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Then said Boaz to Ruth, go not to glean in another field, 1840. Creator: Henry Bryan Hall IThen said Boaz to Ruth, go not to glean in another field, 1840. Biblical scene, from Ruth 2: 8: Then said Boaz unto Ruth, Hearest thou not, my daughter
Cries of London Plate 12: Hot Spice Gingerbread, smoaking hot!, 1796, (1911)Cries of London Plate 12, Hot Spice Gingerbread, smoking hot! Du Croquet de Pain d Epices!, 1796 (1911). After an original work by Francis Wheatley (1747-1801)
Cries of London Plate 13: Turnips & Carrots, Carottes & Navets, 1797. (1911)Cries of London Plate 13, Turnips & Carrots, Carottes & Navets, 1797. After an original work by Francis Wheatley (1747-1801). From The Connoisseur Volume XXIX [Otto Limited, London, 1911]
A Fair - A Group of Gypsies - Men and Women in Rustic Clothes in Front of Two Makeshift Tents, 1786
A Bacchante, 1787. Creator: Thomas RowlandsonA Bacchante, 1787
Fishermen by the Shore - Coastal Scene with a Man Sitting on Rocks and Smoking a Pipe, Next to a Standing Young Woman, with a Second Woman Behind, 1786
Fishermen by the Shore - Coastal Scene with a Man Sitting on the Ground Resting an Elbow on a Fishing Basket, Another Man Opposite Mending a Sail
Phillis Wheatley, Negro Servant to Mr. John Wheatley of Boston, ca. 1773
The Saithwaite Family, ca. 1785. Creator: Francis WheatleyThe Saithwaite Family, ca. 1785
Death of Richard II. 1400, (mid 19th century). Creator: J RogersDeath of Richard II. 1400, (late 18th century), (mid 19th century). Engraving after a painting made c1792, depicting a possible scenario for the death of King Richard II of England (1367-1400)
Alfred in the Neatherds Cottage, (mid 19th century). Creator: J RogersAlfred in the Neatherds Cottage, (mid 19th century). Youngest son of King AEthelwulf, Alfred (849-899 AD) became King of Wessex during a time of constant Viking attack
Portrait of the poet Phillis Wheatley (c. 1753-1784), 1773. Creator: AnonymousPortrait of the poet Phillis Wheatley (c.1753-1784), 1773. Private Collection
The Riot in Broad Street, June 7th, 1780, (1920). Artist: James HeathThe Riot in Broad Street, June 7th, 1780, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]
Do you want any Matches?, Cries of London, c1794. Artist: VogelDo you want any Matches? Match sellers standing in the street, with a dog in the foreground and a coach behind. From Cries of London, c1794
Turnips & Carrots ho, Cries of London, c1870Turnips & Carrots ho. A turnip and carrot seller and his donkey laden with baskets. Standing next to them is a woman holding a bunch of turnips. From Cries of London, c1870
Hot Spice Gingerbread Smoking hot!, Cries of London, c1870Hot Spice Gingerbread Smoking hot!. A gingerbread seller, pictured with a woman and children at his barrow, with a boy eating a piece of the gingerbread, and a dog standing in front of the cart
A New Love Song only ha penny a piece, Cries of London, c1870A New Love Song only ha penny a piece. A songsheet seller receiving payment for her wares. The seller is receiving money from a man carrying a whip
Old Chairs to mend, Cries of London, c1870Old Chairs to mend. A chair mender sitting outside a house working on a seat, with a woman watching him, another holding a chair waiting to be mended, and a dog in the foreground
Strawberrys, Scarlet Strawberrys, Cries of London, c1870Strawberrys, Scarlet Strawberrys. A strawberry seller carrying a basket on her head, with horses and a cart to her right and figures by a sedan chair to her left. From Cries of London, c1870
Round & Sound Fivepence a Pound Duke Cherries, Cries of London, c1870. ArtistRound & Sound Fivepence a Pound Duke Cherries. A cherry seller weighing out the fruit in a set of scales. The seller then tips it out into a boys hat
Fresh Gathered Peas Young Hastings, Cries of London, c1870Fresh Gathered Peas Young Hastings. A pea seller catching peas in her apron. The peas are being poured into her apron by a man in a cart
Knives Scissars and Razors to Grind, Cries of London, c1870Knives Scissars and Razors to Grind. A knife grinder beneath a lamp in the street with two women, one of whom holds a pair of scissors to be sharpened. From Cries of London, c1870
New Mackrel, New Mackrel, Cries of London, c1870New Mackrel, New Mackrel. A mackerel seller on the doorstep of a house, with two women inspecting the fish that are being offered to them. From Cries of London, c1870
Do you want any Matches?, Cries of London, c1870Do you want any Matches? Match sellers standing in the street. A woman and a young boy selling matches, with a dog in the foreground and a coach behind them. From Cries of London, c1870
Sweet China Oranges, sweet China, Cries of London, c1870Sweet China Oranges, sweet China. An orange seller standing in the street, with two women looking at the fruit. From Cries of London, c1870
Milk below Maids, Cries of London, c1870Milk below Maids. A milk seller handing a cupful of milk to a boy and girl on a street, with a dog walking past and a lamp on the right. From Cries of London, c1870
Two bunches a penny primroses, two bunches a penny, Cries of London, c1870. ArtistTwo bunches a penny primroses, two bunches a penny. Primrose sellers walking in the street, carrying baskets of primroses, and accompanied by a dog. From Cries of London, c1870
Milk below Maids, Cries of London, c1795. Artist: Luigi SchiavonettiMilk below Maids. A milk seller handing a cupful of milk to a boy and girl on a London street, with a dog walking past and a lamp on the right. From Cries of London, c1795
Fresh Gathered Peas Young Hostings, Cries of London, c1795. Artist: Pietro BonatoFresh Gathered Peas Young Hostings. A pea seller catching peas in her apron. The peas are being poured into her apron by a man in a cart
Knives Scissars and Razors to Grind, Cries of London, c1795. Artist: VogelKnives Scissars and Razors to Grind. A knife grinder beneath a lamp in the street with two women, one of whom holds a pair of scissors to be sharpened. From Cries of London, c1795
Marino, 1783. Artist: Thomas MiltonMarino, 1783. Neo-classical building in landscape of Marino, a comune in Lazio on the Alban Hills famous for its white wine, and for its Grape Festival
The Return from Market, 1786, (1938). Artist: Francis WheatleyThe Return from Market, 1786, (1938). Painting held by Leeds Museums and Art Galleries. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C
View near Dalton, 1785. Artist: Samuel MiddimanView near Dalton, 1785. After Francis Wheatley (1747?1801). [Samuel Middiman, London, 1785]
The Sailors Lass, c18th century. Artist: Francis WheatleyThe Sailors Lass, c18th century. From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]
The Fair, c1870, (1903). Artist: Francesco BartolozziThe Fair, c1870. After Francis Wheatley (1747-1801). From The Connoisseur Vol. VII [Otto Limited, London, 1903.]
Cries of London: Fresh Gathered Peas Young Hastings, 1795, (1917). Artist: Giovanni VendraminiCries of London: Fresh Gathered Peas Young Hastings, 1795. After Francis Wheatley (1747-1801). From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]
The Sailors Return, 1786, (1915). Artist: William WardThe Sailors Return, 1786. After Francis Wheatley (1747-1801). Painting held at the National Maritime Museum, London. From The Connoisseur Volume XLIII [Otto Limited, London, 1915.]
Cries of London, 3rd Plate, Sweet China Oranges, 1794, (1911)Cries of London, 3rd Plate, Sweet China Oranges, sweet China Oranges sucrees. Oranges fines. 1794. After an original work by Francis Wheatley (1747-1801)
The Daughters Departure, 18th century, (1921). After an original work by Francis Wheatley (1747-1801). From The Connoisseur Volume LX [Otto Limited, London, 1921]
A New Love Song, Only Ha penny a Piece, 1796, (1929). Artist: Anthony CardonA New Love Song, Only Ha penny a Piece, 1796, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)
Knives, Scissors and Razors to Grind, 1795, (1929). Artist: Giovanni VendraminiKnives, Scissors and Razors to Grind, 1795, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)
New Mackrel, New Mackrel, 1795, (1929). Artist: Nicolo SchiavonettiNew Mackrel, New Mackrel, 1795, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)
Two Bunches a Penny, Primroses, Two Bunches a Penny, 1793, (1929). Artist: Luigi SchiavonettiTwo Bunches a Penny, Primroses, Two Bunches a Penny, 1793, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)
Young Marlow and Miss Hardcastle: A Scene from She Stoops to Conquer by Oliver Goldsmith (Act V)Young Marlow and Miss Hardcastle: A Scene from She Stoops to Conquer by Oliver Goldsmith (Act V, Scene 3), 1791, (1938). Painting held at the Victoria And Albert Museum, London
Lady Easys Steinkirk: A Scene from The Fearless Husband by Colley Cibber (Act V, Scene 5), c1787, (1938). Depicts the last scene from Cibbers 1704 comedy, The Careless Husband
John Wheatley, Scottish politician, 1926. Artist: Alick P F RitchieJohn Wheatley, Scottish politician, 1926. Portrait of Wheatley (1869-1930) was a Labour politician. Cigarette card with straight-line caricature, issued by John Player & Sons
The Little Shepherdess, 18th century, (1912). Artist: Francis WheatleyThe Little Shepherdess, 18th century, (1912). A print from The Connoisseur, (London, 1912)
Milk Below Maids, 1793. Artist: Luigi SchiavonettiMilk Below Maids, 1793. A plate from Cries of London, published in 1793