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Virtuous Collection

Background imageVirtuous Collection: Daniel Earl of Nottingham, c1785. Creator: Unknown

Daniel Earl of Nottingham, c1785. Creator: Unknown
Daniel Earl of Nottingham, c1785. Daniel Earl of Nottingham (1647-1730), English Conservative statesman regarded as an honourable and virtuous man

Background imageVirtuous Collection: Going to Church, 1864. Creator: Wilhelm Sohn

Going to Church, 1864. Creator: Wilhelm Sohn
Going to Church, 1864

Background imageVirtuous Collection: Figure studies of a man and a young girl, 1832-1897. Creator: Alexander Ver Huell

Figure studies of a man and a young girl, 1832-1897. Creator: Alexander Ver Huell
Figure studies of a man and a young girl, 1832-1897. A man sitting on a chair and a young woman kneeling on a cushion

Background imageVirtuous Collection: Hatsuhana, between circa 1841 and circa 1842. Creator: Utagawa Kuniyoshi

Hatsuhana, between circa 1841 and circa 1842. Creator: Utagawa Kuniyoshi
Hatsuhana, between circa 1841 and circa 1842. From Wise and Virtuous Women

Background imageVirtuous Collection: An Allegory of the Wise and the Foolish Virgins, 1570. Creator: Hans Ewouts

An Allegory of the Wise and the Foolish Virgins, 1570. Creator: Hans Ewouts
An Allegory of the Wise and the Foolish Virgins, 1570. The Wise Virgins save the oil for their lamps, while the Foolish Virgins waste it

Background imageVirtuous Collection: The Introduction (Miai), the first sheet from the series 'Marriage in Brocade Prints... c. 1769

The Introduction (Miai), the first sheet from the series "Marriage in Brocade Prints... c. 1769
The Introduction (Miai), the first sheet from the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

Background imageVirtuous Collection: Key block print for The Introduction (Miai), the first sheet from the series 'Marriage... c. 1769

Key block print for The Introduction (Miai), the first sheet from the series "Marriage... c. 1769
Key block print for The Introduction (Miai), the first sheet from the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

Background imageVirtuous Collection: The First Childbirth (Uizan), the seventh sheet of the series 'Marriage in Brocade... c. 1769

The First Childbirth (Uizan), the seventh sheet of the series "Marriage in Brocade... c. 1769
The First Childbirth (Uizan), the seventh sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

Background imageVirtuous Collection: A Cup of Sake before Bed (Toko sakazuki), the sixth sheet of the series 'Marriage in... c. 1769

A Cup of Sake before Bed (Toko sakazuki), the sixth sheet of the series "Marriage in... c. 1769
A Cup of Sake before Bed (Toko sakazuki), the sixth sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

Background imageVirtuous Collection: The Bride Changing Clothes (Iro-naoshi), the fifth sheet of the series 'Marriage in Bro... c. 1769

The Bride Changing Clothes (Iro-naoshi), the fifth sheet of the series "Marriage in Bro... c. 1769
The Bride Changing Clothes (Iro-naoshi), the fifth sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

Background imageVirtuous Collection: The Ceremonial Sake (Konrei sakazuki), the fourth sheet of the series 'Marriage in Broc... c. 1769

The Ceremonial Sake (Konrei sakazuki), the fourth sheet of the series "Marriage in Broc... c. 1769
The Ceremonial Sake (Konrei sakazuki), the fourth sheet of the series " Marriage in Brocade Prints, the Carriage of the Virtuous Woman (Konrei nishiki misao-guruma)", c. 1769

Background imageVirtuous Collection: The Bride Riding in the Palanquin to Her Husbands House (Koshi-iri), the third sheet... c. 1769

The Bride Riding in the Palanquin to Her Husbands House (Koshi-iri), the third sheet... c. 1769
The Bride Riding in the Palanquin to Her Husbands House (Koshi-iri), the third sheet of the series " Marriage in Brocade Prints

Background imageVirtuous Collection: The Resurrection from The Allegory of the Redemption of Man, Flanders, c. 1500 / 10

The Resurrection from The Allegory of the Redemption of Man, Flanders, c. 1500 / 10
The Resurrection from The Allegory of the Redemption of Man, Flanders, c. 1500/10

Background imageVirtuous Collection: Lucretia instructing her daughters in needlework, 1557. Creator: Giuseppe Porta

Lucretia instructing her daughters in needlework, 1557. Creator: Giuseppe Porta
Lucretia instructing her daughters in needlework, 1557. From Giovanni Ostaus s, La vera perfettione del disegno di varie sorte di recami (Venice, 1557), a book on needlework

Background imageVirtuous Collection: Faith, Hope and Charity, ca. 1593. Creator: Gerrit Pietersz Sweelink

Faith, Hope and Charity, ca. 1593. Creator: Gerrit Pietersz Sweelink
Faith, Hope and Charity, ca. 1593

Background imageVirtuous Collection: The Vestal Virgin Tuccia, mid-16th century. Creator: Master FG

The Vestal Virgin Tuccia, mid-16th century. Creator: Master FG
The Vestal Virgin Tuccia, mid-16th century

Background imageVirtuous Collection: Exemplar Virtutum, from the Allegorical Scenes from the Life of Christ. n. d

Exemplar Virtutum, from the Allegorical Scenes from the Life of Christ. n. d
Exemplar Virtutum, from the Allegorical Scenes from the Life of Christ.n.d

Background imageVirtuous Collection: The Triumphal Chariot of Maximilian I (The Great Tri... probably finished ca

The Triumphal Chariot of Maximilian I (The Great Tri... probably finished ca
The Triumphal Chariot of Maximilian I (The Great Triumphal Car), probably finished ca. 1518, published 1522

Background imageVirtuous Collection: Hercules chasing Avarice from the Temple of the Muses, ca. 1520-27. Creator: Ugo da Carpi

Hercules chasing Avarice from the Temple of the Muses, ca. 1520-27. Creator: Ugo da Carpi
Hercules chasing Avarice from the Temple of the Muses, ca. 1520-27

Background imageVirtuous Collection: The Virtuous Man on a Chariot on his Way to Heaven, from Hymmelwagen auff dem

The Virtuous Man on a Chariot on his Way to Heaven, from Hymmelwagen auff dem, wer wol lebt... 1517

Background imageVirtuous Collection: Prudence, dated 1516. Creator: Agostino Veneziano

Prudence, dated 1516. Creator: Agostino Veneziano
Prudence, dated 1516

Background imageVirtuous Collection: Chastity, a woman seated, a unicorn to her right, c. 1515-30. Creator: Agostino Veneziano

Chastity, a woman seated, a unicorn to her right, c. 1515-30. Creator: Agostino Veneziano
Chastity, a woman seated, a unicorn to her right, c. 1515-30

Background imageVirtuous Collection: Young Roman Girl Going for a Walk, 1648-1700. 1648-1700. Creator: Nicholas Boucquet

Young Roman Girl Going for a Walk, 1648-1700. 1648-1700. Creator: Nicholas Boucquet
Young Roman Girl Going for a Walk, 1648-1700

Background imageVirtuous Collection: The Pride of the Village, 1858-59. Creator: Henry Peters Gray

The Pride of the Village, 1858-59. Creator: Henry Peters Gray
The Pride of the Village, 1858-59

Background imageVirtuous Collection: A Woman of the Time of John, 1907. Artist: Dion Clayton Calthrop

A Woman of the Time of John, 1907. Artist: Dion Clayton Calthrop
A Woman of the Time of John, 1907. From English Costume, painted and described by Dion Clayton Calthrop. [Adam & Charles Black, London, 1907]

Background imageVirtuous Collection: The Industrious Prentice Lord-Mayor of London - Plate 12 from Industry and Idleness, 1747

The Industrious Prentice Lord-Mayor of London - Plate 12 from Industry and Idleness, 1747. Artist: William Hogarth
The Industrious Prentice Lord-Mayor of London - Plate 12 from Industry and Idleness, 1747. The industrious apprentice is drawn along Cheapside in his coach watched by Frederick

Background imageVirtuous Collection: Sketch for Plate IV from Industry and Idleness, 1747. Artist: William Hogarth

Sketch for Plate IV from Industry and Idleness, 1747. Artist: William Hogarth
Sketch for Plate IV from Industry and Idleness, 1747. The industrious apprentice stands with his master in the counting house. A porter enters, bearing rolls of cloth


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