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The Royal Gold Cup, c1370, (1904)The Royal Gold Cup, c1370. The lid is decorated in basse taille enamel with scenes leading to and the martyrdom of St Agnes
Advert for Wrigleys Spearmint Pepsin Gum, 1913. A print from Life, 17th April 1913
Luke, from Ars Memorandi, c1470 (1849). Artist: A BissonLuke, from Ars Memorandi, c1470 (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Royal de Dresden
The Triumph of Galatea, 1512 (1849). Artist: L DelaistreThe Triumph of Galatea, 1512 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)
Cupid and Psyche, late 19th century. Stereoscopic card. Detail
The angel holding the keys of the abyss, 1498, (1936). Artist: Albrecht DurerThe angel holding the keys of the abyss, 1498, (1936). Scene from the Apocalypse, The angel holding the keys of the abyss and a big chain, enchains the dragon for a thousand years
The angel and the shepherds, late 12th century. From Miniatures of the Life of Christ, produced in Northern France. Illustration from Illuminated Manuscripts in the British Museum, Miniatures
Cupid and Psyche, 1889, (1938). Artist: William-Adolphe BouguereauCupid and Psyche, 1889, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd
Philosophy, History, and Prudence awakening the mind to a desire for knowledge, c1624, (1938). Originally mistakenly catalogued as Temptation of Youth, and attributed to Guildo Reni (1575-1642)
The Adoration of the Kings, c1510, (1938). Artist: Jan GossaertThe Adoration of the Kings, c1510. Painting held in The National Gallery, London. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]
Agony in the Garden, 1498, (1936). Artist: Albrecht DurerAgony in the Garden, 1498, (1936). Scene from the Great Passion series. A print from Durer, Und Seine Zeit, by Wilhelm Waetzoldt, Grosse Phaidon Ausgabe, 1936
Jupiter of the Chinese, early 19th century. Artist: GraingerJupiter of the Chinese, early 19th century. Illustration from A Modern and Authentic System of Universal Geography, Containing an Accurate and Entertaining Description of Europe, Asia, Africa
King Edward V of England, (18th century). Artist: James HulettPortrait of Edward V of England (1470-1483) who came to the throne at the age of twelve. Edward was king from 9 April 1483 until his deposition two months later
Fore-warned, Fore-armed, 1741. Artist: E GravelotFore-warned, Fore-armed, 1741. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)
Cupid Chastised, (1912). Artist: EberleinCupid Chastised, (1912). A print from The Connoisseur, (London, 1912)
Archangel St Michael, (1870). An engraving after a miniature made between c1477-1514, in Anne de Bretagnes Book of Hours. Illustration from The Arts of the Middle Ages
Love and Life, 1893, (1912). Artist: George Frederick WattsLove and Life, 1893, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)
Throne detail in form of a winged lion with a human torso, 8th century BCThrone detail in form of a winget leon with a human torso, 8th century BC. Culture of Urartu. Found in the collection of the State Hermitage, St. Petersburg
Calvary, 14th century. Artist: Bartolommeo BulgariniCalvary, 14th century. Lorenzetti, Ugolino (ca. 1300/10-1378). Found in the collection of the State Hermitage, St. Petersburg
An angel of the Lord appeared to Manoahs wife... c1636-1680. Artist: Ferdinand BolAn angel of the Lord appeared to Manoahs wife and told her that she would give birth to a son, c1636-1680
A Dream of Young Summer, 1901. Illustration from The Process Year Book, A Review of the Illustrated Arts. published by AW Penrose & Co, (London, 1901)
Our Hope for the New Year: Peace, 1894. An illustration from Le Petit Journal, 1st January 1894
Mail delivery before the grand military manoeuvers, 1893. Artist: Henri MeyerMail delivery before the grand military maneuvers, 1893. A print from the Le Petit Journal, 23rd September 1893
The Franco-Russian Entente, 1893. Artist: Henri MeyerThe Franco-Russian Entente, 1893. A print from the Le Petit Journal, 30th September 1893
Spleen and Ideal, 1907. Artist: Carlos SchwabeSpleen and Ideal, 1907
Amor, 1615. Artist: Leonard GaultierAmor, 1615. In Roman mythology, Cupid (Latin cupido) is the god of erotic love. He is equated with the Greek god Eros. Another of his Latin names is Amor
Cupidons, 1615. Artist: Leonard GaultierCupidons, 1615. In Roman mythology, Cupid (Latin cupido) is the god of erotic love. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs
The Hours or Days, 1615. Artist: Leonard GaultierThe Hours or Days, 1615. A plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenere, Paris, 1615
Saturn, 1757. Artist: Bernard de MontfauconSaturn, 1757. A plate from Supplement au livre de L antiquite expliquee et representee en figures, Paris, 1757. Private Collection
Roman mural, House of the Vettii Pompeii, ItalyRoman mural, House of the Vettii, Pompeii, Italy
Agon, statue from the Roman period, Madhia, Tunisia. Located in the Bardo Museum, Tunisia
Justice and Divine Vengeance pursuing Crime, 1808. Artist: Pierre-Paul Prud honJustice and Divine Vengeance pursuing Crime, 1808. Found in the collection of the Louvre, Paris, France
Composition Sketch, c1513-1540. Artist: ParmigianinoComposition Sketch, c1513-1540. Located in the collection at, Musee de Beaux Arts, Budapest
Venus and Child, c1513-1540. Artist: ParmigianinoVenus and Child, c1513-1540. Located in the collection at, Musee de Beaux Arts, Budapest
Annunciation, c1470-1472. Artist: Francesco di Giorgio MartiniAnnunciation, c1470-1472. The painting comes from the church of San Domenico, Siena
Iris, c1860-1893. Artist: John Atkinson GrimshawIris, c1860-1893
Study of an Angel, c1611-1666. Artist: GuercinoStudy of an Angel, c1611-1666. Located in the collection at, Windsor Castle, London
The Annunciation and Two Saints, 1333. Artist: Simone MartiniThe Annunciation and Two Saints, 1333. The altarpiece was executed between 1329 and 1333 for the chapel of Sant Ansano of the Cathedral in Siena by Simone Martini and his brother-in-law Lippo Memmi
The Annunciation and Two Saints, (detail), 1333. Artist: Simone MartiniThe Annunciation and Two Saints, (detail), 1333. From the collection of the Galleria degli Uffizi, Florence
Ancient Egyptian hieroglyphs, Thebes, Egypt. Portrayal of the goddess Isis
There they go, plucked, 1799. Artist: Francisco GoyaThere they go, plucked, 1799. Plate 20 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
All will fall, 1799. Artist: Francisco GoyaAll will fall, 1799. Plate 19 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
How they pluck her!, 1799. Artist: Francisco GoyaHow they pluck her!, 1799. Plate 21 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
There it goes, 1799. Artist: Francisco GoyaThere it goes, 1799. Plate 66 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Bon Voyage, 1799. Artist: Francisco GoyaBon Voyage, 1799. Plate 64 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Swallow it, dog, 1799. Artist: Francisco GoyaSwallow it, dog, 1799. Plate 58 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
A way of flying, 1819-1823. Artist: Francisco GoyaA way of flying, 1819-1823. Plate 13 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition
Correction, 1799. Artist: Francisco GoyaCorrection, 1799. Plate 46 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political