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Mercury and the Ox, 1757. Artist: Bernard de MontfauconMercury and the Ox, 1757. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection
City on the Rock, c1878-1918. Artist: Eugenio Lucas VillamilCity on the Rock, 19th Century. Located in the collection at, New York Metropolitan Museum of Modern Art
Iris, c1860-1893. Artist: John Atkinson GrimshawIris, c1860-1893
Study of an Angel, c1611-1666. Artist: GuercinoStudy of an Angel, c1611-1666. Located in the collection at, Windsor Castle, London
The Annunciation, c1530-1577. Artist: Hans SpeeckaertThe Annunciation, c1530-1577
Panel from the Maesta Altarpiece: The Annunciation, 1311. Artist: Duccio di BuoninsegnaPanel from the Maesta Altarpiece: The Annunciation, 1311. Found in the collection of the National Gallery, London
Mercury, 1580. Artist: GiambolognaMercury, 1580. Found in the collection of the Museo Nazionale del Bargello, Florence, Italy
The back of a gold winged ba amulet, Ptolemaic period, Egypt, 4th-1st century BC. According to Ancient Egyptian belief, ba was one of the five parts of the soul
Devil, c1680. Artist: Jean BerainDevil, c1680. A devil costume for a opera by Jean-Baptiste Lully. Found in the collection of the Louvre, Paris
Administrators of the villages, 5th century (1887). Artist: A LemercierAdministrators of the villages, 5th century (1887). A: Centenier; B: Cinquantenier; C: Quartenier. A print from Francois Cudets Histoire des Corps de Troupes de la Ville de Paris. (France, 1887)
Front cover of Le Flambeau (the Torch), 18 September 1915. Vercingatorix, the legendary Gallic warrior, leading modern French soldiers
Melusine flies away, 1478. A legendary figure from European folklore, Melusine is usually depicted as a a serpent or fish from the waist down
The Annunciation, c1485. Artist: Sandro BotticelliThe Annunciation, c1485. From the collection of the The Metropolitan Museum of Art, New York
Angel Musician, c1520. Artist: Rosso FiorentinoAngel Musician, c1520. Found in the collection of the Galleria degli Uffizi, Florence, Italy
There they go, plucked, 1799. Artist: Francisco GoyaThere they go, plucked, 1799. Plate 20 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
All will fall, 1799. Artist: Francisco GoyaAll will fall, 1799. Plate 19 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
How they pluck her!, 1799. Artist: Francisco GoyaHow they pluck her!, 1799. Plate 21 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
There it goes, 1799. Artist: Francisco GoyaThere it goes, 1799. Plate 66 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Bon Voyage, 1799. Artist: Francisco GoyaBon Voyage, 1799. Plate 64 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Can t anyone unite us?, 1799. Artist: Francisco GoyaCan t anyone unite us?, 1799. Plate 75 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Swallow it, dog, 1799. Artist: Francisco GoyaSwallow it, dog, 1799. Plate 58 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
You will not escape, 1799. Artist: Francisco GoyaYou will not escape, 1799. Plate 72 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
They spruce themselves up, 1799. Artist: Francisco GoyaThey spruce themselves up, 1799. Plate 51 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Angel with Tambourine, 1429. Artist: DonatelloAngel with Tambourine, 1429
A way of flying, 1819-1823. Artist: Francisco GoyaA way of flying, 1819-1823. Plate 13 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
The Rare Bird, c1850-1890. Artist: Stanislas LepineThe Rare Bird, c1850-1890. Although generally not considered an Impressionist painter, Stanislas participated in the first Impressionist exhibition held in 1874. He died suddenly in Paris in 1892
Winged Putto Playing a Lute, 16th century. Artist: Fiorentino RossiWinged Putto Playing a Lute, 16th century. From the Ufizzi Gallery, Florence
Mercury and Argus, c1659. Artist: Diego VelazquezMercury and Argus, c1659. From the collection of the Museo del Prado, Madrid, Spain
The Assumption of the Virgin, 17th / early 18th century. Artist: Charles de la FosseThe Assumption of the Virgin, 17th/early 18th century. From the Musee des Beaux-Arts de Nancy, France
Processional banner, c1395-1400. Artist: Spinello AretinoProcessional banner, c1395-1400. From the Metropolitan Museum of Art, New York, USA
An angel playing the lute, 15th century. Artist: Melozzo da ForliAn angel playing the lute, 15th century. Fragment of a fresco, from the Vatican Museums, Vatican City, Rome
The Three Ages of Man, allegory, late 16th century. Artist: Jacob de BackerThe Three Ages of Man, allegory, late 16th century. From the Hermitage Museum, Saint Petersburg, Russia
Le Chant du Depart, song sheet, Franco-Prussian war, 1870-1871. French patriotic song to inspire the troops as they set out for war. From a private collection
Natterers bat (Myotis nattereri), 1828. From British Quadrupeds by William MacGillivray, one of the volumes in William Jardines Naturalists Library series. (Edinburgh, 1828)
Long-eared bat (Plectorus auritus), 1828. From British Quadrupeds by William MacGillivray, one of the volumes in William Jardines Naturalists Library series. (Edinburgh, 1828)
Pipistrelle bat (Pipistrellus pipistrellus), 1828. From British Quadrupeds by William MacGillivray, one of the volumes in William Jardines Naturalists Library series. (Edinburgh, 1828)
Florence Nightingale watching a nurse at work, 1854. In 1854, during the Crimean War (1853-1856), Sidney Herbert, Secretary of State for War
Bronze used in Shamans practices, Kama River Tribes, 3rd century BC-8th century. Miraculous image relating to shamanism and magic. State Hermitage Museum. Leningrad
Bronze Plaque from Kama River Tribes related to Shamanism, USSR, 3rd century BC-8th century. State Hermitage Museum
Leda and the Swan from Ahnassia, Beni-Souef, Egypt, 3rd century. Probably made for the Greek Pagan community in Egypt but with characteristics of Coptic Art
Coptic Textile of Angel, 6th century. Painted linen
Egyptian Faience Soul-Bird, Saite Period: c600BC. British Museum
Hittie relief, Tel Halaf, 6100 BC - 5100 BC. Tell Halaf is an archaeological site in the Al Hasakah governorate of northeastern Syria, it was the first find of a Neolithic culture
Assyrian Relief, Ashurnasirpal II with attendants, 9th century BC. Above is the winged figure of the god Ashur, Ahura Mazda. British Museum
Etruscan Jar stamped with Centaurs and winged lions, 6th century BC. Louvre
Gold Condor from Columbia, Pre-ColumbianGold Condor from Columbia - Pre-Columbian. British Museum
Fossil of Archaeopteryx Lithographica. Late Jurassic, (20th century). HV Meyer. Odeter Jura (Malm) Eichstatt, Bavaria
Detail of a Psalter, Angel Warns Joseph to fle to Egypt, c1140Detail of a Psalter. Angel Warns Joseph to fle to Egypt, c1140. Probably illuminated at Canterbury