Conversing Collection (page 8)

George Duvivier, Illinois Jacquet and Clark Terry at the Newport Jazz Festival, Middlesbrough, 1978
George Duvivier (bass), Illinois Jacquet (saxophone) and Clark Terry (flugelhorn) on stage at the Newport Jazz Festival, Middlesbrough, 1978

Philly Joe Jones and Earle Warren chatting at the Newport Jazz Festival, Middlesbrough, 1978
Drummer Philly Joe Jones and saxophonist Earle Warren chatting at the Newport Jazz Festival, Ayresome Park, Middlesbrough, 1978. Pianist Bill Evans is in the background

Saxophonists Sonny Rollins and Art Themen, Wembley Conference Centre, London, 1979

Dennis Mathews with Lee Konitz at the Newport Jazz Festival, Ayresome Park, Middlesbrough, 1978
Dennis Mathews, Managing Director of Crescendo International, with Lee Konitz at the Newport Jazz Festival, Ayresome Park, Middlesbrough, July 1978

Ella Fitzgerald with her sister and record producer and impresario Norman Granz, Bristol, 1955
Ella Fitzgerald with her sister and record producer and impresario Norman Granz after a concert at Colston Hall, Bristol, 24 February 1955

Count Basie and Illinois Jacquet meet up on stage at the Capital Radio Jazz Festival, London, 1979
Count Basie and Illinois Jacquet meet up on stage at the Capital Radio Jazz Festival, Alexandra Palace, London, July 1979

Count Basie chatting with Illinois Jacquet at the Capital Radio Jazz Festival, London, July 1979

Interview with the Viceroy of Egypt at his palace, Alexandria, Egypt, May 12th 1839, (19th century). From Egypt and Nubia, Vol 3, by David Roberts

Holmes gave me a sketch of the Events, 1901. Artist: Sidney E Paget
Holmes gave me a sketch of the Events, 1901. Sherlock Holmes and Dr Watson on a train to Devon to investigate a murder and the disappearance of a famous racehorse

Liutenant Verney Lovett Camerons reception by Katende, 19th century. Sent to Africa in 1873 to assist David Livingstone, Cameron (1844-1894)

O wad some power the giftie gie us, to see oursels as ithers see us, 1908. Artist
O wad some power the giftie gie us, to see oursels as ithers see us, 1908. From The Light Side of Egypt, 1908

Lord Carnarvon with Egyptian officials, Luxor, Egypt, 1922. Artist: Harry Burton
Lord Carnarvon with Egyptian officials, Luxor, Egypt, 1922. Chatting on the terrace of the Winter Palace Hotel. Left to right: Abd El Aziz Yahieh Bey

Sheffield University campus, Sheffield, South Yorkshire, 1965. Artist: Michael Walters
Sheffield University campus, Sheffield, South Yorkshire, 1965. This photograph from a press advertisement shows two students and a lecturer in a group in front of Earnshaw Hall

Chatting after dinner at a social function at Spillers Foods, Gainsborough, Lincolnshire, 1962

Advertising shot for an automotive supplies company, Sheffield, 1963
In an advertising shot for an automotive supplies company, a representative demonstrates his products to the owner at a Sheffield Garage, 3rd Aug 1963

Automotive supplies representative with a 1960 Hillman Husky at a Sheffield Garage, 1963
In an advertising shot for an automotive supplies company, a representative speaks with mechanics over a 1960 model Hillman Husky car at a Sheffield Garage, 3rd Aug 1963

Cyclists, Brugge, Belgium, c1960s. Two men with Avia sports bikes stop to chat

Othello. Act 4. Scene 2. An Apartment in the Castle. Desdemona & Othello, 1801. Artist: Andrew Michel
Othello. Act 4. Scene 2. An Apartment in the Castle. Desdemona & Othello, 1801. After R. K. Porter. From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Oh, Any Old Key Will Fit That Bureau, 1892. Artist: Sidney E Paget
Oh, Any Old Key Will Fit That Bureau, 1892. Illustration from The Adventure of the Beryl Coronet by Arthur Conan Doyle. From The Strand Magazine: An Illustrated Monthly - Vol. III

Ruskin and Holman Hunt Enjoy a Conversation On Art, c1925. Artist: Frederick Hollyer
Ruskin and Holman Hunt Enjoy a Conversation On Art, c1925. John Ruskin, (1819-1900), English art critic. William Holman Hunt, (1827-1910), English painter

Group of Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci
Group of Figures in Conversation, c1480 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci
Two Figures in Conversation, c1480 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Group of Figures Conversing at a Table, Two Figures in Conversation and Others, 1481-1483 (1945). The drawing is held by the Musee du Louvre, Paris. From The Drawings of Leonardo da Vinci

A Game at Chess: Lord Grey Playing William IV, 1948. Artist: John Doyle
A Game at Chess: Lord Grey Playing William IV, 1948. From British Chess, by Kenneth Matthews. [Collins, London, 1948]

Saloon car on the Orient Express, c1895. Wood engraving published Leipzig. (Colorised black and white print)

Where Now The Great City of Cape Town Stands, They Set Up Their Tents And Huts, c1908, (c1920). The Cape Colony 1652-1691, South Africa

Non-Stop, 1919. Artist: Frederick Henry Townsend
Non-Stop, 1919. This illustration was featured in Punch magazine, 1919. From The Studio Volume 68. [London Offices of the Studio, London, 1916]

The Schneider Trophy: Howard Pixton talking to Jacques Schneider after his victory, 1914 (1934). Artist: Flight Photo
The Schneider Trophy: Howard Pixton talking to Jacques Schneider after his victory, 1914 (1934). The Coupe d Aviation Maritime Jacques Schneider (Schneider Trophy)

A bachelors quarters in a lodging house in the Temple, London, c1903 (1903). From Living London, Vol. III, by George R. Sims. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

As You Like It. Act 4. Scene 3. Forest of Arden, - Rosalind, Celia & Oliver, 1798. Artist: WC Wilson
As You Like It. Act 4. Scene 3. Forest of Arden, - Rosalind, Celia & Oliver, 1798. After Robert Smirke (1753?1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

As You Like It. Act 2. Scene 6. Orlando & Adam, 1798. Artist: George Noble
As You Like It. Act 2. Scene 6. Orlando & Adam, 1798. After Robert Smirke (1753-1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Second part of King Henry VI. Act 2. Scene 2. York, Salisbury & Warwick, 1795. Artist: Anker Smith
Second part of King Henry VI. Act 2. Scene 2. York, Salisbury & Warwick, 1795. After William Hamilton (1751-1801). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & Artist: Anker Smith
King Richard III. Act 3. Scene 4. A Room in the Tower - Gloucester, Buckingham, Stanley, Hastings & c, 1799. After Richard Westall (1765-1836)

Measure for Measure. Act 2. Scene 4. Angelo and Isabella, 1797. Artist: WC Wilson
Measure for Measure. Act 2. Scene 4. Angelo and Isabella, 1797. After Robert Smirke (1753-1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

King Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. Artist: WC Wilson
King Henry VIII. Act 3. Scene 2. Wolsey, Duke of Norfolk, Suffolk & c, 1796. After Richard Westall (1765-1836). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J

King Lear. Act III. Scene IV, 1792. Artist: Luigi Schiavonetti
King Lear. Act III. Scene IV, 1792. After Robert Smirke (1753-1845). From Shakespeare Gallery, Pall Mall, 1795, by John Boydell. [J. & J. Boydell, London, 1795]

Third Part of King Henry VI. Act 3. Scene 2. King Edward, Gloucester, Clarence & Lady Elizabeth Gre Artist
Third Part of King Henry VI. Act 3. Scene 2. King Edward, Gloucester, Clarence & Lady Elizabeth Grey, 1795. After William Hamilton (1751-1801)

Conversation Piece, c1735. Artist: Jan Maurits Quinkhard
Conversation Piece, c1735. From The Connoisseur Volume LXXXII. [The Connoisseur Ltd. London, 1928]

The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. Artist: John Raphael Smith
The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Act V Scene iv from As You Like It, c19th century. From A Collection of Prints illustrating the Dramatic Works of Shakespeare, by Josiah Boydell. [, , c19th century.]

Act I Scene ii from As You Like It, c19th century. From A Collection of Prints illustrating the Dramatic Works of Shakespeare, by Josiah Boydell. [, , c19th century.]

A Conversation Piece, c1700 (1931). Artist: Marcellus Laroon the Younger
A Conversation Piece, c1700 (1931). From The Studio Volume 102, [London Offices of the Studio, London, 1931]

The Harlowe Family, from Samuel Richardsons Clarissa, c1745. Artist: Joseph Highmore
The Harlowe Family, from Samuel Richardsons Clarissa, c1745. Painting held in the Yale Center for British Art. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

Modest Assurance, 1879 (1891). Artist: Swain
Modest Assurance, 1879 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume I, London, 1891

A Business-like Offer, 1886 (1891). Artist: George du Maurier
A Business-like Offer, 1886 (1891). A print from Society Pictures, drawn by George du Maurier, selected from Punch, Volume II, London, 1891

Its not so difficult to speak French, after all, 1882 (1891). Artist: George du Maurier
Its not so difficult to speak French, after all, 1882 (1891). A print from Society Pictures, drawn by George du Maurier, Selected from Punch, Volume II, London, 1891

Edward II, (1910). The king (ruled 1307-1327) and his courtiers. One of the figures wears a bliaut with bell-shaped sleeves

Two men chatting outside a cottage, near Lucton, Herefordshire, c1922. Artist: AW Cutler
Two men chatting outside a cottage, near Lucton, Herefordshire, c1922. A print from Peoples of all Nations, Volume III, edited by JA Hammerton, The Fleetway House, London, c1922

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