Anderson Collection (page 3)

The Mendicant Priest and the Wild Geese, late 17th or early 18th century (1886). From a picture by Hanabusa Itcho (1651-1724), engraved in the Itcho gwa-fu

The Drunken Philosopher, 18th century (1886). Kano School. From a painting by Kano Shiushin. From the Wa-kan mei gwa yen. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low

Chinese boys quarrelling, 17th century (1886). Kano School. From a painting by Kano Naonobu. From the Wa-kan meihitsu gwa ho

River scene, 16th century (1886). From a picture by Kano Motonobu, engraved in the Wa-kan mei-hitsu gwa-ho..A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston

The Rishi Li Tieh-kwai despatching his spirit to the Mountains of the Immortals, 17th century, (1886)
The Rishi Li Tieh-kwai dispatching his spirit to the Mountains of the Immortals, 17th century, (1886). Kano School. From a picture after Kano Tanyu. From the Wa-kan meihitsu gwa yei

Hotei, 16th century (1886). From a picture by Kano Motonobu, engraved in the E-hon te-kagami. Hotei is one of the personages of the popular group of divinities known by the title of Shichi-fuku-jin

The Three Laughers, 16th century (1886). From a picture by Kano Motonobu, engraved in the Wa-kan mei-hitsu gwa-yei. Kano School

The Rambles of Motonobu, 18th century (1886). Artist: Witherby & Co
The Rambles of Motonobu, 18th century (1886). The artist Kano Motonobu (1476-1559) resting on a walk and enjoying the landscape around him. From a drawing by Nishikawa Sukenobu

Dragon, 15th century (1886). Sesshiu School. From a picture by Sesshiu (1421-1507), engraved in the Wa-Kan mei-hitsu gwa-yei

Chinese landscape, 15th century (1886). From a picture by Sesshiu (1421-1507), engraved in the Wa-Kan mei-hitsu gwa-ho. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low

Sesshiu and the Pictured Rats, 18th century (1886). From a drawing by Nishikawa Sukenobu. Engraved in the E-hon Yamato Hiji

Chinese priest on a mule, 15th century (1886). Sesshiu School. From a painting by Shiutoku, engraved in the E-hon te-kagami

Cock, 15th century (1886). From a painting by Oguri Sotan, engraved in the E-hon te-kagami. Chinese School. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston

Falcon and egret, 16th century (1886). From a picture by Sogo Chokuan. From the E-hon te Kagami, Chinese School. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston

Scene from the Nocturnal Journey of the Demon Legion, 15th century(?) (1886). From an ancient roll of the Tosa School. Engraved after pictures in the Kiyo-gwa yen

Arhat, Panthaka, 15th century (1886). From a painting by Meicho, engraved in the Wa-Kan mei-hitsu gwa-yei. Buddhist School

Arhat, Bhadra, 15th century (1886). From a painting by Meicho, engraved in the Wa-Kan mei-hitsu gwa-yei. Buddhist School. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low

The armour of Yoshitsune, 12th century (1886). A general of the Minamoto clan, Minamoto no Yoshitsune (1159-1189) is one of the greatest Japanese folk heroes. Preserved at Kasuga, Nara

Toba-ye, a corpse revival, 1886. From the E-hon te kagami. A print from The Pictorial Arts of Japan, by William Anderson, Sampson Low, Marston, Searle, & Rivington, London, 1886

Portrait of the poet Hitomaro, Japanese, Yamato School, 13th century (1886). Kakinomoto no Hitomaro (c662-710) was a poet of the late Asuka period

The death of Kose no Hirotaka, 1886. Kose no Hirotaka was a Japanese painter of the Heian period (794-1185). Engraved in the Zenken Kojitsu

Westminster, London, 1809. Artist: J Pye
Westminster, London, 1809. View from the opposite bank of the Thames, showing Westminster Abbey, Hall and Bridge

Mount Stuart House, Bute, Scotland, 1924-1926. Artist: Valentine & Sons
Mount Stuart House, Bute, Scotland, 1924-1926. Mount Stuart is a Gothic Revival house built in the 1870s for the 3rd Marquess of Bute. The architect was Sir Robert Rowland Anderson

The crypt of St Cecilia, the Catacombs, Rome, Italy, 1935. Artist: Anderson
The crypt of St Cecilia, the Catacombs, Rome, Italy, 1935. Saint Cecilia (200-299) is the patron saint of musicians and Church music

William Rufus at the Tower of London, late 11th century, (c1920). Artist: Charles Goldsborough Anderson
William Rufus at the Tower of London, late 11th century, (c1920). Illustration from Story of the British Nation, Volume I, by Walter Hutchinson, (London, c1920s)

Capture of the Pallas, c1801. Artist: William Anderson
Capture of the Pallas, c1801. The capture of the French ship Pallas by the British Navy on 5 February 1800, off the coast of Cap Frehel, Brittany. From Old Naval Prints, by Charles N

The Baptism of Ethelbert King of Kent, by St Augustine, Canterbury in 597, (19th century). Artist: R Anderson
The Baptism of Ethelbert King of Kent, by St Augustine, Canterbury in 597, (19th century). Ethelbert King of Kent is converted to Christianity

Relics associated with Henry VIII, (19th century). Artist: R Anderson
Relics associated with Henry VIII, (19th century). The items include a gun, a sword, a container surmounted by a royal coat of arms, a rosary

Sir Thomas More (1478-1535) and his daughter, Margaret, 19th century. Artist: R Anderson
Sir Thomas More (1478-1535) and his daughter, Margaret, 19th century. More was an English lawyer, author, and statesman. During his lifetime he earned a reputation as a leading humanist scholar

Mary Anderson (1859-1940), American stage actress, late 19th century

Queen Mary II. Artist: R Anderson
Queen Mary II. Mary (1662-1694) came to the throne following the Glorious Revolution. Mary, a Protestant, ruled jointly with her husband William III, (1650-1702), also known as William of Orange

Professor Anderson at Balmoral, 1849, (1900). Scottish magician John Anderson (1814-1874) was summoned to Balmoral Castle to give a command performance for Queen Victoria

Mary II, Queen of England, Scotland and Ireland. Artist: R Anderson
Mary II, Queen of England, Scotland and Ireland. Mary (1662-1694) came to the throne following the Glorious Revolution. Mary, a Protestant, ruled jointly with her husband William III, (1650-1702)

The Morning after the Ball, late 19th century. Artist: Champollion
The Morning after the Ball, late 19th century. A young woman scans a newspaper to see if there is any mention of her society debut the night before. Hand-coloured later

John Anderson, Scottish professor of natural philosophy, (1870). Artist: William Holl
John Anderson, Scottish professor of natural philosophy, (1870). An engraving of Anderson (1726-1796) from Robert Chambers A Biographical Dictionary of Eminent Scotsmen, Blackie and Son, (Glasgow)

Malay Race, 1800-1900. Artist: R Anderson
Malay Race, 1800-1900. Malays (Dutch, Malayo, ultimately from Malay: Melayu) are a diverse group of people inhabiting the Malay archipelago and Malay peninsula in Southeast Asia

Ethnology, Races of Man, 1800-1900. Artist: R Anderson
Ethnology, Races of Man, 1800-1900. Engraving to show the Asiatic and European Races: Japanese, Kalmuck Woman, Chinese Mandarin, Esquimaux, Thibetan, Samoied, Hungarian Magyar, Norwegian Lapp

The End of the Feast, c1895. Artist: Martin Anderson
The End of the Feast, c1895. A boy in bed shows his furred tongue to a doctor who feels the boys pulse. On the table is bottle of castor oil (Ricinus) which will be given as a laxative

Success in Life, 1867. Artist: George du Maurier
Success in Life, 1867. Role reversal and the modern professional woman. In 1865 Elizabeth Garrett Anderson (1836-1917) was licensed to practice by the Society of Apothecaries

John Anderson, 1st Viscount Waverley (1882-1958), Scottish politician and administrator
John Anderson, 1st Viscount Waverley, Scottish Conservative politician and administrator. After a civil service career which culminated with the post of Governor of Bengal from 1932-1938

Mary Anderson, American actress, c1895. Artist: W&D Downey
Mary Anderson, American actress, c1895. Mary Anderson (1859-1940) as Juliet in Romeo and Juliet by William Shakespeare. She retired from the stage in 1889

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