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Balance Collection (page 6)

Background imageBalance Collection: Diana (Diane), c1850

Diana (Diane), c1850

Background imageBalance Collection: Abdulla Magic - Out of the Past, 1932

Abdulla Magic - Out of the Past, 1932. From Punch, or the London Charivari. - December 28, 1932. [Messrs. Bradbury, Agnew & Co. Limited, London, 1932]

Background imageBalance Collection: An Assault With the French Duelling Sword, c1900, (1903). Artist: Hills and Saunders

An Assault With the French Duelling Sword, c1900, (1903). Artist: Hills and Saunders
An Assault With the French Duelling Sword, c1900, (1903). From The Sports of the World, by F. G. Aflalo, F.R.G.S. F.Z.S. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Background imageBalance Collection: Grey Phalarope (Phalaropus fulicarius), Red-Necker Phalarope (Phalaropus hyperboreus), 1900

Grey Phalarope (Phalaropus fulicarius), Red-Necker Phalarope (Phalaropus hyperboreus), 1900, (1900). From The Game Birds and Wild Fowl of The British Islands, by Charles Dixon

Background imageBalance Collection: Common Avocet (Recurvirostra avocetta), Common Stilt (Himantopus melanopterus), 1900, (1900)

Common Avocet (Recurvirostra avocetta), Common Stilt (Himantopus melanopterus), 1900, (1900). Artist: Charles Whymper
Common Avocet (Recurvirostra avocetta), Common Stilt (Himantopus melanopterus), 1900, (1900). From The Game Birds and Wild Fowl of The British Islands, by Charles Dixon

Background imageBalance Collection: Dancer Looking at the Sole of Her Right Foot, c1900. Artist: Edgar Degas

Dancer Looking at the Sole of Her Right Foot, c1900. Artist: Edgar Degas
Dancer Looking at the Sole of Her Right Foot, c1900. From The Life and Work of Edgar Degas, by J. B. Manson. [The Studio Limited, London, 1927]

Background imageBalance Collection: Fencers, 1900. Artist: Frederick Henry Townsend

Fencers, 1900. Artist: Frederick Henry Townsend
Fencers, by T. H. Townsend. 1900-01. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

Background imageBalance Collection: Half-Title of Goethes Faust, 1925. Artist: Harry Clarke

Half-Title of Goethes Faust, 1925. Artist: Harry Clarke
Half-Title of Goethes Faust, 1925. From The Studio Volume 90. [London Offices of the Studio, London, 1925]

Background imageBalance Collection: Detail of English Crewel Work Bed-Curtain, c1680. Artist: Abigail Pett

Detail of English Crewel Work Bed-Curtain, c1680. Artist: Abigail Pett
Detail of English Crewel Work Bed-Curtain, c1680. A section of a bed hanging produced in England between 1680-1700 by Abigail Pett

Background imageBalance Collection: Dance Rhythm, c1920. Artist: Eric Harald Macbeth Robertson

Dance Rhythm, c1920. Artist: Eric Harald Macbeth Robertson
Dance Rhythm, c1920. From The Studio Volume 79, [London Offices of the Studio, London, 1920]

Background imageBalance Collection: The Modern Dance of Death, c1895. Artist: Joseph Kaspar Sattler

The Modern Dance of Death, c1895. Artist: Joseph Kaspar Sattler
The Modern Dance of Death, c1895. From The Studio Volume 4. [London Offices of the Studio, London, 1894]

Background imageBalance Collection: Mdlle Rosati, 1848. Artist: Alexandre de Valentini

Mdlle Rosati, 1848. Artist: Alexandre de Valentini
Mdlle Rosati, 1848. Carolina Rosati (1826-1905), Italian ballet dancer. From The Connoisseur Vol. XX. [Otto Limited, London, 1908]

Background imageBalance Collection: Enamel Plaque by Alexander Fisher, c1898. Artist: Alexander Fisher

Enamel Plaque by Alexander Fisher, c1898. Artist: Alexander Fisher
Enamel Plaque by Alexander Fisher, c1898. From The Studio Volume 23. [The Offices of the Studio Ltd. London, 1901]

Background imageBalance Collection: A Party Angling, 1789, (1902). Artist: George Keating

A Party Angling, 1789, (1902). Artist: George Keating
A Party Angling, 1789. After George Morland (1763-1804). From The Connoisseur Vol. IV [Otto Limited, London, 1902.]

Background imageBalance Collection: Les Premiers Pas (first steps), c1875-1906, (1906). Artist: Allan Osterlind

Les Premiers Pas (first steps), c1875-1906, (1906). Artist: Allan Osterlind
Les Premiers Pas (first steps). From The Studio Volume 38 [London Offices of the Studio, London, 1906.]

Background imageBalance Collection: A Christmas Holiday, 1790, (1919). Artist: John Raphael Smith

A Christmas Holiday, 1790, (1919). Artist: John Raphael Smith
A Christmas Holiday, 1790. From The Connoisseur Volume LV [Otto Limited, London, 1919]

Background imageBalance Collection: Display by the Aldershot gymnastic staff, Hampshire, 1896. Artist: Gregory & Co

Display by the Aldershot gymnastic staff, Hampshire, 1896. Artist: Gregory & Co
Display by the Aldershot gymnastic staff, Hampshire, 1896. A print from The Navy and Army Illustrated, 31st January 1896

Background imageBalance Collection: Display by the staff of the Aldershot gymnasium, Hampshire, 1895. Artist: Gregory & Co

Display by the staff of the Aldershot gymnasium, Hampshire, 1895. Artist: Gregory & Co
Display by the staff of the Aldershot gymnasium, Hampshire, 1895. The physical training of the soldier. A print from The Navy and Army Illustrated, 20th December 1895

Background imageBalance Collection: Guard of honour for the visit of the Prince of Wales. Artist: Underwood & Underwood

Guard of honour for the visit of the Prince of Wales. Artist: Underwood & Underwood
Guard of honour for the visit of the Prince of Wales. Stereoscopic card detail

Background imageBalance Collection: Cottons Patent Automaton Balance. With Pilchers Improvements, 1866. Artist: William Cotton

Cottons Patent Automaton Balance. With Pilchers Improvements, 1866. Artist: William Cotton
Cottons Patent Automaton Balance. With Pilchers Improvements, 1866

Background imageBalance Collection: Improved Balance (To Weigh 2000 Ounces. ), 1866. Artist: Joseph Wilson Lowry

Improved Balance (To Weigh 2000 Ounces. ), 1866. Artist: Joseph Wilson Lowry
Improved Balance (To Weigh 2000 Ounces.), 1866

Background imageBalance Collection: Horsemanship of the Cossacks, First World War, 1914

Horsemanship of the Cossacks, First World War, 1914. Russian soldiers standing on their horses to cross a river. Illustration from The Great War by HW Wilson, Vol I, (London, 1914)

Background imageBalance Collection: Children in a park, London, 1926-1927

Children in a park, London, 1926-1927. From Wonderful London, volume II, edited by Arthur St John Adcock, published by Amalgamated Press (London, 1926-1927)

Background imageBalance Collection: Physical & Recreational Training Instructor, (2nd Class), 1937. Artist: WA & AC Churchman

Physical & Recreational Training Instructor, (2nd Class), 1937. Artist: WA & AC Churchman
Physical & Recreational Training Instructor, (2nd Class), 1937. Churchmans Cigarette Series, The Navy At Work

Background imageBalance Collection: Visual Signalman, Trained Operator, 1937. Artist: WA & AC Churchman

Visual Signalman, Trained Operator, 1937. Artist: WA & AC Churchman
Visual Signalman, Trained Operator, 1937. Churchmans Cigarette Series, The Navy At Work

Background imageBalance Collection: Rangetaker: Using The Range-Finder, 1937. Artist: WA & AC Churchman

Rangetaker: Using The Range-Finder, 1937. Artist: WA & AC Churchman
Rangetaker: Using The Range-Finder, 1937. Churchmans Cigarette Series, The Navy At Work

Background imageBalance Collection: A Blaze of Triumph!, 1878. Artist: Swain

A Blaze of Triumph!, 1878. Artist: Swain
A Blaze of Triumph!, 1878. From Punch (or the London Charivari) magazine, 1878

Background imageBalance Collection: The Theatrical Steel Yards of 1750, (1751). Artist: Patrick O Brian

The Theatrical Steel Yards of 1750, (1751). Artist: Patrick O Brian
The Theatrical Steel Yards of 1750, (1751). Players hang from scales surmounted by the motto Totus mundus agit histrionem, - All the worlds a stage

Background imageBalance Collection: Libra, The Balance, 1923

Libra, The Balance, 1923. One of a series of WD & HO Wills Cigarette Cards called Lucky Charms, (Bristol and London, 1923)

Background imageBalance Collection: Scene from the Book of the Dead of Any, Egyptian, c1275 BC, (c1900-1920)

Scene from the Book of the Dead of Any, Egyptian, c1275 BC, (c1900-1920). In the centre are the scales used for weighing the heart, attended by Anubis, the jackal-headed god of embalming

Background imageBalance Collection: Exercises derived from the Quintain, (1833)

Exercises derived from the Quintain, (1833) One man seated holds up one of his feet, opposed to the foot of another man, who stands upon another leg and endeavours to thrust him backwards

Background imageBalance Collection: Personification of music, with the auxiliaries, the poet and musicians, 1508, (1870)

Personification of music, with the auxiliaries, the poet and musicians, 1508, (1870). Facsimile of a wood engraving from the Margarita Philosophica Nova

Background imageBalance Collection: Acrobat Exercise, (1885)

Acrobat Exercise, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageBalance Collection: Justice, tarot card, 14th century, (1870)

Justice, tarot card, 14th century, (1870)
Justice, tarot card from the Charles VI or Gringonneur deck, 14th century, (1870). Taken from a deck in the Bibliotheque Imperiale, Paris

Background imageBalance Collection: Felia Doubrovska, Russian ballet dancer and teacher, 20th century

Felia Doubrovska, Russian ballet dancer and teacher, 20th century. Doubrovska (1896-1981) performing in The Firebird by Igor Stravinsky. From a private collection

Background imageBalance Collection: A Town in Holland, 19th century. Artist: Bartholomeus Johannes van Hove

A Town in Holland, 19th century. Artist: Bartholomeus Johannes van Hove
A Town in Holland, 19th century. Hove, Bartholomeus Johannes, van (1790-1880). Found in the collection of the M. Kroshitsky Art Museum, Sevastopol

Background imageBalance Collection: Counter-Composition XIII, 1925-1926. Artist: Theo Van Doesburg

Counter-Composition XIII, 1925-1926. Artist: Theo Van Doesburg
Counter-Composition XIII, 1925-1926.This canvas upholds the Neo-Plastic dictum of peripheric composition. The focus is decentralized and there are no empty, inactive areas

Background imageBalance Collection: How a cat falls, 19th century. Artist: Gustave Francois Lasellaz

How a cat falls, 19th century. Artist: Gustave Francois Lasellaz
How a cat falls, 19th century. A print from les Dernieres Merveilles de la Science, by Daniel Bellet

Background imageBalance Collection: Mercury, 1580. Artist: Giambologna

Mercury, 1580. Artist: Giambologna
Mercury, 1580. Found in the collection of the Museo Nazionale del Bargello, Florence, Italy

Background imageBalance Collection: Shepherds, 1828. Artist: Marlet et Cie

Shepherds, 1828. Artist: Marlet et Cie
Shepherds, 1828. A lithograph from L Inde Francais, 1828. From the collection of Jean Claude Carriere

Background imageBalance Collection: Shepherd and his wife carrying milk, India, 1834

Shepherd and his wife carrying milk, India, 1834

Background imageBalance Collection: The Stilts, c1785. Artist: Francisco Goya

The Stilts, c1785. Artist: Francisco Goya
The Stilts, c1785. Located in the collection at, Prado Museum, Madrid, Spain

Background imageBalance Collection: The Powerful Hand, 19th century

The Powerful Hand, 19th century. Popular French religious print showing a hand with a nail wound (stigmata), Jesus, the all-seeing eye of God, and holy justice represented by the balance and the sword

Background imageBalance Collection: Assayer testing samples of gold or silver using a balance, 1683. Artist: Lazarus Ercker

Assayer testing samples of gold or silver using a balance, 1683. Artist: Lazarus Ercker
Assayer testing samples of gold or silver using a balance, 1683. From English edition of Lazarus Ercker Allerfurnemisten mineralischen Ertzt und Berckwercksarten, originally published in Prague, 1574

Background imageBalance Collection: Lanyon Quoit, Cornwall, 20th century. Artist: CM Dixon

Lanyon Quoit, Cornwall, 20th century. Artist: CM Dixon
Lanyon Quoit, Cornwall, 20th century. Neolithic dolmen in Cornwall, 2 miles southeast of Morvah. It collapsed in a storm in 1815 and was re-erected 9 years later

Background imageBalance Collection: Neolithic burial chamber at St Lythans, 5th millennium BC

Neolithic burial chamber at St Lythans, 5th millennium BC
Neolithic burial chamber at St Lythans in Glamorgan, 5th millennium BC

Background imageBalance Collection: Portal-grave known as the Lobby

Portal-grave known as the Lobby in Carrickglass in Sligo

Background imageBalance Collection: Egyptian statuette of a woman bearing offerings, 22nd century BC

Egyptian statuette of a woman bearing offerings, 22nd century BC
Stuccoed and painted Egyptian statuette of a woman bearing offerings from the Louvres collection, 22nd century BC



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