Cole Collection (page 2)

St Marys Church in the Strand, London, mid 18th century. Artist: James Cole
St Marys Church in the Strand, London, mid 18th century. South-west prospect of the church of St Mary le Strand. Construction began in February 1714 under the architect James Gibbs

Church of St Mary le Strand, Westminster, London, 1732. Artist: James Cole
Church of St Mary le Strand, Westminster, London, 1732. South-west view with figures, a horse and a coach in the street outside. Designed by James Gibbs, the church was built in 1714

North-west view of the Church of St Mary, Whitechapel, London, c1800

South-west view of the Swedish Church, Princes Square, Stepney, London, c1750. Artist
South-west view of the Swedish Church, Princes Square, Stepney, London, c1750

The Palace of Westminster, 1892. Artist: George Vicat Cole
The Palace of Westminster, 1892. View from the River Thames

North prospect of Westminster Bridge, London, c1750. View with vessels and passengers on the River Thames. Also including a key to the buildings and the vessels

Two 17th century London churches, c1750. Artist
Two 17th century London churches, c1750. South view of St James s, Piccadilly and the north view of St Anne, Soho. St James s, Piccadilly (top) was designed by Sir Christopher Wren

Monument to Edmund Crouchback, Earl of Lancaster, Westminster Abbey, London, 1742. Edmund (1245-1296) was the second son of King Henry III

Frances, Countess of Hertfords tomb, Westminster Abbey, London, c1750

East view of Westminster Abbey and St Margarets Church, London, c1720. In the foreground two figures can be seen carrying a sedan chair

The Humorous Diversion of Sliding on the Ice, c1745. Artist: Benjamin Cole
The Humorous Diversion of Sliding on the Ice, c1745. On the right a young man has slipped and hit his head where blood pours from the wound

South-east view of Temple Church, City of London, 1737

West prospect of the Church of St Olave Jewry from Ironmonger Lane, City of London, 1750

Three designs by Edward Oakley for Blackfriars Bridge, 1756. Artist: Benjamin Cole
Three designs by Edward Oakley for Blackfriars Bridge, 1756. A competition was staged to design the first Blackfriars Bridge. The winner was Robert Mylne, whose bridge was completed in 1769

North-east view of the Church of St Botolph without Bishopsgate, City of London, 1750

South-west view of the Church of St Bartholomew-the-Less, City of London, 1750. Artist
South-west view of the Church of St Bartholomew-the-Less, City of London, 1750

North west view of St Antholin. City of London, c1750. Artist
North west view of St Antholin. City of London, c1750

All Hallows Church, Bread Street, London, 1750. Artist: Benjamin Cole
All Hallows Church, Bread Street, London, 1750. North-west view of All Hallows, Bread Street

All Hallows-by-the-Tower Church, London, c1750. Artist: Benjamin Cole
All Hallows-by-the-Tower Church, London, c1750. South view of All Hallows Barking (by the Tower), Great Tower Street

City of London Lying-in Hospital for Married Women, Aldersgate Street, London, c1750. Two views of the City of London Lying-in Hospital for married women at Shaftesbury House, Aldersgate Street

The monument to Mary, Queen of Scots in Westminster Abbey, London, 1742

Perspective view of the Bank of England, City of London, c1750. Artist
Perspective view of the Bank of England. City of London, c1750

Exterior view of St Andrew by the Wardrobe, City of London, c1750

Custom House, London, c1750. Artist: Benjamin Cole
South view of the Custom House, London, 1750; with boats on the River Thames and goods being unloaded

South-east prospect of the parish church of St John-at-Wapping, London, c1750. Artist
South-east prospect of the parish church of St John-at-Wapping, London, c1750

Interior of St Pauls Cathedral, looking east from the nave towards the choir, City of London, 1750

Christs Hospital, City of London, 1755. Artist: Benjamin Cole
Christs Hospital, City of London, 1755

Building houses with cards, c1745. Artist: Benjamin Cole
Building houses with cards ; interior scene showing a group of men, women and children playing with cards, taken from an original painting from Vauxhall Gardens, c1745

Stock Exchange, London, 1720. Artist: James Cole
The Bubblers bubbl d, or the Devil take the hindmost, 1720; showing the interior of the Stock Exchange, with many figures showing pleasure or dismay

MG Magna of AL Cole competing in the MG Car Club Abingdon Trial / Rally, 1939. Artist: Bill Brunell
MG Magna 1271 cc. Vehicle Reg. No. PJ7054. Event Entry No: 63. Driver: Cole, A.L. Chassis No. F0685. Place: M.G.C.C. Abingdon Trial/Rally. Date: 13/14.5.39

Singer Nine sports of CE Cole at the RAC Rally, Madeira Drive, Brighton, 1939. Artist: Bill Brunell
Singer Nine Sports. 972 cc. Vehicle Reg. No. aP224. Event Entry No: 6. Driver: Cole, Capt. C.E. Finished: 31st. out of 39. Place: Madeira Drive, Brighton. R.A.C. Rally. Date: 25-29.4.39

Austin 7 Grasshopper of TH Cole competing in the MG Car Club Midland Centre Trial, 1938
Austin 7 Grasshopper 1935 747 cc. Vehicle Reg. No. AOX3. Event Entry No: 30 Driver: Cole, T.H. Place: M.G.C.C. Midland Centre Trial. Date: 13.2.38

Morgan of TH Cole Jr at the MCC Torquay Rally, July 1937. Artist: Bill Brunell
Morgan 1122 cc. Vehicle Reg. No. DDB77. Event Entry No: 50 Driver: Cole, T.H. Jnr No award. Place: M.C.C. Torquay Rally. Date: 16/17.7.37

Jack Teagardens band in concert at Colston Hall, Bristol, 1957. Artist: Denis Williams
Jack Teagardens band in concert at Colston Hall, Bristol, 1957. On stage behind bandleader and trombonist Teagarden are Earl Hines (piano), Max Kaminsky (trumpet), Cozy Cole (drums)

Portrait of American drummer Cozy Cole, 1950s. Artist: Denis Williams
Portrait of American drummer Cozy Cole, 1950s

Janet M Cole and Hazel Philip campaigning for Votes for Women, Chicago, USA, 1905
Mrs Janet M Cole and Miss Hazel Philip campaigning for Votes for Women, Chicago, Illinois, USA, 1905. Women finally secured the right to vote throughout the United States in 1920 with the passing of

The Course of Empire, Destruction, 1836
The Course of Empire. Destruction, 1836. Found in the collection of New York Historical Society

The Pic-Nic, 1846. Artist: Cole, Thomas (1801-1848)
The Pic-Nic, 1846. Found in the collection of the Brooklyn Museum, New York

Indian Pass, 1847. Artist: Cole, Thomas (1801-1848)
Indian Pass, 1847. Found in the collection of the Museum of Fine Arts, Houston

A View of the Great Industrial Exhibition in Hyde Park, 1859. Artist: JC Armytage
A View of the Great Industrial Exhibition in Hyde Park, 1859. International exhibition organised by Henry Cole and Prince Albert, in London, 1 May to 11 October 1851

Defeat of the Spanish Armada, 1745. Artist: Benjamin Cole
Defeat of the Spanish Armada, 1745. An engraving of the battle between the English Fleet and the Spanish Armada in July 1588, from the design of Hendrik Cornelisz Vroom (c1562-1640)

The Pool of London, 1888 (1906). From Cassells Illustrated History of England, Vol. VII. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]

Monument to Four Georgia Poets, 1943. Monument to Four Georgia Poets: James Ryder Randall (1839-1908) Sidney Clopton Lanier (1842-1881), The Rev

King Cole, 1871. Artist: Coide
King Cole, 1871. A caricature of Henry Cole (1808-1882), British civil servant and inventor. Cole was one of the driving forces behind the Great Exhibition of 1851

James Younger, American outlaw, c1869-1876 (1954). Together with his brothers Cole, John and Bob, James Younger formed part of the notorious James-Younger gang, with Jesse and Frank James

Bob Younger, American outlaw, 1876 (1954). From a photograph taken at the time of his capture. Together with his brothers Cole, John and Jim

Abraham Lincoln (1809-1865), US president, 1860. Artist: T Cole
Abraham Lincoln (1809-1865), US president, 1860. The 16th president of the United States of America, Abraham Lincoln (1809-1865)

Part of a letter from Horace Walpole to the Reverend Mr Cole, 1777, (1840). Artist: Horace Walpole
Part of a letter from Horace Walpole to the Reverend Mr Cole, 1777, (1840). The letter is regarding the genius of Thomas Chatterton, and his pretended poems by Rowley

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