Discovery of Witches Gallery
A bewitching selection of supernatural species.
Choose from 59 pictures in our Discovery of Witches collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.
Discovery of Witches
Something Sporty
Shoot for the Moon
London Landmarks
Father's Day
Popular Art
1950s Retro
Christmas
The Great Days of Yachting
Women in Jazz
Alice in Wonderland
All That Jazz
Animals & Pets
Best of British
Childhood
Impressionism
JMW Turner
Landscapes
Leonardo da Vinci
Maps Charts & Plans
Myths & Legends
Pre Raphaelite
Sport
Images Dated

The Vampire II, 1895-1900. Artist: Munch, Edvard (1863-1944)
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Witches in Flight (Vuelo de Brujas), 1797-1798. Artist: Goya, Francisco, de (1746-1828)
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Witchs cauldron and spider web, c1950. Creator: Shirley Markham
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Macbeth and Banquo Meet the Three Witches, 1849-1851. Creator: Martin, John (1789-1854)
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The Alchemist's Laboratory from Heinrich Khunrath, Amphiteatrum sapientiae aeternae.n.d
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The Night-Hag Visiting Lapland Witches, 1796. Creator: Henry Fuseli
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The Demon Kumbhakarna Is Defeated by Rama and Lakshmana..., ca. 1670. Creator: Unknown
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A witchcraft scene. Creator: Heintz, Joseph, the Younger (ca 1600-after 1674)
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Witchs cauldron and spider web, c1950. Creator: Shirley Markham
Witch's cauldron and spider web, c1950. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952. The writer, artist, poet, and illustrator Mervyn Peake (1911-1968) was one of her tutors, and her style of drawing was also influenced by other British illustrators such as Edward Ardizzone, Quentin Blake and Edward Bawden. Markham spent time in the Dolomite Mountains in Italy, and also visited Rome, sketching classical buildings. After graduating from Central, she worked as a graphic designer, producing book illustrations, cartoons for comics, menus and programmes. She gave up her promising career however when she got married in 1957. Middle-class women at that time were expected to devote their energies to bringing up children and running the home, and despite her obvious talent, she lacked the confidence to return to illustration. Her portfolio remained in the family attic for many years, but now her work is published here for the first time
© Shirley Markham Collection / Heritage-Images

North View of Friar Bacons Study at Oxford, late 18th century, (1943). Creator
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The Alchymist, in Search of the Philosophers Stone, Discovers Phosphorus, and Prays
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Scenes of Witchcraft, c. 1645-1649. Creator: Salvator Rosa (Italian, 1615-1673)
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The Vampire in the Forest. Artist: Munch, Edvard (1863-1944)
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Two Oni (Demons), 1830-1839. Creator: Hokusai, Katsushika (1760-1849)
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A circle of witches dancing beneath a full Moon, 19th or early 20th century. Artist
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Manuscript page with depiction of the owl and the symbol of antimony
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Four faced helmet masks such as this were used by the Fang Ngongtang society in anti
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Illustration from the manuscript of Sabaoth with depiction Athanor, the alchemists furnace
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Scenes of Witchcraft, c. 1645-1649. Creator: Salvator Rosa (Italian, 1615-1673)
Scenes of Witchcraft, c. 1645-1649. A huge upturn in interest in witchcraft emerged during the 1500s in Europe, but by the middle of the next century--at least among the cultured elite of Florence--a backlash arose against the many accusations of sorcery. Artists and writers explored the topic more out of curiosity and amusement, chief among them the poet, painter, and satirist Salvator Rosa, who examined witchcraft with gusto in numerous poems and works of art, including these four paintings. They show a range witch types, from the beautiful enchantress to the old crone to the male sorcerer, and represent activities commonly associated with black magic: levitation, love potions, devil worship, the invocation of demons, and transformation. A common subject in Italian art of the 1600s, transformation was usually seen in interpretations of myths based on Ovid's ancient Latin text, the Metamophoses . Rosa found a novel way to exploit this idea, drawing attention to his own ability to transform paint and canvas into a disturbing, nightmarish world
© Heritage Art/Heritage Images

Depiction of a Kappa, a type of vampire-like lecherous creature of Japanese folklore
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Manuscript page with depiction Athanor, the alchemists furnace
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A soul pulled from his corpse by a demon. (From The Scale of Perfection by Walter Hilton), ca 1460. Artist: Anonymous
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The Witches Sabbath. Artist: Teniers, David, the Younger (1610-1690)
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Demons head, 1890. Artist: Vrubel, Mikhail Alexandrovich (1856-1910)
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The Weird Sisters (The Three Witches), ca 1782. Artist: Fussli (Fuseli), Johann Heinrich (1741-1825)
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Two Old Men Eating Soup (The Witchy Brew). Artist: Goya, Francisco, de (1746-1828)
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Manuscript page with depiction Athanor, the alchemists furnace
Manuscript page with depiction Athanor, the alchemists furnace. The piper may represent the wind element. Country of Origin: Czech Republic. Date/Period: 17th C. Place of Origin: Waldstein Residence at Duchcov. Credit Line: Werner Forman Archive/ Mnichovo Hradiste chateau library, Czech Republic
© Werner Forman Archive / Heritage-Images
Alchemy, Book, Europe, Fire, Forman, Illustration, Magic, Occult, Sign, Special, Symbol, Werner, Werner Forman, Werner Forman Archive

Witches Sabbath, 1797-1798. Artist: Goya, Francisco, de (1746-1828)
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Demons head. Illustration to the poem The Demon by Mikhail Lermontov, 1890-1891
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Martha Corey and her prosecutors, Salem, Massachusetts, c1692 (c1880)
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The autograph manuscript of a page of the roman The Demons by F. Dostoevsky, 1870-1871
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Witch moles paw (Mole Amulet), 18th century. Artist: Anonymous
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The Four, the Three, the Two, and the One, 1595. Artist: Hans Vredeman de Vries
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Hanuman, the Monkey-Demon, causing mischief among men, c1730
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New Years Greeting with Three Witches, 1514. Artist: Baldung, Hans (1484-1545)
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