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Monstrosities of 1819, and 1820, 1835. ArtistMonstrosities of 1819, and 1820, 1835. Candies and dandyzettes promenade in a park
Sketch for an Al-bum, 1835. Artist: George CruikshankSketch for an Al-bum, 1835. A high wind is blowing in the same direction as the riders and pedestrians, causing the buttocks of the persons in the picture to be accentuated either by the pressure of
Anglo-Gallic salutations in London - or Practice makes perfect -, 1835. ArtistAnglo-Gallic salutations in London - or Practice makes perfect -, 1835. Two Frenchmen meet on the pavement outside the door of the White Bear coaching inn, Piccadilly
Going to Hobby Fair, 1835. ArtistGoing to Hobby Fair, 1835. A lake in a park, with citizens disporting themselves on hobby horses on the banks. In the foreground a stout figure, his hat and wig removed
Ancient and modern military dandies, 1835. Artist: George CruikshankAncient and modern military dandies, 1835. Officers in tight fitting elaborate uniforms examine armour in a museum. A satire on the elaborate Regency fashions
View of a Skittle Ground at Hampstead, 1813. Artist: George CruikshankView of a Skittle Ground at Hampstead, 1813. Two scenes: above; five men sit or stand round a tabe with a punch bowl and glasses, some smoking pipes
Specimens of Liberality towards Self!!, 1809. A Common Council meeting in the Guildhall Council Chamber. Members eagerly agree to celebrate George IIIs Jubilee on 25th October, 1809
Bull and Mouth Street, City of London, 1825. Artist: Isaac Robert CruikshankView of the Old General Post Office, St Martins le Grand, London, 1825. With busy street scene and a carriage
The Drunkards Children, c1847. Artist: George CruikshankThe Drunkards Children, c1847; showing the interior of a room in the Old Bailey with the drunkards children together for the last time
Scene at Horse Guards Parade, London, 1816. The Prince Regent (later King George IV) is portrayed as the mortar known as the Regents Bomb
Exhibition at the Royal Horticultural Society, London, 1826. Artist: George CruikshankExhibition at the Royal Horticultural Society, London, 1826. An unusual exhibition in the Great Room of the Horticultural Society in Lower Regent Street, Westminster, London
Laplanders on display in the Egyptian Hall, London, 1822. Artist: Isaac CruikshankScene of a family of Laplanders with their reindeer and house on display at Bullocks Museum, better known as the Egyptian Hall, on Piccadilly, London
Lotteries, 1826. Artist: Isaac Robert CruikshankAll Lotteries Will End For Ever, 1826; showing in the top scene Time, lottery contractors, etc watching Blue Coat boys holding up winning number
Purity of the River Thames, 1832. Artist: George CruikshankSatire on the purity of the water in the River Thames showing Cadwalla-der Tudor Edwards Vaughan, water king of Southwark, addressing subjects of his borough at low tide by London Bridge
A whistling shop : Tom & Jerry visiting Logic, on board the Fleet, Fleet PrisonA whistling shop : Tom & Jerry visiting Logic, on board the Fleet. A scene at the Fleet Prison, London, 1821 showing characters smoking, drinking and playing cards
Quaker Uproar, London, 1827. Artist: Isaac Robert CruikshankSweet William and Grizzell, or Newington nunnery, in a pretty considerable uproar, 1827; scene about infidelity at a Friends meeting house in the Quaker boarding school at Stoke Newington, London
Public Bathing at Bath, or Stewing Alive, 1825. Artist: Isaac Robert CruikshankPublic Bathing at Bath, or Stewing Alive, 1825. Bathers taking the waters or stewing in the Roman baths at Bath in Somerset, wearing clothes and even hats to preserve their modesty
The Boy Dies on the Transportation Ship, 1848. Artist: George CruikshankThe Boy Dies on the Transportation Ship, 1848. Plate 7 from The Drunkards Children, a folio of prints by George Cruikshank inspired by the Temperance Movement
The Congress dissolved before the Cake was Cut up, Caricature on the Congress of Vienna, 1815. Private Collection
Harriet Beecher Stowe. Frontispiece of Uncle Toms Cabin, or Life Among the Lowly by Voltaire, 1852. Private Collection
Merry making on the regents birth day, 1812, 1812. Artist: Cruikshank, George (1792-1878)Merry making on the regents birth day, 1812, 1812. From a private collection
White Horse Cellar, Piccadilly (From: 36 scenes from real life), 1821. Artist: Cruikshank, Isaac Robert (1789-1856)White Horse Cellar, Piccadilly (From: 36 scenes from real life), 1821. From a private collection
Bartholomew Fair: From the Inside, 1942. Artist: R. CruikshankBartholomew Fair: From the Inside, 1942. From Fairs, Circuses and Music Halls, by M. Wilson Disher. [Collins, London, 1942]
The Burmese War: A Grand Naval and Military Melo-Drama, 1942. Artist: R. CruikshankThe Burmese War: A Grand Naval and Military Melo-Drama, 1942. From Fairs, Circuses and Music Halls, by M. Wilson Disher. [Collins, London, 1942]
A Game of Chess, 1948. Artist: George CruikshankA Game of Chess, 1948. From British Chess, by Kenneth Matthews. [Collins, London, 1948]. (Colorised black and white print)
Cruikshanks Exhibition of Bloomers in Hyde Park, 1852, c1870. Artist: George CruikshankCruikshanks Exhibition of Bloomers in Hyde Park, 1852, c1870. George Cruikshanks original satirical etchings first published for The Comic Almanack in 1852
Hyde Park Corner in 1822, c1870. Artist: George CruikshankHyde Park Corner in 1822, c1870. Hyde Park Corner is an area of London, located around a major road junction at the southeastern corner of Hyde Park
An Unthankful Fellow, 1829. Artist: George CruikshankAn Unthankful Fellow, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Taken in Tow - A Scene on a Rope walk, 1829. Artist: George CruikshankTaken in Tow - A Scene on a Rope walk, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Church & State, 1829. Artist: George CruikshankChurch & State, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
The Shop for Bargains, 1829. Artist: George CruikshankThe Shop for Bargains, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Black Eyed Sue the bold smuggler and Will Watch the look out man, 1829. Artist: George CruikshankBlack Eyed Sue the bold smuggler and Will Watch the look out man, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
A Bustling Woman, 1829. Artist: George CruikshankA Bustling Woman, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
The New Police Act, 1829. Artist: George CruikshankThe New Police Act, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Is the Labourer worthy of his hire?, 1829. Artist: George CruikshankIs the Labourer worthy of his hire?, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Miss Nomer, 1829. Artist: George CruikshankMiss Nomer, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Elbow Room, 1829. Artist: George CruikshankElbow Room, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Lithography, 1829. Artist: George CruikshankLithography, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Forte Piano, 1829. Artist: George CruikshankForte Piano, 1829. From Scraps & Sketches by George Cruikshank. [George Cruikshank, London, 1829]
Still Life Hare, c1895. Artist: William CruikshankStill Life Hare, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd
Still Life Game Birds, c1895. Artist: William CruikshankStill Life Game Birds, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd
Horatio Sparkins, c1900. Artist: George CruikshankHoratio Sparkins, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles Dickens. [Blackwood, Le Bas & Co. London, c1900]
Mrs. Tibbs and Mr. Evenson, c1900. Artist: George CruikshankMrs. Tibbs and Mr. Evenson, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles Dickens. [Blackwood, Le Bas & Co. London, c1900]
The Pawnbrokers Shop, c1900. Artist: George CruikshankThe Pawnbrokers Shop, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles. Dickens [Blackwood, Le Bas & Co. London, c1900]
Public Dinners, c1900. Artist: George CruikshankPublic Dinners, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles Dickens. [Blackwood, Le Bas & Co. London, c1900]
Vauxhall Gardens by Day, c1900Vauxhall Gardens By Day, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles Dickens. [Blackwood, Le Bas & Co. London, c1900]
Private Theatres, c1900. Artist: George CruikshankPrivate Theatres, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles Dickens. [Blackwood, Le Bas & Co. London, c1900]
Scotland Yard, c1900. An illustration for Sketches by Boz by Charles Dickens. From Hard Times and Sketches by Boz, Volume XI, by Charles Dickens. [Blackwood, Le Bas & Co. London, c1900]
