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He Came to a Wide Moor, c1930. Artist: W Heath RobinsonHe Came to a Wide Moor, c1930. An illustration from The Ugly Duckling by Hans Christian Andersen. From Hans Andersens Fairy Tales by Hans Andersen
Allegory of Fame Attacking Envy, c1480 (1945). Artist: Leonardo da VinciAllegory of Fame Attacking Envy, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]
Letterheaded paper from The War Office, Hobart House, London, S. W. 1, 20th centuryLetterheaded paper from The War Office, Hobart House, London, S.W.1, 20th century. The War Office was a department of the British Government responsible for the administration of the British Army
Jedburgh, (General View. ) Roxburghshire, 1814. Artist: John GreigJedburgh, (General View.) Roxburghshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]
View near Liege, 1850. From The Continental Tourist, Belgium and Nassau (and Pictorial Companion). [Parry and Co, London, 1850]
Battle of Copenhagen 1801. British Fleet Approaching, 1801. Artists: Robert Pollard, JG WellsBattle of Copenhagen, 1801. British Fleet Approaching, 1801. Admiral Lord Nelson won a victory over the Danish-Norrwegian fleet at the Battle of Copenhagen in 1801 after disregarding the order of his
Boulogne Sands, 1827. Artist: Richard Parkes BoningtonBoulogne Sands, 1827. Painting held at The National Trust, Anglesey Abbey, Cambridge. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C
The Shepherd hears the Guns at Dawn, c1910, (c1932). Artist: William Blamire YoungThe Shepherd hears the Guns at Dawn, c1910, (c1932). From Modern Art by Charles Marriott & Tis & Tis. [Colour Ltd. London, 1909]
Deshima, Nagasaki, c1890-190052. Deshima, Nagasaki, c1890-1900
Killing Seals, 1911, (1928). Originally from The South Pole by Roald Engelbregt Gravning Amundsen (1872-1928). From The Book of Polar Exploration, by E. L. Elias M.A. [George G
Mrs. Carr, c1790. Artist: Richard CoswayMrs. Carr, c1790. From The Connoisseur Volume XXIV. [The Connoisseur Ltd. London, 1909]
The Angry Sea, 1884, (1904). Artist: James Abbott McNeill WhistlerThe Angry Sea, 1884, (1904). From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]
Swinburne, c1877, (1904). Artist: James Abbott McNeill WhistlerSwinburne, c1877, (1904). Algernon Charles Swinburne (1837-1909) a poet and critic From Whistler As I Knew Him, by Mortimer Menpes. [Adam and Charles Black, London, 1904]
Landscape at Staffelsee, c1931. Artist: Georg SchrimpfLandscape at Staffelsee, c1931. From Die Meister Des XX. Jahrhunderts IV. [Verlag E. A. Seemann, Leipzig, 1935]
Rembrandt Leaning on a Stone Sill, 1639. Artist: Rembrandt Harmensz van RijnRembrandt Leaning on a Stone Sill, 1639. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]
Design for a Poster, c1919. Artist: Fernand ScouflaireDesign for a Poster, c1919. From The Studio Volume 77. [London Offices of the Studio, London, 1919]
A Midsummer Nights Dream, Act 1, Scene 1, 1914. Artist: W Heath RobinsonA Midsummer Nights Dream, Act 1, Scene 1, 1914. A Midsummer Nights Dream is a comedy play by William Shakespeare (1564-1616), believed to have been written between 1590 and 1596
Maidstone Bridge, Kent. Pl. 2, 1787. Artist: James NewtonMaidstone Bridge, Kent. Pl. 2, 1787. [S. Hooper, 1787]
Louvre, c18th century. Artist: James Basire ILouvre, c18th century
Birds-Eye View of Oxford Castle in Oxfordshire, c1800. Oxford Castle is a partly ruined Norman medieval castle in Oxford, Oxfordshire, England
Near Bognor, Sussex, c1922. Artist: Charles HarringtonNear Bognor, Sussex, c1922. From The Studio Volume 83. [London Offices of the Studio, London, 1922]
Ben Ledi, 1911 (1935). Artists: David Young Cameron, George NewnesBen Ledi, 1911 (1935). After the painting by Sir D. Y. Cameron, R.A. From Modern Masterpieces Part 3. [George Newnes Ltd, London, 1935.]
Study in Drapery, c1900. Artist: Henry HolidayStudy in Drapery, c1900. From The Studio Volume 46. [London Offices of the Studio, London, 1909]
Westminster Bridge, c1746. Artist: CanalettoWestminster Bridge, c1746. From The Studio Volume 87. [London Offices of the Studio, London, 1924]
The Woodcutter, 1910. Artist: Ferdinand HodlerThe Woodcutter, 1910. Painting housed in the Musee d Orsay, Paris. From The Studio Volume 87. [London Offices of the Studio, London, 1924]
Hungarian Peasant Girls Singing in Church, c1932. Artist: Rudolf BaloghHungarian Peasant Girls Singing in Church, c1932. From The Studio Volume 103. [London Offices of the Studio, London, 1932]
Rocky Landscape, Sunset, c19th century. Artist: John Sell CotmanRocky Landscape, Sunset, c19th century. From The Studio Volume 122. [The Studio Ltd, London, 1941]
Boccaccio: The Opening Scene in Decamerone (Decameron), c1900. Artist: James Dromgole LintonBoccaccio: The Opening Scene in Decamerone (Decameron), c1900. The Decameron is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio (1313?1375). From The Studio Volume 20
Nocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Artist: James Abbott McNeill WhistlerNocturne: Blue and Gold - Old Battersea Bridge, c1872-5. Painting housed in the Tate, London. [The Offices of the Studio, London & New York, 1944]
La Bouquetiere Garcon Cafetier, c18th century, (1903). Artist: Jean-Pierre HouelLa Bouquetiere Garcon Cafetier, by Houel de Rouen, c18th century. From The Connoisseur Vol. VII [Otto Limited, London, 1903.]
La Bouquetiere Garcon Cafetiere, c18th century, (1903). Artist: Jean-Pierre HouelLa Bouquetiere Garcon Cafetier, by Houel de Rouen, c18th century. From The Connoisseur Vol. VII [Otto Limited, London, 1903.]
Under the Sea, c1904-1924, (1924). Artist: Glyn Warren PhilpotUnder the Sea. From The Studio Volume 88 [London Offices of the Studio, London, 1924.]
The Cumulus Cloud, c1888-1925, (1925). Artist: Victor Wyatt BurnandThe Cumulus Cloud. After a water-colour by Victor Wyatt Burnand (1868-1940). From The Studio Volume 89 [London Offices of the Studio, London, 1925]
Illustration to A Midsummer Nights Dream, 1914, (1925). Artist: W Heath RobinsonIllustration to A Midsummer Nights Dream, 1914. A Midsummer Nights Dream is a comedy play by William Shakespeare (1564-1616), believed to have been written between 1590 and 1596
The head of thoroughbred racehorse, Radium, c1910. From Flat Racing published by Seeley, Service & Co, Ltd. London, 1940
Sciapode, c1860-1910 (1924). Artist: Odilon RedonSciapode, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924
La Fille-mere, c1870-1930 (1924). Artist: Jean Louis ForainLa Fille-mere, c1870-1930 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924
Souvenir d Italie, c1815-1865, (1924). Artist: Jean-Baptiste-Camille CorotSouvenir d Italie, c1815-1865, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924
Les Traitants, c1750-1800, (1924)Artist: Jean-Honore FragonardLes Traitants, c1750-1800, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924
The Grange, c1882
Wimbledon Common and the Windmill, c1900, (1912). Wimbledon Windmill, in 1816, Charles March, a carpenter of Roehampton gained permission to build the windmill, completing the project in 1817
Head of a Tiger, c1910. Artist: John MacAllan SwanHead of a Tiger, c1910. Study held in the Tate, London. From The Studio Volume 50. [London Offices of the Studio, London, 1910]
A Study In Crayon, c1872-1898, (1898). Artist: Jean Louis ForainA Study In Crayon. After a crayon sketch by Jean-Louis Forain (1852-1931). From The Studio Volume Twelve by [London Offices of the Studio V, London, 1898]
A design for a picture frame titled Armiger, 1898. From The Studio, Volume Eight [London Offices of the Studio V, London, 1898]
A design for a picture frame titled Aesthetic, 1898. From The Studio, Volume Eight [London Offices of the Studio V, London, 1898]
A design for a picture frame titled Sixpence, 1898. From The Studio, Volume Eight [London Offices of the Studio V, London, 1898]
A design for a picture frame titled Margery Daw, 1898. From The Studio, Volume Eight [London Offices of the Studio V, London, 1898]
Horse Racing, (c1804), 1903Horse Racing, c1804. After an original work by George Cruikshank (1792-1878), c1804. From The Connoisseur Vol. V by [Otto Limited, London, 1903]
