1368 1644 Collection (page 2)

Listening to the Bamboo, late 1400s-1500s. Creator: Wen Zhengming (Chinese, 1470-1559)
Listening to the Bamboo, late 1400s-1500s

Miracle of the Dragon, 1600s. Creator: Unknown
Miracle of the Dragon, 1600s. In the upper right, the historical Buddha, Shakyamuni, is seated in meditation for such a long time that birds have begun assembling twigs for a nest atop his head

Hundred Birds and the Three Friends, first quarter of the 1400s. Creator: Bian Wenjin (Chinese)
Hundred Birds and the Three Friends, first quarter of the 1400s. Among the most talented court painters of the Ming dynasty (1368-1644)

Fishermans Joy, 1572. Creator: Qian Gu (Chinese, 1508-c. 1578)
Fishermans Joy, 1572

Fan-shaped Album Painting, 1368-1644. Creator: Unknown
Fan-shaped Album Painting, 1368-1644

Heavenly King Virudhaka, 1368-1644. Creator: Unknown
Heavenly King Virudhaka, 1368-1644. Heavenly Kings are guardians who watch over the cardinal directions: north, south, west, and east

Clouds and Waves at the Wu Gorge, 1368- 1644. Creator: Xie Shichen (Chinese, 1487-after 1567)
Clouds and Waves at the Wu Gorge, 1368- 1644. The underlying notion of human existence in harmony with nature can be found in many traditional Chinese paintings

Greeting the Spring, 1600. Creator: Wu Bin (Chinese, active c. 1591-1626)
Greeting the Spring, 1600. This masterfully composed landscape in light colours and delicate brushwork is an image of the water-rich Jiangnan region in southeast China

Han Yige, c. 1368-1644. Creator: Unknown
Han Yige, c. 1368-1644

Washing the Feet (from the Dusty World), 1570. Creator: Wen Boren (Chinese, 1502-1575)
Washing the Feet (from the Dusty World), 1570. A scholar on a boat in the middle ground bathes his feet in the cooling stream. The vast river scene is depicted from a high viewing point

West Lake, Hangzhou, 1368-1644(?). Creator: Unknown
West Lake, Hangzhou, 1368-1644(?)

Flowering Crab Apple, 1500. Creator: Shen Zhou (Chinese, 1427-1509)
Flowering Crab Apple, 1500

Flowering Magnolia and Peach Blossoms, 1368-1644. Creator: Unknown
Flowering Magnolia and Peach Blossoms, 1368-1644

Flowers and Rocks, 1368- 1644. Creator: Unknown
Flowers and Rocks, 1368- 1644

Flowering Prunus, 1368-1644. Creator: Unknown
Flowering Prunus, 1368-1644

Flowers of Four Seasons, with Poems, 1531. Creator: Wang Guxiang (Chinese, 1501-1568)
Flowers of Four Seasons, with Poems, 1531. In this painting, flowers are loosely arranged by the seasons: narcissus and peony represent early spring; yellow loquat and lotus, summer; chrysanthemum

A Solitary Crane in the Bamboo Grove, early 1600s. Creator: Tao Hong (Chinese, active c
A Solitary Crane in the Bamboo Grove, early 1600s. Although little known today, Tao Hong was a versatile artist who here depicts farmers returning home after a day in the fields

A Pair of Peafowl, late 1400s-early 1500s. Creator: Lin Liang (Chinese, 1416-1480)
A Pair of Peafowl, late 1400s-early 1500s. A peacock and a peahen provide the focal point for this work that not only serves a decorative function but may also be a symbolic language to suggest

A Scholars Retreat amid Autumn Trees, Ming dynasty (1368-1644). Creator: Wang Fu (Chinese
A Scholars Retreat amid Autumn Trees, Ming dynasty (1368-1644)

Solitary Colors of the Autumn Woods, first half 1600s. Creator: Wang Jianzhang (Chinese
Solitary Colors of the Autumn Woods, first half 1600s. Two gentlemen stand outside a thatched hut in a dense forest; some trees have bare branches indicating that the season is early autumn

Sleeping Bird on a Prunus Branch, 1400s. Creator: Bian Wenjin (Chinese, about 1354-1428)
Sleeping Bird on a Prunus Branch, 1400s

The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge, 1454. Creator: Unknown
The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge, 1454. This painting represents bodhisattvas of the ten stages of enlightenment undergoing the final processes toward

A Hundred Sparrows in a Lofty Grove (Qiaolin baique tu), 1368-1644. Creator: Lin Liang (Chinese)
A Hundred Sparrows in a Lofty Grove (Qiaolin baique tu), 1368-1644

Buddhist Priests Ceremonial Robe, 1400s. Creator: Unknown
Buddhist Priests Ceremonial Robe, 1400s. This example of imperial embroidery is one of the earliest surviving Chinese Buddhist robes ( kasaya ) in the West

Branching Stump, 1368-1644. Creator: Unknown
Branching Stump, 1368-1644

Clearing Autumn Mists in the Chu Mountains, 1600s. Creator: Lan Ying (Chinese, 1585-aft 1664)
Clearing Autumn Mists in the Chu Mountains, 1600s. In his inscription Lan Yin states that he uses Mi Fus methods to depict this landscape

Ducks under Reeds, 1400s. Creator: Unknown
Ducks under Reeds, 1400s

Madam Han Neefang, 1368- 1644. Creator: Unknown
Madam Han Neefang, 1368- 1644

Lotus Blossom, 1368-1644. Creator: Unknown
Lotus Blossom, 1368-1644

Paintings after Ancient Masters: An Ancient Tree, 1598-1652. Creator: Chen Hongshou (Chinese)
Paintings after Ancient Masters: An Ancient Tree, 1598-1652

Paintings after Ancient Masters: Volume 2, 1598-1652. Creator: Chen Hongshou (Chinese
Paintings after Ancient Masters: Volume 2, 1598-1652

Paintings after Ancient Masters: Volume 1, 1598-1652. Creator: Chen Hongshou (Chinese
Paintings after Ancient Masters: Volume 1, 1598-1652

Paintings after Ancient Masters: Lotus and Rocks, 1598-1652. Creator: Chen Hongshou (Chinese)
Paintings after Ancient Masters: Lotus and Rocks, 1598-1652

Paintings after Ancient Masters: Laozi Riding an Ox, 1598-1652. Creator: Chen Hongshou (Chinese)
Paintings after Ancient Masters: Laozi Riding an Ox, 1598-1652

Paintings after Ancient Masters: Chrysanthemum and Rock, 1598-1652. Creator: Chen Hongshou
Paintings after Ancient Masters: Chrysanthemum and Rock, 1598-1652

Paintings after Ancient Masters: Chrysanthemum, 1598-1652. Creator: Chen Hongshou (Chinese
Paintings after Ancient Masters: Chrysanthemum, 1598-1652

Paintings after Ancient Masters: Calligraphy, 1598-1652. Creator: Chen Hongshou (Chinese
Paintings after Ancient Masters: Calligraphy, 1598-1652

Old Trees by a Wintry Brook, 1551. Creator: Wen Zhengming (Chinese, 1470-1559)
Old Trees by a Wintry Brook, 1551. Wen Zhengming was one of the most celebrated calligraphers and painters during the Ming dynasty (1368-1644)

Old Pine Tree, late 1530s. Creator: Wen Zhengming (Chinese, 1470-1559)
Old Pine Tree, late 1530s. Here the natural appearance of a gnarled and vine-entangled pine has been transformed into a rhythmic abstraction of brushstrokes and ink tonalities

Paintings after Ancient Masters: Travelers in an Autumn Landscape, 1598-1652. Creator
Paintings after Ancient Masters:Travelers in an Autumn Landscape, 1598-1652

Paintings after Ancient Masters: Scholars in a Garden, 1598-1652. Creator: Chen Hongshou (Chinese)
Paintings after Ancient Masters: Scholars in a Garden, 1598-1652

Paintings after Ancient Masters: Scholar Reading in a Thatched Hut by a Waterfall, 1598-1652

Paintings after Ancient Masters: Scholar with Staff and Brush, 1598-1652. Creator
Paintings after Ancient Masters: Scholar with Staff and Brush, 1598-1652

Paintings after Ancient Masters: Portrait of Zhongqing in a Landscape, 1598-1652. Creator
Paintings after Ancient Masters: Portrait of Zhongqing in a Landscape, 1598-1652

Paintings after Ancient Masters: Rock, Old Tree, and Bamboo, 1598-1652. Creator: Chen Hongshou
Paintings after Ancient Masters: Rock, Old Tree, and Bamboo, 1598-1652

Paintings after Ancient Masters: Narcissus and Bare Trees, 1598-1652. Creator: Chen Hongshou
Paintings after Ancient Masters: Narcissus and Bare Trees, 1598-1652

Paintings after Ancient Masters: Portrait of Tao Yuanming, 1598-1652. Creator: Chen Hongshou
Paintings after Ancient Masters: Portrait of Tao Yuanming, 1598-1652

Paintings after Ancient Masters: Mr. Five Willows (Wuliu), Tao Yuanming, 1598-1652

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