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Gin Lane, 1751. Artist: William HogarthGin Lane, 1751.The scene is the St Giles slums. A child falls to its death from the arms of its drunk mother who sits with ulcerated legs. A skeletal figure holds an empty glass
Beer Street, 1751. Artist: William HogarthBeer Street, 1751. Working people enjoying a tankard of beer outside the Barley Mow public house. The figures include two women with baskets of fish and a butcher holding a joint of meat
The Man with the Load of Mischief, 18th century, (1943). Creator: William HogarthThe Man with the Load of Mischief, 18th century, (1943). A man with a chain and padlock round his neck, carrying a " load of mischief" : a woman holding a glass of gin rides on his back
Revelling with Harlots, plate III of A Rakes Progress, 1735. Tom Rakewell and a companion consorting with harlots in a tavern
Gin Lane, February 1, 1751. Creator: William HogarthGin Lane, February 1, 1751
Peg Woffington, (c. 1750), 1937Peg Woffington, c1750. Margaret Peg Woffington (1720-1760), was a well known Irish actress in Georgian London. After a work attributed to William Hogarth (1697-1764). From The Connoisseur, 1937
A Rakes Progress, Plate 1, June 25, 1735. Creator: William HogarthA Rakes Progress, Plate 1, June 25, 1735
The Bruiser, August 1, 1763. August 1, 1763. Creator: William HogarthThe Bruiser, August 1, 1763
A Rakes Progress - 2: The Levee, 1733. Artist: William HogarthA Rakes Progress - 2: The Levee, 1733. Tom holds a morning reception at his new palatial town lodgings. Vistors offer their services: a jockey, a dancing-master (with violin)
A Rakes Progress, 1763; plate VIII of VIII. Artist: William HogarthA Rakes Progress, 1763; plate VIII of VIII. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living
Masquerades and operas, 1724. Artist: William HogarthMasquerades and operas, 1724. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
View of David Loudons Bun House, Pimlico Road, Chelsea, London. Above are two coats of arms and several figures, two of them armed
AI IMAGE - Portrait of King George II, 1750s, (2023). Creator: Heritage ImagesAI IMAGE - Portrait of King George II, 1750s, (2023). George II (1693-1760) was King of Great Britain and Ireland, Duke of Brunswick-Luneburg (Hanover)
Sigismonda, published June 4, 1795. Creator: Benjamin SmithSigismonda, published June 4, 1795. The weeping princess presses to her breast the heart of her lover Guiscardo, which his murderers have sent to her in a goblet
The Tired Sportsman, n.d. Creator: UnknownThe Tired Sportsman, n.d
Plate Two, from Marriage à la Mode, 1745. Creator: Bernard BaronPlate Two, from Marriage a la Mode, 1745
Plate Three, from Marriage à la Mode, 1746. Creator: Bernard BaronPlate Three, from Marriage a la Mode, 1746
Evening, plate three from The Four Times of the Day, May 1738. Creator: Bernard BaronEvening, plate three from The Four Times of the Day, May 1738
The Reward of Cruelty, 1750. Creator: John BellThe Reward of Cruelty, 1750
Cruelty in Perfection, 1750. Creator: John BellCruelty in Perfection, 1750
The Lord Mayors Procession, (1897). Creator: UnknownThe Lord Mayors Procession, (1897). A mayoral procession entering Cheapside in the City of London in the 18th century. A scene inspired by Industry and Idleness by William Hogarth
The sleeping congregation, 1762. Artist: William HogarthThe sleeping congregation, 1762.The scene is a country church, the only member of the congregation awake (besides the speaker) is the clerk who observes the charms of a young woman
Night (The Four Times of Day), March 25, 1738. Creator: William HogarthNight (The Four Times of Day), March 25, 1738
The Analysis of Beauty, Plate 1, March 5, 1753. Creator: William HogarthThe Analysis of Beauty, Plate 1, March 5, 1753
King Henry the Eighth and Anna Bullen, ca. 1728. Creator: William HogarthKing Henry the Eighth and Anna Bullen, ca. 1728
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790
I am not mad, most noble Festus, 19th century. Creator: H RobinsonI am not mad, most noble Festus, 19th century. Biblical scene, from Acts 26: 25: But he said, I am not mad, most noble Festus; but speak forth the words of truth and soberness
School in Leicester Square on the Site of Hogarths House, c1935. Creator: Donald McLeishSchool in Leicester Square on the Site of Hogarths House, c1935. Archbishop Tenison School in Leicester Square, Westminster, central London, which opened in 1895
Beer Street, 1751, (1925). Creator: William HogarthBeer Street, 1751, (1925). Issued in 1751 by English artist William Hogarth. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]
A Country Inn Yard, 1747, (1925). Creator: William HogarthA Country Inn Yard, 1747, (1925). Published soon after the 1747 election. The composition renders the Election marginal, suggesting the English are too preoccupied with their own day-to-day
Gambling at Whites Club, 1734, (1925). Creator: William RadclyffeGambling at Whites Club, 1734, (1925). Plate VI, the gaming house scene from Hogarths The Rakes Progress, engraved by W.Radclyffe
Sport in the Eighteenth Century, c1720-1764, (1925). Creator: William HogarthSport in the Eighteenth Century, c1720-1764, (1925). Wagerning bets on a Pocklington cockfight. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd
Treatment of the Insane, 1733, (1925). Creator: William HogarthTreatment of the Insane, 1733, (1925). " Bedlam" Bedlam from A Rakes Progress 1733 - engraving by William Hogarth (1697-1764)
Moses brought to Pharaohs daughter, 1809. Artist: Thomas CookMoses brought to Pharaohs daughter, 1809
Time smoking a picture, 1761. Artist: William HogarthTime smoking a picture, 1761.The allegorical figure of Time is a satire concerning Hogarths belief that art connoisseurs only valued paintings for their age
Breakfast scene from The Five Days Peregrination, 1732. Artist: William HogarthBreakfast scene from The Five Days Peregrination, 1732. This series is an account of a tour of the Kent Coast made by William Hogarth and four friends in May 1732
The Times, plate I, c1762 (1895). A representative of King George III fights a fire (the Seven Years War), which is burning down houses representing Germany and France
Mrs Richard Hogarth, the artists mother, mid 18th century (1901). Artist: William HogarthMrs Richard Hogarth, the artists mother, mid 18th century (1901). Illustration from The Connoisseur, (November 1901)
A Rakes Progress - 8: The Mad House, 1733. Artist: William HogarthA Rakes Progress - 8: The Mad House, 1733. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living
The Painter and his Pug, 1745. Artist: William HogarthThe Painter and his Pug, 1745. The portrait deliberately projects a guide to the way Hogarth wanted others to think of him
Hogarths Crest, ca. 1790. Creator: John BarlowHogarths Crest, ca. 1790
Bishop Hoadly, 1743. Creator: Bernard BaronBishop Hoadly, 1743
Marriage a la Mode: pl. 3, 1745. Creator: Bernard BaronMarriage a la Mode: pl. 3, 1745
Marriage a la Mode: pl. 2, 1745. Creator: Bernard BaronMarriage a la Mode: pl. 2, 1745
Beggars Opera, Act III, 1788 / 1790. Creator: William BlakeBeggars Opera, Act III, 1788/1790
A Scene from The Beggars Opera, 1728 / 1729. Creator: William HogarthA Scene from The Beggars Opera, 1728/1729
Study for a Group Portrait, between 1729 and 1730. Creator: Joseph HighmoreStudy for a Group Portrait, between 1729 and 1730. Formerly attributed to William Hogarth
Portrait of a Family, ca. 1735. Creator: William HogarthPortrait of a Family; A Family Party; Family Party, ca. 1735