Betrayal Collection (page 3)

Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

The wall painting of `The Last Supper`, at Milan, 1883. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Benedict Arnold viewing the destruction of New London, 1781 (c1880). Arnold (1741-1801) fought for the American Continental Army from the outbreak of the War of Independence in 1775

Escape of Benedict Arnold, 1780 (c1880). Arnold (1741-1801) fought for the American Continental Army from the outbreak of the War of Independence in 1775, becoming one of its most effective generals

The Second Meeting, Christ and Judas, 1899. Artist: JF Weber
The Second Meeting, Christ and Judas, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

Judas Iscariot, 1899. Artist: JF Weber
Judas Iscariot, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

Treachery of the Cherokees, 18th century (c1880). A print from Cassells History of the United States, by Edmund Ollier, Volume II, Cassell Petter and Galpin, London, c1880

Study of Judas for The Last Supper, c1495 (1954). Artist: Leonardo da Vinci
Study of Judas for The Last Supper, c1495 (1954). Found in the collection of the Royal Library, Windsor Castle, Windsor. A print from Leonardo da Vinci by Ludwig H Heydenreich. (London, 1954)

Samson and Delilah, 1574 (1849). Artist: A Bisson
Samson and Delilah, 1574 (1849). A 19th century version based on an original 16th century woodcut. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris)

Hedy Lamarr (1914-2000) and George Sanders (1906-1972), actors, 1950. Lamarr and Saunders in a scene from Samson and Delilah (1949). From the front cover of Picturegoer magazine (11 November 1950)

Samson and Delilah, 1937. Artist: Nicolo Boldrini
Samson and Delilah, 1937. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Les Traitants, c1750-1800, (1924)Artist: Jean-Honore Fragonard
Les Traitants, c1750-1800, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

The Last Supper, 1523 (1906). Artist: Albrecht Durer
The Last Supper, 1523 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

Christ Taken Captive, 1510 (1906). Artist: Albrecht Durer
Christ Taken Captive, 1510 (1906). From Durer Des Meisters Gemalde Kupferstiche und Holzschnitte in 471 Abbildungen [Stuttgart und Leipzig, Deutsch Verlags-Ansalt, 1906]

James Carey, Irish Republican and informer, 1883. He swears in his victims; Look, the man in the grey suit; He informs; as crown witness

The Capture of Christ, 1510, (1936). Artist: Albrecht Durer
The Capture of Christ, 1510, (1936). Scene from the Great Passion series. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936

The Betrayal of Christ (From the Basilica of Santa Croce, Florence), c. 1324-1325. Found in the collection of the National Gallery, London

The Judas Kiss, Early16th cen Artist: German master
The Judas Kiss, Early16th cen.. Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

Samson and Delilah, c1609-1610. Artist: Peter Paul Rubens
Samson and Delilah, c1609-1610. Samson, the Jewish hero, fell in love with Delilah. She was bribed by the Philistines, and discovered that his strength came from his hair which had never been cut

Maesta, (Stories of the Passion), 1308-1311. Artist: Duccio di Buoninsegna
Maesta, (Stories of the Passion), 1308-1311. Found in the collection of the Museo dell Opera del Duomo, Siena, Italy

Larcia accuses St Denis, 1317. Larcia, a pagan, denounced the saint and his companions, and was later converted. Manuscript illustration from a work on the life of St Denis (died c258 AD)

Samson and Delilah, c1500. Artist: Andrea Mantegna
Samson and Delilah, c1500. Found in the collection of the National Gallery, London

Matrimonial nightmare, 1819-1823. Artist: Francisco Goya
Matrimonial nightmare, 1819-1823. Plate 7 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams)

The Agony in the Garden, detail, 1527-1530. Artist: Pieter Coecke van Aelst
The Agony in the Garden, detail, 1527-1530. In the garden of Gethsemane Christ kneels and raises his eyes towards the chalice standing on the outcrop of rock, which symbolises the chalice of fate

Le Baiser de Judas, Paris Commune, 1871. Cartoon comparing the downfall of the Paris Commune to the betrayal of Christ by Judas kiss. An allegory of the Commune fills the place of Jesus

The Arrest of Christ (Kiss of Judas), stained glass, Chartres Cathedral, 1194-1260

La Nouvelle Cene, Paris Commune, 1871. Cartoon comparing the downfall of the Paris Commune to the betrayal of Christ at the Last Supper

Wooden portal of Hylestad church, showing Sigurd roasting the dragons heart while Regin sleeps. He learns of Regins treachery from the birds, who he can now understand, and kills Regin

Judas betraying Christ with a kiss, 1866. Artist: Gustave Dore
Judas betraying Christ with a kiss, 1866. From the Bible (Matthew 26.9)

Samson and Delilah, 1866. Artist: Gustave Dore
Samson and Delilah, 1866. Delilah the Philistine, learns from her lover, Samson the Israelite, that the secret of his great strength lies in his long hair. She then betrays him to her own people

Scene from Mort d Arthur, 14th century. Sir Lancelot of the Lake and Queen Guinevere seen embracing by King Arthur

French adultery caricature postcard, c1900

Delilah cutting Samsons hair, thus taking away his strength, 1820. Artist: William Marshall Craig
Delilah cutting Samsons hair, thus taking away his strength, 1820. From the Bible

Demand Thy Life, 1870. Artist: Joseph Swain
Demand Thy Life, 1870. France is defiant under the attack of Wilhelm I of Prussia. France was on the verge of complete defeat in the war she had declared against Prussia

A Harlots Progress, Plate 1, April 1732. Creator: William Hogarth
A Harlots Progress, Plate 1, April 1732

Villain, thou diest: plate 10 from Othello (Act 5, Scene 1), etched 1844, reprinted 1900

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