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Cutting Collection (page 5)

Background imageCutting Collection: Idoles de Tabasco, 1723. Creator: Bernard Picart

Idoles de Tabasco, 1723. Creator: Bernard Picart
Idoles de Tabasco, 1723. Idols of Tabasco. Gruesome scene of human sacrifice that supposedly took place in southern Mexico

Background imageCutting Collection: Captif Sacrifie par les Antis, 1723. Creator: Bernard Picart

Captif Sacrifie par les Antis, 1723. Creator: Bernard Picart
Captif Sacrifie par les Antis, 1723. Captive sacrificed by the Antis. Gruesome scene in the Americas, showing a man tied to a post being flayed and bled with knives

Background imageCutting Collection: The Rape of the Lock, 1896, (1928). Creator: Aubrey Beardsley

The Rape of the Lock, 1896, (1928). Creator: Aubrey Beardsley
The Rape of the Lock, 1896, (1928). The Baron (left) is snipping off a lock of Belindas hair with a pair of scissors. ( Rape in this case is derived from the Latin rapere, meaning to snatch, to grab)

Background imageCutting Collection: The Woodcutter, 1812, (c1900). Creator: Unknown

The Woodcutter, 1812, (c1900). Creator: Unknown
The Woodcutter, 1812, (c1900). Man cutting and smoothing branches with a billhook, with his family sitting nearby. Print after a painting by Joshua Cristall

Background imageCutting Collection: Lumbering on the Ottawa River, Canada, c1900. Creator: Unknown

Lumbering on the Ottawa River, Canada, c1900. Creator: Unknown
Lumbering on the Ottawa River, Canada, c1900. Lumberjacks chopping up a felled tree. From Scenic Marvels of the New World edited by Prof. Geo.R. Cromwell. [C.N.Greig & Co. c1900]

Background imageCutting Collection: The Knight Errant, 1870, (c1902). Creator: Unknown

The Knight Errant, 1870, (c1902). Creator: Unknown
The Knight Errant, 1870, (c1902). After a painting in the Tate Gallery, London. Victorian imagining of a medieval scene where a knight rescues a maiden in distress

Background imageCutting Collection: A Fern-Cutters Child, c1800, (1925). Artist: Robert Mitchell Meadows

A Fern-Cutters Child, c1800, (1925). Artist: Robert Mitchell Meadows
A Fern-Cutters Child, c1800, (1925). Countryside scene. From English Rural Life in the Eighteenth Century, by W. Gaunt. [The Connoisseur, London, 1925]

Background imageCutting Collection: The Mower, 1919. Artist: Harry Becker

The Mower, 1919. Artist: Harry Becker
The Mower, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Background imageCutting Collection: Nurse cutting childrens verminous hair, Finch Street Cleansing Station, London, 1911

Nurse cutting childrens verminous hair, Finch Street Cleansing Station, London, 1911
Nurse cutting childrens verminous hair, Finch Street Cleansing Station, Stepney, London, 1911. A nurse treats children whose hair is infested with lice and nits

Background imageCutting Collection: Highgate Archway viaduct, London, c1820

Highgate Archway viaduct, London, c1820. View showing horse-drawn vehicles. The viaduct was designed by John Nash and built in 1813. It was demolished in 1901

Background imageCutting Collection: London and Croydon Railway, New Cross, Deptford, London, 1839. Artist: Edward Duncan

London and Croydon Railway, New Cross, Deptford, London, 1839. Artist: Edward Duncan
London and Croydon Railway, New Cross, Deptford, London, 1839. View of the railway from the great cutting at New Cross Hill, looking towards the Greenwich Railway

Background imageCutting Collection: Messrs J&R Morleys warehouses, corner of Wood Street and Gresham Street, London, c1840

Messrs J&R Morleys warehouses, corner of Wood Street and Gresham Street, London, c1840
Messrs J&R Morleys warehouses, corner of Wood Street and Gresham Street, City of London, c1840. View showing men cutting stone in the street

Background imageCutting Collection: Money making; cutting strips of silver into disks, 20th century

Money making; cutting strips of silver into disks, 20th century. The cutting machine stamps out a double row of disks

Background imageCutting Collection: Installing a damp proof course in a house in Goldthorpe, South Yorkshire, 1957. Artist

Installing a damp proof course in a house in Goldthorpe, South Yorkshire, 1957. Artist
Installing a damp proof course in a house in Goldthorpe, South Yorkshire, 1957. A contractor using a cutting machine to create a channel in which to insert a damp proof membrane

Background imageCutting Collection: Cutting steel rods to length, Park Gate Iron & Steel Co, Rotherham, South Yorkshire, 1964

Cutting steel rods to length, Park Gate Iron & Steel Co, Rotherham, South Yorkshire, 1964

Background imageCutting Collection: Steel bars being cut to size at J Beardshaw & Sons, Sheffield, South Yorkshire, 1963

Steel bars being cut to size at J Beardshaw & Sons, Sheffield, South Yorkshire, 1963. The finished steel bars being cut to size and marked up for dispatch

Background imageCutting Collection: Page cutting guillotine in use at a South Yorkshire printing company, 1959. Artist

Page cutting guillotine in use at a South Yorkshire printing company, 1959. Artist
Page cutting guillotine in use at a printing company, Mexborough, South Yorkshire, 1959. Printed pages are cut to size

Background imageCutting Collection: Workers at a printing company, Mexborough, South Yorkshire, 1959

Workers at a printing company, Mexborough, South Yorkshire, 1959. Workers using a Knouse 3 knife trimming machine

Background imageCutting Collection: Worker using a cutting machine, Egdar Allen Steel Foundry, Sheffield, South Yorkshire, 1964

Worker using a cutting machine, Egdar Allen Steel Foundry, Sheffield, South Yorkshire, 1964. A technician at work on a Taylor Hobson optical profile cutting machine that was used for the precision

Background imageCutting Collection: Dressing meat for sale, Rawmarsh, South Yorkshire, 1955. Artist: Michael Walters

Dressing meat for sale, Rawmarsh, South Yorkshire, 1955. Artist: Michael Walters
Dressing meat for sale, Rawmarsh, South Yorkshire, 1955. At Schonhuts butchery factory in the village of Rawmarsh, near Rotherham

Background imageCutting Collection: 1 in 14 rail crossing, mould and pattern, Stanley Works, Sheffield, South Yorkshire, 1968

1 in 14 rail crossing, mould and pattern, Stanley Works, Sheffield, South Yorkshire, 1968

Background imageCutting Collection: Pattern making for a rail junction, Stanley Works, Sheffield, South Yorkshire, 1964

Pattern making for a rail junction, Stanley Works, Sheffield, South Yorkshire, 1964. The pattern was made by hand from wood

Background imageCutting Collection: Woman using Stanley electric garden shears, 1965. Artist: Michael Walters

Woman using Stanley electric garden shears, 1965. Artist: Michael Walters
Woman using Stanley electric garden shears, 1965. Although a common sight today, the electric garden shears were a new invention in the 1960s

Background imageCutting Collection: Damp proofing, Goldthorpe, South Yorkshire, 1957. Artist: Michael Walters

Damp proofing, Goldthorpe, South Yorkshire, 1957. Artist: Michael Walters
Damp proofing, Goldthorpe, South Yorkshire, 1957. Two workers use a cutting machine used to create a channel in which to insert a damp proof membrane

Background imageCutting Collection: Boy having a haircut, 1988

Boy having a haircut, 1988

Background imageCutting Collection: Pre-packed gammon steaks, Danish Bacon Company, Yorkshire, 1964. Artist: Michael Walters

Pre-packed gammon steaks, Danish Bacon Company, Yorkshire, 1964. Artist: Michael Walters
Pre-packed gammon steaks, Danish Bacon Company, Yorkshire, 1964. A studio image shot to advertise the new range of pre-packed gammon steaks available from the Danish Bacon Company

Background imageCutting Collection: 240 ways to spell scissors, newspaper cutting from 1829, copied in 1963. Artist

240 ways to spell scissors, newspaper cutting from 1829, copied in 1963. Artist
240 ways to spell scissors, newspaper cutting from 1829, copied in 1963. A newspaper cutting from 1839 telling of the 240 possible variations on the way to spell scissors

Background imageCutting Collection: Bottom of a Vessel with Scene of the Sacrifice of Isaac, 4th century

Bottom of a Vessel with Scene of the Sacrifice of Isaac, 4th century. Artist: West European Applied Art
Bottom of a Vessel with Scene of the Sacrifice of Isaac, 4th century. Found in the collection of State Hermitage, St. Petersburg

Background imageCutting Collection: Glass with the double walls and a landscape composition, 1818. Artist: Master A

Glass with the double walls and a landscape composition, 1818. Artist: Master A. Vershinin (Early 19th century)
Glass with the double walls and a landscape composition, 1818. Found in the collection of the State V. Tropinin-Museum, Moscow

Background imageCutting Collection: Slaves harvesting sugar cane in Louisiana, 1833

Slaves harvesting sugar cane in Louisiana, 1833. Note the serrated sickle being used. From Scenes of American Wealth and Industry. (Boston, 1833). (Colorised black and white print)

Background imageCutting Collection: Arbeiter beim Anschneiden eines Gummibaumes (Spiralschnitt ist unwirtschaftlich und wird nicht mehr)

Arbeiter beim Anschneiden eines Gummibaumes (Spiralschnitt ist unwirtschaftlich und wird nicht mehr)
Arbeiter beim Anschneiden eines Gummibaumes (Spiralschnitt ist unwirtschaftlich und wird nicht mehr angewandt), 1926. Worker cutting a rubber tree

Background imageCutting Collection: British Soldiers Cutting a Dam Constructed by Arabi at Mahuta, c1882

British Soldiers Cutting a Dam Constructed by Arabi at Mahuta, c1882. Episode of the Anglo-Egyptian War (1882). From British Battles on Land and Sea, Vol. IV, by James Grant

Background imageCutting Collection: Now for the cake, said Mas r George, 1929

Now for the cake, said Mas r George, 1929. A scene from Harriet Beecher Stowes Uncle Toms Cabin. Stowes anti-slavery novel was first published in 1852

Background imageCutting Collection: A khaki wedding: Cutting the wedding cake with the bridegrooms sword, 1915

A khaki wedding: Cutting the wedding cake with the bridegrooms sword, 1915. From The Manchester Guardian History of the War, Vol. II. - 1914-15. [John Heywood Ltd, London, 1915]

Background imageCutting Collection: The Hairdresser, c1905, (1912). Artist: Walter Frederick Roofe Tyndale

The Hairdresser, c1905, (1912). Artist: Walter Frederick Roofe Tyndale
The Hairdresser, c1905, (1912). From An Artist in Egypt by Walter Tyndale, R.I. [Hodder & Stoughton, London, New York, Toronto, 1912]

Background imageCutting Collection: Corte de Cana - Cutting sugar cane - Cuba, c1910

Corte de Cana - Cutting sugar cane - Cuba, c1910. [American Photo Studios, Cuba, Havana, c1910]

Background imageCutting Collection: Barskimming House and Bridge, 1804. Artist: James Fittler

Barskimming House and Bridge, 1804. Artist: James Fittler
Barskimming House and Bridge, 1804. After John Claude Nattes (c1765-1839). From Scotia Depicta; or, the Antiquities, Castles, Public Buildings, Noblemen and Gentlemens Seats, Cities, Towns

Background imageCutting Collection: Cane Cutting, c1930

Cane Cutting, c1930. Cane Cutting, Trinidad

Background imageCutting Collection: The Woodcutters, c1853. Artist: Jean Francois Millet

The Woodcutters, c1853. Artist: Jean Francois Millet
The Woodcutters, c1853. From The Studio Volume 36. [The Offices of the Studio Ltd. London, 1905-6]

Background imageCutting Collection: The Wood Sawyers; Les scieurs de long, c1850, (1911). Artist: Jean Francois Millet

The Wood Sawyers; Les scieurs de long, c1850, (1911). Artist: Jean Francois Millet
The Wood Sawyers; Les scieurs de long, c1850. Painting held in the Victoria & Albert Museum, London. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C

Background imageCutting Collection: Cuba: Corte de Cana. Cutting Sugar Cane, c1910

Cuba: Corte de Cana. Cutting Sugar Cane, c1910. [Edielon Jordo]

Background imageCutting Collection: Cutting the Cienfuegos Cables, (1898), 1920s

Cutting the Cienfuegos Cables, (1898), 1920s
The Spanish used undersea cables as a means to communicate with not only the rest of Cuba, but also the Spanish command. These cables had many key junctions

Background imageCutting Collection: Workers cutting leather for shoes in a factory, Lynn, Massachusetts, USA, 20th century

Workers cutting leather for shoes in a factory, Lynn, Massachusetts, USA, 20th century. Artist: Keystone View Company
Workers cutting leather for shoes in a factory, Lynn, Massachusetts, USA, 20th century. Stereoscopic card. Detail

Background imageCutting Collection: Old Woman Cutting Her Nails, 18th or 19th century. Artist: J Haid

Old Woman Cutting Her Nails, 18th or 19th century. Artist: J Haid
Old Woman Cutting Her Nails, 19th century(?). After a painting of 1655-1660 by Rembrandt

Background imageCutting Collection: A Dutchwoman Cutting Cloth, 1889

A Dutchwoman Cutting Cloth, 1889. A print from Figaro Exposition, Simpkin, Marshall, Hamilton, Kent and Co, Limited, 4 Stationers Hall Court, London, 1889

Background imageCutting Collection: Soldiers cutting through barbed wire defences, Oppy, France, World War I, 1914-1918

Soldiers cutting through barbed wire defences, Oppy, France, World War I, 1914-1918. Stereoscopic card detail

Background imageCutting Collection: Cutting and storing ice on the Hudson River, New York, USA, 1875

Cutting and storing ice on the Hudson River, New York, USA, 1875. A print from The Illustrated London News, 16th January 1875

Background imageCutting Collection: Peasants cutting millet, near Yokohama, Japan, 1904. Artist: Underwood & Underwood

Peasants cutting millet, near Yokohama, Japan, 1904. Artist: Underwood & Underwood
Peasants cutting millet, near Yokohama, Japan, 1904. Stereoscopic card. Detail



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