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Queen Victoria Street, City of London, c1910 (1911). Artist: York & SonQueen Victoria Street, City of London, c1910 (1911). From London - The City, by Sir Walter Besant. [Adam & Charles Black, London, 1911]
Ludgate Circus and Ludgate Hill, City of London, c1910 (1911). Artist: Photochrom Co Ltd of LondonLudgate Circus and Ludgate Hill, City of London, c1910 (1911). Ludgate Circus has historically been the main connection between the City of London and the City of Westminster
Church of St Botolph-without-Bishopsgate, City of London, c1890 (1911). Artist: Pictorial AgencyChurch of St Botolph-without-Bishopsgate, City of London, c1890 (1911). St Botolph-without-Bishopsgate is a Church of England church on the west side of Bishopsgate, first mentioned in 1212
Staple Inn, Holborn Bars, London, c1910 (1911). Staple Inn is a Tudor building on High Holborn, used as the London venue for meetings of the Institute and Faculty of Actuaries
Hyde Park Corner, London, 1903 (1911). View showing the Ionic screen at the entrance to the park designed by Decimus Burton and built in 1825. From London - North of the Thames, by Sir Walter Besant
Trotting pair of Walter Winans, 1900 (c1910). Artist: Thomas BlinksTrotting pair of Walter Winans, 1900 (c1910). From Live Stock in Health and Disease, edited by Professor J. Prince-Sheldon. [The Waverley Book Co. Ltd, London, c1890]
The High Street, Southampton, c1903. Artist: Francis Godolphin Osbourne StuartThe High Street, Southampton, c1903. From Penroses Pictorial Annual 1903-4, edited by William Gamble. [A. W. Penrose & Co. London, 1903-4]
The Register Office, Princes Street, 1829. Artist: Alexander McClatchieThe Register Office, Princes Street, 1829. After Thomas Hosmer Shepherd (1792-1864)
The Strand, Opposite The Law Courts, Westminster, London, 1881 (1926). Artist: John CrowtherThe Strand, Opposite The Law Courts, Westminster, London, 1881 (1926). View of commercial premises. From Lost London described by E. Beresford Chancellor
Queen Victorias last visit to London, March, 1900 (1906). The Queen visited London to celebrate the relief of Ladysmith in the Boer War. From Cassells History of England, Vol
The Diamond Jubilee: Queen Victorias carriage passing the National Gallery, London, 1897 (1906). From Cassells History of England, Vol
Queen Alexandra arriving at Paddington Station for the Funeral of Queen Victoria, 1901 (1906). From Cassells History of England, Vol
Old Street, Market Street, Westminster, 1820 (1897). From Old and New London Vol III by Edward Walford. [Cassell and Company Ltd, London, 1897]
The Banqueting House, Whitehall, London, 17th Century (1905). From Cassells History of England, Vol. II, [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1905]
St. Mary-Le-Strand, c1909. Artist: Algernon TalmageSt. Mary-Le-Strand, c1909. From The Studio Volume 46. [London Offices of the Studio, London, 1909]
The Archbishops Palace, Lambeth, 1909. Artist: JMW TurnerThe Archbishops Palace, Lambeth, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]
Marriage of the Duke of York: the royal procession passing St Pauls Cathedral, 1893 (1906). Artist: Arthur SalmonMarriage of the Duke of York: the royal procession passing St Pauls Cathedral, 1893 (1906). From Cassells Illustrated History of England, Vol. VIII
The Queens Jubilee Procession on the Way to Westminster Abbey, June 21, 1887, 1906. Artist: R DudleyThe Queens Jubilee Procession on the Way to Westminster Abbey, June 21, 1887, 1906. From Cassells Illustrated History of England, Vol. VIII
The Gateway of St. Jamess Palace From St. Jamess Street, 1902. Artist: Thomas Robert WayThe Gateway of St. Jamess Palace From St. Jamess Street, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]
Exterior of the Banqueting Hall, Whitehall Palace, 1902. Artist: Thomas Robert WayExterior of the Banqueting Hall, Whitehall Palace, 1902. From Ancient Royal Palaces in and Near London. [John Lane, London and New York, 1902]
Hunting the Hounds, 1865. Artists: John Leech, Hablot Knight BrowneHunting the Hounds, 1865. From Mr. Facey Romfords Hounds, written by Robert Smith Surtees, illustrated by John Leech and H.K. Phiz Browne. [Bradbury, Evans & Co. London, 1865]
Les Paveurs de la Rue de Berne, 1878. Artist: Edouard ManetLes Paveurs de la Rue de Berne, 1878. From The Studio Volume 103. [London Offices of the Studio, London, 1932]
Outer Harbour of Le Havre, 1903. Artist: Camille PissarroOuter Harbour of Le Havre, 1903. Painting housed in the Musee des Beaux Arts Le Havre, France. From The Studio Volume 120. [The Studio Ltd. London & New York, 1940]
Ladies Entering Their Carriage in Belgrave Square, 19th century. Artist: Eugene Louis LamiLadies Entering Their Carriage in Belgrave Square, 19th century. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]
Queen Elizabeths Gateway, Windsor Castle, c1780. Artist: Paul SandbyQueen Elizabeths Gateway, Windsor Castle, c1780. Painting housed in the Royal Collection. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]
The Last Hour of a Contested Election for M. P, 1817. Artist: Robert HavellThe Last Hour of a Contested Election for M.P, 1817. After James Pollard (1792-1867). From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill. [The Connoisseur Magazine, London, 1908]
Rue Royale, Paris, c1913. Artist: Walter ZeisingRue Royale, Paris, c1913. From The Studio Volume 60 [The Offices of the Studio, London, 1913-14.]
White and Pink Tulle. - In The Park, c1900. Artist: Albert LudoviciWhite and Pink Tulle: In The Park, c1900. From The Studio Volume 36. [The Offices of the Studio Ltd. London, 1905-6]
Vicissitudes of the road in 1787, the highwayman, Lord Barrymore stopped, 1890. Richard Barry, 7th Earl Barrymore (1769-1793) was a notorious gambler, sportsman, rake and womaniser
Mail Coach in a Flood, c1827, (1904). Artist: F RosenbourgMail Coach in a Flood, c1827. After James Pollard (1792-1867). From The Connoisseur Volume VIII [Otto Limited, London, 1904.]
Garcia Street, Guantanamo, Cuba, c1900
Habana. Hotel de Inglaterra. -Inglaterra Hotel, Cuba, c1910sHabana. Hotel de Inglaterra. -Interra Hotel, Cuba. [T. Cossio, Reina, Habana, Cuba]
The Cathedral, Havana, Cuba, c1910
The Triumph of Venus, (1917). Artist: William Wynne RylandThe Triumph of Venus, 1917. After Angelica Kauffman (1741-1807). From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]
Petrarca: Trionfi, 1488, (1917)Petrarca: Trionfi, 1488. Venetian illustration of Petrarchs Triumph of Fame. The Triumphs (I Trionfi) of Francesco Petrarch (1304-1374) is a 14th-century Italian poem
Crossing the Heath, (1924). Artist: David Cox the elderCrossing the Heath. From The Connoisseur Vol LXVIII [Otto Limited, London, 1924.]
Constitutional Club, 1896Constitutional Club. The Constitutional Club was a London gentlemens club, which was established in 1883 and was disbanded in 1979. The club was at 28 Northumberland Avenue
George Loveless (1797-1874) in chains from Dorchester to a prison, (1834), 1934George Loveless (1797-1874) in chains at Salisbury, during his journey from Dorchester to a prison hulk, the York at Portsmouth to await transportation, 1834
The Cathedral of Havana, (1789), 1920sThe Cathedral of Havana which was built in 1789 and has three naves, 1920s. Cigar card from the History of Cuba, Geografico Universal, Propaganda de los Cigarros Susini y La Corona, Tabacalera Cubana
Chorrera Tower, 1920sTower of the Chorrera. The English landed with some forces and fought until the fortress was surrender. It was defended with admirable value by the Havanero Colonel Don Luis de Aguiar
King Edward VIIs State Coach used for Opening of Parliament, 1910King Edward VIIs State Coach used for Opening of Parliament. After the death of Queen Victoria the full pomp and pageantry of the State Opening of Parliament were restored
The Devonport Mail Near Amesbury, 1907. Artist: William HavellThe Devonport Mail Near Amesbury: Going Post through an Avalanche of Snow. Engraving by Robert Havell after a drawing by Henry Thomas Alken (1785-1851). From The Connoisseur 1907-8
Four in Hand, 1907. Artist: James PollardFour in Hand. An engraving by J. Glendah after an original painting by James Pollard (1792-1867). From The Connoisseur VOL. XVII, 1907
The Birmingham Mail near Aylesbury, the guard Banbury proceeding with the bags, 1837 (1907). Artist: Robert HavellThe Birmingham Mail near Aylesbury, the guard Banbury proceeding with the bags 1837. Mail coach drawn by two horses stuck in a snowdrift, with three other horsemen coming to the rescue
The Holyhead and Chester Mails, 1905. Artist: Robert HavellThe Holyhead and Chester Mails at Hockley Hill, near Dunstable. Engraving by Robert Havell after a drawing by Henry Thomas Alken (1785-1851). Coaches stuck in snow drifts
Front of Newgate from the Old Bailey, 1878Front of Newgate from the Old Bailey.Engraving from Old and new London Volume 2 by Walter Thornbury.Published by Cassell, Petter and Galpin, 1878
Queen Elizabeth II and Duke of Edinburgh in the State Coach, The Coronation, 2nd June 1953HM Queen Elizabeth II and HRH Duke of Edinburgh in the Gold State Coach, The Coronation, 2nd June 1953
New Law Courts, London, late 19th century(?). Designed in Victorian Gothic style by George Edmund Street, the Royal Courts of Justice on the Strand were opened by Queen Victoria in 1882. Lantern slide