Images Dated 6th June 2018 (page 52)

View of the north side of Middle Temple Hall, London, c1800

Church of St Stephen Walbrook, City of London, c1840. Interior view looking towards the altar

The grand review on Sydenham Common... 1792. Dressed in military uniform, King George III, followed by William Pitt the Younger, Edmund Burke and others, is chasing the Prince of Wales

Malagrida driving post, 1792. Artist: James Gillray
Malagrida driving post, 1792. A carriage driving at a gallop down St Jamess Street, London, towards the gateway of St Jamess Palace

The Prince of Wales at York House, London, 1792. The visit to Piccadilly, or a Prussian reception, representing Shon-ap-Morgan, Shentleman of Wales, introducing his old nanny goat into high company

Ragged musicians and dancers, 1791. Artist: Thomas Rowlandson
Ragged musicians and dancers, 1791. The prospect before us (no 1), humanely inscrib d to all those professors of music and dancing whom the cap may fit

A country theatre, 1790. Artist: T Wright
A country theatre, 1790. Interior view, from backstage, of a roughly constructed theatre, with the audience in the background

Renwick Williams commonly called the Monster, 1790. A good looking man in cocked hat, holding a knife in his right hand, attacking a woman who is about to enter a house

Corporation of Windsor, 1790. Artist: Isaac Cruikshank
Corporation of Windsor, 1790. The Corporations visit to their brother in Smithfield or the hogs feast on being sworn-in

Humbug or heraldic honours, c1790. Artist
Humbug or heraldic honours, c1790. A vulgar character, applying for a grant of arms, admitting that his greatest achievement was escaping from Ludgate Prison by a rope which he had fixed around

A pugilistick club... 1789. Artist: John Barlow
A pugilistick club... 1789. A scene in a club room. The chairman and members, many with black eyes, are in fighting attitudes

Meeting Night of the Club of Odd Fellows, 1789. Artist: John Barlow
Meeting Night of the Club of Odd Fellows, 1789. The Grand, Grand-elect and Past Grand sitting on a canopied dais, while various assorted characters, including a quack and a musician, drink

City traind bands, 1789. Artist: John Nixon
City traind bands, 1789. A row of very unsoldierly citizen soldiers being drilled by an officer. The City militia lined the streets from Temple Bar to St Pauls Cathedral when George III processed to

Election-troops, bringing in their accounts, to the pay-table, 1788. Artist
Election-troops, bringing in their accounts, to the pay-table, 1788. The troops headed by Major Topham, approaching the barrier gate of the Treasury behind which stands William Pitt

A forcible entrance into Leadenhall-Street; by Master Billy Declaratory upon a Dun d-ass, 1788. William Pitt, seated on an ass which has the head of Henry Dundas, riding along Leadenhall Street

Every man has his price - Sir Rt Walpole, Market day, Sic itur ad astra, 1788. Smithfield Market cattle pens, at the corner of Smithfield and Cow Lane, filled with cattle with the faces of peers

Scene at Almacks Assembly Rooms, London, 1826. Petitioners for admission at Almack s, they even stooped to the most degrading submission to obtain tickets

A frolic at the melon shop in Piccadilly, 1826. The scene is set in the garden of Mrs Coutts house, Stratton Street where she threatens the Duke of St Albans with a horse-whip

Sunday Morning, c1825. Artist: George Hunt
Sunday Morning, c1825. Scene inside barbers shop; a hop boy receives a haircut (left); a large man being brutally shaved bellows with rage (centre)

Exterior of Fishmongers Hall, a Regular break down, 1824. A scene in front of Crockfords club in St Jamess Street. Members look from the windows at a gig

The moving panorama, or Spring Garden rout... 1823. Artist
The moving panorama, or Spring Garden rout... 1823. Crowds attending the entertainments at Vauxhall Gardens, London, gathered around a doorway

Anglo-Gallic salutations in London, or, practice makes perfect, 1822. Artist
Anglo-Gallic salutations in London, or, practice makes perfect, 1822. Two Frenchmen meet on the pavement outside the door of the White Bear coaching inn, Piccadilly

Looby Lumps life in London, a new song... 1822. Artist
Looby Lumps life in London, a new song... 1822. An image above song lyrics showing a scene at the watch-house. Four watchmen hustle a rustic into a cell while their officer sits behind his desk with

Ladies buy your leaf!, c1822. A close-up view of the lower part of the Achilles statue in Hyde Park. Women stand below holding garments to drape over the fig leaf

Making decent!! A hint to the society for the suppression of vice... 1822. Artist
Making decent!! A hint to the society for the suppression of vice. This print commemorative of Anglo-French brass and true British chastity... 1822

Queen Carolines procession
Luciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her

Design for a new coat of arms... 1821
Design for a new coat of arms dedicated to Mothers Wood, Windsor & Co & all the fancy queens, 1821. This is an anti-Queen Caroline satire which refers to her alleged infidelity

Intended statues for Waterloo Place, 1821. Artist: JL Marks
Intended statues for Waterloo Place, 1821. Two large figures on a low pedestal embracing. King George IV is shown as Bacchus and Lady Conyngham as Ariadne

Cockney laureate elected, c1821. Artist: Joseph Gleadah
Cockney laureate elected, c1821. A procession of radicals comprising Francis Place, Joseph Hume, Francis Burdett and Jeremy Bentham (fallen from his pony) being led up Ludgate Hill, London

An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline

The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder

Design for a shop-bill, 1799. Artist: M Merigot
Design for a shop-bill, 1799. The interior of an artists studio or work-shop. A youthful male figure is holding a painting showing a bearded figure

Exhibition of a democratic-transparency, - with its effect upon patriotic feelings... 1799. Members of the Secret Committee of the House of Commons seated round a table

The fourteenth of September or, City sportsmen, 1798. Seven scenes lampooning the antics of city men in the country when shooting

Hospitality kicking Avarice out of doors; or, new tenants at the Mansion House, 1799. Interior of a room in the Mansion House showing the entry of the new Lord Mayor of London

Councellor Ego - ie - little i, myself i, 1798. Artist: James Gillray
Councellor Ego - ie - little i, myself i, 1798. Thomas Erskine facing left and looking straight before him, wearing a Counsellors wig, gown and bands

The loyal toast, 1798. Artist: James Gillray
The loyal toast, 1798. A dinner at the Crown and Anchor celebrating Charles Jamess Foxs birthday. The Duke of Norfolk is raising a brimming glass

Ceceders in Limbo - ie - vagabonds made usefull... 1798. Artist
Ceceders in Limbo - ie - vagabonds made usefull... 1798. The interior of a prison with three prisoners beating hemp.This is a satire on the secession of the leaders of the Whig Opposition in

Meeting of unfortunate citoyens, 1798. Artist: James Gillray
Meeting of unfortunate citoyens, 1798. Charles James Fox and Charles Howard, Duke of Norfolk, meeting on the pavement outside Brookss Club

Bank-notes - paper money - French alarmists... 1797. Artist
Bank-notes - paper money - French alarmists... 1797. Showing the interior of the Bank of England. William Pitt is standing behind a counter

A corner, near the Bank; - or - an example for fathers, 1797. Artist
A corner, near the Bank; - or - an example for fathers, 1797. Two young women on a street corner arm in arm, one flirting with a fan, the other raising her skirt to show her leg

St Georges Volunteers... 1797. Artist: James Gillray
St Georges Volunteers charging [the French (scored through)] down Bond Street, after clearing the Ring in Hyde Park & storming the Dunghill at Marybone, 1797

Islington characters, 1796. Artist
Islington characters, 1796. A coach laden with passengers passing the front of a house before which two men are sitting at a table smoking pipes and drinking

The Hustings. Vox populi, We ll have a mug! a mug! a mug!, 1796. Artist
The Hustings. Vox populi, We ll have a mug! a mug! a mug!, 1796. Charles James Fox on the hustings at Covent Garden speaking to the mob saying

Grievances of London, 1812. Artist: George Cruikshank
Grievances of London, 1812. Scene on a busy street corner showing nuisances to passers-by. A woman watering plants from a window on the left knocks a pot on to figures below

Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her

The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in

Stewards Court of the Manor of Torre Devon, 1820. Artist
Stewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles

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