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Blake Collection (page 2)

Background imageBlake Collection: The Wrath of Elihu, from Illustrations of the Book of Job, 1825-26

The Wrath of Elihu, from Illustrations of the Book of Job, 1825-26

Background imageBlake Collection: Jobs Evil Dreams, from Illustrations of the Book of Job, 1825-26. Creator: William Blake

Jobs Evil Dreams, from Illustrations of the Book of Job, 1825-26. Creator: William Blake
Jobs Evil Dreams, from Illustrations of the Book of Job, 1825-26

Background imageBlake Collection: The Vision of Eliphaz, from Illustrations of the Book of Job, 1825-26

The Vision of Eliphaz, from Illustrations of the Book of Job, 1825-26

Background imageBlake Collection: Jobs Despair, from Illustrations of the Book of Job, 1825-26. Creator: William Blake

Jobs Despair, from Illustrations of the Book of Job, 1825-26. Creator: William Blake
Jobs Despair, from Illustrations of the Book of Job, 1825-26

Background imageBlake Collection: Jobs Comforters, from Illustrations of the Book of Job, 1825-26. Creator: William Blake

Jobs Comforters, from Illustrations of the Book of Job, 1825-26. Creator: William Blake
Jobs Comforters, from Illustrations of the Book of Job, 1825-26

Background imageBlake Collection: Satan Smiting Job with Boils, from Illustrations of the Book of Job, 1825-26

Satan Smiting Job with Boils, from Illustrations of the Book of Job, 1825-26

Background imageBlake Collection: Satan Going Forth from the Presence of the Lord, from Illustrations of the Book of Job

Satan Going Forth from the Presence of the Lord, from Illustrations of the Book of Job, 1825-26

Background imageBlake Collection: The Destruction of Jobs Sons, from Illustrations of the Book of Job, 1825-26

The Destruction of Jobs Sons, from Illustrations of the Book of Job, 1825-26

Background imageBlake Collection: Satan Before the Throne of God, from 'Illustrations of the Book of Job'

Satan Before the Throne of God, from "Illustrations of the Book of Job"
Satan Before the Throne of God, from " Illustrations of the Book of Job", 1825-26

Background imageBlake Collection: Job and His Family, from Illustrations of the Book of Job, 1825-26

Job and His Family, from Illustrations of the Book of Job, 1825-26

Background imageBlake Collection: The Death of the Good Old Man, from The Grave, a Poem by Robert Blair, March 1, 1813

The Death of the Good Old Man, from The Grave, a Poem by Robert Blair, March 1, 1813

Background imageBlake Collection: The Meeting of a Family in Heaven, from The Grave, a Poem by Robert Blair, March 1, 1813

The Meeting of a Family in Heaven, from The Grave, a Poem by Robert Blair, March 1, 1813

Background imageBlake Collection: The Soul Exploring the Recesses of the Grave, from The Grave, a Poem by Robert Bl

The Soul Exploring the Recesses of the Grave, from The Grave, a Poem by Robert Blair, March 1, 1813

Background imageBlake Collection: Deaths Door, from The Grave, a Poem by Robert Blair, March 1, 1813

Deaths Door, from The Grave, a Poem by Robert Blair, March 1, 1813

Background imageBlake Collection: The Counsellor, King, Warrior, Mother & Child in the Tomb, from The Grave, a Poem

The Counsellor, King, Warrior, Mother & Child in the Tomb, from The Grave, a Poem by Robert Blair, March 1, 1813

Background imageBlake Collection: Songs of Innocence and of Experience: A Poison Tree, ca. 1825. Creator: William Blake

Songs of Innocence and of Experience: A Poison Tree, ca. 1825. Creator: William Blake
Songs of Innocence and of Experience: A Poison Tree, ca. 1825

Background imageBlake Collection: Songs of Innocence and of Experience: To Tirzah, ca. 1825. Creator: William Blake

Songs of Innocence and of Experience: To Tirzah, ca. 1825. Creator: William Blake
Songs of Innocence and of Experience: To Tirzah, ca. 1825

Background imageBlake Collection: Songs of Experience: Introduction: Hear the voice of the Bard, ca. 1825

Songs of Experience: Introduction: Hear the voice of the Bard, ca. 1825

Background imageBlake Collection: Songs of Innocence and of Experience: Spring (second plate): Little Girl, ca. 1825

Songs of Innocence and of Experience: Spring (second plate): Little Girl, ca. 1825

Background imageBlake Collection: Songs of Innocence and of Experience: Cradle Song (second plate): Wept for me... ca

Songs of Innocence and of Experience: Cradle Song (second plate): Wept for me... ca
Songs of Innocence and of Experience: Cradle Song (second plate): Wept for me for thee for all, ca. 1825

Background imageBlake Collection: Songs of Innocence and of Experience: The Chimney Sweeper, ca. 1825

Songs of Innocence and of Experience: The Chimney Sweeper, ca. 1825

Background imageBlake Collection: Songs of Innocence and of Experience: The Lamb, ca. 1825. Creator: William Blake

Songs of Innocence and of Experience: The Lamb, ca. 1825. Creator: William Blake
Songs of Innocence and of Experience: The Lamb, ca. 1825

Background imageBlake Collection: Songs of Innocence and of Experience: The Ecchoing Green (second plate), ca. 1825

Songs of Innocence and of Experience: The Ecchoing Green (second plate), ca. 1825

Background imageBlake Collection: The Angel Appearing to Zacharias, 1799-1800. Creator: William Blake

The Angel Appearing to Zacharias, 1799-1800. Creator: William Blake
The Angel Appearing to Zacharias, 1799-1800. llustrates verses from Luke (I:11.13), in which Gabriel appears to the righteous Zacharias

Background imageBlake Collection: The Just Upright Man Is Laughed To Scorn, c1825, (1943). Creator: William Blake

The Just Upright Man Is Laughed To Scorn, c1825, (1943). Creator: William Blake
The Just Upright Man Is Laughed To Scorn, c1825, (1943). Biblical scene, illustration to the Book of Job: Job laments the fact that, even though he has understanding and is morally upright

Background imageBlake Collection: Admiral Blake, (1598-1657), 1830. Creator: Unknown

Admiral Blake, (1598-1657), 1830. Creator: Unknown
Admiral Blake, (1598-1657), 1830. Robert Blake (1598-1657) naval commander of the Commonwealth of England and English admiral. From " Biographical Illustrations", by Alfred Howard

Background imageBlake Collection: Admiral Robert Blake (1599-1657), 1657. Artist: Anonymous

Admiral Robert Blake (1599-1657), 1657. Artist: Anonymous
Admiral Robert Blake (1599-1657), 1657. From a private collection

Background imageBlake Collection: A Sea-Fight Between Admiral Blake and the Dutch, c1930. Creator: Unknown

A Sea-Fight Between Admiral Blake and the Dutch, c1930. Creator: Unknown
A Sea-Fight Between Admiral Blake and the Dutch, c1930. The English fleet take on the Dutch in a naval battle in the 1650s

Background imageBlake Collection: An Allegory, c1820-1825, (1922). Creator: William Blake

An Allegory, c1820-1825, (1922). Creator: William Blake
An Allegory, c1820-1825, (1922). Epitome of James Herveys " Meditations among the Tombs", watercolour dealing with death and grief, inspired by the work of James Hervey (1714-1758)

Background imageBlake Collection: John Varley, W. S. (1778-1842). Creator: Unknown

John Varley, W. S. (1778-1842). Creator: Unknown
John Varley, W.S. (1778-1842). Portrait print of British watercolour painter and astrologer Varley, after a drawing made c1820-1825 by his friend William Blake

Background imageBlake Collection: Flagellation of a Female Samboe Slave, 1793. Creator: Blake, William (1757-1827)

Flagellation of a Female Samboe Slave, 1793. Creator: Blake, William (1757-1827)
Flagellation of a Female Samboe Slave, 1793. Private Collection

Background imageBlake Collection: May Day in London Artist: William Blake

May Day in London Artist: William Blake
May Day (in London), 1784. Milkmaids with garlands and chimney sweep boys dancing outside a pewterers and a barbers premises in Milk Street

Background imageBlake Collection: Major Blake Bale by the pits at Brooklands, Surrey, c1930s(?). Artist: Bill Brunell

Major Blake Bale by the pits at Brooklands, Surrey, c1930s(?). Artist: Bill Brunell
Place: Brooklands. Date: Major Blake Bale

Background imageBlake Collection: The Fall of Man, c1780-1827. Artist: William Blake

The Fall of Man, c1780-1827. Artist: William Blake
The Fall of Man, c1780-1827

Background imageBlake Collection: The Ancient of Days, 1793. Artist: William Blake

The Ancient of Days, 1793. Artist: William Blake
The Ancient of Days, 1793. From Europe a Prophecy by William Blake (1757-1827). Urizen measuring out the material world; an allegory of the French Revolution

Background imageBlake Collection: Paolo and Francesca (The Whirlwind of Lovers), 1826-1827

Paolo and Francesca (The Whirlwind of Lovers), 1826-1827. Private Collection

Background imageBlake Collection: King John absolved by Pandulph (After Henry Fuseli), 1798. Artist: Blake, William (1757-1827)

King John absolved by Pandulph (After Henry Fuseli), 1798. Artist: Blake, William (1757-1827)
King John absolved by Pandulph (After Henry Fuseli), 1798. Private Collection

Background imageBlake Collection: The Good and Evil Angels Struggling for Possession of a Child, 1795

The Good and Evil Angels Struggling for Possession of a Child, 1795. Artist: Blake, William (1757-1827)
The Good and Evil Angels Struggling for Possession of a Child, 1795. Private Collection

Background imageBlake Collection: Great Plague of London, c. 1779. Artist: Blake, William (1757-1827)

Great Plague of London, c. 1779. Artist: Blake, William (1757-1827)
Great Plague of London, c. 1779. Private Collection

Background imageBlake Collection: Pity, c. 1795. Artist: Blake, William (1757-1827)

Pity, c. 1795. Artist: Blake, William (1757-1827)
Pity, c. 1795. Found in the collection of Metropolitan Museum of Art, New York

Background imageBlake Collection: The Red Dragon and the Woman Clothed in Sun, ca 1802-1805. Artist: Blake, William (1757-1827)

The Red Dragon and the Woman Clothed in Sun, ca 1802-1805. Artist: Blake, William (1757-1827)
The Red Dragon and the Woman Clothed in Sun, ca 1802-1805. Found in the collection of Brooklyn Museum, New York

Background imageBlake Collection: A Poison Tree. Songs of Innocence and of Experience, ca 1825. Artist: Blake, William (1757-1827)

A Poison Tree. Songs of Innocence and of Experience, ca 1825. Artist: Blake, William (1757-1827)
A Poison Tree. Songs of Innocence and of Experience, ca 1825. Found in the collection of the Metropolitan Museum of Art, New York

Background imageBlake Collection: The Just Upright Man Is Laughed To Scorn, c1825, (1947). Artist: William Blake

The Just Upright Man Is Laughed To Scorn, c1825, (1947). Artist: William Blake
The Just Upright Man Is Laughed To Scorn, c1825, (1947). Illustration to the Book of Job, Morgan Library & Museum, NY. From The English Bible, by Sir Herbert Grierson [Collins, London, 1947]

Background imageBlake Collection: Queen Katherines Dream, c1825. Artist: William Blake

Queen Katherines Dream, c1825. Artist: William Blake
Queen Katherines Dream, c1825. The painting is part of the Rosenwald Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageBlake Collection: In Far Cathay - An interesting group at Hong Kong, taken before Li Hung went to Pekin, 1900

In Far Cathay - An interesting group at Hong Kong, taken before Li Hung went to Pekin, 1900. Visit of Li Hung-chang, viceroy of Canton in Hong-Kong for opening of Kowloon Canton railway in july 1900

Background imageBlake Collection: The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Artist: William Blake

The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Artist: William Blake
The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Job is the central figure of the Book of Job in the Bible

Background imageBlake Collection: Death of Admiral Blake, 7 August 1657, (c1880)

Death of Admiral Blake, 7 August 1657, (c1880). Robert Blake (1598-1657) was an important military commander of the Commonwealth of England

Background imageBlake Collection: Visions of the Daughters of Albion, 1793. Artist: William Blake

Visions of the Daughters of Albion, 1793. Artist: William Blake
Visions of the Daughters of Albion, 1793. From The Connoisseur Volume XC. [The Connoisseur Ltd, London, 1932]



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