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Winged Collection (page 14)

Background imageWinged Collection: Mercury and the Ox, 1757. Artist: Bernard de Montfaucon

Mercury and the Ox, 1757. Artist: Bernard de Montfaucon
Mercury and the Ox, 1757. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection

Background imageWinged Collection: City on the Rock, c1878-1918. Artist: Eugenio Lucas Villamil

City on the Rock, c1878-1918. Artist: Eugenio Lucas Villamil
City on the Rock, 19th Century. Located in the collection at, New York Metropolitan Museum of Modern Art

Background imageWinged Collection: Iris, c1860-1893. Artist: John Atkinson Grimshaw

Iris, c1860-1893. Artist: John Atkinson Grimshaw
Iris, c1860-1893

Background imageWinged Collection: Study of an Angel, c1611-1666. Artist: Guercino

Study of an Angel, c1611-1666. Artist: Guercino
Study of an Angel, c1611-1666. Located in the collection at, Windsor Castle, London

Background imageWinged Collection: The Annunciation, c1530-1577. Artist: Hans Speeckaert

The Annunciation, c1530-1577. Artist: Hans Speeckaert
The Annunciation, c1530-1577

Background imageWinged Collection: Panel from the Maesta Altarpiece: The Annunciation, 1311. Artist: Duccio di Buoninsegna

Panel from the Maesta Altarpiece: The Annunciation, 1311. Artist: Duccio di Buoninsegna
Panel from the Maesta Altarpiece: The Annunciation, 1311. Found in the collection of the National Gallery, London

Background imageWinged Collection: Mercury, 1580. Artist: Giambologna

Mercury, 1580. Artist: Giambologna
Mercury, 1580. Found in the collection of the Museo Nazionale del Bargello, Florence, Italy

Background imageWinged Collection: The back of a gold winged ba amulet, Ptolemaic period, Egypt, 4th-1st century BC

The back of a gold winged ba amulet, Ptolemaic period, Egypt, 4th-1st century BC. According to Ancient Egyptian belief, ba was one of the five parts of the soul

Background imageWinged Collection: Devil, c1680. Artist: Jean Berain

Devil, c1680. Artist: Jean Berain
Devil, c1680. A devil costume for a opera by Jean-Baptiste Lully. Found in the collection of the Louvre, Paris

Background imageWinged Collection: Administrators of the villages, 5th century (1887). Artist: A Lemercier

Administrators of the villages, 5th century (1887). Artist: A Lemercier
Administrators of the villages, 5th century (1887). A: Centenier; B: Cinquantenier; C: Quartenier. A print from Francois Cudets Histoire des Corps de Troupes de la Ville de Paris. (France, 1887)

Background imageWinged Collection: Front cover of Le Flambeau (the Torch), 18 September 1915

Front cover of Le Flambeau (the Torch), 18 September 1915. Vercingatorix, the legendary Gallic warrior, leading modern French soldiers

Background imageWinged Collection: Melusine flies away, 1478

Melusine flies away, 1478. A legendary figure from European folklore, Melusine is usually depicted as a a serpent or fish from the waist down

Background imageWinged Collection: The Annunciation, c1485. Artist: Sandro Botticelli

The Annunciation, c1485. Artist: Sandro Botticelli
The Annunciation, c1485. From the collection of the The Metropolitan Museum of Art, New York

Background imageWinged Collection: Angel Musician, c1520. Artist: Rosso Fiorentino

Angel Musician, c1520. Artist: Rosso Fiorentino
Angel Musician, c1520. Found in the collection of the Galleria degli Uffizi, Florence, Italy

Background imageWinged Collection: There they go, plucked, 1799. Artist: Francisco Goya

There they go, plucked, 1799. Artist: Francisco Goya
There they go, plucked, 1799. Plate 20 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWinged Collection: All will fall, 1799. Artist: Francisco Goya

All will fall, 1799. Artist: Francisco Goya
All will fall, 1799. Plate 19 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWinged Collection: How they pluck her!, 1799. Artist: Francisco Goya

How they pluck her!, 1799. Artist: Francisco Goya
How they pluck her!, 1799. Plate 21 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWinged Collection: There it goes, 1799. Artist: Francisco Goya

There it goes, 1799. Artist: Francisco Goya
There it goes, 1799. Plate 66 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWinged Collection: Bon Voyage, 1799. Artist: Francisco Goya

Bon Voyage, 1799. Artist: Francisco Goya
Bon Voyage, 1799. Plate 64 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWinged Collection: Can t anyone unite us?, 1799. Artist: Francisco Goya

Can t anyone unite us?, 1799. Artist: Francisco Goya
Can t anyone unite us?, 1799. Plate 75 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWinged Collection: Swallow it, dog, 1799. Artist: Francisco Goya

Swallow it, dog, 1799. Artist: Francisco Goya
Swallow it, dog, 1799. Plate 58 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWinged Collection: You will not escape, 1799. Artist: Francisco Goya

You will not escape, 1799. Artist: Francisco Goya
You will not escape, 1799. Plate 72 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWinged Collection: They spruce themselves up, 1799. Artist: Francisco Goya

They spruce themselves up, 1799. Artist: Francisco Goya
They spruce themselves up, 1799. Plate 51 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageWinged Collection: Angel with Tambourine, 1429. Artist: Donatello

Angel with Tambourine, 1429. Artist: Donatello
Angel with Tambourine, 1429

Background imageWinged Collection: A way of flying, 1819-1823. Artist: Francisco Goya

A way of flying, 1819-1823. Artist: Francisco Goya
A way of flying, 1819-1823. Plate 13 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Background imageWinged Collection: The Rare Bird, c1850-1890. Artist: Stanislas Lepine

The Rare Bird, c1850-1890. Artist: Stanislas Lepine
The Rare Bird, c1850-1890. Although generally not considered an Impressionist painter, Stanislas participated in the first Impressionist exhibition held in 1874. He died suddenly in Paris in 1892

Background imageWinged Collection: Winged Putto Playing a Lute, 16th century. Artist: Fiorentino Rossi

Winged Putto Playing a Lute, 16th century. Artist: Fiorentino Rossi
Winged Putto Playing a Lute, 16th century. From the Ufizzi Gallery, Florence

Background imageWinged Collection: Mercury and Argus, c1659. Artist: Diego Velazquez

Mercury and Argus, c1659. Artist: Diego Velazquez
Mercury and Argus, c1659. From the collection of the Museo del Prado, Madrid, Spain

Background imageWinged Collection: The Assumption of the Virgin, 17th / early 18th century. Artist: Charles de la Fosse

The Assumption of the Virgin, 17th / early 18th century. Artist: Charles de la Fosse
The Assumption of the Virgin, 17th/early 18th century. From the Musee des Beaux-Arts de Nancy, France

Background imageWinged Collection: Processional banner, c1395-1400. Artist: Spinello Aretino

Processional banner, c1395-1400. Artist: Spinello Aretino
Processional banner, c1395-1400. From the Metropolitan Museum of Art, New York, USA

Background imageWinged Collection: An angel playing the lute, 15th century. Artist: Melozzo da Forli

An angel playing the lute, 15th century. Artist: Melozzo da Forli
An angel playing the lute, 15th century. Fragment of a fresco, from the Vatican Museums, Vatican City, Rome

Background imageWinged Collection: The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer

The Three Ages of Man, allegory, late 16th century. Artist: Jacob de Backer
The Three Ages of Man, allegory, late 16th century. From the Hermitage Museum, Saint Petersburg, Russia

Background imageWinged Collection: Le Chant du Depart, song sheet, Franco-Prussian war, 1870-1871

Le Chant du Depart, song sheet, Franco-Prussian war, 1870-1871. French patriotic song to inspire the troops as they set out for war. From a private collection

Background imageWinged Collection: Natterers bat (Myotis nattereri), 1828

Natterers bat (Myotis nattereri), 1828. From British Quadrupeds by William MacGillivray, one of the volumes in William Jardines Naturalists Library series. (Edinburgh, 1828)

Background imageWinged Collection: Long-eared bat (Plectorus auritus), 1828

Long-eared bat (Plectorus auritus), 1828. From British Quadrupeds by William MacGillivray, one of the volumes in William Jardines Naturalists Library series. (Edinburgh, 1828)

Background imageWinged Collection: Pipistrelle bat (Pipistrellus pipistrellus), 1828

Pipistrelle bat (Pipistrellus pipistrellus), 1828. From British Quadrupeds by William MacGillivray, one of the volumes in William Jardines Naturalists Library series. (Edinburgh, 1828)

Background imageWinged Collection: Florence Nightingale watching a nurse at work, 1854

Florence Nightingale watching a nurse at work, 1854. In 1854, during the Crimean War (1853-1856), Sidney Herbert, Secretary of State for War

Background imageWinged Collection: Bronze used in Shamans practices, Kama River Tribes, 3rd century BC-8th century

Bronze used in Shamans practices, Kama River Tribes, 3rd century BC-8th century. Miraculous image relating to shamanism and magic. State Hermitage Museum. Leningrad

Background imageWinged Collection: Bronze Plaque from Kama River Tribes related to Shamanism, USSR, 3rd century BC-8th century

Bronze Plaque from Kama River Tribes related to Shamanism, USSR, 3rd century BC-8th century. State Hermitage Museum

Background imageWinged Collection: Leda and the Swan from Ahnassia, Beni-Souef, Egypt, 3rd century

Leda and the Swan from Ahnassia, Beni-Souef, Egypt, 3rd century. Probably made for the Greek Pagan community in Egypt but with characteristics of Coptic Art

Background imageWinged Collection: Coptic Textile of Angel, 6th century

Coptic Textile of Angel, 6th century. Painted linen

Background imageWinged Collection: Egyptian Faience Soul-Bird, Saite Period: c600BC

Egyptian Faience Soul-Bird, Saite Period: c600BC. British Museum

Background imageWinged Collection: Hittie relief, Tel Halaf, 6100 BC - 5100 BC

Hittie relief, Tel Halaf, 6100 BC - 5100 BC. Tell Halaf is an archaeological site in the Al Hasakah governorate of northeastern Syria, it was the first find of a Neolithic culture

Background imageWinged Collection: Assyrian Relief, Ashurnasirpal II with attendants, 9th century BC

Assyrian Relief, Ashurnasirpal II with attendants, 9th century BC. Above is the winged figure of the god Ashur, Ahura Mazda. British Museum

Background imageWinged Collection: Etruscan Jar stamped with Centaurs and winged lions, 6th century BC

Etruscan Jar stamped with Centaurs and winged lions, 6th century BC. Louvre

Background imageWinged Collection: Gold Condor from Columbia, Pre-Columbian

Gold Condor from Columbia, Pre-Columbian
Gold Condor from Columbia - Pre-Columbian. British Museum

Background imageWinged Collection: Fossil of Archaeopteryx Lithographica. Late Jurassic, (20th century)

Fossil of Archaeopteryx Lithographica. Late Jurassic, (20th century). HV Meyer. Odeter Jura (Malm) Eichstatt, Bavaria

Background imageWinged Collection: Detail of a Psalter, Angel Warns Joseph to fle to Egypt, c1140

Detail of a Psalter, Angel Warns Joseph to fle to Egypt, c1140
Detail of a Psalter. Angel Warns Joseph to fle to Egypt, c1140. Probably illuminated at Canterbury



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