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Crown Collection (#47)

Background imageCrown Collection: Portrait of Tsar Feodor Alexeyevich, first half of 19th century

Portrait of Tsar Feodor Alexeyevich, first half of 19th century. Copy of an earlier portrait. Detail. The third tsar of the Romanov dynasty, Feodor III (1661-1682) succeeded his father, Alexis I

Background imageCrown Collection: Portrait of Tsar Michael Feodorovich, first half of 19th century

Portrait of Tsar Michael Feodorovich, first half of 19th century. Copy of an earlier portrait. Detail. Michael I (1596-1645) was the first Romanov tsar of Russia

Background imageCrown Collection: Portrait of the Empress Alexandra Feodorovna, 1907. Artist: Nikolai Bodarevsky

Portrait of the Empress Alexandra Feodorovna, 1907. Artist: Nikolai Bodarevsky
Portrait of the Empress Alexandra Feodorovna, 1907. Detail. A granddaughter of Queen Victoria, Princess Alix of Hesse (1872-1918) married Tsar Nicholas II in November 1894

Background imageCrown Collection: Portrait of the Regent Sofia Alexeyevna, first half of 19th century

Portrait of the Regent Sofia Alexeyevna, first half of 19th century. Copy of an earlier portrait. Detail. The third surviving daughter of Tsar Alexis I and his first wife, Maria Miloslavskaya

Background imageCrown Collection: Faust and Mephistopheles, 1888

Faust and Mephistopheles, 1888. Faust is the House of Lords and Mr Henry Labouchere MP is Mephistopheles. Labouchere was the latest in a long line of MPs to introduce a proposal to reform the House

Background imageCrown Collection: A Momentous Question!, 1883. Artist: Joseph Swain

A Momentous Question!, 1883. Artist: Joseph Swain
A Momentous Question!, 1883. Czar Alexander III of Russia is majestic following his coronation. On one side is the representative of Constitutional Liberty and, on the other, Despotism

Background imageCrown Collection: A Holiday Task, 1880. Artist: Joseph Swain

A Holiday Task, 1880. Artist: Joseph Swain
A Holiday Task, 1880. A bewhiskered aristocrat is handed a broom by Mr Punch and told to begin cleaning up. Great pieces of the inner cities were owned by the aristocracy

Background imageCrown Collection: Between Two Terrors, 1873. Artist: Joseph Swain

Between Two Terrors, 1873. Artist: Joseph Swain
Between Two Terrors, 1873. (White and Red). Louis Adolphe Thiers, the first President of the Third Republic, is being embraced by a pleading France

Background imageCrown Collection: Au Revoir, 1873. Artist: Joseph Swain

Au Revoir, 1873. Artist: Joseph Swain
Au Revoir, 1873. Germany, carrying a bag stuffed with cash, says farewell to France. A defiant France insists it is not farewell, just au revoir

Background imageCrown Collection: The Ugly Duckling, 1873. Artist: Joseph Swain

The Ugly Duckling, 1873. Artist: Joseph Swain
The Ugly Duckling, 1873. Britannia and Neptune watch one of the new iron-clad ships Devastation leave port. Such ships were armed with giant guns

Background imageCrown Collection: The True Hidalgo, 1873. Artist: Joseph Swain

The True Hidalgo, 1873. Artist: Joseph Swain
The True Hidalgo, 1873. King Amadeus remarks to the crowd A Gentleman, and a Son of Savoy, will not Reign on Sufferance! King Amadeus of Spain is seen throwing his crown to the mob

Background imageCrown Collection: That Ballot-Boy Again!, 1872. Artist: Joseph Swain

That Ballot-Boy Again!, 1872. Artist: Joseph Swain
That Ballot-Boy Again!, 1872. The Ballot Bill stands up to the House of Lords. This relates to the Ballot Bills passage through the Lords in June 1872. Two amendments had been made

Background imageCrown Collection: Come to Grief, 1872. Artist: Joseph Swain

Come to Grief, 1872. Artist: Joseph Swain
Come to Grief, 1872. A distressed Ballot Bill makes his way from the House of Lords, hotly pursued by the peers. This relates to the Ballot Bills passage through the Lords in June 1872

Background imageCrown Collection: The Old Whip, 1872. Artist: Joseph Swain

The Old Whip, 1872. Artist: Joseph Swain
The Old Whip, 1872. The Speaker of the House of Commons, Mr Denison, is seen on the occasion of his retirement. Newly created Viscount Ossington

Background imageCrown Collection: The Real Cap of Liberty, 1871. Artist: Joseph Swain

The Real Cap of Liberty, 1871. Artist: Joseph Swain
The Real Cap of Liberty, 1871. The British lion asks the ass What can that Cap Promise, that My Crown doesn t Perform? Eh, Stoopid

Background imageCrown Collection: Doom d!, 1871. Artist: John Tenniel

Doom d!, 1871. Artist: John Tenniel
Doom d!, 1871. The House of Lords plans an ambush of the Army Regulation Bill which, sword under its arm, marches unsuspectingly towards sudden death

Background imageCrown Collection: Her Baptism of Fire, 1871. Artist: Joseph Swain

Her Baptism of Fire, 1871. Artist: Joseph Swain
Her Baptism of Fire, 1871. Paris stands amidst the victims of Frances unsuccessful war against Prussia. Paris had been under siege since the end of the previous year

Background imageCrown Collection: The Carcase and the Eagles, 1871. Artist: Joseph Swain

The Carcase and the Eagles, 1871. Artist: Joseph Swain
The Carcase and the Eagles, 1871.The dead body of France lies outstretched, one hand holding down the wounded Eagle of Communism

Background imageCrown Collection: Gaul to the New Caesar, 1870. Artist: Joseph Swain

Gaul to the New Caesar, 1870. Artist: Joseph Swain
Gaul to the New Caesar, 1870. The figure of France declares Defiance Emperor, While I have Strength to Hurl it! France is depicted brandishing a broken and bloody sword at the Prussian Emperor

Background imageCrown Collection: Italy in Rome, 1870. Artist: Joseph Swain

Italy in Rome, 1870. Artist: Joseph Swain
Italy in Rome, 1870. King Victor Emmanuel II of Italy takes the sword of Temporal Power from Pope Pius IX who hangs on to his keys

Background imageCrown Collection: Trust Me!, 1870. Artist: Joseph Swain

Trust Me!, 1870. Artist: Joseph Swain
Trust Me!, 1870. Britannia is shown grasping her trusty sword of defence in a meaningful manner as Belgium asks her help. As usual in this cases

Background imageCrown Collection: The Red Mokanna, 1871. Artist: Joseph Swain

The Red Mokanna, 1871. Artist: Joseph Swain
The Red Mokanna, 1871. The menacing figure of The Commune stands over France who has little more to give. After Frances defeat by Prussia, the Commune increased in violence

Background imageCrown Collection: Whos to Blame?, 1876. Artist: Joseph Swain

Whos to Blame?, 1876. Artist: Joseph Swain
Whos to Blame?, 1876. Father Thames is being buffeted by the waters of the capitals river, whilst London tries to lift her dripping skirts out of the waters reach

Background imageCrown Collection: Empress and Earl, 1876. Artist: Joseph Swain

Empress and Earl, 1876. Artist: Joseph Swain
Empress and Earl, 1876. The Conservative Prime Minister, Disraeli, accepts the title of Earl of Beaconsfield from Her Majesty, Queen Victoria

Background imageCrown Collection: Keeping the Ring, 1876. Artist: Joseph Swain

Keeping the Ring, 1876. Artist: Joseph Swain
Keeping the Ring, 1876. Turkey, brandishing a sword, is beset on all sides by the dogs of war, Servia, Montenegro, Herzegovina and Bosnia

Background imageCrown Collection: A Voice from the Clouds, 1875. Artist: Joseph Swain

A Voice from the Clouds, 1875. Artist: Joseph Swain
A Voice from the Clouds, 1875. John Bull, the representative of the British people, stands up to his thighs in flood water, surrounded by the wreckage of household furniture

Background imageCrown Collection: Disinterested Advisers, 1875. Artist: Joseph Swain

Disinterested Advisers, 1875. Artist: Joseph Swain
Disinterested Advisers, 1875. Turkey is surrounded by Disinterested Advisers in the shape of the Russian Bear and the Eagles representing Austria and Germany

Background imageCrown Collection: Neptunes Warning, 1875. Artist: Joseph Swain

Neptunes Warning, 1875. Artist: Joseph Swain
Neptunes Warning, 1875. Neptune sits on a small raft, with Britannia held safely on his knee. Recently, two of the new iron-clad men of war ships

Background imageCrown Collection: Waiting to be Won, 1875. Artist: Joseph Swain

Waiting to be Won, 1875. Artist: Joseph Swain
Waiting to be Won, 1875. The Queen of the Arctic is perched on an iceberg with two polar bears at her feet. This relates to the New Arctic Expedition at the start of which two ships

Background imageCrown Collection: O, Lovely Peace, 1875. Artist: Joseph Swain

O, Lovely Peace, 1875. Artist: Joseph Swain
O, Lovely Peace, 1875. Bismarck plays a penny whistle and the Russian Bear dances. The German Emperor dances along happily

Background imageCrown Collection: A Red Study, 1875. Artist: Joseph Swain

A Red Study, 1875. Artist: Joseph Swain
A Red Study, 1875. This cartoon shows Dr Henry Edward Manning gazing into the fire. Manning had in fact been one of the leaders of the Oxford Movement, but converted to Roman Catholicism in 1851

Background imageCrown Collection: Between Two Fires, 1875. Artist: Joseph Swain

Between Two Fires, 1875. Artist: Joseph Swain
Between Two Fires, 1875. Pope Pius IX is on the left of this cartoon and Bismarck of Germany on the right. In the middle is the young son of the abdicated Queen Isabella of Spain

Background imageCrown Collection: Neighbours In Council, 1869. Artist: John Tenniel

Neighbours In Council, 1869. Artist: John Tenniel
Neighbours In Council, 1869. France and Britannia were each facing their problems, although, as is often the case, France is depicted as a weaker version of Britannia

Background imageCrown Collection: From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences. ), 1869

From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences. ), 1869. Artist: Joseph Swain
From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences.), 1869. In November 1869 the Suez Canal was formally opened

Background imageCrown Collection: A Perilous Passage, 1869. Artist: Joseph Swain

A Perilous Passage, 1869. Artist: Joseph Swain
A Perilous Passage, 1869. Napoleon III of France was struggling against a wave of unpopularity at the time. He had introduced a number of measures to try and calm the situation

Background imageCrown Collection: Viva La Libertad, 1868. Artist: John Tenniel

Viva La Libertad, 1868. Artist: John Tenniel
Viva La Libertad, 1868. In September 1868, Queen Isabella of Spain fled her country after the outbreak of revolution and the defeat of her troops by Serrano

Background imageCrown Collection: A Word to the Mermaids, 1865. Artist: John Tenniel

A Word to the Mermaids, 1865. Artist: John Tenniel
A Word to the Mermaids, 1865. Neptune exclaims Aho-o-o-o-oy, There! Get Off O That Ere Cable, Can t Yer - Thats the Way T Other one was Wrecked!!

Background imageCrown Collection: The Popes Mad Bull, 1865. Artist: John Tenniel

The Popes Mad Bull, 1865. Artist: John Tenniel
The Popes Mad Bull, 1865. At the end of 1864, Pope Pius IX had issued an Encyclical Letter that itemised all the practices and beliefs of the modern world previously condemned by his holiness

Background imageCrown Collection: The Beadle and The Dane, 1864. Artist: John Tenniel

The Beadle and The Dane, 1864. Artist: John Tenniel
The Beadle and The Dane, 1864. Lord John Russell says: Better take it! Half a Loafs better than no Bread, you know! In an effort to resolve the Schleswig-Holstein problem, Lord Russell

Background imageCrown Collection: English Assassin Painted by France, 1864. Artist: John Tenniel

English Assassin Painted by France, 1864. Artist: John Tenniel
English Assassin Painted by France, 1864. The distance between France and Britain at this time is illustrated by the comment made by M Le Verrier

Background imageCrown Collection: The Derby 1863 - Portrait of The Winner, 1863. Artist: John Tenniel

The Derby 1863 - Portrait of The Winner, 1863. Artist: John Tenniel
The Derby 1863 - Portrait of The Winner, 1863. A topical cartoon from Punch. Palmerston, trainer of the British people, welcomes home the Derby winner

Background imageCrown Collection: A New Judgement of Paris, 1862. Artist: John Tenniel

A New Judgement of Paris, 1862. Artist: John Tenniel
A New Judgement of Paris, 1862. Mr. Punch says: Surely, My Dear Emperor, You Cannot Doubt Which is The Right Man for Italy. This cartoon refers to Garibaldis plan to conquer Rome

Background imageCrown Collection: The Eldest Son of the Church, 1860

The Eldest Son of the Church, 1860. This cartoon shows Pope Pius IX staring out over the bedclothes at the French Emperor, Napoleon III

Background imageCrown Collection: A Good Offer, 1860

A Good Offer, 1860. Garibaldi remarks to the pope Take to this cap, Papa Pius. You will find it more comfortable than your own

Background imageCrown Collection: The Reform Janus, 1860

The Reform Janus, 1860. Here, Janus has the face(s) of Lord Russell, who had recently introduced an unpopular bill for Parliamentary Reform

Background imageCrown Collection: The Accession of the Queen of India, 1858

The Accession of the Queen of India, 1858. After the end of the Indian Mutiny, the authority of the East India Company also ended and the Crown, here represented by Queen Victoria

Background imageCrown Collection: The Aristocratic Fate at Cremorne, 1858

The Aristocratic Fate at Cremorne, 1858. Terrific Descent Amidst Showers of Water-Works. Here Punch pokes fun at the aristocratic ladies who had arranged a major fete in Cremorne Gardens

Background imageCrown Collection: The Derby Day(?) - Another False Start. 1858

The Derby Day(?) - Another False Start. 1858
The Derby Day(?) - Another False Start, 1858. This cartoon shows Palmerston in the background, dismounted from his horse, Despatch, having been despatched from the premiership



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