1392 1573 Collection (page 2)

Chinese Literatus in an Autumn Landscape, late 1400s. Creator: Josui S?en (Japanese, active c)
Chinese Literatus in an Autumn Landscape, late 1400s. In this painting, Sesshu Toyos disciple Soen depicts a Chinese scholar-official astride a donkey with his attendant behind

Chinese Literatus Viewing a Valley, possibly mid- to late 1500s-1600s. Creator: Unknown
Chinese Literatus Viewing a Valley, possibly mid- to late 1500s-1600s. This painting depicts a well-recognized scene in East Asian painting most often associated with the Chinese Southern Song

Chinese Landscape, 1500s. Creator: Unknown
Chinese Landscape, 1500s. This byobu (folding screen) and its pair bears neither signature or seals that reveal its authorship

Dragon, 1500s. Creator: Sesson Sh?kei (Japanese, 1504-1589)
Dragon, 1500s. This screen with a dragon and its pair with a tiger together represent the elements of water and wind in Chinese cosmology: the dragons swirling form conjures rain clouds

Pan Lang (Han Ro), mid-1500s. Creator: Shikibu Terutada (Japanese, active mid-1500s)
Pan Lang (Han Ro), mid-1500s. These three fan-shaped paintings, now mounted as individual hanging scrolls, were once part of a set of 20 mounted on a folding screen

Poetic Immortals of the Buddhist Clergy (Shakkyo Kasen Emaki), 1300s-1400s. Creator: Unknown
Poetic Immortals of the Buddhist Clergy (Shakkyo Kasen Emaki), 1300s-1400s. Handscrolls depicting eminent poets and their poems is a classic Japanese painting genre

Bamboo in Rain; Bamboo in Wind, early 1500s. Creator: Genga (Japanese)
Bamboo in Rain; Bamboo in Wind, early 1500s. East Asian paintings from China, Korea, and Japan were frequently conceived as sets of multiple images

Landscape with a Distant Temple, early 1500s. Creator: Unknown
Landscape with a Distant Temple, early 1500s. A traveler has presumably descended from the distant temple compound that consists of several buildings linked together by a winding trail lined with

Landscape of the Four Seasons, early 1500s. Creator: Yi Sumun (Korean, b. c. 1404)
Landscape of the Four Seasons, early 1500s. Yi Sumun is a Korean painter who moved to Japan in 1424 at the age of 20. Yis style likely represents the Yuanti school of royal court painting during

Bamboo in Rain, early 1500s. Creator: Genga (Japanese), attributed to
Bamboo in Rain, early 1500s. East Asian paintings from China, Korea, and Japan were frequently conceived as sets of multiple images

Birds and Flowers, mid-1400s-early 1500s. Creator: Sessh? T?y? (Japanese, 1420-1506)
Birds and Flowers, mid-1400s-early 1500s

Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s. Creator
Birds and Flowers in a Landscape of the Four Seasons, second half of the 1500s

Bamboo in Wind, early 1500s. Creator: Genga (Japanese), attributed to
Bamboo in Wind, early 1500s. East Asian paintings from China, Korea, and Japan were frequently conceived as sets of multiple images

Bamboo and Plum, 1500s. Creator: Sesson Sh?kei (Japanese, active 1504-ca. 1589)
Bamboo and Plum, 1500s. This painting of a white plum (or prunus) and bamboo was once part of a triptych. A central image of the demon-queller Zhong Kui was flanked by this painting

Aizen, The God of Love, 1500s. Creator: Unknown
Aizen, The God of Love, 1500s

Descent of Amida (Amida Raigo), 1400s. Creator: Unknown
Descent of Amida (Amida Raigo), 1400s

Cucumbers and Eggplant, 1500s. Creator: Yamada Doan (Japanese, 1571)
Cucumbers and Eggplant, 1500s. Still lifes appear frequently in Western painting. This is not the case in East Asian painting traditions

Emperor Minghuang Teaching Yang Gueifei to Play the Flute, late 1400s-early 1500s. Minghuang, a prominent emperor of Tang (618-906) China and his consort, Yang Gueifei, have inspired many legends

Geese, Muromachi period, 1392-1573. Creator: Soami (Japanese, d. 1525), circle of
Geese, Muromachi period, 1392-1573

Geese Returning Home, 1500s. Creator: Unknown
Geese Returning Home, 1500s. The scene of geese descending to a sandbar originated with a very popular Chinese poem and theme in painting, Eight Views of Xiao Xiang River

Calligraphy with Willow and Swallows, 1400s. Creator: Ikky? S?jun (Japanese, 1394-1481)
Calligraphy with Willow and Swallows, 1400s. The jumbled, even raucous appearance of this hanging scroll is no accident; the scratchy willow trunk--a single

Landscape, 1500-1525. Creator: Soami (Japanese, d. 1525)
Landscape, 1500-1525. Kyoto-based painter Soami adapted the small-format Chinese album leaf and handscroll painting compositions belonging to the Ashikaga shogunate to the large-scale paintings he

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