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Cover of Chords of harmony and peace composed by JB Chatterton, c1851. With a view of the Crystal Palace, the building designed by Joseph Paxton for the Great Exhibition of 1851 in Hyde Park, London
HMS The Victory at Portsmouth, 1907. ArtistHMS The Victory at Portsmouth, 1907. View of the Victory in the background and another boat in the foreground with figures aboard and on the quayside
View of the building in Hyde Park for the Great Exhibition, 1851, 1851. View of the Crystal Palace, the prefabricated cast iron and glass building designed by Joseph Paxton to house the exhibition
Queen Victoria and Prince Albert taking air in Hyde Park, London, c1840. The royal couple passing Richard Westmacotts statue of Achilles, erected in honour of the Duke of Wellington
Presentation ceremony in St Jamess Palace, Westmister, London, c1840. People being presented to Queen Victoria in the drawing-room
Wedding of Queen Victoria and Prince Albert, St Jamess Palace, Westminster, London, 1840. View of the procession of Queen Victoria and Prince Albert through Queen Annes Drawing Room
Assassination attempt against Queen Victoria, Constitution Hill, Westminster, London, 1840. Scene of Edward Oxfords attempt to assassinate Queen Victoria
Interior view of the throne room, Buckingham Palace, Westminster, London, c1840. ArtistInterior view of the throne room, Buckingham Palace, Westminster, London, c1840. Showing the presentation of an address from the University of Oxford to Queen Victoria
Cley, Norfolk, c1865-1932. Artist: Albert GoodwinCley, Norfolk, c1865-1932. Landscape with a windmill
The Towers of Silence, Bombay, 1909. Artist: Albert GoodwinThe Towers of Silence, Bombay, 1909
Stansstad and the Pilatus, Switzerland, c1865-1932. ArtistStansstad and the Pilatus, Switzerland, c1865-1932. View of mountains with a boy playing a pipe in the foreground and a village in the distance
The Lagoons, Venice, 1910. Artist: Albert GoodwinThe Lagoons, Venice, 1910
Venice from the Mainland, 1908. Artist: Albert GoodwinVenice from the Mainland, 1908
Venice, before the Campanile fell, 1903. Artist: Albert GoodwinVenice, before the Campanile fell, 1903. The Campanile of St Marks collapsed in 1902
Locarno, Lake Maggiore, 1905. Artist: Albert GoodwinLocarno, Lake Maggiore, 1905
Durham Cathedral, 1903. Artist: Albert GoodwinDurham Cathedral, 1903
Venice, 1910. Artist: Albert GoodwinVenice, 1910. View over water at sunset, small boats with decorated sails and gondolas are moored for the night, figures stand and sit on the quayside
Opening of the new hall at Lincolns Inn, Holborn, London, 30th October 1845. ArtistOpening of the new hall at Lincolns Inn, Holborn, London, 30th October 1845. Queen Victoria and Prince Albert attended the opening of the new hall at Lincolns Inn
Prince Albert laying the first stone of the new Royal Exchange, London, 17th January 1842
Procession of Queen Victoria to the State Ball in the Guildhall, City of London, 1851. From the Illustrated London News
Stained glass window design, 1869. Artist: HenryStained glass window design, 1869. Design for the stained glass window in memory of Prince Albert, formerly at the west end of Guildhall in the City of London
Opening of the New Coal Exchange, Lower Thames Street, City of London, 1849. Presentation of the address to His Royal Highness Prince Albert, in the Great Hall of the Coal Exchange
The trowel used in laying the first stone of the new Royal Exchange 17th January 1842.The first stone was laid by Prince Albert
King Louis Philippe, Queen Victoria and Prince Albert in the royal carriage, 1846King Louis-Philippe, Queen Victoria and Prince Albert in the royal carriage, 1846. Interior view of Queen Victorias railway carriage
Prince Albert, 1840. Artist: John FrancisPrince Albert, 1840
Marquess of Salisbury, 1886. Artist: Albert Bruce-JoyMarquess of Salisbury, 1886
Albert Memorial, Kensington, London, 1869. Artist: Thomas Abiel PriorAlbert Memorial, Kensington, London, 1869; view of the Albert Memorial, Kensington Gardens and the Royal Albert Hall in the distance
Prince Albert laying the first stone at the Royal Exchange, London, 1842. ArtistPrince Albert laying the first stone at the Royal Exchange, London, 1842. Set within a large marquee on the17th January, 1842, a large slab of stone is lowered on a pulley viewed by a large audience
Queen Victoria and Prince Alberts marriage in St Jamess Palace, London, 1840; the couple are shown holding hands before the cleric performing the service, surrounded by onlookers
Albert Tootie Heath, Capital Jazz, Knebworth, July 1982. Artist: Brian O ConnorCurtis Fuller, Capital Jazz Festival, Knebworth, Herts, July 1982
Victoria, Queen of Great Britain and Ireland from 1837, (1932). The busts represent prominent personalities from Victorias (1819-1901) reign: Albert, Prince Consort (1819-1861); Alfred
The opening by Queen Victoria of the Industrial Palace in Hyde Park, May 1st 1851 ArtistThe opening by Queen Victoria of the Industrial Palace in Hyde Park, May 1st 1851. Conceived by Prince Albert, the Great Exhibition was intended to showcase the Works of the Industry of all Nations
Queen Victoria and Prince Albert with Five of their Children, 1846. Family portrait of Queen Victoria (1819-1901) and Prince Albert (1819-1861) and offspring
Rear of the Grand Stand for National Socialist Party Congresses, Nuremberg, Germany, 1936. The back of the grandstand at the Zeppelinfeld stadium designed by Nazi architect Albert Speer
Queen Victoria and Prince Albert at a service in St Georges Chapel, Windsor Castle, 1838. Interior view of the chapel, used on ceremonial occasions such as the annual service of the Order of
Equestrian portrait of Oliver Cromwell, c1655. Artist: Albert HaelweghEquestrian portrait of Oliver Cromwell, c1655. Cromwell (1599-1658) commanded the forces of Parliament during the English Civil War. After the war England, Scotland and Ireland became a commonwealth
Prince Albert statue, Wolverhampton, West Midlands. This statue of Albert, Prince Consort of Queen Victoria was unveiled by the Queen on 30 November 1866
Richard Wagner in the circle of friends and admirers before the premiere of Tristan in Munich, 1865. Found in the Collection of Richard Wagner Museum, Bayreuth
Pendant to the 300th Anniversary of the Romanov Dynasty, 1913. Artist: Holmstrom, AlbertPendant to the 300th Anniversary of the Romanov Dynasty, 1913. Private Collection
Prince Albert, 1886. Artist: G LevyPrince Albert, 1886. Albert, Queen Victorias Prince Consort (1819-1861). After Franz Xaver Winterhalter (1805-1873). From Illustration of English and Scottish History, Volume I by Thomas Archer
Blossoms, 1881, (c1915). Artist: Albert MooreBlossoms, 1881, (c1915). Held by the Tate Modern, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]
Avenue at Merdervort, c1650-1652, (c1915). Artist: Aelbert CuypAvenue at Merdervort, c1650-1652, (c1915). The painting is part of the Wallace Collection, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]
Horsemen and Herdsmen with Cattle, 1655-1660. Artist: Aelbert CuypHorsemen and Herdsmen with Cattle, 1655-1660. The painting is part of the Widener Collection, National Gallery of Art, Washington DC
Legend of France, Jockey: A. Richardson, 1939. Winner of the White Rose Stakes at Hurst Park in 1938. From Racehorses & Jockeys, 1938 - A Series of 40. [W. D. & H. O. Wills, Bristol, 1939]
Black Speck, Jockey: A. Richardson, 1939; being led in by owner Mrs J V Rank after victory at the Newbury Summer Cup. From Racehorses & Jockeys, 1938 - A Series of 40. [W. D. & H. O
Verlaine, c1893. Artist: Albert HarlinqueVerlaine, c1893. Paul Verlaine (1844-1896), French lyric poet first associated with the Parnassians and later known as a leader of the Symbolists
Antonin Leopold Dvorak (1841-1904), Czech composer. Artist: Albert HarlinqueAntonin Leopold Dvorak (1841-1904), Czech composer. A print from Les Musiciens Celebres, Lucien Mazenod, Paris, 1948. (Colorised black and white print)
Bachelors Double, 1911. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]