried, " now haste thee death!", c1890. Men who who have been transformed into trees

Background imageDante Collection: From the profound abyss, behind the lid of a great monument we stood retired, c1890

From the profound abyss, behind the lid of a great monument we stood retired, c1890. Dante and the Roman poet Virgil shelter in craggy rocks and try to avoid the horrible excess of fetid exhalation

Background imageDante Collection: Here the brute Harpies make their nest, c1890. Creator: Gustave Doré

Here the brute Harpies make their nest, c1890. Creator: Gustave Doré
Here the brute Harpies make their nest, c1890. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri

Background imageDante Collection: Mark thou each dire Erynnis, c1890. Creator: Gustave Doré

Mark thou each dire Erynnis, c1890. Creator: Gustave Doré
Mark thou each dire Erynnis, c1890. Dante and the Roman poet Virgil encounter the Erinyes: three hellish furies stain d with blood

Background imageDante Collection: I could not hear what terms he offer d them, c1890. Creator: Gustave Doré

I could not hear what terms he offer d them, c1890. Creator: Gustave Doré
I could not hear what terms he offer d them, c1890. Dante and the Roman poet Virgil land on the far bank of the river Styx

Background imageDante Collection: My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré

My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré
Then stretch d he forth hands to the bark; whereof my teacher sage aware, thrusting him back: " Away! down there To the other dogs!", c1890

Background imageDante Collection: Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré

Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré
Soon as both embark d, cutting the waves, goes on the ancient prow, more deeply than with others it is wont, c1890. Phlegyas ferries Dante

Background imageDante Collection: To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré

To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré
To the gate he came, and with his wand touch d it, whereat open without impediment it flew, c1890. Dante and the Roman poet Virgil pass through the gate of Dis

Background imageDante Collection: Not all the gold, that is beneath the moon or ever hath been, c1890. Creator: Gustave Doré

Not all the gold, that is beneath the moon or ever hath been, c1890. Creator: Gustave Doré
Not all the gold, that is beneath the moon or ever hath been, of these toil-worn souls Might purchase rest for one, c1890. The damned struggling to push heavy weights uphill



All Professionally Made to Order for Quick Shipping