Vinci Collection (page 10)

Drawing of a walking horse, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a walking horse, c1472-c1519 (1883). Probably a study for the Sforza Monument. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1482-c1499 (1883). Drawn in charcoal, pen and Indian ink. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Four drawings of allegorical representations, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings of allegorical representations, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing of an allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of an allegorical composition, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Copy of part of the cartoon of the Battle of Anghiari, c1505-c1523 (1883). Artist: Cesare da Sesto
Copy of part of the cartoon of the Battle of Anghiari, c1505-c1523 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Studies for allegorical compositions, c1472-c1519 (1883). Artist: Leonardo da Vinci
Studies for allegorical compositions, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Study for the cartoon of the Battle of Anghiari, c1472-c1505 (1883). Artist: Leonardo da Vinci
Study for the cartoon of the Battle of Anghiari, c1472-c1505 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing of the head of a criminal, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of the head of a criminal, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the arm of St Peter in `The Last Supper`, c1494-c1499 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Philip in `The Last Supper`, c1494-c1499 (1883). Drawn in black chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Study for the head of St Matthew in `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci
Preparatory sketch for the painting of `The Last Supper`, c1494-c1499 (1883). Drawn in red chalk. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

The wall painting of `The Last Supper`, at Milan, 1883. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Bust of a boy, c1472-c1519 (1883). Artist: Leonardo da Vinci
Bust of a boy, c1472-c1519 (1883). A study, in red chalk, for the figure of the Infant Christ in the `Virgin of the Rocks`. From The Literary Works of Leonardo Da Vinci, Vol

Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883). Artist: Leonardo da Vinci
Preparatory study of drapery for the Angel in the `Virgin of the Rocks`, 1472-c1519 (1883). Done with the brush and Indian ink on greenish paper, the lights heightened with white

A female head, c1472-c1519 (1883), Artist: Leonardo da Vinci
A female head, c1472-c1519 (1883). A preparatory drawing in silverpoint on brown-toned paper for the Angel in the `Virgin of the Rocks`. From The Literary Works of Leonardo Da Vinci, Vol

Five drawings illustrating the theory of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five drawings illustrating the theory of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Charcoal Drawing, representing a Deluge, from the Royal Library, Windsor Castle, 1883. Artist: Leonardo da Vinci
Charcoal drawing, representing a deluge, c1472-c1519 (1883) From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Three drawings, c1472-c1519 (1883). Artist: Leonardo da Vinci
Three drawings, c1472-c1519 (1883). A representation of natural phenomena, and two sketches of a male figures. From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Representation of natural phenomena, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of natural phenomena, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Representation of a tempest, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of a tempest, drawn with the pen and partly washed with Indian ink, c1472-c1519 (1883). from the Royal Library, Windsor Castle, 1883. From The Literary Works of Leonardo Da Vinci, Vol

Study of female hands, c1472-c1519 (1883). Artist: Leonardo da Vinci
Study of female hands, drawn with the silverpoint on yellowish tinted paper, heightened with white, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH

Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a male head, illustrating the practice of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Four drawings illustrating the practice of painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Four drawings illustrating the practice of painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing of a bust and minor sketches, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing of a bust and minor sketches, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five drawings illustrating the elements of landscape painting, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Charcoal drawing of a female figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Charcoal drawing of a female figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the representation of hair falling down in curls, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Four drawings illustrating the theory of the movements of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawings showing the movements of the human figure and warriors fighting, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing in red chalk illustrating the theory of the movements of the human figure and sketch in pen and ink of warriors fighting, c1472-c1519 (1883)

Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Sketches illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawing illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Five drawings illustrating the theory of the proportions of the human figure, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883). Artist: Leonardo da Vinci
Five diagrams illustrating the theory of light and shade, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

Study for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Study for the Sforza Monument, c1482-c1499 (1883). Silverpoint on bluish tinted paper. From The Literary Works of Leonardo Da Vinci, Vol. II by Jean Paul Richter, PH. DR

Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). Artist: Leonardo da Vinci
Two preparatory studies for the Sforza Monument, c1482-c1499 (1883). One drawn with a pen, the other in silverpoint on bluish tinted paper. From The Literary Works of Leonardo Da Vinci, Vol

Emblematic representation, c1472-c1519 (1883). Artist: Leonardo da Vinci
Emblematic representation, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Studies of emblems, c1472-c1519 (1883). Artist: Leonardo da Vinci
Studies of emblems, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Drawings of Bernardo di Bandino Baroncelli hanged, and emblems, c1472-c1519 (1883). Artist: Leonardo da Vinci
Drawings of Bernardo di Bandino Baroncelli hanged, and emblems, c1472-c1519 (1883). Bernardo di Bandino Baroncelli was one of the Pazzi conspirators who tried to displace the de` Medicii family as

Allegorical composition, c1472-c1519 (1883). Artist: Leonardo da Vinci
Allegorical composition, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR. [Sampson Low, Marston, Searle & Rivington, London, 1883]

Diagrams illustrating the theories of linear perspective and of light and shade, c1472-c1519 (1883)
Three diagrams illustrating the theories of linear perspective and of light and shade, c1472-c1519 (1883). From The Literary Works of Leonardo Da Vinci, Vol. 1 by Jean Paul Richter, PH. DR

The Last Supper, 1494-1498. Artist: Leonardo da Vinci
The Last Supper, 1494-1498. The mural painting was for the refectory of the Convent of Santa Maria delle Grazie, Milan and was commissioned as part of a scheme of renovations to the church

The Virgin and Child with St Anne, c1510 (1870). Artist: Franz Kellerhoven
The Virgin and Child with St Anne, c1510 (1870). Found in the collection of the Musee du Louvre, Paris. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

The Last Supper, 1498 (1870). After the painting by Leonardo da Vinci in the Convent of Santa Maria delle Grazie, Milan. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris

The Baptism of Christ, 1472-1475 (1870). The left hand angel and parts of the background landscape are believed to be the work of a young Leonardo da Vinci, who was in Verrocchios studio at the time

Design for hinged canal lockgates by Leonardo da Vinci, 15th century (1956). A print from Things, a volume about the origin and early history of many things, common and less common

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