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One of a Pair of Worcester Vases, 1911. One of a pair of rare antique hand-painted ceramic vases, Royal Worcester is believed to be the oldest or second oldest remaining English porcelain brand still
L Yncas consacre son Vaze au Soleil, c1723. The Incas consecrate their Vase to the Sun. From Ceremonies et coutumes religieuses de tous les peuples du monde
The Persian Vase, c1916. Artist: George SheringhamThe Persian Vase, c1916. From The Studio Volume 68. [London Offices of the Studio, London, 1916]
Roses and Fruit, c1931. Artist: Samuel John PeploeRoses, c1931. From The Studio Volume 126. [London Offices of the Studio, London, 1943]
Malee (Gardener), c1900. [Moorli Dhur & Sons, Ambala, c1900]
Worcester vase commemorating the Golden Jubilee of King George III, c1809. From The Connoisseur Volume XC. [The Connoisseur Ltd, London, 1932]
A Vase of Flowers, 1896, (1932). Artist: Paul GauguinA Vase of Flowers, 1896, (1932). Painting held at The National Gallery, London. From An Outline of Modern Painting in Europe and America, by S. C. Kaines Smith. [The Medici Society, London, 1932]
Glass With Cress, c1915. Artist: Heinrich NauenGlass With Cress, c1915. From Die Meister Des XX. Jahrhunderts IV. [Verlag E. A. Seemann, Leipzig, 1935]
Anemones and Wallflowers, c1909. Artist: Gerard ChowneAnemones and Wallflowers, c1909. From The Studio Volume 54. [London Offices of the Studio, London, 1911-12]
Vase of flowers, with Cherries and Almonds on the table, Nature morte; Irises, Delphinium hybrids and dames violet, 1871. From The Connoisseur Volume 106. [Otto Limited, London, 1940]
Fleurs Dans Un Vase Vert, c1910. Artist: Odilon RedonFleurs Dans Un Vase Vert, c1910. From The Studio Volume 92. [London Offices of the Studio, London, 1926]
Interior of Swedish Pavilion, 1925. From The Studio Volume 90. [London Offices of the Studio, London, 1925]
Celadon Jar, Korai Dynasty, 1925. From The Studio Volume 90. [London Offices of the Studio, London, 1925]
Beech Leaves and Poppies, 1926. Artist: Hugh WallisBeech Leaves and Poppies, 1926. From The Studio Volume 90. [London Offices of the Studio, London, 1925]
Vase de Fleurs, c1911. Artist: Charles DufresneVase de Fleurs, c1911. From The Studio Volume 96. [London Offices of the Studio, London, 1928]
Michaelmas Daisies, c1920. Artist: Lucien PissarroMichaelmas Daisies, c1920. From The Studio Volume 96. [London Offices of the Studio, London, 1928]
Sunflowers, 1888 (1935). Artist: Vincent van GoghSunflowers, 1888 (1935). After the painting by Vincent Van Gogh. 1935. From Modern Masterpieces Part 2. [George Newnes Ltd, London, 1935.]
Peonies, c1919. Artist: Mark FisherPeonies, c1919. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]
Still Life, c1919. Artist: Samuel John PeploeStill Life, c1919. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]
Still Life, c1900. Artist: Samuel John PeploeStill Life, c1900. From The Studio Volume 87. [London Offices of the Studio, London, 1924]
Amber Flowers, c20th century. Artist: George SheringhamAmber Flowers, c20th century. From The Studio Volume 130. [The Studio Ltd, London & New York, 1945]
Vase de Fleurs et Pommes, c19th century. Artist: Paul CezanneVase de Fleurs et Pommes, c19th century. From The Studio Volume 118. [The Studio Ltd, London & New York, 1939]
Zinnias, c19th century. Artist: Francis Edward JamesZinnias, c19th century. From The Studio Volume 76. [London Offices of the Studio, London, 1919]
Flowers, c19th century. Artist: Henri Fantin-LatourFlowers, c19th century. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]
Ming Dynasty, Fahua vase, 15th century. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]
My Flowers, c1913. Artist: Paolo SalaMy Flowers. From the painting by Paolo Sala. 1913. From The Studio Volume 58 [London Offices of the Studio, London, 1913.]
Sweet Peas and Roses, c20th century. Artist: Horace Mann LivensSweet Peas and Roses, c20th century. From The Studio Volume 60 [The Offices of the Studio, London, 1913-14.]
Roses and Brocade, c19th century. Artist: Francis Edward JamesRoses and Brocade, c19th century. From The Studio Volume 60 [The Offices of the Studio, London, 1913-14.]
A Space-Saving Flat, 1935. A flat designed by Ian Henderson. From The Studio Volume 110 by Ralph Nevill. [The Offices of the Studio, London, 1935]
Still Life, c1930. Artist: George Leslie HunterStill Life, c1930. From The Studio Volume 105. [The Offices of the Studio Ltd. London, 1933]
The Breakfast Table, 1884 (1934). Artist: John Singer SargentThe Breakfast Table, 1884 (1934). From The Studio Volume 107. [The Offices of the Studio Ltd. London, 1934]
Room at the house of Mrs Chester Beatty, 1932Room at the house of Mrs Chester Beatty, 24 Kensington Palace Gardens, London, 1932. The former home of the copper mining magnate Sir Alfred Chester Beatty (1875-1968) and his wife Edith
Living Room by Michael Dawn, 1936. From The Studio Volume 112 [London Offices of the Studio, London, 1936.]
Still Life, c1891-1935, (1936). Artist: Samuel John PeploeStill Life. From The Studio Volume 112 [London Offices of the Studio, London, 1936.]
Glass Vase by E. Galle, c1846-1903, (1903). Artist: Emile GalleGlass Vase by. Emile Galle (1846-1904) was a French artist who worked in glass and who was influential in the French Art Nouveau movement
Vase, c1903-1938, (1938). Artist: Sirak SkitnikVase. After an original work by Sirak Skitnik (1883-1943). From The Studio Volume 115 [The Studio Limited & The Studio Publications Inc. London & New York, 1938]
Kangxi (K ang-his) period porcelain, 1925Kangxi (K ang-his) period porcelain. Porcelain produced during the reign of The Kangxi Emperor (1654-1722), the fourth emperor of the Qing Dynasty. From The Connoisseur, 1925
A Pair of Unique Hexagonal-Shaped Sevres Vases 1906A Pair of Unique Hexagonal-Shaped Sevres Vases A painting of a pair of Louis XV period, Bleu de Roi, vases. From The Connoisseur, VOL. XVI, 1906
Earthenware vase, Chinese, Tang dynasty, 618-907 (1925). Incised through a white slip and painted in coloured glazes. Found in the collection of the British Museum
The Loom of Penelope, from the Chuisi Vase, Etruscan, c400 BC (1930). Penelope with her son, Telemachus. A scene from the Odyssey
The Annunciation, 1333 (1870). Artist: J PetotThe Annunciation, 1333 (1870). Found in the collection of the Galleria degli Uffizi, Florence. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870
Flower seller, 18th century (1882-1884). Artist: GilbertFlower seller, 18th century (1882-1884). A print from La France et les Francais a Travers les Siecles, Volume IV, F Roy editor, A Challamel, Saint-Antoine, 1882-1884
Jerome and Jean Charaud, French writers, 1932. A photograph from Album de Photographies, Dans L Intimite de Personnages Illustres, 1850-1950, Editions MD, 22 Rue de L Arcade, Paris 8, 1850-1950
Curved commode table and Chinese lacquered eight fold screen, 1911-1912. Artist: Edwin FoleyCurved commode table and Chinese lacquered eight fold screen, 1911-1912. A print from The Book of Decorative Furniture its Form, Colour and History, Volume II by Edwin Foley, TC and EC Jack Ltd
Carved china case in Chippendales Chinese manner, 1911-1912. Artist: Edwin FoleyCarved china case in Chippendales Chinese manner, 1911-1912. With a Chinese style Chippendale chair. A print from The Book of Decorative Furniture its Form, Colour and History
Shaped fret rimmed gallery table, Chippendale School, 1911-1912. Artist: Edwin FoleyShaped fret rimmed gallery table, Chippendale School, 1911-1912. A print from The Book of Decorative Furniture its Form, Colour and History, Volume II by Edwin Foley, TC and EC Jack Ltd, London
When a Man Comes Too Near He Goes Too Far. Artist: Underwood & UnderwoodWhen a Man Comes Too Near He Goes Too Far. Stereoscopic card detail
Queen Charlotte and Her Favourite Pug, c1776-1786 (1912)Queen Charlotte and Her Favourite Pug, (1912). Painted on glass. Given by the Queen to Mrs Gwyn (her bedchamber woman). Charlotte of Mecklenburg-Strelitz was Queen Consort to King George III
