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Clarke Collection (page 3)

Background imageClarke Collection: Bishop Laurentius Shewing His Cerated Body To King Edbald, 1838

Bishop Laurentius Shewing His Cerated Body To King Edbald, 1838
Bishop Laurentius Shewing His Lacerated Body To King Edbald, 1838. Laurence (d. 619), the second Archbishop of Canterbury from about 604 to 619

Background imageClarke Collection: Landing of Julius Caesar, 1838

Landing of Julius Caesar, 1838. From The History of England, Vol. 1, by David Hume, Esq. & Hewson Clarke, Esq. [Thomas Kelly, London, 1838]

Background imageClarke Collection: Ancient Britons, in their most uncultivated State, 1838

Ancient Britons, in their most uncultivated State, 1838. From The History of England, Vol. 1, by David Hume, Esq. & Hewson Clarke, Esq. [Thomas Kelly, London, 1838]

Background imageClarke Collection: Frontispiece - Britannia holding the Trident of Neptune, surmounted by the Cap of Liberty and crown

Frontispiece - Britannia holding the Trident of Neptune, surmounted by the Cap of Liberty and crowned by Victory, tramples on the chains of despotism, 1838. From The History of England, Vol

Background imageClarke Collection: Sepulchers of the Kings of Judah. 2 Chronicles, 32. 33, 1830. Artist: J Clarke

Sepulchers of the Kings of Judah. 2 Chronicles, 32. 33, 1830. Artist: J Clarke
Sepulchers of the Kings of Judah. 2 Chron, 32.33, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageClarke Collection: Tower on Mount Zion. Psalms 48. 2. 1830. Artist: J Clarke

Tower on Mount Zion. Psalms 48. 2. 1830. Artist: J Clarke
Tower on Mount Zion. Psalms 48.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageClarke Collection: Fountain of Siloam. John. 9. 7. 1830. Artist: J Clarke

Fountain of Siloam. John. 9. 7. 1830. Artist: J Clarke
Fountain of Siloam. John. 9.7. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie

Background imageClarke Collection: Samos. Acts, 20. 15, 1830. Artist: J Clarke

Samos. Acts, 20. 15, 1830. Artist: J Clarke
Samos. Acts, 20.15, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageClarke Collection: Jerusalem. Matthew. 21. 1, 1830. Artist: J Clarke

Jerusalem. Matthew. 21. 1, 1830. Artist: J Clarke
Jerusalem. Math. 21. 1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageClarke Collection: Bethlehem. Luke, 2. 4, 1830. Artist: J Clarke

Bethlehem. Luke, 2. 4, 1830. Artist: J Clarke
Bethlehem. Luke, 2.4, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageClarke Collection: Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. Artist: J Clarke

Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. Artist: J Clarke
Tomb of Joseph of Arimathea. Luke, 23. 50. 54, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageClarke Collection: Cnidus. Acts. 27. 7, 1830. Artist: J Clarke

Cnidus. Acts. 27. 7, 1830. Artist: J Clarke
Cnidus. Acts. 27.7, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageClarke Collection: Bridge over the Brook Cedron. John, 18. 1, 1830. Artist: J Clarke

Bridge over the Brook Cedron. John, 18. 1, 1830. Artist: J Clarke
Bridge over the Brook Cedron. John, 18.1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageClarke Collection: Sepulchre of Rachel. Genesis. 35. 20, 1830. Artist: J Clarke

Sepulchre of Rachel. Genesis. 35. 20, 1830. Artist: J Clarke
Sepulchre of Rachel. Gen. 35.20, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie

Background imageClarke Collection: City of Corinth. Acts. 18. 1, 1830. Artist: J Clarke

City of Corinth. Acts. 18. 1, 1830. Artist: J Clarke
City of Corinth. Acts. 18.1, 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageClarke Collection: Tomb in the Valley of Jehoshaphat. Joel, 3. 2. 1830. Artist: J Clarke

Tomb in the Valley of Jehoshaphat. Joel, 3. 2. 1830. Artist: J Clarke
Tomb in the Valley of Jehoshaphat. Joel, 3.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageClarke Collection: Sepulchres of the Judges of Israel. Judges 8. 32. 1830. Artist: J Clarke

Sepulchres of the Judges of Israel. Judges 8. 32. 1830. Artist: J Clarke
Sepulchres of the Judges of Israel. Judges 8.32. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings

Background imageClarke Collection: Pool of Bethesda. John. 5. 2. 1830. Artist: J Clarke

Pool of Bethesda. John. 5. 2. 1830. Artist: J Clarke
Pool of Bethesda. John. 5.2. 1830. From A Series of twenty-four Views illustrative of the Holy Scriptures: Views from Sir Robert Ainslies celebrated collection of drawings, by Sir Robert Ainslie. [R

Background imageClarke Collection: Pont y Pair, 1807. Artist: Samuel Middiman

Pont y Pair, 1807. Artist: Samuel Middiman
Pont y Pair, 1807. After Paul Sandby Munn (1773-1845). [W. Clarke, London, 1807]

Background imageClarke Collection: Mary Anne Clarke at the base of a statue, 1803. Artists: Mary Anne Clarke, Adam Buck

Mary Anne Clarke at the base of a statue, 1803. Artists: Mary Anne Clarke, Adam Buck
Mary Anne Clarke at the base of a statue, 1803. From The Connoisseur Volume XLI. [The Connoisseur Ltd. London, 1915]

Background imageClarke Collection: Half-Title of Goethes Faust, 1925. Artist: Harry Clarke

Half-Title of Goethes Faust, 1925. Artist: Harry Clarke
Half-Title of Goethes Faust, 1925. From The Studio Volume 90. [London Offices of the Studio, London, 1925]

Background imageClarke Collection: The Edge of the Wood, c1916. Artist: William Hanna Clarke

The Edge of the Wood, c1916. Artist: William Hanna Clarke
The Edge of the Wood, c1916. From The Studio Volume 69. [London Offices of the Studio, London, 1916-17]

Background imageClarke Collection: Queens Who Cut the Bogs of Glanna, Judith of Scripture, and Glorianna, 1910. Artist: Harry Clarke

Queens Who Cut the Bogs of Glanna, Judith of Scripture, and Glorianna, 1910. Artist: Harry Clarke
Queens Who Cut the Bogs of Glanna, Judith of Scripture, and Glorianna, 1910. One of the Queens? Panels designed for the library of Laurence Waldrons library in Marino, Ballybrack, Killiney, Co

Background imageClarke Collection: The Meeting, c1918. Artist: Harry Clarke

The Meeting, c1918. Artist: Harry Clarke
The Meeting, c1918. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

Background imageClarke Collection: Racing, c19th century. Artist: John Clarke

Racing, c19th century. Artist: John Clarke
Racing, c19th century. After Henry Alken (1785-1851). From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill [The Connoisseur Magazine, London, 1908]

Background imageClarke Collection: The Dymoke Suit of Armour at Windsor Castle, 1902. Artist: C Clarke

The Dymoke Suit of Armour at Windsor Castle, 1902. Artist: C Clarke
The Dymoke Suit of Armour at Windsor Castle, 1902. A work depicting a suit of armour by Jacob Halder (active 1576-1608). From The Connoisseur Vol. III [Otto Limited, London, 1902.]

Background imageClarke Collection: Columbine, c 1900-1930, (1925). Artist: Harry Clarke

Columbine, c 1900-1930, (1925). Artist: Harry Clarke
Columbine. After a pen Drawing By Harry Clarke (1889-1931). From The Studio Volume 89 [London Offices of the Studio, London, 1925]

Background imageClarke Collection: St John d Acre, Palestine, 1825. Artist: Letitia Byrne

St John d Acre, Palestine, 1825. Artist: Letitia Byrne
St John d Acre, Palestine, 1825. Showing the situation of the Tigre and Theseus during the siege, and the place where the breach was effected by Buonapartes troops

Background imageClarke Collection: The sovereigns returning thanks to God for the victory of Leipzig, 1816. Artist: T Wallis

The sovereigns returning thanks to God for the victory of Leipzig, 1816. Artist: T Wallis
The sovereigns returning thanks to God for the victory of Leipzig, 1816. The Battle of the Nations (or Battle of Leipzig)

Background imageClarke Collection: Field Marshal von Blucher, Prince of Wagstadt, 1816. Artist: T Wallis

Field Marshal von Blucher, Prince of Wagstadt, 1816. Artist: T Wallis
Field Marshal von Blucher, Prince of Wagstadt (1742-1819), 1816. Von Blucher was a Prussian General who led his army against Napoleon I at the Battle of the Nations at Leipzig in 1813

Background imageClarke Collection: Lieutenant General Lord Hill, 1816. Artist: I Brown

Lieutenant General Lord Hill, 1816. Artist: I Brown
Lieutenant General Lord Hill, 1816. An engraving from The History of the War, from the Commencement of the French Revolution to the Present Time, by Hewson Clarke, Volume II, T Kinnersley, London

Background imageClarke Collection: Lieutenant Yeo kills the governor and takes the fort of Muros on the Spanish coast, 1816

Lieutenant Yeo kills the governor and takes the fort of Muros on the Spanish coast, 1816. Artist: T Wallis
Lieutenant Yeo kills the governor and takes the fort of Muros on the Spanish coast, 1816. From The History of the War, from the Commencement of the French Revolution to the Present Time, volume II

Background imageClarke Collection: The Right Honorable Charles James Fox (1749-1806), 1816. Artist: I Brown

The Right Honorable Charles James Fox (1749-1806), 1816. Artist: I Brown
The Right Honorable Charles James Fox (1749-1806), 1816. Fox was a prominent Whig politician. He is noted as an anti-slavery campaigner

Background imageClarke Collection: The British attacking the French line with bayonets at the Battle of Maida, 1816. Artist: I Brown

The British attacking the French line with bayonets at the Battle of Maida, 1816. Artist: I Brown
The British attacking the French line with bayonets at the Battle of Maida, 1816. The Battle of Maida was a battle outside the town of San Pietro di Maida in Calabria, Italy

Background imageClarke Collection: Admiral Lord Cuthbert Collingwood (1748-1810), 1816. Artist: I Brown

Admiral Lord Cuthbert Collingwood (1748-1810), 1816. Artist: I Brown
Admiral Lord Cuthbert Collingwood (1748-1810), 1816. Collingwood was an admiral of the Royal Navy, notable for being a partner with Horatio Nelson in several of the British victories of

Background imageClarke Collection: Admiral Nelson lying mortally wounded on the quarter deck of HMS Victory, 1816. Artist: I Brown

Admiral Nelson lying mortally wounded on the quarter deck of HMS Victory, 1816. Artist: I Brown
Admiral Nelson lying mortally wounded on the quarter deck of HMS Victory, 1816. One of Britains greatest military figures, Nelson was the victor at a number of naval battles in the Napoleonic Wars

Background imageClarke Collection: The Duke of Wellington commanding at the Battle of Assaye, 1816. Artist: T Wallis

The Duke of Wellington commanding at the Battle of Assaye, 1816. Artist: T Wallis
The Duke of Wellington commanding at the Battle of Assaye, 1816. The Battle of Assaye occurred on 23 September 1803 near the village of Assaye in south-central India

Background imageClarke Collection: Sir Ralph Abercrombie (1734-1801) in the Battle of Alexandria, 1816. Artist: T Wallis

Sir Ralph Abercrombie (1734-1801) in the Battle of Alexandria, 1816. Artist: T Wallis
Sir Ralph Abercrombie (1734-1801) in the Battle of Alexandria, 1816. Abercrombie was a British lieutenant-general noted for his services during the Napoleonic Wars

Background imageClarke Collection: The assassination of General Kleber in Egypt, 1816. Artist: T Wallis

The assassination of General Kleber in Egypt, 1816. Artist: T Wallis
The assassination of General Kleber in Egypt, 1816. Jean Baptiste Kleber (1753-1800) was a French general during the French Revolutionary Wars

Background imageClarke Collection: Arthur Wellesley, the 1st Duke of Wellington (1769-1852), 1816. Artist: T Wallis

Arthur Wellesley, the 1st Duke of Wellington (1769-1852), 1816. Artist: T Wallis
Arthur Wellesley, the 1st Duke of Wellington (1769-1852), 1816. In 1814, Wellesley commanded the victorious British forces in the Peninsular War

Background imageClarke Collection: Sir Sydney Smith (1764-1840) defending the breach at Acre, 1816. Artist: I Brown

Sir Sydney Smith (1764-1840) defending the breach at Acre, 1816. Artist: I Brown
Sir Sydney Smith (1764-1840) defending the breach at Acre, 1816. Smith was the English admiral of whom Napoleon Bonaparte said, That man made me miss my destiny

Background imageClarke Collection: Lord Horatio Nelson, English naval commander, 1816. Artist: T Wallis

Lord Horatio Nelson, English naval commander, 1816. Artist: T Wallis
Lord Horatio Nelson (1758-1805), English naval commander, 1816. One of Britains greatest military figures, Nelson was the victor at a number of naval battles in the Napoleonic Wars

Background imageClarke Collection: Napoleon Bonaparte attempting to force the bridge of Arcola, 1816. Artist: T Wallis

Napoleon Bonaparte attempting to force the bridge of Arcola, 1816. Artist: T Wallis
Napoleon Bonaparte attempting to force the bridge of Arcola, 1816. The imperial dictatorship of Napoleon (born Napoleone di Buonaparte)

Background imageClarke Collection: Admiral Richard Howe, 1st Earl Howe, (1726-1799), English admiral, 1816. Artist: I Brown

Admiral Richard Howe, 1st Earl Howe, (1726-1799), English admiral, 1816. Artist: I Brown
Admiral Richard Howe, 1st Earl Howe, (1726-1799), English admiral, 1816. The Glorious First of June is the name for a naval battle fought in the Atlantic Ocean between 28 May

Background imageClarke Collection: Lord Cornwallis (1738-1805) receiving the sons of Tippoo Saib as hostages, 1816. Artist: I Brown

Lord Cornwallis (1738-1805) receiving the sons of Tippoo Saib as hostages, 1816. Artist: I Brown
Lord Cornwallis (1738-1805) receiving the sons of Tippoo Saib as hostages, 1816. Charles Cornwallis, 1st Marquess Cornwallis was a British military commander and colonial governor

Background imageClarke Collection: Interior of St Pauls from under the dome, 1843. Artist: J Jackson

Interior of St Pauls from under the dome, 1843. Artist: J Jackson
Interior of St Pauls from under the dome, 1843. An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Background imageClarke Collection: Florence Jameson, Reginald Switz and Alfred clarke in a scene from The Blue Moon, 20th century

Florence Jameson, Reginald Switz and Alfred clarke in a scene from The Blue Moon, 20th century
Florence Jameson, Reginald Switz and Alfred Clarke in a scene from The Blue Moon, early 20th century. Jameson, Switz and Clarke are playing the roles of Millicent Leroy

Background imageClarke Collection: Adam Clarke (c1760-1832), British Methodist theologian and biblical scholar, 19th century

Adam Clarke (c1760-1832), British Methodist theologian and biblical scholar, 19th century. Artist: J Thomson
Adam Clarke (c1760-1832), British Methodist theologian and biblical scholar, 19th century



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