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Wheatley Collection

Background imageWheatley Collection: Then said Boaz to Ruth, go not to glean in another field, 1840. Creator: Henry Bryan Hall I

Then said Boaz to Ruth, go not to glean in another field, 1840. Creator: Henry Bryan Hall I
Then said Boaz to Ruth, go not to glean in another field, 1840. Biblical scene, from Ruth 2: 8: Then said Boaz unto Ruth, Hearest thou not, my daughter

Background imageWheatley Collection: Cries of London Plate 12: Hot Spice Gingerbread, smoaking hot!, 1796, (1911)

Cries of London Plate 12: Hot Spice Gingerbread, smoaking hot!, 1796, (1911)
Cries of London Plate 12, Hot Spice Gingerbread, smoking hot! Du Croquet de Pain d Epices!, 1796 (1911). After an original work by Francis Wheatley (1747-1801)

Background imageWheatley Collection: Cries of London Plate 13: Turnips & Carrots, Carottes & Navets, 1797. (1911)

Cries of London Plate 13: Turnips & Carrots, Carottes & Navets, 1797. (1911)
Cries of London Plate 13, Turnips & Carrots, Carottes & Navets, 1797. After an original work by Francis Wheatley (1747-1801). From The Connoisseur Volume XXIX [Otto Limited, London, 1911]

Background imageWheatley Collection: A Fair - A Group of Gypsies - Men and Women in Rustic Clothes in Front of Two Makeshift

A Fair - A Group of Gypsies - Men and Women in Rustic Clothes in Front of Two Makeshift Tents, 1786

Background imageWheatley Collection: A Bacchante, 1787. Creator: Thomas Rowlandson

A Bacchante, 1787. Creator: Thomas Rowlandson
A Bacchante, 1787

Background imageWheatley Collection: Fishermen by the Shore - Coastal Scene with a Man Sitting on Rocks and Smoking a Pipe

Fishermen by the Shore - Coastal Scene with a Man Sitting on Rocks and Smoking a Pipe, Next to a Standing Young Woman, with a Second Woman Behind, 1786

Background imageWheatley Collection: Fishermen by the Shore - Coastal Scene with a Man Sitting on the Ground Resting an Elbow

Fishermen by the Shore - Coastal Scene with a Man Sitting on the Ground Resting an Elbow on a Fishing Basket, Another Man Opposite Mending a Sail

Background imageWheatley Collection: Phillis Wheatley, Negro Servant to Mr. John Wheatley of Boston, ca. 1773

Phillis Wheatley, Negro Servant to Mr. John Wheatley of Boston, ca. 1773

Background imageWheatley Collection: The Saithwaite Family, ca. 1785. Creator: Francis Wheatley

The Saithwaite Family, ca. 1785. Creator: Francis Wheatley
The Saithwaite Family, ca. 1785

Background imageWheatley Collection: Death of Richard II. 1400, (mid 19th century). Creator: J Rogers

Death of Richard II. 1400, (mid 19th century). Creator: J Rogers
Death of Richard II. 1400, (late 18th century), (mid 19th century). Engraving after a painting made c1792, depicting a possible scenario for the death of King Richard II of England (1367-1400)

Background imageWheatley Collection: Alfred in the Neatherds Cottage, (mid 19th century). Creator: J Rogers

Alfred in the Neatherds Cottage, (mid 19th century). Creator: J Rogers
Alfred in the Neatherds Cottage, (mid 19th century). Youngest son of King AEthelwulf, Alfred (849-899 AD) became King of Wessex during a time of constant Viking attack

Background imageWheatley Collection: Portrait of the poet Phillis Wheatley (c. 1753-1784), 1773. Creator: Anonymous

Portrait of the poet Phillis Wheatley (c. 1753-1784), 1773. Creator: Anonymous
Portrait of the poet Phillis Wheatley (c.1753-1784), 1773. Private Collection

Background imageWheatley Collection: The Riot in Broad Street, June 7th, 1780, (1920). Artist: James Heath

The Riot in Broad Street, June 7th, 1780, (1920). Artist: James Heath
The Riot in Broad Street, June 7th, 1780, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageWheatley Collection: Do you want any Matches?, Cries of London, c1794. Artist: Vogel

Do you want any Matches?, Cries of London, c1794. Artist: Vogel
Do you want any Matches? Match sellers standing in the street, with a dog in the foreground and a coach behind. From Cries of London, c1794

Background imageWheatley Collection: Turnips & Carrots ho, Cries of London, c1870

Turnips & Carrots ho, Cries of London, c1870
Turnips & Carrots ho. A turnip and carrot seller and his donkey laden with baskets. Standing next to them is a woman holding a bunch of turnips. From Cries of London, c1870

Background imageWheatley Collection: Hot Spice Gingerbread Smoking hot!, Cries of London, c1870

Hot Spice Gingerbread Smoking hot!, Cries of London, c1870
Hot Spice Gingerbread Smoking hot!. A gingerbread seller, pictured with a woman and children at his barrow, with a boy eating a piece of the gingerbread, and a dog standing in front of the cart

Background imageWheatley Collection: A New Love Song only ha penny a piece, Cries of London, c1870

A New Love Song only ha penny a piece, Cries of London, c1870
A New Love Song only ha penny a piece. A songsheet seller receiving payment for her wares. The seller is receiving money from a man carrying a whip

Background imageWheatley Collection: Old Chairs to mend, Cries of London, c1870

Old Chairs to mend, Cries of London, c1870
Old Chairs to mend. A chair mender sitting outside a house working on a seat, with a woman watching him, another holding a chair waiting to be mended, and a dog in the foreground

Background imageWheatley Collection: Strawberrys, Scarlet Strawberrys, Cries of London, c1870

Strawberrys, Scarlet Strawberrys, Cries of London, c1870
Strawberrys, Scarlet Strawberrys. A strawberry seller carrying a basket on her head, with horses and a cart to her right and figures by a sedan chair to her left. From Cries of London, c1870

Background imageWheatley Collection: Round & Sound Fivepence a Pound Duke Cherries, Cries of London, c1870. Artist

Round & Sound Fivepence a Pound Duke Cherries, Cries of London, c1870. Artist
Round & Sound Fivepence a Pound Duke Cherries. A cherry seller weighing out the fruit in a set of scales. The seller then tips it out into a boys hat

Background imageWheatley Collection: Fresh Gathered Peas Young Hastings, Cries of London, c1870

Fresh Gathered Peas Young Hastings, Cries of London, c1870
Fresh Gathered Peas Young Hastings. A pea seller catching peas in her apron. The peas are being poured into her apron by a man in a cart

Background imageWheatley Collection: Knives Scissars and Razors to Grind, Cries of London, c1870

Knives Scissars and Razors to Grind, Cries of London, c1870
Knives Scissars and Razors to Grind. A knife grinder beneath a lamp in the street with two women, one of whom holds a pair of scissors to be sharpened. From Cries of London, c1870

Background imageWheatley Collection: New Mackrel, New Mackrel, Cries of London, c1870

New Mackrel, New Mackrel, Cries of London, c1870
New Mackrel, New Mackrel. A mackerel seller on the doorstep of a house, with two women inspecting the fish that are being offered to them. From Cries of London, c1870

Background imageWheatley Collection: Do you want any Matches?, Cries of London, c1870

Do you want any Matches?, Cries of London, c1870
Do you want any Matches? Match sellers standing in the street. A woman and a young boy selling matches, with a dog in the foreground and a coach behind them. From Cries of London, c1870

Background imageWheatley Collection: Sweet China Oranges, sweet China, Cries of London, c1870

Sweet China Oranges, sweet China, Cries of London, c1870
Sweet China Oranges, sweet China. An orange seller standing in the street, with two women looking at the fruit. From Cries of London, c1870

Background imageWheatley Collection: Milk below Maids, Cries of London, c1870

Milk below Maids, Cries of London, c1870
Milk below Maids. A milk seller handing a cupful of milk to a boy and girl on a street, with a dog walking past and a lamp on the right. From Cries of London, c1870

Background imageWheatley Collection: Two bunches a penny primroses, two bunches a penny, Cries of London, c1870. Artist

Two bunches a penny primroses, two bunches a penny, Cries of London, c1870. Artist
Two bunches a penny primroses, two bunches a penny. Primrose sellers walking in the street, carrying baskets of primroses, and accompanied by a dog. From Cries of London, c1870

Background imageWheatley Collection: Milk below Maids, Cries of London, c1795. Artist: Luigi Schiavonetti

Milk below Maids, Cries of London, c1795. Artist: Luigi Schiavonetti
Milk below Maids. A milk seller handing a cupful of milk to a boy and girl on a London street, with a dog walking past and a lamp on the right. From Cries of London, c1795

Background imageWheatley Collection: Fresh Gathered Peas Young Hostings, Cries of London, c1795. Artist: Pietro Bonato

Fresh Gathered Peas Young Hostings, Cries of London, c1795. Artist: Pietro Bonato
Fresh Gathered Peas Young Hostings. A pea seller catching peas in her apron. The peas are being poured into her apron by a man in a cart

Background imageWheatley Collection: Knives Scissars and Razors to Grind, Cries of London, c1795. Artist: Vogel

Knives Scissars and Razors to Grind, Cries of London, c1795. Artist: Vogel
Knives Scissars and Razors to Grind. A knife grinder beneath a lamp in the street with two women, one of whom holds a pair of scissors to be sharpened. From Cries of London, c1795

Background imageWheatley Collection: Marino, 1783. Artist: Thomas Milton

Marino, 1783. Artist: Thomas Milton
Marino, 1783. Neo-classical building in landscape of Marino, a comune in Lazio on the Alban Hills famous for its white wine, and for its Grape Festival

Background imageWheatley Collection: The Return from Market, 1786, (1938). Artist: Francis Wheatley

The Return from Market, 1786, (1938). Artist: Francis Wheatley
The Return from Market, 1786, (1938). Painting held by Leeds Museums and Art Galleries. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageWheatley Collection: View near Dalton, 1785. Artist: Samuel Middiman

View near Dalton, 1785. Artist: Samuel Middiman
View near Dalton, 1785. After Francis Wheatley (1747?1801). [Samuel Middiman, London, 1785]

Background imageWheatley Collection: The Sailors Lass, c18th century. Artist: Francis Wheatley

The Sailors Lass, c18th century. Artist: Francis Wheatley
The Sailors Lass, c18th century. From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageWheatley Collection: The Fair, c1870, (1903). Artist: Francesco Bartolozzi

The Fair, c1870, (1903). Artist: Francesco Bartolozzi
The Fair, c1870. After Francis Wheatley (1747-1801). From The Connoisseur Vol. VII [Otto Limited, London, 1903.]

Background imageWheatley Collection: Cries of London: Fresh Gathered Peas Young Hastings, 1795, (1917). Artist: Giovanni Vendramini

Cries of London: Fresh Gathered Peas Young Hastings, 1795, (1917). Artist: Giovanni Vendramini
Cries of London: Fresh Gathered Peas Young Hastings, 1795. After Francis Wheatley (1747-1801). From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

Background imageWheatley Collection: The Sailors Return, 1786, (1915). Artist: William Ward

The Sailors Return, 1786, (1915). Artist: William Ward
The Sailors Return, 1786. After Francis Wheatley (1747-1801). Painting held at the National Maritime Museum, London. From The Connoisseur Volume XLIII [Otto Limited, London, 1915.]

Background imageWheatley Collection: Cries of London, 3rd Plate, Sweet China Oranges, 1794, (1911)

Cries of London, 3rd Plate, Sweet China Oranges, 1794, (1911)
Cries of London, 3rd Plate, Sweet China Oranges, sweet China Oranges sucrees. Oranges fines. 1794. After an original work by Francis Wheatley (1747-1801)

Background imageWheatley Collection: The Daughters Departure, 18th century, (1921)

The Daughters Departure, 18th century, (1921). After an original work by Francis Wheatley (1747-1801). From The Connoisseur Volume LX [Otto Limited, London, 1921]

Background imageWheatley Collection: A New Love Song, Only Ha penny a Piece, 1796, (1929). Artist: Anthony Cardon

A New Love Song, Only Ha penny a Piece, 1796, (1929). Artist: Anthony Cardon
A New Love Song, Only Ha penny a Piece, 1796, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)

Background imageWheatley Collection: Knives, Scissors and Razors to Grind, 1795, (1929). Artist: Giovanni Vendramini

Knives, Scissors and Razors to Grind, 1795, (1929). Artist: Giovanni Vendramini
Knives, Scissors and Razors to Grind, 1795, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)

Background imageWheatley Collection: New Mackrel, New Mackrel, 1795, (1929). Artist: Nicolo Schiavonetti

New Mackrel, New Mackrel, 1795, (1929). Artist: Nicolo Schiavonetti
New Mackrel, New Mackrel, 1795, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)

Background imageWheatley Collection: Two Bunches a Penny, Primroses, Two Bunches a Penny, 1793, (1929). Artist: Luigi Schiavonetti

Two Bunches a Penny, Primroses, Two Bunches a Penny, 1793, (1929). Artist: Luigi Schiavonetti
Two Bunches a Penny, Primroses, Two Bunches a Penny, 1793, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)

Background imageWheatley Collection: Young Marlow and Miss Hardcastle: A Scene from She Stoops to Conquer by Oliver Goldsmith (Act V)

Young Marlow and Miss Hardcastle: A Scene from She Stoops to Conquer by Oliver Goldsmith (Act V)
Young Marlow and Miss Hardcastle: A Scene from She Stoops to Conquer by Oliver Goldsmith (Act V, Scene 3), 1791, (1938). Painting held at the Victoria And Albert Museum, London

Background imageWheatley Collection: Lady Easys Steinkirk: A Scene from The Fearless Husband by Colley Cibber (Act V, Scene 5)

Lady Easys Steinkirk: A Scene from The Fearless Husband by Colley Cibber (Act V, Scene 5), c1787, (1938). Depicts the last scene from Cibbers 1704 comedy, The Careless Husband

Background imageWheatley Collection: John Wheatley, Scottish politician, 1926. Artist: Alick P F Ritchie

John Wheatley, Scottish politician, 1926. Artist: Alick P F Ritchie
John Wheatley, Scottish politician, 1926. Portrait of Wheatley (1869-1930) was a Labour politician. Cigarette card with straight-line caricature, issued by John Player & Sons

Background imageWheatley Collection: The Little Shepherdess, 18th century, (1912). Artist: Francis Wheatley

The Little Shepherdess, 18th century, (1912). Artist: Francis Wheatley
The Little Shepherdess, 18th century, (1912). A print from The Connoisseur, (London, 1912)

Background imageWheatley Collection: Milk Below Maids, 1793. Artist: Luigi Schiavonetti

Milk Below Maids, 1793. Artist: Luigi Schiavonetti
Milk Below Maids, 1793. A plate from Cries of London, published in 1793



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