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W Hogarth Collection

Background imageW Hogarth Collection: Gin Lane, 1751. Artist: William Hogarth

Gin Lane, 1751. Artist: William Hogarth
Gin Lane, 1751.The scene is the St Giles slums. A child falls to its death from the arms of its drunk mother who sits with ulcerated legs. A skeletal figure holds an empty glass

Background imageW Hogarth Collection: Beer Street, 1751. Artist: William Hogarth

Beer Street, 1751. Artist: William Hogarth
Beer Street, 1751. Working people enjoying a tankard of beer outside the Barley Mow public house. The figures include two women with baskets of fish and a butcher holding a joint of meat

Background imageW Hogarth Collection: Revelling with Harlots, plate III of A Rakes Progress, 1735

Revelling with Harlots, plate III of A Rakes Progress, 1735. Tom Rakewell and a companion consorting with harlots in a tavern

Background imageW Hogarth Collection: The Man with the Load of Mischief, 18th century, (1943). Creator: William Hogarth

The Man with the Load of Mischief, 18th century, (1943). Creator: William Hogarth
The Man with the Load of Mischief, 18th century, (1943). A man with a chain and padlock round his neck, carrying a " load of mischief" : a woman holding a glass of gin rides on his back

Background imageW Hogarth Collection: Gin Lane, February 1, 1751. Creator: William Hogarth

Gin Lane, February 1, 1751. Creator: William Hogarth
Gin Lane, February 1, 1751

Background imageW Hogarth Collection: A Rakes Progress, Plate 1, June 25, 1735. Creator: William Hogarth

A Rakes Progress, Plate 1, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 1, June 25, 1735

Background imageW Hogarth Collection: The Bruiser, August 1, 1763. August 1, 1763. Creator: William Hogarth

The Bruiser, August 1, 1763. August 1, 1763. Creator: William Hogarth
The Bruiser, August 1, 1763

Background imageW Hogarth Collection: A Rakes Progress - 2: The Levee, 1733. Artist: William Hogarth

A Rakes Progress - 2: The Levee, 1733. Artist: William Hogarth
A Rakes Progress - 2: The Levee, 1733. Tom holds a morning reception at his new palatial town lodgings. Vistors offer their services: a jockey, a dancing-master (with violin)

Background imageW Hogarth Collection: A Rakes Progress, 1763; plate VIII of VIII. Artist: William Hogarth

A Rakes Progress, 1763; plate VIII of VIII. Artist: William Hogarth
A Rakes Progress, 1763; plate VIII of VIII. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living

Background imageW Hogarth Collection: The Stage Coach or Country Inn Yard, 1747. Artist: William Hogarth

The Stage Coach or Country Inn Yard, 1747. Artist: William Hogarth
The Stage Coach or Country Inn Yard, 1747. An inn courtyard with a coach ready to depart and an election parade in progress. From William Hogarth, by Austin Dobson

Background imageW Hogarth Collection: Peg Woffington, (c. 1750), 1937

Peg Woffington, (c. 1750), 1937
Peg Woffington, c1750. Margaret Peg Woffington (1720-1760), was a well known Irish actress in Georgian London. After a work attributed to William Hogarth (1697-1764). From The Connoisseur, 1937

Background imageW Hogarth Collection: Masquerades and operas, 1724. Artist: William Hogarth

Masquerades and operas, 1724. Artist: William Hogarth
Masquerades and operas, 1724. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageW Hogarth Collection: View of David Loudons Bun House, Pimlico Road, Chelsea, London

View of David Loudons Bun House, Pimlico Road, Chelsea, London. Above are two coats of arms and several figures, two of them armed

Background imageW Hogarth Collection: The Lord Mayors Procession, (1897). Creator: Unknown

The Lord Mayors Procession, (1897). Creator: Unknown
The Lord Mayors Procession, (1897). A mayoral procession entering Cheapside in the City of London in the 18th century. A scene inspired by Industry and Idleness by William Hogarth

Background imageW Hogarth Collection: The sleeping congregation, 1762. Artist: William Hogarth

The sleeping congregation, 1762. Artist: William Hogarth
The sleeping congregation, 1762.The scene is a country church, the only member of the congregation awake (besides the speaker) is the clerk who observes the charms of a young woman

Background imageW Hogarth Collection: AI IMAGE - Portrait of King George II, 1750s, (2023). Creator: Heritage Images

AI IMAGE - Portrait of King George II, 1750s, (2023). Creator: Heritage Images
AI IMAGE - Portrait of King George II, 1750s, (2023). George II (1693-1760) was King of Great Britain and Ireland, Duke of Brunswick-Luneburg (Hanover)

Background imageW Hogarth Collection: Sigismonda, published June 4, 1795. Creator: Benjamin Smith

Sigismonda, published June 4, 1795. Creator: Benjamin Smith
Sigismonda, published June 4, 1795. The weeping princess presses to her breast the heart of her lover Guiscardo, which his murderers have sent to her in a goblet

Background imageW Hogarth Collection: The Tired Sportsman, n.d. Creator: Unknown

The Tired Sportsman, n.d. Creator: Unknown
The Tired Sportsman, n.d

Background imageW Hogarth Collection: Plate Two, from Marriage à la Mode, 1745. Creator: Bernard Baron

Plate Two, from Marriage à la Mode, 1745. Creator: Bernard Baron
Plate Two, from Marriage a la Mode, 1745

Background imageW Hogarth Collection: Plate Three, from Marriage à la Mode, 1746. Creator: Bernard Baron

Plate Three, from Marriage à la Mode, 1746. Creator: Bernard Baron
Plate Three, from Marriage a la Mode, 1746

Background imageW Hogarth Collection: Evening, plate three from The Four Times of the Day, May 1738. Creator: Bernard Baron

Evening, plate three from The Four Times of the Day, May 1738. Creator: Bernard Baron
Evening, plate three from The Four Times of the Day, May 1738

Background imageW Hogarth Collection: The Reward of Cruelty, 1750. Creator: John Bell

The Reward of Cruelty, 1750. Creator: John Bell
The Reward of Cruelty, 1750

Background imageW Hogarth Collection: Cruelty in Perfection, 1750. Creator: John Bell

Cruelty in Perfection, 1750. Creator: John Bell
Cruelty in Perfection, 1750

Background imageW Hogarth Collection: Night (The Four Times of Day), March 25, 1738. Creator: William Hogarth

Night (The Four Times of Day), March 25, 1738. Creator: William Hogarth
Night (The Four Times of Day), March 25, 1738

Background imageW Hogarth Collection: The Analysis of Beauty, Plate 1, March 5, 1753. Creator: William Hogarth

The Analysis of Beauty, Plate 1, March 5, 1753. Creator: William Hogarth
The Analysis of Beauty, Plate 1, March 5, 1753

Background imageW Hogarth Collection: King Henry the Eighth and Anna Bullen, ca. 1728. Creator: William Hogarth

King Henry the Eighth and Anna Bullen, ca. 1728. Creator: William Hogarth
King Henry the Eighth and Anna Bullen, ca. 1728

Background imageW Hogarth Collection: The Innkeepers Wife and Daughter Taking Care of ye Don after Being Beaten and Br

The Innkeepers Wife and Daughter Taking Care of ye Don after Being Beaten and Bruised (Six Illustrations for Don Quixote), 1756 or after

Background imageW Hogarth Collection: Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790

Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790. after 1790
Satan, Sin and Death (Paradise Lost, Book the 2nd), after 1790

Background imageW Hogarth Collection: I am not mad, most noble Festus, 19th century. Creator: H Robinson

I am not mad, most noble Festus, 19th century. Creator: H Robinson
I am not mad, most noble Festus, 19th century. Biblical scene, from Acts 26: 25: But he said, I am not mad, most noble Festus; but speak forth the words of truth and soberness

Background imageW Hogarth Collection: School in Leicester Square on the Site of Hogarths House, c1935. Creator: Donald McLeish

School in Leicester Square on the Site of Hogarths House, c1935. Creator: Donald McLeish
School in Leicester Square on the Site of Hogarths House, c1935. Archbishop Tenison School in Leicester Square, Westminster, central London, which opened in 1895

Background imageW Hogarth Collection: Beer Street, 1751, (1925). Creator: William Hogarth

Beer Street, 1751, (1925). Creator: William Hogarth
Beer Street, 1751, (1925). Issued in 1751 by English artist William Hogarth. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd. London, 1925]

Background imageW Hogarth Collection: A Country Inn Yard, 1747, (1925). Creator: William Hogarth

A Country Inn Yard, 1747, (1925). Creator: William Hogarth
A Country Inn Yard, 1747, (1925). Published soon after the 1747 election. The composition renders the Election marginal, suggesting the English are too preoccupied with their own day-to-day

Background imageW Hogarth Collection: Gambling at Whites Club, 1734, (1925). Creator: William Radclyffe

Gambling at Whites Club, 1734, (1925). Creator: William Radclyffe
Gambling at Whites Club, 1734, (1925). Plate VI, the gaming house scene from Hogarths The Rakes Progress, engraved by W.Radclyffe

Background imageW Hogarth Collection: Sport in the Eighteenth Century, c1720-1764, (1925). Creator: William Hogarth

Sport in the Eighteenth Century, c1720-1764, (1925). Creator: William Hogarth
Sport in the Eighteenth Century, c1720-1764, (1925). Wagerning bets on a Pocklington cockfight. From " London in the Eighteenth Century", by Sir Walter Besant. [A. & C. Black, Ltd

Background imageW Hogarth Collection: Treatment of the Insane, 1733, (1925). Creator: William Hogarth

Treatment of the Insane, 1733, (1925). Creator: William Hogarth
Treatment of the Insane, 1733, (1925). " Bedlam" Bedlam from A Rakes Progress 1733 - engraving by William Hogarth (1697-1764)

Background imageW Hogarth Collection: St. Jamess Street, 18th century, (1925). Creator: Unknown

St. Jamess Street, 18th century, (1925). Creator: Unknown
St. Jamess Street, 18th century, (1925). Engraving after Plate 4 of William Hogarths A Rakes Progress of 1735, Arrested for Debt

Background imageW Hogarth Collection: Moses brought to Pharaohs daughter, 1809. Artist: Thomas Cook

Moses brought to Pharaohs daughter, 1809. Artist: Thomas Cook
Moses brought to Pharaohs daughter, 1809

Background imageW Hogarth Collection: Time smoking a picture, 1761. Artist: William Hogarth

Time smoking a picture, 1761. Artist: William Hogarth
Time smoking a picture, 1761.The allegorical figure of Time is a satire concerning Hogarths belief that art connoisseurs only valued paintings for their age

Background imageW Hogarth Collection: March to Finchley, 1806. Creators: Thomas Cook, William Hogarth

March to Finchley, 1806. Creators: Thomas Cook, William Hogarth
March to Finchley, 1806.

Background imageW Hogarth Collection: A rake's progress. Plate 3. The tavern scene, 1735. Creator: William Hogarth

A rake's progress. Plate 3. The tavern scene, 1735. Creator: William Hogarth
A rake's progress. Plate 3. The tavern scene, 1735.

Background imageW Hogarth Collection: Hogarths Crest, ca. 1790. Creator: John Barlow

Hogarths Crest, ca. 1790. Creator: John Barlow
Hogarths Crest, ca. 1790

Background imageW Hogarth Collection: Bishop Hoadly, 1743. Creator: Bernard Baron

Bishop Hoadly, 1743. Creator: Bernard Baron
Bishop Hoadly, 1743

Background imageW Hogarth Collection: Marriage a la Mode: pl. 3, 1745. Creator: Bernard Baron

Marriage a la Mode: pl. 3, 1745. Creator: Bernard Baron
Marriage a la Mode: pl. 3, 1745

Background imageW Hogarth Collection: Marriage a la Mode: pl. 2, 1745. Creator: Bernard Baron

Marriage a la Mode: pl. 2, 1745. Creator: Bernard Baron
Marriage a la Mode: pl. 2, 1745

Background imageW Hogarth Collection: Beggars Opera, Act III, 1788 / 1790. Creator: William Blake

Beggars Opera, Act III, 1788 / 1790. Creator: William Blake
Beggars Opera, Act III, 1788/1790

Background imageW Hogarth Collection: A Scene from The Beggars Opera, 1728 / 1729. Creator: William Hogarth

A Scene from The Beggars Opera, 1728 / 1729. Creator: William Hogarth
A Scene from The Beggars Opera, 1728/1729

Background imageW Hogarth Collection: Study for a Group Portrait, between 1729 and 1730. Creator: Joseph Highmore

Study for a Group Portrait, between 1729 and 1730. Creator: Joseph Highmore
Study for a Group Portrait, between 1729 and 1730. Formerly attributed to William Hogarth

Background imageW Hogarth Collection: Portrait of a Family, ca. 1735. Creator: William Hogarth

Portrait of a Family, ca. 1735. Creator: William Hogarth
Portrait of a Family; A Family Party; Family Party, ca. 1735



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