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Alighieri Collection (page 2)

Background imageAlighieri Collection: Not more furiously on Menalippus temples Tydeus gnawed, c1890. Creator: Gustave Doré

Not more furiously on Menalippus temples Tydeus gnawed, c1890. Creator: Gustave Doré
Not more furiously on Menalippus temples Tydeus gnawed, than on that skull and on its garbage he, c1890. Dante and the Roman poet Virgil visit a frozen lake

Background imageAlighieri Collection: By the hair it bore the sever d member, lantern-wise pendant in hand, c1890. Creator

By the hair it bore the sever d member, lantern-wise pendant in hand, c1890. Creator
By the hair it bore the sever d member, lantern-wise pendant in hand, which look d at us and said, " Woes me!", c1890

Background imageAlighieri Collection: Then Geddo at my feet outstretch d did fling him, crying, Hast no help for me my father

Then Geddo at my feet outstretch d did fling him, crying, Hast no help for me my father
" Then Geddo at my feet outstretch d did fling him, crying, Hast no help for me my father! ", c1890. Count Ugolino

Background imageAlighieri Collection: all-searching Justice, dooms to punishment the forgers, c1890. Creator: Gustave Doré

all-searching Justice, dooms to punishment the forgers, c1890. Creator: Gustave Doré
Then my sight was livelier to explore the depth, wherein the minister of the most mighty Lord, all-searching Justice, dooms to punishment the forgers noted on her dread record, c1890

Background imageAlighieri Collection: Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?

Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?
But Virgil roused me: " What yet gazest on? Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?", c1890

Background imageAlighieri Collection: Then seizing on his hinder scalp, I cried: Name thee, or not a hair shall tarry here

Then seizing on his hinder scalp, I cried: Name thee, or not a hair shall tarry here
Then seizing on his hinder scalp, I cried: " Name thee, or not a hair shall tarry here", c1890. Dante and the Roman poet Virgil walk on a frozen lake

Background imageAlighieri Collection: Take good heed, thy soles do tread not on the heads of thy poor brethren, c1890

Take good heed, thy soles do tread not on the heads of thy poor brethren, c1890
" Look how thou walkest. Take good heed, thy soles do tread not on the heads of thy poor brethren", c1890. Dante and the Roman poet Virgil walk on a frozen lake

Background imageAlighieri Collection: Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré

Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré
Call thou to mind Piero of Medicina, if again returning, c1890. Dante and the Roman poet Virgil encounter Pier da Medicina who must hold open his windpipe to speak

Background imageAlighieri Collection: Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator

Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator
" Now mark how I do rip me! lo! How is Mahomet mangled!", c1890. Dante and the Roman poet Virgil witness the suffering of the prophet Mohammed, who is repeatedly ripped open

Background imageAlighieri Collection: The other two look d on, exclaiming, Ah! How dost thou change, Agnello!, c1890

The other two look d on, exclaiming, Ah! How dost thou change, Agnello!, c1890
The other two look d on, exclaiming, " Ah! How dost thou change, Agnello!", c1890. The Florentine thief Agnello Brunelleschi and Cianfa Donati the serpent merging into a single body

Background imageAlighieri Collection: Tuscan... disdain not to instruct us who thou art, c1890. Creator: Gustave Doré

Tuscan... disdain not to instruct us who thou art, c1890. Creator: Gustave Doré
" Tuscan, who visitest the college of the mourning hypocrites, disdain not to instruct us who thou art", c1890. Dante and the Roman poet Virgil encounter the Hypocrites

Background imageAlighieri Collection: Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Creator

Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Creator
Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: Amid this dread exuberance of woe ran naked spirits wing d with horrid fear, c1890

Amid this dread exuberance of woe ran naked spirits wing d with horrid fear, c1890. The damned, handcuffed with snakes: With serpents were their hands behind them bound

Background imageAlighieri Collection: But the other proved a goshawk... and in the boiling lake both fell, c1890. Creator

But the other proved a goshawk... and in the boiling lake both fell, c1890. Creator
But the other proved a goshawk able to rend well his foe; and in the boiling lake both fell, c1890. Two demons fall into a lake of molten pitch

Background imageAlighieri Collection: In pursuit he therefore sped, exclaiming; Thou art caught, c1890. Creator

In pursuit he therefore sped, exclaiming; Thou art caught, c1890. Creator
In pursuit he therefore sped, exclaiming; " Thou art caught", c1890. The demon Alichino chases the escaping sinner Bonturo Dati

Background imageAlighieri Collection: This said, they grappled him with more than hundred hooks, c1890. Creator: Gustave Doré

This said, they grappled him with more than hundred hooks, c1890. Creator: Gustave Doré
This said, they grappled him with more than hundred hooks, c1890. Naked sinners are punished by demons. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: There stood I like the friar, that doth shrive a wretch for murder doom d, c1890

There stood I like the friar, that doth shrive a wretch for murder doom d, c1890. Dante and the Roman poet Virgil encounter Pope Nicholas III

Background imageAlighieri Collection: Thais is this, the harlot, c1890. Creator: Gustave Doré

Thais is this, the harlot, c1890. Creator: Gustave Doré
Thais is this, the harlot, whose false lip answer d her doting paramour that ask d, " Thankest me much!", c1890

Background imageAlighieri Collection: Why greedily thus bendest more on me?, c1890. Creator: Gustave Doré

Why greedily thus bendest more on me?, c1890. Creator: Gustave Doré
" Why greedily thus bendest more on me, than on these other filthy ones, thy ken?", c1890. Dante and the Roman poet Virgil encounter Alessio Interminei of Lucca immers d in ordure

Background imageAlighieri Collection: Ah! How they made them bound at the first stripe!, c1890. Creator: Gustave Doré

Ah! How they made them bound at the first stripe!, c1890. Creator: Gustave Doré
Ah! How they made them bound at the first stripe!, c1890. Naked sinners are lashed by demons. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: Forthwith that image vile of fraud appear d, c1890. Creator: Gustave Doré

Forthwith that image vile of fraud appear d, c1890. Creator: Gustave Doré
Forthwith that image vile of fraud appear d, c1890. Dante and the Roman poet Virgil encounter the fell monster with the deadly sting

Background imageAlighieri Collection: Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré

Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré
Unceasing was the play of wretched hands, ...to shake off the heat, still falling fresh, c1890. Dante and the Roman poet Virgil witness the damned afflicted by flakes of fire

Background imageAlighieri Collection: One cried from far: Say to what pain ye come condemn d, c1890. Creator

One cried from far: Say to what pain ye come condemn d, c1890. Creator
One cried from far: " Say to what pain ye come condemn d, who down this steep have journied? Speak from whence ye stand, or else the bow I draw", c1890

Background imageAlighieri Collection: And there at point of the disparted ridge lay stretch d the infamy of Crete, c1890

And there at point of the disparted ridge lay stretch d the infamy of Crete, c1890. Dante and the Roman poet Virgil encounter the Minotaur

Background imageAlighieri Collection: Haste now, the foremost cried, now haste thee death!, c1890

Haste now, the foremost cried, now haste thee death!, c1890
" Haste now, " the foremost cried, " now haste thee death!", c1890. Men who who have been transformed into trees

Background imageAlighieri Collection: From the profound abyss, behind the lid of a great monument we stood retired, c1890

From the profound abyss, behind the lid of a great monument we stood retired, c1890. Dante and the Roman poet Virgil shelter in craggy rocks and try to avoid the horrible excess of fetid exhalation

Background imageAlighieri Collection: Here the brute Harpies make their nest, c1890. Creator: Gustave Doré

Here the brute Harpies make their nest, c1890. Creator: Gustave Doré
Here the brute Harpies make their nest, c1890. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri

Background imageAlighieri Collection: Mark thou each dire Erynnis, c1890. Creator: Gustave Doré

Mark thou each dire Erynnis, c1890. Creator: Gustave Doré
Mark thou each dire Erynnis, c1890. Dante and the Roman poet Virgil encounter the Erinyes: three hellish furies stain d with blood

Background imageAlighieri Collection: I could not hear what terms he offer d them, c1890. Creator: Gustave Doré

I could not hear what terms he offer d them, c1890. Creator: Gustave Doré
I could not hear what terms he offer d them, c1890. Dante and the Roman poet Virgil land on the far bank of the river Styx

Background imageAlighieri Collection: My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré

My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré
Then stretch d he forth hands to the bark; whereof my teacher sage aware, thrusting him back: " Away! down there To the other dogs!", c1890

Background imageAlighieri Collection: Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré

Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré
Soon as both embark d, cutting the waves, goes on the ancient prow, more deeply than with others it is wont, c1890. Phlegyas ferries Dante

Background imageAlighieri Collection: To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré

To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré
To the gate he came, and with his wand touch d it, whereat open without impediment it flew, c1890. Dante and the Roman poet Virgil pass through the gate of Dis

Background imageAlighieri Collection: Not all the gold, that is beneath the moon or ever hath been, c1890. Creator: Gustave Doré

Not all the gold, that is beneath the moon or ever hath been, c1890. Creator: Gustave Doré
Not all the gold, that is beneath the moon or ever hath been, of these toil-worn souls Might purchase rest for one, c1890. The damned struggling to push heavy weights uphill

Background imageAlighieri Collection: Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Creator

Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Creator
Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: Thy city heap d with envy to the brim, c1890. Creator: Gustave Doré

Thy city heap d with envy to the brim, c1890. Creator: Gustave Doré
Thy city heap d with envy to the brim, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: Then my guide, his palms expanding on the ground, c1890. Creator: Gustave DorA©

Then my guide, his palms expanding on the ground, c1890. Creator: Gustave DorA©
Then my guide, his palms expanding on the ground, thence filled with earth, rais d them, and cast it in his ravenous maw, c1890

Background imageAlighieri Collection: I through compassion fainting, seem d not far from death, c1890. Creator: Gustave Doré

I through compassion fainting, seem d not far from death, c1890. Creator: Gustave Doré
I through compassion fainting, seem d not far from death, and like a corpse fell to the ground, c1890. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: In its leaves that day we read no more, c1890. Creator: Gustave Doré

In its leaves that day we read no more, c1890. Creator: Gustave Doré
The book and writer both were loves purveyors. In its leaves that day we read no more, c1890. Paolo and Francesca, the adulterous lovers

Background imageAlighieri Collection: The stormy blast of hell with restless fury drives the spirits on, c1890. Creator

The stormy blast of hell with restless fury drives the spirits on, c1890. Creator
The stormy blast of hell with restless fury drives the spirits on, c1890. Dante and the Roman poet Virgil, watching souls in torment

Background imageAlighieri Collection: There Minos stands, c1890. Creator: Gustave Doré

There Minos stands, c1890. Creator: Gustave Doré
There Minos stands, grinning with ghastly feature: he, of all who enter, strict examining the crimes, gives sentence, and dismisses them beneath, c1890

Background imageAlighieri Collection: Only so far afflicted, that we live desiring without hope, c1890. Creator: Gustave Doré

Only so far afflicted, that we live desiring without hope, c1890. Creator: Gustave Doré
Only so far afflicted, that we live desiring without hope, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: So I beheld united the bright school of him the monarch of sublimest song, c1890

So I beheld united the bright school of him the monarch of sublimest song, c1890
So I behold united the bright school of him the monarch of sublimest song, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: E en in like manner Adams evil brood, c1890. Creator: Gustave Doré

E en in like manner Adams evil brood, c1890. Creator: Gustave Doré
E en in like manner Adams evil brood, cast themselves one by one down from the shore, c1890. The dead crossing the river Styx to Hell

Background imageAlighieri Collection: All hope abandon, ye who enter here, c1890. Creator: Gustave Doré

All hope abandon, ye who enter here, c1890. Creator: Gustave Doré
All hope abandon, ye who enter here, c1890. Dante and the Roman poet Virgil enter Hell. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: I, who now bid thee on this errand forth, am Beatrice, c1890. Creator: Gustave Doré

I, who now bid thee on this errand forth, am Beatrice, c1890. Creator: Gustave Doré
I, who now bid thee on this errand forth, am Beatrice, c1890. Dante and Beatrice. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: He, soon as he saw that I was weeping, c1890. Creator: Gustave Doré

He, soon as he saw that I was weeping, c1890. Creator: Gustave Doré
He, soon as he saw that I was weeping, answer d, " Thou must needs another way pursue, if thou wouldst scape from out that savage wilderness", c1890. Dante and the Roman poet Virgil

Background imageAlighieri Collection: Scarce the ascent began, c1890. Creator: Gustave Doré

Scarce the ascent began, c1890. Creator: Gustave Doré
Scarce the ascent began, when, lo! a panther, nimble, light. And cover d with a speckled skin, appear d, c1890. Illustration from " The Vision of Hell" (Inferno)

Background imageAlighieri Collection: In the midway of this our mortal life, c1890. Creator: Gustave Doré

In the midway of this our mortal life, c1890. Creator: Gustave Doré
In the midway of this our mortal life, c1890. Dante in a wood. Illustration from " The Vision of Hell" (Inferno)



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