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Virgil Collection (page 3)

Background imageVirgil Collection: Escape from Troy, 1635-1640. Creator: Preti, Mattia (1613-1699)

Escape from Troy, 1635-1640. Creator: Preti, Mattia (1613-1699)
Escape from Troy, 1635-1640. Found in the Collection of Galleria Nazionale d Arte Antica, Rome

Background imageVirgil Collection: Aeneas and his followers in Latium, 1791-1793. Creator: Girodet de Roucy Trioson, Anne Louis

Aeneas and his followers in Latium, 1791-1793. Creator: Girodet de Roucy Trioson, Anne Louis
Aeneas and his followers in Latium, 1791-1793. Found in the Collection of Musee Fabre, Montpellier

Background imageVirgil Collection: Aeneas and the Sibyl in the Underworld, ca 1604. Creator: Brueghel, Jan, the Elder (1568-1625)

Aeneas and the Sibyl in the Underworld, ca 1604. Creator: Brueghel, Jan, the Elder (1568-1625)
Aeneas and the Sibyl in the Underworld, ca 1604. Found in the Collection of Slovak National Gallery, Bratislava

Background imageVirgil Collection: The Siege of Troy, ca 1760. Creator: Tiepolo, Giandomenico (1727-1804)

The Siege of Troy, ca 1760. Creator: Tiepolo, Giandomenico (1727-1804)
The Siege of Troy, ca 1760. Found in the Collection of Sinebrychoffin Taidemuseo, Helsinki

Background imageVirgil Collection: Dante and Virgil in hell. The Barque of Dante, 1822. Creator: Delacroix, Eugene (1798-1863)

Dante and Virgil in hell. The Barque of Dante, 1822. Creator: Delacroix, Eugene (1798-1863)
Dante and Virgil in hell. The Barque of Dante, 1822. Found in the Collection of Musee du Louvre, Paris

Background imageVirgil Collection: Venus Pouring a Balm on the Wound of Aeneas, c. 1805-1810. Creator: Blondel, Merry-Joseph

Venus Pouring a Balm on the Wound of Aeneas, c. 1805-1810. Creator: Blondel, Merry-Joseph
Venus Pouring a Balm on the Wound of Aeneas, c. 1805-1810. Found in the Collection of Museo del Prado, Madrid

Background imageVirgil Collection: Dante in Purgatory Sees The Vision of Beatrice, c1930. Creator: Unknown

Dante in Purgatory Sees The Vision of Beatrice, c1930. Creator: Unknown
Dante in Purgatory Sees The Vision of Beatrice, c1930. Italian author Dante Alighieri and the Roman poet Virgil looking at a vision Beatrice Portinari

Background imageVirgil Collection: This proud one would of his strength against almighty Jove make trial, c1890

This proud one would of his strength against almighty Jove make trial, c1890
" This proud one would of his strength against almighty Jove make trial, " said my guide; " whence he is thus requited: Ephialtes him they call", c1890

Background imageVirgil Collection: By that hidden way my guide and I did enter, to return to the fair world, c1890

By that hidden way my guide and I did enter, to return to the fair world, c1890. Dante and the Roman poet Virgil emerge from Hell, and see the dawn on Easter Sunday morning

Background imageVirgil Collection: Yet in the abyss, that Lucifer with Judas low ingulfs, lightly he placed us, c1890

Yet in the abyss, that Lucifer with Judas low ingulfs, lightly he placed us, c1890. Antaeus the giant lowers Dante and the Roman poet Virgil to the final level of Hell

Background imageVirgil Collection: The crust came drawn from underneath in flakes, c1890. Creator: Gustave Doré

The crust came drawn from underneath in flakes, c1890. Creator: Gustave Doré
The crust came drawn from underneath in flakes, like scales scraped from the bream, or fish of broader mail, c1890. Dante

Background imageVirgil Collection: He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré

He, soon as there I stood at the tombs foot, ey d me a space, c1890. Creator: Gustave Doré
He, soon as there I stood at the tombs foot, ey d me a space, then in disdainful mood address d me: " Say, what ancestors were thine?", c1890. Dante and the Roman poet Virgil

Background imageVirgil Collection: He answer thus return d: The arch-heretics are here, c1890. Creator

He answer thus return d: The arch-heretics are here, c1890. Creator
He answer thus return d: " The arch-heretics are here", c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageVirgil Collection: The guide, who mark d how I did gaze attentive, thus began, c1890. Creator: Gustave Doré

The guide, who mark d how I did gaze attentive, thus began, c1890. Creator: Gustave Doré
The guide, who mark d how I did gaze attentive, thus began: " Within these ardours are the spirits, each swath d in confining fire", c1890

Background imageVirgil Collection: Be none of you outrageous, c1890. Creator: Gustave Doré

Be none of you outrageous, c1890. Creator: Gustave Doré
Be none of you outrageous: ere your time dare seize me, come forth from amongst you one, who having heard my words, decide he then if he shall tear these limbs, c1890

Background imageVirgil Collection: And straight the trunk exclaim d, Why pluck st thou me?, c1890. Creator

And straight the trunk exclaim d, Why pluck st thou me?, c1890. Creator
And straight the trunk exclaim d, " Why pluck st thou me?", c1890. Dante and the Roman poet Virgil encounter men who who have been transformed into trees

Background imageVirgil Collection: That pierced spirit... was he who gave the Pharisees council, c1890. Creator

That pierced spirit... was he who gave the Pharisees council, c1890. Creator
" That pierced spirit, whom intent thou view st, was he who gave the Pharisees council, that it were fitting for one man to suffer for the people", c1890

Background imageVirgil Collection: New terror I conceived at the steep plunge, c1890. Creator: Gustave Doré

New terror I conceived at the steep plunge, c1890. Creator: Gustave Doré
New terror I conceived at the steep plunge, c1890. Dante and the Roman poet Virgil ride on the back of Geryon, the Monster of Fraud

Background imageVirgil Collection: Sir! Brunetto! And are ye here?, c1890. Creator: Gustave Doré

Sir! Brunetto! And are ye here?, c1890. Creator: Gustave Doré
" Sir! Brunetto! And are ye here?", c1890. Dante and the Roman poet Virgil meet Dantes tutor and guardian, Brunetto Buanaccorso Latini, in a firestorm

Background imageVirgil Collection: Love brought us to one death: Caina waits the soul, who split our life, c1890. Creator

Love brought us to one death: Caina waits the soul, who split our life, c1890. Creator
Love brought us to one death: Caina waits the soul, who split our life, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageVirgil Collection: Onward he moved, I close his steps pursued, c1890. Creator: Gustave Doré

Onward he moved, I close his steps pursued, c1890. Creator: Gustave Doré
Onward he moved, I close his steps pursued, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageVirgil Collection: Not more furiously on Menalippus temples Tydeus gnawed, c1890. Creator: Gustave Doré

Not more furiously on Menalippus temples Tydeus gnawed, c1890. Creator: Gustave Doré
Not more furiously on Menalippus temples Tydeus gnawed, than on that skull and on its garbage he, c1890. Dante and the Roman poet Virgil visit a frozen lake

Background imageVirgil Collection: By the hair it bore the sever d member, lantern-wise pendant in hand, c1890. Creator

By the hair it bore the sever d member, lantern-wise pendant in hand, c1890. Creator
By the hair it bore the sever d member, lantern-wise pendant in hand, which look d at us and said, " Woes me!", c1890

Background imageVirgil Collection: all-searching Justice, dooms to punishment the forgers, c1890. Creator: Gustave Doré

all-searching Justice, dooms to punishment the forgers, c1890. Creator: Gustave Doré
Then my sight was livelier to explore the depth, wherein the minister of the most mighty Lord, all-searching Justice, dooms to punishment the forgers noted on her dread record, c1890

Background imageVirgil Collection: Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?

Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?
But Virgil roused me: " What yet gazest on? Wherefore doth fasten yet thy sight below amongst the maim d and miserable shades?", c1890

Background imageVirgil Collection: Then seizing on his hinder scalp, I cried: Name thee, or not a hair shall tarry here

Then seizing on his hinder scalp, I cried: Name thee, or not a hair shall tarry here
Then seizing on his hinder scalp, I cried: " Name thee, or not a hair shall tarry here", c1890. Dante and the Roman poet Virgil walk on a frozen lake

Background imageVirgil Collection: Take good heed, thy soles do tread not on the heads of thy poor brethren, c1890

Take good heed, thy soles do tread not on the heads of thy poor brethren, c1890
" Look how thou walkest. Take good heed, thy soles do tread not on the heads of thy poor brethren", c1890. Dante and the Roman poet Virgil walk on a frozen lake

Background imageVirgil Collection: Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré

Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré
Call thou to mind Piero of Medicina, if again returning, c1890. Dante and the Roman poet Virgil encounter Pier da Medicina who must hold open his windpipe to speak

Background imageVirgil Collection: Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator

Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator
" Now mark how I do rip me! lo! How is Mahomet mangled!", c1890. Dante and the Roman poet Virgil witness the suffering of the prophet Mohammed, who is repeatedly ripped open

Background imageVirgil Collection: Tuscan... disdain not to instruct us who thou art, c1890. Creator: Gustave Doré

Tuscan... disdain not to instruct us who thou art, c1890. Creator: Gustave Doré
" Tuscan, who visitest the college of the mourning hypocrites, disdain not to instruct us who thou art", c1890. Dante and the Roman poet Virgil encounter the Hypocrites

Background imageVirgil Collection: Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Creator

Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Creator
Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageVirgil Collection: There stood I like the friar, that doth shrive a wretch for murder doom d, c1890

There stood I like the friar, that doth shrive a wretch for murder doom d, c1890. Dante and the Roman poet Virgil encounter Pope Nicholas III

Background imageVirgil Collection: Thais is this, the harlot, c1890. Creator: Gustave Doré

Thais is this, the harlot, c1890. Creator: Gustave Doré
Thais is this, the harlot, whose false lip answer d her doting paramour that ask d, " Thankest me much!", c1890

Background imageVirgil Collection: Why greedily thus bendest more on me?, c1890. Creator: Gustave Doré

Why greedily thus bendest more on me?, c1890. Creator: Gustave Doré
" Why greedily thus bendest more on me, than on these other filthy ones, thy ken?", c1890. Dante and the Roman poet Virgil encounter Alessio Interminei of Lucca immers d in ordure

Background imageVirgil Collection: Forthwith that image vile of fraud appear d, c1890. Creator: Gustave Doré

Forthwith that image vile of fraud appear d, c1890. Creator: Gustave Doré
Forthwith that image vile of fraud appear d, c1890. Dante and the Roman poet Virgil encounter the fell monster with the deadly sting

Background imageVirgil Collection: Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré

Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré
Unceasing was the play of wretched hands, ...to shake off the heat, still falling fresh, c1890. Dante and the Roman poet Virgil witness the damned afflicted by flakes of fire

Background imageVirgil Collection: One cried from far: Say to what pain ye come condemn d, c1890. Creator

One cried from far: Say to what pain ye come condemn d, c1890. Creator
One cried from far: " Say to what pain ye come condemn d, who down this steep have journied? Speak from whence ye stand, or else the bow I draw", c1890

Background imageVirgil Collection: And there at point of the disparted ridge lay stretch d the infamy of Crete, c1890

And there at point of the disparted ridge lay stretch d the infamy of Crete, c1890. Dante and the Roman poet Virgil encounter the Minotaur

Background imageVirgil Collection: From the profound abyss, behind the lid of a great monument we stood retired, c1890

From the profound abyss, behind the lid of a great monument we stood retired, c1890. Dante and the Roman poet Virgil shelter in craggy rocks and try to avoid the horrible excess of fetid exhalation

Background imageVirgil Collection: Mark thou each dire Erynnis, c1890. Creator: Gustave Doré

Mark thou each dire Erynnis, c1890. Creator: Gustave Doré
Mark thou each dire Erynnis, c1890. Dante and the Roman poet Virgil encounter the Erinyes: three hellish furies stain d with blood

Background imageVirgil Collection: I could not hear what terms he offer d them, c1890. Creator: Gustave Doré

I could not hear what terms he offer d them, c1890. Creator: Gustave Doré
I could not hear what terms he offer d them, c1890. Dante and the Roman poet Virgil land on the far bank of the river Styx

Background imageVirgil Collection: My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré

My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré
Then stretch d he forth hands to the bark; whereof my teacher sage aware, thrusting him back: " Away! down there To the other dogs!", c1890

Background imageVirgil Collection: Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré

Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré
Soon as both embark d, cutting the waves, goes on the ancient prow, more deeply than with others it is wont, c1890. Phlegyas ferries Dante

Background imageVirgil Collection: To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré

To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré
To the gate he came, and with his wand touch d it, whereat open without impediment it flew, c1890. Dante and the Roman poet Virgil pass through the gate of Dis

Background imageVirgil Collection: Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Creator

Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Creator
Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageVirgil Collection: Thy city heap d with envy to the brim, c1890. Creator: Gustave Doré

Thy city heap d with envy to the brim, c1890. Creator: Gustave Doré
Thy city heap d with envy to the brim, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Background imageVirgil Collection: Then my guide, his palms expanding on the ground, c1890. Creator: Gustave DorA©

Then my guide, his palms expanding on the ground, c1890. Creator: Gustave DorA©
Then my guide, his palms expanding on the ground, thence filled with earth, rais d them, and cast it in his ravenous maw, c1890

Background imageVirgil Collection: The stormy blast of hell with restless fury drives the spirits on, c1890. Creator

The stormy blast of hell with restless fury drives the spirits on, c1890. Creator
The stormy blast of hell with restless fury drives the spirits on, c1890. Dante and the Roman poet Virgil, watching souls in torment



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