Woodland Collection (#40)

Joan of Arc, 15th century French patriot and martyr, 1906. Claiming divine inspiration, Joan of Arc (c1412-1431) persuaded Charles VII to declare himself King of France

The Lover in the Wood, 1499 (1964). From the Hypnerotomachia Poliphili (Poliphilos Strife of Love in a Dream), a romance attributed to Francesco Colonna, printed in Venice in 1499

In a great pine forest, collecting turpentine, North Carolina, USA, late 19th or early 20th century. Harvesting pine resin. Detail from a stereoscopic card

In the Shady Woods, late 19th or early 20th century

Alvis Silver Eagle, c1920s-c1930s. The Alvis 16.95 Silver Eagle was introduced in 1928. 1357 of the cars were produced at the companys Coventry factory before the model was discontinued in 1936

A Vermont maple sugar camp, USA, early 20th century

Milton Abbey, Dorset, home of Baron Hambro, c1880. The house was built from 1780 onwards by Joseph Damer, 1st Earl of Dorchester

Belvoir Castle, Leicestershire, home of the Duke of Rutland, c1880. Built on the site of a Norman hilltop castle, Belvoir was rebuilt in the style of a Gothic castle between 1799

Philiphaugh, Selkirkshire, Scotland, home of Baronet Murray, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland

Artemis Prologizes, 1898. Artist: Byam Shaw
Artemis Prologizes, 1898. A drawing from Poems by Robert Browning. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

An illustration for Sir Lancelot Du Lake, 1898. Artist: Eleanor Fortescue-Brickdale
An illustration for Sir Lancelot Du Lake, 1898. Plate taken from The Studio magazine, volume 13, no 60 (London, 15th March 1898)

An illustration for The Song of Solomon, 1899. Plate taken from The Studio magazine, volume 15, no 70 (London, 16th January 1899)

Bottom in scene from William Shakespeares Midsummer Nights Dream, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

The log house Idaho, near Ringwood, Hampshire, 1898. Artist: Edward William Charlton
The log house Idaho, near Ringwood, Hampshire, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Herman Boerhaave, 17th-18th century Dutch botanist, humanist and physician, c1870. Artist: CL van Kesteren
Herman Boerhaave, 17th-18th century Dutch botanist, humanist and physician, c1870. A print from Nederlands Geschiedenis en Volksleven in Schetsen, by J van Lenner and J ter Gouw

Thomson the Poets Alcove, Richmond, Surrey, 1840. From Historical and Literary Curiosities consisting of Fac-similies of Original Documents

The Duke of Connaught and his shooting party, 1908. Artist: Queen Alexandra
The Duke of Connaught and his shooting party, 1908. From left to right: Prince Arthur of Connaught (1883-1938), Count Benckendorff (Russian Ambassador), Sir Maurice de Bunsen (1852-1932)

Death of a Woodhewer, c1860-1910 (1924). Artist: Alphonse Legros
Death of a Woodhewer, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

La Chaumiere, c1825-1885 (1924). Artist: Eugene Blery
La Chaumiere, c1825-1885 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Les Chenes de Roche, c1832- 1860, (1924). Artist: Theodore Rousseau
Les Chenes de Roche, c1832- 1860, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Saulaie des Environs de Paris, c1820-1870, (1924). Artist: Paul Huet
Saulaie des Environs de Paris, c1820-1870, (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

The Rest on the Flight into Egypt, c1512-1515 (1927). Artist: Gerard David
The Rest on the Flight into Egypt, c1512-1515 (1927). Found in the collection of the The Metropolitan Museum of Art. A print from Flemish and Belgian art 1300-1900

Peter Kept Watch, (1923). Artist: Hodder & Stoughton Ltd
Peter Kept Watch, (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Dolly Varden, (1923). Artist: WA Mansell & Co
Dolly Varden, (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Buy from us with a Golden Curl, (1923). Artist: Macmillian & Co Ltd
Buy from us with a Golden Curl, (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Gillknocky Tower, Dunfrieshire, 1814. Artist: John Greig
Gillknocky Tower, Dunfrieshire. Pl. 1, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Dilston Tower, Northumberland, 1814. Artist: John Greig
Dilston Tower, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Stock Dove (Columba aenas), 1900, (1900). Artist: Charles Whymper
Stock Dove (Columba aenas), 1900, (1900). From The Game Birds and Wild Fowl of The British Islands, by Charles Dixon, illustrated by Charles Whymper. [Pawson & Brailsford, Sheffield, 1900]

Ring Dove (Columbs palumbus), 1900, (1900). Artist: Charles Whymper
Ring Dove (Columbs palumbus), 1900, (1900). From The Game Birds and Wild Fowl of The British Islands, by Charles Dixon, illustrated by Charles Whymper. [Pawson & Brailsford, Sheffield, 1900]

In The Coverts, c1902, (1903). Artist: Charles Reid
In The Coverts, c1902, (1903). A shooting party. From The Sports of the World, by F. G. Aflalo, F.R.G.S. F.Z.S. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Cirl-Bunting - Emberi za cirl us, c1910, (1910). Artist: George James Rankin
Cirl-Bunting - Emberi za cirl us, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R

Carrion-Crow - Cor vus coro ne, c1910, (1910). Artist: George James Rankin
Carrion-Crow - Cor vus coro ne, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R

Tawny or Brown Owl - Syrn ium alu co, c1910, (1910). Artist: George James Rankin
Tawny or Brown Owl - Syrn ium alu co, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R

White-Tailed or Sea-Eagle - Halia etus albicil la, c1910, (1910). Artist: George James Rankin
White-Tailed or Sea-Eagle - Halia etus albicil la, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R

Kite - Mil vus icti nus, c1910, (1910). Artist: George James Rankin
Kite - Mil vus icti nus, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R. Chambers, Limited, London & Edinburgh, 1910]

Sparrow-Hawk - Accip iter ni sus, c1910, (1910). Artist: George James Rankin
Sparrow-Hawk - Accip iter ni sus, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R

Heron - Ar dea cine rea, c1910, (1910). Artist: George James Rankin
Heron - Ar dea cine rea, c1910, (1910). From Britains Birds and Their Nests, by A. Landsborough Thomson. [The Waverley Book Company, Limited, W. & R. Chambers, Limited, London & Edinburgh, 1910]

A coloured wood engraving, c1910. Artist: Rudolf Junk
A coloured wood engraving, c1910. From The Studio Volume 51.[London Offices of the Studio, London, 1910-11]

La Surpris, c1847. Artist: Nicholas Edward Gabe
La Surpris, c1847. From The Connoisseur Volume LII. [The Connoisseur Ltd. London, 1918]

The Weary Sportsman, c1803. Artists: George Morland, William Bond
The Weary Sportsman, c1803. After George Morland (1763-1804). From The Connoisseur Volume LI. [The Connoisseur Ltd. London, 1918]

The Right Honourable Lady Louisa Manners, c1821. Artist: John Constable
The Right Honourable Lady Louisa Manners, c1821. Louisa Manners Tollemache, 7th Countess of Dysart (1745-1840). After John Hoppner (1758-1810). From The Connoisseur Volume L. [The Connoisseur Ltd

Children Bird Nesting, 1789. Artist: William Ward
Children Bird Nesting, 1789. After George Morland (1763-1804). From The Connoisseur Volume L. [The Connoisseur Ltd. London, 1918]

Children Nutting, c1783. Artist: Edward Dayes
Children Nutting, c1783. After George Morland (1763-1804). From The Connoisseur Volume L. [The Connoisseur Ltd. London, 1918]

A Woodland Pool, c1905. Artist: David Muirhead
A Woodland Pool, c1905. From The Studio Volume 57. [London Offices of the Studio, London, 1912-13]

Winter view of the open-air museum at Skansen, c1900. From The Studio Volume 21 [London Offices of the Studio, London, 1900-1.]

A Cottage in a Wood, c1897. Artist: James Cadenhead
A Cottage in a Wood, c1897. An illustration originally featured in the magazine Evergreen, Part IV, The Book of Winter. From The Studio Volume 10 [London Offices of the Studio, London, 1897]

Henry VIII Monk Hunting, 1850. Artist: John Leech
Henry VIII Monk Hunting, 1850. A satirical illustration on the Dissolution of the Monasteries. The Dissolution of the Monasteries was the set of administrative and legal processes between 1536

Val de Septimonville, c1880-1940 (1924). Artist: Georges Le Meilleur
Val de Septimonville, c1880-1940 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

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