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Civilian Collection (page 5)

Background imageCivilian Collection: A young man (Innokenty Verkhovinsky) in demi-season clothes. late 19th-early 20th cent

A young man (Innokenty Verkhovinsky) in demi-season clothes. late 19th-early 20th cent. Creator: PA Milevskii
A young man (Innokenty Verkhovinsky) in demi-season clothes, late 19th cent - early 20th cent. This collection of photographs

Background imageCivilian Collection: A young man in a civilian suit, late 19th cent - early 20th cent. Creator: PA Milevskii

A young man in a civilian suit, late 19th cent - early 20th cent. Creator: PA Milevskii
A young man in a civilian suit, late 19th cent - early 20th cent. This collection of photographs and documents from the private archive of Sergei Mikhailovich Chashchin relates to the establishment

Background imageCivilian Collection: An elderly woman, a young man in a civilian suit and two. late 19th cent - early 20th cent

An elderly woman, a young man in a civilian suit and two. late 19th cent - early 20th cent. Creator: PA Milevskii
A photograph of an elderly woman, a young man in a civilian suit and two standing girls. late 19th cent - early 20th cent

Background imageCivilian Collection: Girls making cartridges for Enfield rifles at the Royal Arsenal, Woolwich, 1862. Creator: Unknown

Girls making cartridges for Enfield rifles at the Royal Arsenal, Woolwich, 1862. Creator: Unknown
Girls making cartridges for Enfield rifles at the Royal Arsenal, Woolwich, 1862. Our illustration was taken [at]...the Royal Laboratory Department...near the Plumstead marshes

Background imageCivilian Collection: The War in America: refugees from southern cities on the Mississippi, from a sketch by our

The War in America: refugees from southern cities on the Mississippi, from a sketch by our... 1862. Creator: Unknown
The War in America: refugees from southern cities on the Mississippi, from a sketch by our special artist, 1862. Our special Artist and Correspondent...writes as follows

Background imageCivilian Collection: Miss Wheeler defending herself against the Sepoys at Cawnpore, 1857, (c1860)

Miss Wheeler defending herself against the Sepoys at Cawnpore, 1857, (c1860). Massacre of British civilians in what is now known as Kanpur, India

Background imageCivilian Collection: Muster of the Cape Town Guard on the Parade Ground Cape Town, January 12, 1901, 1901

Muster of the Cape Town Guard on the Parade Ground Cape Town, January 12, 1901, 1901
Muster of the Cape Town Guard on the Parade Ground Cape Town, for Inspection by General Brabant, January 12, 1901, 1901. British military parade in colonial South Africa

Background imageCivilian Collection: Burning the Farm of a Treacherous Burgher, 1901. Creator: Richard Caton Woodville II

Burning the Farm of a Treacherous Burgher, 1901. Creator: Richard Caton Woodville II
Burning the Farm of a Treacherous Burgher, 1901. During Peace talks of February 1901, Kitchner declared he would stop his troops burning farms if Louis Botha instructed the Boers to stop using them

Background imageCivilian Collection: 25 June 1916 - Serbia Day, French World War I poster, 1916. Artist: Charles Fouqueray

25 June 1916 - Serbia Day, French World War I poster, 1916. Artist: Charles Fouqueray
25 June 1916 - Serbia Day, French World War I poster, 1916. Soldiers and civilians carry their possessions across a snow-covered bridge

Background imageCivilian Collection: Crowds of soldiers, sailors, and civilians waiting to board trains at... Washington, D.C. 1942

Crowds of soldiers, sailors, and civilians waiting to board trains at... Washington, D.C. 1942. Creator: Gordon Parks
Washington, D.C. Crowds of soldiers, sailors, and civilians waiting to board trains at Union Station

Background imageCivilian Collection: Through the Ranks to a Commission, 1888. Creator: Unknown

Through the Ranks to a Commission, 1888. Creator: Unknown
Through the Ranks to a Commission, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

Background imageCivilian Collection: Scene at the Relief of Lucknow, c1891. Creator: James Grant

Scene at the Relief of Lucknow, c1891. Creator: James Grant
Scene at the Relief of Lucknow, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageCivilian Collection: Street Scene with Two Couples, n. d. Creator: Theophile Alexandre Steinlen

Street Scene with Two Couples, n. d. Creator: Theophile Alexandre Steinlen
Street Scene with Two Couples, n.d

Background imageCivilian Collection: Vase with Bamboo, Auspicious Symbols, and Military and Civilian Figures

Vase with Bamboo, Auspicious Symbols, and Military and Civilian Figures in a Landscape, Qing dynasty (1644-1911), Kangxi period (1662-1722)

Background imageCivilian Collection: Before the Invasion, 5723. Creator: Theophile Alexandre Steinlen

Before the Invasion, 5723. Creator: Theophile Alexandre Steinlen
Before the Invasion, 5723

Background imageCivilian Collection: Evacuees, 5723. Creator: Theophile Alexandre Steinlen

Evacuees, 5723. Creator: Theophile Alexandre Steinlen
Evacuees, 5723

Background imageCivilian Collection: Ready to Honor the War Blind, 1917. Creator: Theophile Alexandre Steinlen

Ready to Honor the War Blind, 1917. Creator: Theophile Alexandre Steinlen
Ready to Honor the War Blind, 1917

Background imageCivilian Collection: Exodus —1915, 1915. Creator: Theophile Alexandre Steinlen

Exodus —1915, 1915. Creator: Theophile Alexandre Steinlen
Exodus -- 1915, 1915

Background imageCivilian Collection: Verdunois at the Gare de l Est Station, 1915 / 17. Creator: Theophile Alexandre Steinlen

Verdunois at the Gare de l Est Station, 1915 / 17. Creator: Theophile Alexandre Steinlen
Verdunois at the Gare de l Est Station, 1915/17

Background imageCivilian Collection: Evacuees from Verdun, plate thirty from Actualites, published May 1916

Evacuees from Verdun, plate thirty from Actualites, published May 1916

Background imageCivilian Collection: The Belgian Exodus, 1915. Creator: Theophile Alexandre Steinlen

The Belgian Exodus, 1915. Creator: Theophile Alexandre Steinlen
The Belgian Exodus, 1915

Background imageCivilian Collection: Veuves d un Louis, plate seven from Actualites, 1915

Veuves d un Louis, plate seven from Actualites, 1915

Background imageCivilian Collection: National Assistance, 1915 / 17. Creator: Theophile Alexandre Steinlen

National Assistance, 1915 / 17. Creator: Theophile Alexandre Steinlen
National Assistance, 1915/17

Background imageCivilian Collection: For Families That Are Separated, 1915. Creator: Theophile Alexandre Steinlen

For Families That Are Separated, 1915. Creator: Theophile Alexandre Steinlen
For Families That Are Separated, 1915

Background imageCivilian Collection: Courageous, 1915. Creator: Theophile Alexandre Steinlen

Courageous, 1915. Creator: Theophile Alexandre Steinlen
Courageous, 1915

Background imageCivilian Collection: Orphans of War, 1915. Creator: Theophile Alexandre Steinlen

Orphans of War, 1915. Creator: Theophile Alexandre Steinlen
Orphans of War, 1915

Background imageCivilian Collection: Refugees from the Meuse, 1915. Creator: Theophile Alexandre Steinlen

Refugees from the Meuse, 1915. Creator: Theophile Alexandre Steinlen
Refugees from the Meuse, 1915

Background imageCivilian Collection: Serbian Exodus, plate twenty-one from Actualites, 1915, published January 1916

Serbian Exodus, plate twenty-one from Actualites, 1915, published January 1916

Background imageCivilian Collection: On Leave, 1915 / 17. Creator: Theophile Alexandre Steinlen

On Leave, 1915 / 17. Creator: Theophile Alexandre Steinlen
On Leave, 1915/17

Background imageCivilian Collection: One Doesn t Get Used to It, 1915. Creator: Theophile Alexandre Steinlen

One Doesn t Get Used to It, 1915. Creator: Theophile Alexandre Steinlen
One Doesn t Get Used to It, 1915

Background imageCivilian Collection: Serbian Children, 1915. Creator: Theophile Alexandre Steinlen

Serbian Children, 1915. Creator: Theophile Alexandre Steinlen
Serbian Children, 1915

Background imageCivilian Collection: For the Daughters of Soldiers Killed on the Field of Honor

For the Daughters of Soldiers Killed on the Field of Honor, plate thirteen from Actualites, 1915

Background imageCivilian Collection: Serbian Cavalry, Second Episode, 1916. Creator: Theophile Alexandre Steinlen

Serbian Cavalry, Second Episode, 1916. Creator: Theophile Alexandre Steinlen
Serbian Cavalry, Second Episode, 1916

Background imageCivilian Collection: The Siege of Baghdad by Tahir, from the Tarikh-i-Alfi, ca. 1592-94. Creator: Unknown

The Siege of Baghdad by Tahir, from the Tarikh-i-Alfi, ca. 1592-94. Creator: Unknown
The Siege of Baghdad by Tahir, from the Tarikh-i-Alfi, ca. 1592-94

Background imageCivilian Collection: Plate 26 from The Disasters of War (Los Desastres de la Guerra): One

Plate 26 from The Disasters of War (Los Desastres de la Guerra): One can t look. (No se puede mirar.), 1810-20, published 1863

Background imageCivilian Collection: Plate 65 from The Disasters of War (Los Desastres de la Guerra

Plate 65 from The Disasters of War (Los Desastres de la Guerra): What is this hubbub? (Que alboroto es este?), after 1814-15 (published 1863)

Background imageCivilian Collection: Plate 60 from The Disasters of War (Los Desastres de la Guerra): Th

Plate 60 from The Disasters of War (Los Desastres de la Guerra): There is no one to help them. (No hay quien los socorra.), 1811-12 (published 1863)

Background imageCivilian Collection: Plate 59 from The Disasters of War (Los Desastres de la Guerra): Wh

Plate 59 from The Disasters of War (Los Desastres de la Guerra): What is the use of a cup? ( De que sirve una taza?), 1811-12 (published 1863)

Background imageCivilian Collection: Plate 58 from The Disasters of War (Los Desastres de la Guerra): It

Plate 58 from The Disasters of War (Los Desastres de la Guerra): Its no use crying out. (No hay que dar voces.), 1811-12 (published 1863)

Background imageCivilian Collection: Plate 57 from The Disasters of War (Los Desastres de la Guerra): Th

Plate 57 from The Disasters of War (Los Desastres de la Guerra): The healthy and the sick. (Sanos y enfermos.), 1811-12 (published 1863)

Background imageCivilian Collection: Plate 55 from The Disasters of War (Los Desastres de la Guerra): Th

Plate 55 from The Disasters of War (Los Desastres de la Guerra): The worst is to beg. (Lo peor es pedir.), 1811-12 (published 1863)

Background imageCivilian Collection: Plate 53 from The Disasters of War (Los Desastres de la Guerra): Th

Plate 53 from The Disasters of War (Los Desastres de la Guerra): There was nothing to be done and he died. (Espiro sin remedio.), 1811-12 (published 1863)

Background imageCivilian Collection: Plate 51 from The Disasters of War (Los Desastres de la Guerra): Th

Plate 51 from The Disasters of War (Los Desastres de la Guerra): Thanks to the millet. (Gracias a la almorta.), 1811-12 (published 1863)

Background imageCivilian Collection: Plate 45 from The Disasters of War (Los Desastres de la Guerra): And t

Plate 45 from The Disasters of War (Los Desastres de la Guerra): And this too. (Y esto tambien.), 1810 (published 1863)

Background imageCivilian Collection: Plate 44 from The Disasters of War (Los Desastres de la Guerra): I saw

Plate 44 from The Disasters of War (Los Desastres de la Guerra): I saw it. (Yo lo vi.), 1810 (published 1863)

Background imageCivilian Collection: Plate 41 from The Disasters of War (Los Desastres de La Guerra): They

Plate 41 from The Disasters of War (Los Desastres de La Guerra): They escape through the flames. (Escapan entre las llamas.), 1810 (published 1863)

Background imageCivilian Collection: Plate 31 from The Disasters of War (Los Desastres de la Guerra): That

Plate 31 from The Disasters of War (Los Desastres de la Guerra): Thats tough! (Fuerte cosa es!), 1810 (published 1863)

Background imageCivilian Collection: Plate 30 from The Disasters of War (Los Desastres de la Guerra): Ravag

Plate 30 from The Disasters of War (Los Desastres de la Guerra): Ravages of war. (Estragos de la guerra.), 1810 (published 1863)



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