Images Dated 6th June 2018 (page 41)

The Admiralty, Whitehall, Westminster, London, 1731. Artist: Thomas Bowles
The Admiralty, Whitehall, Westminster, London, 1731. View with figures and carriages in the courtyard and street

The Red House, Battersea, London, c1840. Artist: William James Callcott
The Red House, Battersea, London, c1840. View with figures seated outside on the riverbank and a rowing boat on the Thames

The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. Artist
The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. In the foreground the Archbishop of Canterbury is crowning the king, who sits in St Edwards chair

South-east view of the Lady Chapel of St Saviours Church, as it will appear when restored, c1835. The church became Southwark Cathedral in 1905

Elements of Skateing. Making the most of a passing friend, in a case of emergency!, 1805

Elements of Skateing. A fundamental error in the art of skaiting, 1805. Artist
Elements of Skateing. A fundamental error in the art of skaiting, 1805

Elements of Skateing. The consequence of going before the wind, 1805. Artist
Elements of Skateing. The consequence of going before the wind, 1805

Elements of Skateing. Attitude! Attitude is every thing!, 1805. Artist: James Gillray
Elements of Skateing. Attitude! Attitude is every thing!, 1805

Political candour - ie Coalition resolutions of June 14th 1805... 1805. Charles James Fox makes a speech in the House of Commons. William Pitt the Younger sits alone on the Treasury bench

A North Country Transfer... 1805. Trotter, Paymaster of the Navy, leaving the Bank of England with two sacks. Abraham Newland (Chief Cashier) appears through the door

The Devil Reproving Sin, 1804. Three gentlemen sit smoking and drinking in one of the boxes of a tea-garden (White Conduit House?). A waiter on the right draws a cork from a bottle

A hint for another Statue - or, a Sketch of a Modern Weather Cock, 1804. William Windham standing on a whirligig. On each side of his pedestal stands a (contrasted) volunteer

The murder d cherub, or the cockneys distress at the bloody-deed, 1804. Artist
The murder d cherub, or the cockneys distress at the bloody-deed, 1804. Two men, who have been shooting, look in horror at a dead owl, believing it to be a cherub

Middlesex-election, 1804. A long pull, a strong pull and a pull all together, 1804. Sir Francis Burdett drawn by his supporters in his carriage

Sailors in Westminster Abbey, 1804. Two seamen, reading the inscription on a monument, misinterpret The cloud-capt towers as The Cloud, Capt Towers, to their own mystification

Boney in time for Lord Mayors feast, 1803. The Lord Mayor (John Perring) sits at the head of a table looking towards a sailor who is holding a chain attached to an iron band around the neck of a

A Sylvan Stream, 19th century. Artist: Thomas Creswick
A Sylvan Stream, 19th century. Scene with a figure fishing in the foreground

Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers

Humpty Dumpty sat on a Wall... 1821. Artist: Richard Dighton
Humpty Dumpty sat on a Wall... 1821. Alderman Wood lies in the mud outside Brandenburgh House. The cartoon refers to the fact that although Wood supported her

A London Nuisance Artist: Richard Dighton
A Pleasant Way to Lose an Eye, 1821. Plate IV of A London Nuisance. A butchers roundsman, not looking where he is going, has poked one of the horns of his tray in the eye of a passer by

A Heavy Fall of Snow, 1821. Artist: Richard Dighton
A Heavy Fall of Snow, 1821. Plate II of A London Nuisance. A man is clearing snow from above the shop front of Careless, skaite maker and the snow lands on the head of a passer- by

An Unlucky Hit, 1821. Artist: Richard
An Unlucky Hit, 1821. Plate VI of A London Nuisance. A porter walks blindly along a street, carrying a cupboard or wardrobe, with the corner of which he has struck a lady in the forehead

A late arrival at Mother Wood s, 1820. Queen Caroline appears on the balcony of Alderman Sir Matthew Woods house before a street full of traffic

One of the Advantages of Gas over Oil, 1821. Artist: Richard Dighton
One of the Advantages of Gas over Oil, 1821. Plate V of A London Nuisance, depicting a gas lamp exploding in the shop of I Killem, chemist, throwing debris over a passing lady and small child

The exile restored... 1820
The exile restored or the spies, spawns & spewers of scurrility abuse & defamation set to work, 1820. Sir John Stoddart sitting on a chair

Timothy Tallow, and his wife, going to Graves Hall, on a Sunday, 1772. A couple in a buggy driving a miserable horse towards a cockney villa. London is on the horizon

A citizen of the world searching for a wise prince, 1771. A blindfolded man walks an empty street carrying a lantern and wearing a long, furred civic gown

English barber, carrying home a common councilmans wig, 1771. Artist: PS
English barber, carrying home a common councilmans wig, 1771. As a barber leaves his shop, he is addressed by a foppishly dressed Frenchman

The excursion to Cain Wood, 1771. Lord Mansfield and Augusta, Princess of Wales, flying through the air on a broomstick, towards Ken Wood and John Wilkes

The City Race, 1771. Nash, on crutches inscribed Treasury leads a race to the Mansion House, followed by Sawbridge, Crosby (who has fallen down), Hallifax, Townsend and Bankes

The Carlton House botchers, 1770. Jeremiah Dyson, Lord Mansfield, Sir Fletcher Norton, the Duke of Bedford and the Duke of Grafton sewing coats in a tailors work room

Certain City macaronis drinking asses milk, c1770. A woman with her hand round an asss neck handing out mugs of milk to finely dressed men

The City cuckolds & Court horned beasts comparing each others beauty, 1770. Two groups of courtiers and citizens under a bell resembling the Princess of Wales petticoat

The effects of petitions and remonstrances, 1770. Augusta, the Princess of Wales, sitting on a sofa with the Earl of Bute

Fable V, the beau and the beggar... c1770. Artist: I Smith
Fable V, the beau and the beggar... c1770. The scene is Pottage Island, an area behind St Martin-in-the-Fields then inhabited by cooks

A Recorder on his pilgrimage, 1770. A man of honour and a gentleman - Harley. The Recorder of London, James Eyre, outside Guildhall

The Reception in 1770, 1770. George III, in his state coach, is driven along an empty street by the Prime Minister, the Duke of Grafton, dressed as a jockey

Room off the private boxes, Covent Garden Theatre, Bow Street, Westminster, London, 1810

Interior view of Covent Garden Theatre, Bow Street, Westminster, London, 1808. Artist
Interior view of Covent Garden Theatre, Bow Street, Westminster, London, 1808. Looking towards the stage during a performance

Interior of the Covent Garden Theartre, Bow Street, Westminster, London, 1845. Artist
Interior of the Covent Garden Theartre, Bow Street, Westminster, London, 1845. Showing a free trade bazaar in progress

The new Covent Garden Theatre, Bow Street, Westminster, London, 1809

Bow Street, Westminster, London, 1851. Artist: Thomas Colman Dibdin
Bow Street, Westminster, London, 1851

Royal Cock Pit, 1808. Artist: J Bluck
Royal Cock Pit, 1808. Interior view of the Royal Cockpit, Dartmouth Street, off Birdcage Walk, Westminster

The Garricks Head Tavern, Bow Street, Westminster, London, 1870. Artist: F Herbert
The Garricks Head Tavern, Bow Street, Westminster, London, 1870

Greenwich Railway, Deptford, London, 1836. Artist: GF Bragg
Greenwich Railway, Deptford, London, 1836. View from the Surrey Canal showing the towpath, barges and horses and a steam train on the viaduct

Le roi a la station de New Cross, 1844. Artist
Le roi a la station de New Cross, 1844. King Louis Phillippe of France being greeted at New Cross Station, Deptford, London. The King paid a state visit to Windsor Castle in 1844

A view of His Majestys Dock Yard at Deptford... London, 1772. HM Dockyard, also known as the Royal Dock and commonly called Kings Yard, was created in 1513, south of Great Howland Dock

Lord Cremornes villa, Chelsea, London, c1810

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