Crinoline Collection (page 9)

Maria Teresa (1638-1683), Infanta of Spain, ca. 1645. Creator: Juan Battista Martinez del Mazo
Maria Teresa (1638-1683), Infanta of Spain, ca. 1645. Isabel de Borbon, portrayed by Mazo when she was seven years old

The Empress Eugenie (Eugenie de Montijo, 1826-1920, Condesa de Teba), 1854

Clothing from 1860-1870, 1907, (1937). Creator: Cecil W Trout
Clothing from 1860-1870, 1907, (1937). From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan. [Tudor Publishing Company, New York, 1937]

Clothing from 1824-1835, 1907, (1937). Creator: Cecil W Trout
Clothing from 1824-1835, 1907, (1937). From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan. [Tudor Publishing Company, New York, 1937]

Picture of a short Watteau sacque worn over a petticoat, c1750-1800, 1903, (1937)
Picture of a short Watteau sacque worn over a petticoat to match and trimmed with ruchings of the same, c1750-1800, 1903, (1937)

Fashion doll in taffeta Watteau sacque with hooped petticoat, c1750-1800, (1937) Creator
This fashion doll is dressed in a Watteau sacque of taffeta (a white ground with cross-bar lines of red) over a hooped petticoat of the same trimmed with a pinked flounce, c1750-1800, (1937)

Empress Eugenie, (1936). Creator: Unknown
Empress Eugenie, (1936). Kaiserin Eugenie. Portrait of Empress Eugenie de Montijo (1826-1920), the last Empress consort of the French, from 1853 to 1871, as the wife of Napoleon III

Deux Lorettes, mid-late 19th century, (1943). Creator: Constantin Guys
Deux Lorettes, mid-late 19th century, (1943). Lorette was a term for a female sex worker. The name derives from the Notre-Dame-de-Lorette area of Paris where many lorettes lived and worked

Petit Courrier des Dames, 1857, 1943. Creator: Unknown
Petit Courrier des Dames, 1857, 1943. Hand coloured engraving from Petit Courrier des Dames, a weekly French fashion magazine published in Paris

Mrs Lincoln, c1860s, (1930). Creator: Unknown
Mrs Lincoln, c1860s, (1930). Portrait of Mary Todd Lincoln (1818-1882), wife of President Abraham Lincoln and First Lady of the United States from 1861 to 1865

Mme Rejane - Role de la Montansier. - La Montansier, 1904. Creator: Unknown
Mme Rejane - Role de la Montansier. - La Montansier, 1904. Gabrielle Rejane (1856-1920) in the role of la Montansier - a play in four acts by GA Caillavet

A Victorian Picnic, c1860, (1944). Creator: Unknown
A Victorian Picnic, c1860, (1944). A family having an al fresco meal. As the women recline, their full skirts reveal their bloomers underneath - a comment on the Victorian crinoline

Miss Shannons arrival at Baldon Hall, 1855. Creator: John Leech
Miss Shannons arrival at Baldon Hall, 1855

De l utilite de la crinoline pour frauder l octroi (On the usefulness of the crinoline to smugglers), 1857. Private Collection

Crinoline in the Ball Room, c1859. Artist: CJ Culliford
Crinoline in the Ball Room. Valse Ala Mode. My Dear Tiney is Fretting exceedingly at being kept Solitary so long. c1859. Victorian couple dancing the waltz - the woman is showing bloomers under her

Foxhunters Regaling in the Present Degenerate Days, c1856. Artist: John Leech
Foxhunters Regaling in the Present Degenerate Days, c1856. A man sits backwards on a chair, possibly recounting his exploits hunting foxes, to ladies who listen politely

Taste A La Mode, 1745, (1920). Artist: F Patton
Taste A La Mode, 1745, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Two women wearing the latest fashions in an outdoor setting, 1860. Both are wearing full skirted dresses. This was achieved by wearing lots of layers of petticoats and a crinoline

Two women wearing the latest fashions, 1858. Both women are wearing evening dresses. They are both carrying fans and have decorated their hair with floral arrangments

Two women wearing the latest fashions, 1859. The woman on the left is wearing an off the shoulder dress with a very full skirt that was achieved by wearing lots of petticoats, and a crinoline

Two women wearing the latest fashions in a garden setting, 1858. Both women are wearing full skirted dresses, a look that would have been achieved by wearing lots of petticoats and a crinoline

Two women and a child wearing the latest fashions in a garden setting, 1858. One of the women shades herself with a parasol

Five women wearing the latest winter fashions, 1863. All five women are wearing the latest styles in winter coats and mantles

Five women and a child wearing the latest autumn and winter fashions, 1864. The women in blue and purple are wearing fitted coats that match their dresses

Two women wearing the latest indoor fashions, c1850. Both of the women are wearing dresses with extremely full skirts and tight bodices

Two women and a small girl wearing the latest indoor fashions, c1860. In order to achieve this full skirt look, the women would be wearing layers of petticoats and hoop cages

Three women wearing the latest fashions, one of the women is shading herself with a parasol, 1864. All three women are wearing matching dresses and fitted coats

Two women and a child wearing the latest fashions, 1861. Both of the woman are wearing the full skirt dresses of the day. In particular the woman on the right is wearing a dress whose skirt is

Two women and a child wearing the latest fashions, 1860. All three of them are wearing the crinoline skirts that were incredibly fashionable at the time

Two women wearing walking dress and morning dress, 1827. Another woman is seated in between them. A detail of a bonnet can be seen above her head

Two women and a child with a dog wearing the latest fashions, 1860. Both of the women are wearing the full hooped shirt dresses that were fashionable at the time

Two women wearing the latest fashions, 1864. Both of the women are wearing dresses with tight fitting bodices and full hooped skirts

Two women and a little girl model the latest fashions, 1863. The woman on the left is dressed in an off the shoulder evening dress with a full crinolined skirt

Two women model the latest fashions, 1863. In the 1860s the fashionable shape started to change. The fashion became a flatter front but with a larger skirt at the back

Two women model the latest fashions, 1864. Both women are wearing full hooped skirt dresses with tight bodices

Two women model the latest fashions, 1861. Both women are wearing full hooped skirt dresses with tight fitting bodices. The woman on the left is wearing a fitted coat over the top of her dress

Two women and a child with a butterfly net model the latest fashions, 1864. All three of them are wearing hooped skirts, known as a crinoline

Group in Crinolines (Reifrockgesellschaft), 1909. Found in the Collection of Solomon R. Guggenheim Foundation, New York

Crinoline, 1906. Private Collection

Lady by Tapestry. Portrait of Nadezhda Stanyukovich, 1903. Artist: Borisov-Musatov, Viktor Elpidiforovich (1870-1905)
Lady by Tapestry. Portrait of Nadezhda Stanyukovich, 1903. Found in the collection of the State Tretyakov Gallery, Moscow

Portrait of a Lady, 1902. Artist: Borisov-Musatov, Viktor Elpidiforovich (1870-1905)
Portrait of a Lady, 1902. Found in the collection of the State Tretyakov Gallery, Moscow

Scarcity of Currency in 1847, c1850, (1904). From Social England, Volume VI, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

A Woman of the Time of James I, 1907. Artist: Dion Clayton Calthrop
A Woman of the Time of James I, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

A Woman of the Time of George I, 1907. Artist: Dion Clayton Calthrop
A Woman of the Time of George I, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

A Woman of the Time of Elizabeth, 1907. Artist: Dion Clayton Calthrop
A Woman of the Time of Elizabeth, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

Costume Design, 1926, (1927). Artist: Reginald Leefe
Costume Design, 1926, (1927). From Design in the Theatre edited by Geoffrey Holme. [The Studio, Ltd. London, 1927]

Queen Anne of Denmark, 1611-1614, (1904). Artist: Marcus Gheeraerts, the Younger
Queen Anne of Denmark, 1611-1614, (1904). Queen Anne of Denmark (1574-1619). After Paul van Somer (c1577-1621). From the collection of the Woburn Abbey. From James I. and VI, by T. F. Henderson

The Review: A Satire on Hoops, c1733, (1904). From Social England, Volume V, edited by H.D. Traill, D.C.L. and J. S. Mann, M.A

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