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Charge of the French Cuirassiers at Waterloo, 1874, (c1915). Artist: Felix Henri Emmanuel PhilippoteauxCharge of the French Cuirassiers at Waterloo, 1874, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney
Landing at Greenwich, c1780. Artist: Thomas RowlandsonLanding at Greenwich, c1780. Watercolour held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]
Painting of a princess listening to female musiciansPainting of a princess with a huqqa listening to female musicians in a palace garden, from Guler in the Punjab, from the V&As collection
Salisbury Cathedral, 1823, (c1915). Artist: John ConstableSalisbury Cathedral, 1823, (c1915). The painting is part of the collection of the Victoria & Albert Museum, London. From International Art: Past and Present by Alfred Yockney
The Milkmaid, 1860, (c1915). Artist: Birket FosterThe Milkmaid, 1860, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]
Across Mounts Bay, c1880. Artist: Elizabeth Adela ForbesAcross Mounts Bay, c1880. Painting held in the Victoria and Albert Museum, London. From The Studio Volume 47. [London Offices of the Studio, London, 1909]
Maiden Meditation, 1847, (c1915). Artist: Charles West CopeMaiden Meditation, 1847, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]
Chinese statuette of Kuan-Yin as a Bodhisattva, 12th centuryLate Sung dynasty Chinese statuette of Kuan-Yin, a goddess of mercy, as a Bodhisattva (Buddha-to-be) in wood with traces of gilt and painting
The Loan Collection, South-Kensington: Samson slaying a Philistine, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Bronze group of Samson slaying a Philistine; inscribed on the base "Adrianus Fries Hagiensis Batvvs f
The Loan Collection, South-Kensington: Silver-gilt tankard; the Lynn Cup; chrismatory, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Silver-gilt tankard of hexagonal form, narrow in the centre, widening towards the base, ornamented with masks and scrolls
The Loan Collection, South-Kensington: Chalice, cups, ewer, pyx, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'A silver-gilt chalice, the work of Master Bartholomew, of Atri...supposed to have...[belonged] to Pope Boniface VIII...around the stem is...[an]
The Loan Collection, South-Kensington: Cups, tankard, casket, salt, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Silver-gilt standing-cup; silver cup; silver-gilt beaker; crystal tankard, "The Poison-Cup"; casket; silver-gilt salt
The Loan Collection, South-Kensington: Silver parcel-gilt nef, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Silver parcel-gilt nef or ship of unusually large dimensions, the body of the ship and above the stand embossed with elaborate ornaments
The Loan Collection, South-Kensington: Oliver Cromwell's watch, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Oliver Cromwell's watch. This watch was made about 1625. The maker, John Midnall, in Fleet-street
The Loan Collection, South-Kensington: Silver-gilt nef, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Silver-gilt nef; the hull, with two tiers of guns; the deck, which takes off as a cover
The Loan Collection, South-Kensington: Silver and silver-gilt spoons, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. '...a group of silver and silver-gilt spoons, all of the seventeenth century, belonging to Messrs. E. Waterton and W. Stirling
The Loan Collection, South-Kensington: Flask, spoon, coffret, reliquary..., 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Small silver flask...ornamented in repousse, with strapwork and flowers...a crest of a griffin's head in the centre
The Loan Collection, South-Kensington: Mother-of-pearl cup; Cellini Ewer; vase, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Cup, in form of a partridge; the body formed of overlapping pieces of mother-of-pearl in imitation of feathers...Circa 1600. Baron L. de Rothschild
The Loan Collection of works of art at South Kensington Museum, 1862. Creator: UnknownThe Loan Collection of works of art at South Kensington Museum, [London], 1862. Display in what became the Victoria and Albert Museum, of pieces '...of the mediaeval renaissance
The Loan Collection, South-Kensington: Silver-gilt ewer, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Silver-gilt rose-water ewer. The ewer is oviform, with very high handle, in form of a hydra or monster with three heads, winged body, and forelegs
Relative position of the proposed India Museum and other public institutions, 1876. Creator: UnknownRelative position of the proposed India Museum and other public institutions, 1876. 1. Proposed Site for the India and Colonial Museums; 2. Government Offices; 3. India Office; 4
Museum of Science and Art, in Course of Construction, on the Kensington-Gore Estate, 1856. Creator: UnknownMuseum of Science and Art, in Course of Construction, on the Kensington-Gore Estate, [London], 1856. Iron building...purposed to contain the large and valuable collections...belonging to the Dept
Casket, c1400, (1881). Creator: Frederick Albert SlocombeCasket, c1400, (1881). Etching of a wooden box with carved lid made in Germany at the beginning of the 15th century. On the front is a man-headed eagle with the German inscription Mit willen dien ich
The Lamb, holding the book of the Seven Seals, adored by the Elders, 14th-15th century. Revelations 5. V6-14. Panel 7 of the Altarpiece of the Apocalypse
The Woman Clothed with the Sun, 14th-15th century. Artist: Master Bertram of HamburgThe Woman Clothed with the Sun, 14th-15th century. Her child, threatened by the dragon, taken to heaven. Panel 29 from the Altarpiece of the Apocalypse. Master Bertram of Hamburg, (Revelations 12 v)
French playing cards, 19th centuryFrench playing cards note the mythical characters. Now in the Victoria and Albert Museum, 19th century
A yakshi (tree-goddess) from a Jain Stupa, 2nd centuryA 50cm high sandstone bracket depicting a yakshi (tree-goddess) from a Jain Stupa from Mathura (Uttar Pradesh), from the V&As collection, 2nd century
The Loan Collection, South-Kensington: The Dunvegan Cup, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'The "Dunvegan Cup," a cup or "mether" of yew, square above and rounded from the centre downwards
The Loan Collection, South-Kensington: Alto-relievo, 1862. Creator: UnknownThe Loan Collection, South-Kensington: Alto-relievo, 1862. 'Alto-relievo; three cupids supporting the Papal tiara, cross-keys, and other insignia
The Loan Collection, South-Kensington: Ivory tankard, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Tankard, mounted in silver-gilt, the drum richly carved with a mythological subject, the Marriage of Jupiter and Juno, &c.: on the cover
The Loan Collection, South-Kensington: keys, 1862. Creator: UnknownThe Loan Collection, South-Kensington: keys, 1862. 'Two steel keys, elaborately ornamented, of the sixteenth century. Rev. J. Beck'. From "Illustrated London News", 1862.
The Loan Collection, South-Kensington: Queen Elizabeth's prayer-book, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Queen Elizabeth's Prayer-book, bound in gold and enamelled, the workmanship of George Heriot
The Loan Collection, South-Kensington: Gold rosary worn by Mary Queen of Scots..., 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'The gold rosary and crucifix of Mary Stuart, Queen of Scots. The heads are large and entirely of gold, and were originally enriched with enamel
The Loan Collection, South-Kensington: Missal of Claude, Queen of Francis I., 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'A magnificent missal, painted on vellum, with illuminated capitals, and whole leaves painted with illustrations from Scripture history
The Loan Collection, South-Kensington: Pen-case of Henry VI., 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'The pencase of King Henry VI. This pencase, of leather, or cuir bouilli, ornamented with gilt roses and crowns, was left by King Henry VI
The Loan Collection, South-Kensington: Hemispherical cat's-eye, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Large hemispherical cat's-eye (supposed to. be the largest known). It is mounted in massive pure gold
The Loan Collection, South-Kensington: Pyx, ewer, cup, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. Ciborium, or pyx, in gilt metal, ornamented with plaques of niello-work and enamelled glass pastes
The Loan Collection, South-Kensington: Sevigné-gold open filigree-work set with pearls, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Sevigne [brooch] of gold open filigree scrolls, set with pearls. Spanish work, seventeenth century. Rev. J. Beck'
The Loan Collection, South-Kensington: Largest known pearl, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'A very large pearl, straight-sided, widening towards the lower part, which has a dark opalised tint
The Loan Collection, South-Kensington: Stag's horn ewer, 1862. Creator: UnknownThe Loan Collection, South-Kensington, 1862. 'Ewer, in stag's horn, mounted and inlaid with ivory, most elaborately
Elijah and the Widows Son, 1864. Creator: Ford Madox BrownElijah and the Widows Son, 1864. The Prophet Elijah descends down a flight of stairs on carrying a boy brought back to life from death. The boys mother kneels with her arms held up in prayer
Elijah Restoring the Widows Son, 1943. Creator: Ford Madox BrownElijah Restoring the Widows Son, 1868, (1943). Biblical scene, depiction of a story from the first Book of Kings. The prophet Elijah brings a child - still in his funeral shroud - down from
Gold book cover, 19th century, (1881). Creator: John WatkinsGold book cover, 19th century, (1881). Etching of an embossed and enamelled book cover, made in Europe, probably in the 19th century
Writing tablets, 1690-1700, (1881). Creator: W HarbuttWriting tablets, 1690-1700, (1881). Etching of ivory tablets with gilded silver cover, made by J C Schmidt in Augsburg, Germany, in the late 17th century
Silver-handled knife, c1470?, (1881). Creator: Js DominySilver-handled knife, c1470?, (1881). Etching of a knife ascribed to Pollaiuolo, decorated with scenes including the Judgment of Paris and the Judgment of Solomon
Pyxis, c964 AD, (1881). Creator: M SullivanPyxis, c964 AD, (1881). Etching of a small cylindrical ivory box made in the mid 10th century, at Medina Azahara, Cordoba, Spain
Branched altar cross, 14th-15th century, (1881). Creator: Js GoepelBranched altar cross, 14th-15th century, (1881). Etching of a silver parcel-gilt cross, the crucifix made c1350, and the figures and base made 1464-1474 by Hans Rutenzwig or his workshop, in Basel
Design for a jug, (1881). Creator: UnknownDesign for a jug, (1881). A jug or ewer decorated with a triumphant procession of Venus across the sea, attended by tritons, nymphs, and cupids