Copyspace Collection (page 23)

Two Profiles and Studies of Machinery, c1480 (1945). Artist: Leonardo da Vinci
Two Profiles and Studies of Machinery, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Horse, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Horseman, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horseman, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Dragon, c1480 (1945). Artist: Leonardo da Vinci
A Dragon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Horse in Profile to the Right and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
A Horse in Profile to the Right and its Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Dragon, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Dragon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Horse Marked Out for Measurement, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse Marked Out for Measurement, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Rearing Horse and a Horses Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Rearing Horse and a Horses Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Unicorn Dipping Its Horn into the Water, c1480 (1945). Artist: Leonardo da Vinci
A Unicorn Dipping Its Horn into the Water, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Horses Grazing, c1480 (1945). Artist: Leonardo da Vinci
Studies of Horses Grazing, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci
Two Figures in Conversation, c1480 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Allegory of the Lizard Symbolizing Truth, c1480 (1945). Artist: Leonardo da Vinci
Allegory of the Lizard Symbolizing Truth, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Kneeling Youth and Putti, c1480 (1945). Artist: Leonardo da Vinci
Kneeling Youth and Putti, c1480 (1945). The drawing is held by the Gallerie dell Accademia, Venice. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). Artist: Leonardo da Vinci
Madonna Adoring the Infant Christ and Other Figures, c1480 (1945). The drawing is held by the Gallerie dell Accademia, Venice. From The Drawings of Leonardo da Vinci

Madonna and Child with the Infant St. John and an Angel, c1475 (1945). Artist: Leonardo da Vinci
Madonna and Child with the Infant St. John and an Angel, c1475 (1945). The drawing is held by the Ashmolean Museum, Oxford. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Officers of the Madras Army (Light Infantry), c1837-1843, (1909). Artist: William Hunsley
Officers of the Madras Army (Light Infantry), c1837-1843, (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Officers of the Madras Army (Infantry on the Line), c1837-1843, (1909). Artist: William Hunsley
Officers of the Madras Army (Infantry on the Line), c1837-1843, (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Officers of the Madras Army (Rifles), c1837-1843, (1909). Artist: William Hunsley
Officers of the Madras Army (Rifles), c1837-1843, (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Officer of the Madras Army (Rifles, Undress), c1837-1843, (1909). Artist: William Hunsley
Officer of the Madras Army (Rifles, Undress), c1837-1843, (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Officers of the Madras Army (Foot Artillery), 1841 (1909). Artist: William Hunsley
Officers of the Madras Army (Foot Artillery), 1841 (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Windsor Castle from the Home Park, 1895. From The Governors Guide to Windsor Castle, by the Most Noble The Marquis of Lorne, K.T. [Cassell and Company, Limited, London, 1895]

Madame Recamier, 1800, (c1915). Artist: Jacques Louis David
Madame Recamier, 1800, (c1915). The painting is held by the Musee du Louvre, Paris. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

La Dispute De La Rose, c1840, (1913). Artist: Joseph Eymar
La Dispute De La Rose, c1840, (1913). After Louis-Leopold Boilly (1761-1845). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

El Divino Pastor, (The Good Shepherd), 1660, (c1934) Artist: Bartolome Esteban Murillo
El Divino Pastor, (The Good Shepherd), 1660, (c1934). The image of the Good Shepherd was seen as a figure of Christ who saves and cares for his sheep, also an allegory of the Eucharist

Dunoon - View on the Clyde, 1895. From Round the Coast. [George Newnes Limited, London, 1895]

The Pyramids, 1903. Artist: Mortimer L Menpes
The Pyramids, 1903. From World Pictures, by Mortimer Menpes. Text by Dorothy Menpes. [A. & C. Black, London, 1903]

His Highness the Maharaja of Patiala, 1903. Artist: Mortimer L Menpes
His Highness the Maharaja of Patiala, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911

Lapwing, (Vanellus vanellus), c1850, (1856). From Bible Natural History: containing a Description of Quadrupeds, Birds, Trees, Plants, Insects, Etc, Mentioned in the Holy Scriptures

Wheatear, (Oenanthe), c1850, (1856). From Bible Natural History: containing a Description of Quadrupeds, Birds, Trees, Plants, Insects, Etc, Mentioned in the Holy Scriptures

The Valley of Rocks, Near Linton, Devonshire, 1831. Artist: Joseph Wilson Lowry
The Valley of Rocks, Near Linton, Devonshire, 1831. After Thomas Allom (1804-1872). From Devonshire Illustrated, in a Series of Views of Cities, Towns, Public Buildings, Streets, Docks, Churches

The Ruins of Carthage, c1850. Artist: Henry Adlard
The Ruins of Carthage, c1850. After Grenville Temple (1799-1847). [The London Printing and Publishing Company Limited, London, c1850]

A glimpse of the great artificial lake at Riberao das Lages, 1914. Built by the Rio de Janeiro Tramway, Light and Power Company. From The Beautiful Rio De Janeiro by Alured Gray Bell

Miragic Heat, c1880, (1904). Artist: Robert George Talbot Kelly
Miragic Heat, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

Late Labour, c1880, (1904). Artist: Robert George Talbot Kelly
Late Labour, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

A Silvery Day on the Nile, c1880, (1904). Artist: Robert George Talbot Kelly
A Silvery Day on the Nile, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

North Wind on the Upper Nile, c1880, (1904). Artist: Robert George Talbot Kelly
North Wind on the Upper Nile, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

A Dusty Day at the Tombs of the Khalifs, c1880, (1904). Artist: Robert George Talbot Kelly
A Dusty Day at the Tombs of the Khalifs, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

On the Ismailia Canal, near Tel-El-Kebir, c1880, (1904). Artist: Robert George Talbot Kelly
On the Ismailia Canal, near Tel-El-Kebir, c1880, (1904). From Egypt, by R. Talbot Kelly. [Adam & Charles Black, London, 1904]

A Flood Breaking Into A Valley, c1480 (1945). Artist: Leonardo da Vinci
A Flood Breaking Into A Valley, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Branch of Blackberry, c1480 (1945). Artist: Leonardo da Vinci
A Branch of Blackberry, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Cape Town Cape of Good Hope, c1830. [B. Dondorf, Germany]

Ditch of the Bastion Du Mat, 1856. Artist: Edmund Walker
Ditch of the Bastion Du Mat, 1856. A depiction of an episode from the Crimean War (1853 - 1856). The Bastion du Mat was a redoubt built by the French Army at the far left of the British lines

Camp of the 4th Division, 1856. Artist: George Brackenbury
Camp of the 4th Division, 1856. The print shows a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856). After William Simpson (1823-1899)

Samos. Acts, 20. 15, 1830. Artist: J Clarke
Samos. Acts, 20.15, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Bethlehem. Luke, 2. 4, 1830. Artist: J Clarke
Bethlehem. Luke, 2.4, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Pool of Bethesda. John. 5. 2. 1830. Artist: J Clarke
Pool of Bethesda. John. 5.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Southwold - Gun Hill, 1895. From Round the Coast. [George Newnes Limited, London, 1895]

And Every One Said, The New One is the Best, c1930. Artist: W Heath Robinson
And Every One Said, The New One is the Best, c1930. An illustration from The Ugly Duckling by Hans Christian Andersen. From Hans Andersens Fairy Tales by Hans Andersen

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