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The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown. The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown

Framed Print : The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown. The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown
Framed Print : The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown. The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown
Framed Print : The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown. The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown
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Framed Print of The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown. The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. Creator: Unknown

The International Exhibition: The Peri, a marble statue, by J. S. Westmacott, 1862. The most beautiful and deservedly-popular tale in Moore's Lalla Rookh is, without doubt, that of Paradise and the Peri. The charming creation of Eastern romance and mythology, the aerial Peri...has often been represented by artists, but never, we think, so successfully...The face and figure are of an unearthly type and character of loveliness, but the idealisation is not of that meaningless kind to remove it from our sympathy. On the contrary, the expression of the bowed head and wringing hands is very touching; and we can almost fancy we hear the sigh escaping from the exquisitely-chiselled disparted lips. The figure is the exact mean; it is neither, on the one hand, too grandiose, nor, on the other, too attenuated for the conception; and it is equally far removed from mere sensuous redundancy. The execution is as delicate as the feeling is refined. The features - the mouth especially - are admirably modelled, and the wings are skilfully cut and treated. The only objection we should make is that the drapery of the raised leg advances too much, by which the markings or the kneejoint and patella are lost, and the leg made apparently too short'. From Illustrated London News, 1862. Heritage Images features heritage image collections. © The Print Collector/Heritage Images

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Media ID 35126075


1862 International Exhibition Cultural Event Drapery Exposition Garland Great London Exposition International Exhibition Of 1862 Marble Moore Thomas Peri Poem Spirit Thomas Moore Trade Fair Winged Figure World Fair Worlds Fair

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Modern Frame 14"x12" (36x31cm)

Ready to Hang Contemporary Framed Prints adds style, protection, and a polished touch to your space - effortlessly.

Your artwork will be printed as shown in the preview. To adjust please select Edit Printed Image under the Buy button

Wood effect frame, card mounted, 10x8 fade resistant photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: measurements provided are estimated outer dimensions, which include both the image and the frame. While we aim to keep sizing consistent, exact dimensions may vary slightly due to differences in print size or production requirements, which may result in a variation in the overall size (up to approximately 2.5cm (1"))

These are individually made so all sizes are approximate

Estimated Image Size (if not cropped) is 12.3cm x 24.4cm (4.8" x 9.6")

Estimated Product Size is 31cm x 36cm (12.2" x 14.2")



 
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