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Marriage A La Mode - The Contract, c19th century. Artist: J GarnerMarriage A La Mode - The Contract, c19th century. Marriage a-la-mode is a series of six pictures painted by William Hogarth between 1743 and 1745
Marriage A La Mode - Death of the Countess c19th century. Artist: MansellMarriage A La Mode - Death of the Countess c19th century. Marriage a-la-mode is a series of six pictures painted by William Hogarth between 1743 and 1745
Marriage A La Mode - Toilette Scene, c19th century. Artist: ArmstrongMarriage A La Mode - Toilette Scene, c19th century. Marriage a-la-mode is a series of six pictures painted by William Hogarth between 1743 and 1745
Marriage A La Mode - Breakfast Scene, c1832. Artist: TE NicholsonMarriage A La Mode - Breakfast Scene, c1832. Marriage a-la-mode is a series of six pictures painted by William Hogarth between 1743 and 1745. They are a criticism of upper class 18th century society
Times of the Day - Noon, 1870. Artist: WH WorthingtonTimes of the Day - Noon. After the original print by William Hogarth published in 1738. [London Printing and Publishing Co, 1870]
Miss Eizabeth Hatch, by Wiliam Hogarth. 1929. Artist: William HogarthMiss Eizabeth Hatch. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]
David Garrick in the Green Room, 18th century. Artist: William HogarthDavid Garrick in the Green Room. David Garrick (1717-1779), English actor, playwright, theatre manager and producer. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy
A Rakes Progress - 5: He Marries, 1733 (1934). Artist: William HogarthA Rakes Progress - 5: He Marries, 1733 (1934). Painting housed in the Sir John Soanes Museum, London. From The Studio Volume 107. [The Offices of the Studio Ltd. London, 1934]
Benjamin Hoadly, (1676-1761), English clergyman, 19th century. Artist: B HollBenjamin Hoadly, (1676-1761), English clergyman. Bishop of Bangor, Hereford, Salisbury, and finally of Winchester. He is best known as the initiator of the Bangorian Controversy
The Cock Pit, c1840, (1917). Artist: George PresburyThe Cock Pit, c1840. Cockfighting enthusiasts from a cross-section of society gamble and squabble. The blind Lord Albermarle Bertie (centre)
Edward Cave, c. 1700s Artist: William HogarthEdward Cave from the Portrait by Hogarth. Engraving from Old and new London Volume 2 by Walter Thornbury.Published by Cassell, Petter and Galpin, 1878
Garrick and his Wife, 1757 (19th century). Artist: H BourneGarrick and his Wife, 1757 (19th century). David Garrick (1717-1779) was the most popular actor of his time. He was also a playwright
Portrait of Captain Thomas Coram, 18th century (1844). Artist: WJ LintonPortrait of Captain Thomas Coram, 18th century (1844). The philanthropist Thomas Coram (1668-1751) founded the Foundling Hospital after seeing the plight of children left abandoned in the streets
George Arnold, c1738-1740 (1958). Arnold was a successful merchant who built himself a substantial country house in Northamptonshire, Ashby Lodge
Detail from Chairing the Member, by William Hogarth, 1755 (1956). The painting, one of a series of four depicting the Oxfordshire parliamentary election of 1754
The Bench, 18th century. Artist: Thomas ClerkThe Bench, 18th century. Scene showing judges sitting in the Court of the Kings Bench, with Sir John Willes, Lord Chief Justice, in centre, and Henry Bathurst on his left, asleep
Sleeping Congregation, 18th century. Artist: Thomas ClerkSleeping Congregation, 18th century. The scene is a country church, the only member of the congregation awake (besides the speaker) is the clerk who observes the charms of a young girl
The Fire-eater, 18th century. Artist: DB PyetThe Fire-eater, 18th century
Laughing Audience, 18th century. Artist: Thomas ClerkLaughing Audience, 18th century. Cartoon showing the inside of a theatre and the reactions of different parts of the audience to the play
The Bathos, 18th century. Artist: Thomas ClerkThe Bathos, 18th century. Time expiring, collapsed against a broken column, with the blade of his scythe snapped and his hour glass smashed, blowing out smoke from his broken pipe
Paul Before Felix, 18th century. Artist: DB PyetPaul Before Felix, 18th century. Paul, with his hands chained, stands before the governor Felix, defending himself. A Roman soldier to the left of Paul leans against his spear looking very bored
John Wilkes, English politician, 1763 (1895). Wilkes is wearing a wig that Hogarth has fashioned into two horns. He holds a cap entitled liberty that Hogarth has positioned to make it look like a
John Wilkes, English politician, 1762-1763 (1895). Study for a cartoon Hogarth produced in 1763. Wilkes is wearing a wig that Hogarth has fashioned into two horns
The Times, plate II, c1762 (1895). Scene representing the aftermath of the Seven Years war, with a statue of King George III at the centre
The Three Maries at the Tomb, 18th century (1910). Artist: William HogarthThe Three Maries at the Tomb, 1910. One of the panels in the tryptiych painted as an alter piece for the church of St Mary, Redcliffe, Bristol. From The Connoisseur magazine (June 1910)
Lady Thornhill, (1799). Later copy of a portrait of by Hogarth of his mother-in-law who would have been born in the late 17th century. Illustration from The Connoisseur, (November 1901)
Advertisement for Mary and Ann Hogarths drapers shop, early-mid 18th century, (1901). The sisters of artist William Hogarth ran a shop selling fustians, dimity, Holland and flannel
Canvassing for votes, 1757. Artist: William HogarthCanvassing for votes, 1757. Two country innkeepers, agents for their respective parties, are here dropping money into the hands of a rustic freeholder
An election entertainment, 1755. Artist: William HogarthAn election entertainment, 1755. An election treat given by the Whigs while the Tories parade outside. The two Whig candidates sit on the left of the scene, whilst others eat and drink
George III of the United Kingdom, 1761. Artist: Charles GrignionGeorge III of the United Kingdom, 1761
Hogarths House, Chiswick, 1912. Artist: Frederick AdcockHogarths House, Chiswick, London, 1912. The home of English painter and engraver William Hogarth 1697-1764). The house, which was in a village when Hogarth lived here, is now part of London
Bartholomew Close, Smithfield, London, 1912. Artist: Frederick AdcockBartholomew Close, Smithfield, London, 1912. English artist and engraver William Hogarth (1697-1764) was born here. Palmer s, a famous printing house, also had premises here in the 18th century
Death of the Earl, plate V of Marriage a la mode, 1833. Artist: TE NicholsonDeath of the Earl, plate V of Marriage a la mode, 1833. Early 19th century version of a scene from Hogarths Marriage a la mode of c1743
Her funerall properly attended, plate VI of The Harlots Progress, 1833. Artist: J StubbsHer funerall properly attended, plate VI of The Harlots Progress, 1833. Early 19th century version of Hogarths series of 1732; the body of the harlot is surrounded by mourners
In Bridewell beating hemp, plate IV of The Harlots Progress, 1833. Artist:s DavenportIn Bridewell beating hemp, plate IV of The Harlots Progress, 1833. Early 19th century version of a scene from Hogarths serieds of 1732; the harlot is now beating hemp in Bridewell Prison
Sigismonda, with the heart of her husband, 1833. Artist: TW ShawSigismonda, with the heart of her husband, 1833. Engraving after Hogarths Sigismunda Mourning over the Heart of Guiscardo of 1759, inspired by Boccaccios Decameron, written in the mid 14th century
A Rakes Progress - 4: The Arrest, 1733. Artist: William HogarthA Rakes Progress - 4: The Arrest, 1733 (1904). Tom Rakewell heads for a royal levee at St Jamess Palace, London, in his sedan chair. He is stopped by two bailiffs, who arrest him for debt
A Rakes Progress - 3: The The Orgy, 1733. Artist: William HogarthA Rakes Progress - 3: The The Orgy, 1733. Tom Rakewell is in the Rose Tavern, on Drury Lane, London, being relieved of his pocket watch by two women
View in St. Jamess Park Showing Rosamonds Pond, 1840, (1909). Artist: William HogarthView in St. Jamess Park Showing Rosamonds Pond, 1840. After a original work by William Hogarth (1697-1764) From The Connoisseur, Vol. XXIII by [Otto Limited, London, 1909]
The tomb of William Hogarth at Chiswick, 1840. Monument to the artist William Hogarth (1697-1764). Illustration from Historical
Weaving at Spitalfields, London, 1747 (1894). From Hogarths Industry and Idleness series. An illustration from A Short History of the English People, by John Richard Green, illustrated edition
Dedication written by William Hogarth, 1745 (1865). Artist: Frederick George NethercliftDedication written by William Hogarth, 1745 (1865). A dedication written for a History of the Arts&c, which he intended publishing as a supplement to theAnalysis of Beauty- also a receipt
The Battle of the Pictures, 19th century. Artist: William HogarthThe Battle of the Pictures, 19th century. A bidders ticket for Hogarths auction of 19 paintings. The building on the left is the auction house; the building on the right is Hogarths studio
The Stage Coach or Country Inn Yard, 1747. Artist: William HogarthThe Stage Coach or Country Inn Yard, 1747. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]
Morning (Four Times of the Day), 1738. Artist: William HogarthMorning (Four Times of the Day), 1738. Scene in Covent Garden, London, early on a winter morning. A small fire burns in the foreground. A stall-keeper is seated on a basket
The Lottery, 1721. Artist: William HogarthThe Lottery, 1721. A theatre stage upon which the allegorical figures of virtue and vice perform a production. This was Hogarths way of criticising the government for raising money by lottery
A Satire on the South Sea Company, 1721. Artist: William HogarthA Satire on the South Sea Company, 1721. The South Sea Bubble (1711-1720), showing greed and speculation which preceded the bubble
The Cock-pit, 1759. Artist: William HogarthThe Cock-pit, 1759. Cockfighting enthusiasts from a cross-section of society gamble and squabble. The blind Lord Albemarle Bertie (centre)
