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Alken Collection (page 2)

Background imageAlken Collection: Swell and the Surrey. The Hounds in Full Cry, 1838. Artist: Henry Thomas Alken

Swell and the Surrey. The Hounds in Full Cry, 1838. Artist: Henry Thomas Alken
Swell and the Surrey. The Hounds in Full Cry, 1838. Scene depicting one of the humorous adventures of Mr Jorrocks, a vulgar Cockney grocer who aspires to the sporting life in the country

Background imageAlken Collection: The Hunt - The Meet, 1820, (1890). Artist: Henry Thomas Alken

The Hunt - The Meet, 1820, (1890). Artist: Henry Thomas Alken
The Hunt - The Meet, 1820, (1890). Frieze, one of a series showing fox hunting, illustration supplement to The Graphic, 12 April 1890

Background imageAlken Collection: The Guard of 1852 and The Guard of 1832, 1852. Artist: J Harris

The Guard of 1852 and The Guard of 1832, 1852. Artist: J Harris
The Guard of 1852 and The Guard of 1832, 1852; showing a comparison between a train guard and a coach guard. The phenomenal growth and popularity of the railways between the 1830s

Background imageAlken Collection: Billingsgate: Tom and Bob taking a survey after a nights spree, London, 1820

Billingsgate: Tom and Bob taking a survey after a nights spree, London, 1820
Billingsgate: Tom and Bob taking a survey after a nights spree, 1820; satirical print showing a market scene at Billingsgate fish market, London with two women fighting

Background imageAlken Collection: By this hand I swear that your property can easily dispense - but your person

By this hand I swear that your property can easily dispense - but your person - oh, oh - there I feel it - oh, oh. 1828. A young suitor kneels in front of a plump and unattractive young lady

Background imageAlken Collection: Gathering for the Hunt

Gathering for the Hunt, . Private Collection

Background imageAlken Collection: Chase of the Roebuck: Full Cry, c1800, (1922). Artists: Henry Thomas Alken, Richard Reeve

Chase of the Roebuck: Full Cry, c1800, (1922). Artists: Henry Thomas Alken, Richard Reeve
Chase of the Roebuck: Full Cry, c1800, (1922). Walter Parry Hodges (1760-1845). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited

Background imageAlken Collection: The Cleric Shows The Way, c1800, (1922). Artist: Henry Thomas Alken

The Cleric Shows The Way, c1800, (1922). Artist: Henry Thomas Alken
The Cleric Shows The Way, c1800, (1922). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

Background imageAlken Collection: Treeing The Fox, c1800, (1922). Artist: Henry Thomas Alken

Treeing The Fox, c1800, (1922). Artist: Henry Thomas Alken
Treeing The Fox, c1800, (1922). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

Background imageAlken Collection: Hunters at Covertside, early 19th century, (1929). Artist: James Pollard

Hunters at Covertside, early 19th century, (1929). Artist: James Pollard
Hunters at Covertside, early 19th century, (1929). After Samuel Alken (1756-1815). From The Story of British Sporting Prints, by Captain Frank Siltzer. [Halton & Truscott Smith, Ltd, London, 1929]

Background imageAlken Collection: Over the Stream, c1800, (1922). Artist: Henry Thomas Alken

Over the Stream, c1800, (1922). Artist: Henry Thomas Alken
Over the Stream, c1800, (1922). From British Sporting Artists: From Barlow to Herring, by Walter Shaw Sparrow [John Lane The Bodley Head, Limited, London, 1922]

Background imageAlken Collection: Plate V: Grand Leicestershire Steeplechase, 1829, 1830, (1922). Artist: Charles Bentley

Plate V: Grand Leicestershire Steeplechase, 1829, 1830, (1922). Artist: Charles Bentley
Plate V: Grand Leicestershire Steeplechase, 1829, 1830, (1922).After Henry Thomas Alken(1785?1851). From British Sporting Artists: From Barlow to Herring

Background imageAlken Collection: Officer, Life Guards, 1909. Artist: Henry Thomas Alken

Officer, Life Guards, 1909. Artist: Henry Thomas Alken
Officer, Life Guards, 1909. From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageAlken Collection: Officer, Foot Artillery, c1825 (1909). Artist: Henry Thomas Alken

Officer, Foot Artillery, c1825 (1909). Artist: Henry Thomas Alken
Officer, Foot Artillery, c1825 (1909). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

Background imageAlken Collection: Officer, 9th Lancers, c1825 (1909). Artist: Henry Thomas Alken

Officer, 9th Lancers, c1825 (1909). Artist: Henry Thomas Alken
Officer, 9th Lancers, c1825 (1909). The 9th Queens Royal Lancers was a cavalry regiment of the British Army, first raised in 1715

Background imageAlken Collection: The Death, c1824

The Death, c1824. From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

Background imageAlken Collection: Breaking Cover, c1824

Breaking Cover, c1824. After Henry Thomas Alken(1785-1851). From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

Background imageAlken Collection: Meeting at Cover, c1824

Meeting at Cover, c1824. From The Connoisseur Volume LXXX. [The Connoisseur Ltd. London, 1928]

Background imageAlken Collection: The Race for the St Leger 1851 - Newminsters Year, c1851. Artist: JH Engelheart

The Race for the St Leger 1851 - Newminsters Year, c1851. Artist: JH Engelheart
The Race for the St Leger 1851 - Newminsters Year, c1851. Newminster (1848-1868), British Thoroughbred racehorse who won the St. Leger Stakes in 1851. After Henry Thomas Alken (1785?1851)

Background imageAlken Collection: The Chase of the Roebuck, 1834. Artist: Henry Thomas Alken

The Chase of the Roebuck, 1834. Artist: Henry Thomas Alken
The Chase of the Roebuck, 1834. From The Studio Volume 130. [The Studio Ltd, London & New York, 1945]

Background imageAlken Collection: The Liverpool Mail Near St. Albans, c19th century. Artists: Robert Havell, Henry Thomas Alken

The Liverpool Mail Near St. Albans, c19th century. Artists: Robert Havell, Henry Thomas Alken
The Liverpool Mail Near St. Albans, c19th century. After Henry Thomas Alken (1785-1851). From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill. [The Connoisseur Magazine, London, 1908]

Background imageAlken Collection: Racing, c19th century. Artist: John Clarke

Racing, c19th century. Artist: John Clarke
Racing, c19th century. After Henry Alken (1785-1851). From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill [The Connoisseur Magazine, London, 1908]

Background imageAlken Collection: The Liverpool Mail Near St Albans, 19th century. Artist: Robert Havell

The Liverpool Mail Near St Albans, 19th century. Artist: Robert Havell
The Liverpool Mail Near St Albans, 19th century. After Henry Thomas Alken (1785-1851). From The Connoisseur Vol. XX. [Otto Limited, London, 1908]

Background imageAlken Collection: Steeplechasing, , c1805-1851, (1924). Artist: Henry Thomas Alken

Steeplechasing, , c1805-1851, (1924). Artist: Henry Thomas Alken
Steeplechasing. One of a series of four pictures. From The Connoisseur Vol LXVIII [Otto Limited, London, 1924.]

Background imageAlken Collection: A Steeplechase: The Winner, 1827. Artist: Henry Thomas Alken

A Steeplechase: The Winner, 1827. Artist: Henry Thomas Alken
A Steeplechase: Plate VI - The Winner. And to such wonderous doing brought his horse. - Hamlet. After an original work by Henry Thomas Alken (1785-1851)

Background imageAlken Collection: A Steeplechase: Covering a strong bullock fence. Down for a hundred!, 1927

A Steeplechase: Covering a strong bullock fence. Down for a hundred!, 1927. Artist: Henry Thomas Alken
A Steeplechase: Plate V - Covering a strong bullock fence. Down for a hundred!..Any odds on white, 1827. After an original work by Henry Thomas Alken (1785-1851)

Background imageAlken Collection: A Steeplechase: Crossing a deep ravine dangerous to pass, 1827. Artist: Henry Thomas Alken

A Steeplechase: Crossing a deep ravine dangerous to pass, 1827. Artist: Henry Thomas Alken
A Steeplechase: Plate IV - Crossing a deep ravine dangerous to pass - with 6 to 2 on white, 1827. After an original work by Henry Thomas Alken (1785-1851)

Background imageAlken Collection: A Steeplechase: A slap at a stone enclosure. 5 to 4 on white, 1827. Artist: Henry Thomas Alken

A Steeplechase: A slap at a stone enclosure. 5 to 4 on white, 1827. Artist: Henry Thomas Alken
A Steeplechase: Plate III - A slap at a stone enclosure. 5 to 4 on white, 1827. After an original work by Henry Thomas Alken (1785-1851)

Background imageAlken Collection: A Steeplechase: Going over an old blind roadway, and doing it well: even betting, 1827

A Steeplechase: Going over an old blind roadway, and doing it well: even betting, 1827. Artist: Henry Thomas Alken
A Steeplechase: Plate II - Going over an old blind roadway, and doing it well: even betting, 1827. After an original work by Henry Thomas Alken (1785-1851)

Background imageAlken Collection: A Steeplechase: The Start. Off they Go - with white for choice, 1827. Artist: Henry Thomas Alken

A Steeplechase: The Start. Off they Go - with white for choice, 1827. Artist: Henry Thomas Alken
A Steeplechase: Plate 1 - The Start. Off they Go - with white for choice, 1827. After an original work by Henry Thomas Alken (1785-1851)

Background imageAlken Collection: Full Cry, c1820. Artist: Henry Thomas Alken

Full Cry, c1820. Artist: Henry Thomas Alken
Full Cry, c1820. After an original work by Henry Thomas Alken (1785-1851). From The Sport of Our Fathers published by Williams and Norgate, Ltd. 1927

Background imageAlken Collection: Tally Ho!, c1820. Artist: Henry Thomas Alken

Tally Ho!, c1820. Artist: Henry Thomas Alken
Tally Ho!, c1820. A self portrait of the artist Henry Alken as Ben Tally Ho!. After an original work by Henry Thomas Alken (1785-1851)

Background imageAlken Collection: The Devonport Mail Near Amesbury, 1907. Artist: William Havell

The Devonport Mail Near Amesbury, 1907. Artist: William Havell
The Devonport Mail Near Amesbury: Going Post through an Avalanche of Snow. Engraving by Robert Havell after a drawing by Henry Thomas Alken (1785-1851). From The Connoisseur 1907-8

Background imageAlken Collection: Taking the Lead, 1906. Artist: Henry Thomas Alken

Taking the Lead, 1906. Artist: Henry Thomas Alken
Taking the Lead, An English hunting scene after an original work by Henry Thomas Alken (1785-1851). From the Connoisseur VOL. XV, 1906

Background imageAlken Collection: A First Rate Workman of Melton, 1906. Artist: Henry Thomas Alken

A First Rate Workman of Melton, 1906. Artist: Henry Thomas Alken
A First Rate Workman of Melton. An English hunting scene after an original work by Henry Thomas Alken (1785-1851). From the Connoisseur VOL. XV, 1906

Background imageAlken Collection: The Duke of Wellington and Hodge, 1906. Artist: Henry Thomas Alken

The Duke of Wellington and Hodge, 1906. Artist: Henry Thomas Alken
The Duke of Wellington and Hodge, Arthur Wellesley, 1st Duke of Wellington (1769-1852) talking to an estate worker. Arthur Wellesley was an excellent equestrian

Background imageAlken Collection: Fox Hunting: Leaping the Brook, 1906. Artist: Henry Thomas Alken

Fox Hunting: Leaping the Brook, 1906. Artist: Henry Thomas Alken
Fox Hunting: Leaping the Brook, after an original work by Henry Thomas Alken (1785-1851). From The Connoisseur, VOL. XVI, 1906

Background imageAlken Collection: The Birmingham Mail near Aylesbury, the guard Banbury proceeding with the bags, 1837 (1907)

The Birmingham Mail near Aylesbury, the guard Banbury proceeding with the bags, 1837 (1907). Artist: Robert Havell
The Birmingham Mail near Aylesbury, the guard Banbury proceeding with the bags 1837. Mail coach drawn by two horses stuck in a snowdrift, with three other horsemen coming to the rescue

Background imageAlken Collection: The Holyhead and Chester Mails, 1905. Artist: Robert Havell

The Holyhead and Chester Mails, 1905. Artist: Robert Havell
The Holyhead and Chester Mails at Hockley Hill, near Dunstable. Engraving by Robert Havell after a drawing by Henry Thomas Alken (1785-1851). Coaches stuck in snow drifts

Background imageAlken Collection: The Progress of Steam - A view in White Chapel Road, 1905. Artist: Henry Thomas Alken

The Progress of Steam - A view in White Chapel Road, 1905. Artist: Henry Thomas Alken
The Progress of Steam - A view in White Chapel Road, 1830. A variety of steam vehicles being driven around White Chapel Road, London, illustrating the artists predictions for the modern steam age

Background imageAlken Collection: Symptoms of Being Amused, 1822. Artist: Henry Thomas Alken

Symptoms of Being Amused, 1822. Artist: Henry Thomas Alken
Symptoms of Being Amused, 1822

Background imageAlken Collection: Bobs first introduction to gaming, a modern Hell, c1821. Artist: Henry Thomas Alken

Bobs first introduction to gaming, a modern Hell, c1821. Artist: Henry Thomas Alken
Bobs first introduction to gaming, a modern Hell, c1821. A Modern Hell, or fashionable gaming house. Illustration from Real Life in London or the Rambles and Adventures of Bob Tallyho

Background imageAlken Collection: A French Family, 1790. Artist: Samuel Alken

A French Family, 1790. Artist: Samuel Alken
A French Family, 1790. An anti-French view of our continental cousins: a dog wearing clothes, a man with an effete hairstyle, a child showing her legs

Background imageAlken Collection: The Progress of Steam. A View in Regents Park, 1831, 1828

The Progress of Steam. A View in Regents Park, 1831, 1828. Steam-powered coaches, horses, tricycles, including one with body like a teapot



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