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Van Hemskirk Collection

Background imageVan Hemskirk Collection: The Rich Man on His Deathbed, from The Parable of Lazarus and the Rich Man, plate 2, 1551

The Rich Man on His Deathbed, from The Parable of Lazarus and the Rich Man, plate 2, 1551

Background imageVan Hemskirk Collection: The Imperial Troops Bringing Civilization to the Indians

The Imperial Troops Bringing Civilization to the Indians, from The Victories of Emperor Charles, plate 6, 1555

Background imageVan Hemskirk Collection: The World Perishing Together with Knowledge and Love, from The Unrestrained World

The World Perishing Together with Knowledge and Love, from The Unrestrained World, plate 4, 1550

Background imageVan Hemskirk Collection: The Triumph of Pride, from The Cycle of the Vicissitudes of Human Affairs, plate 3, 1564

The Triumph of Pride, from The Cycle of the Vicissitudes of Human Affairs, plate 3, 1564

Background imageVan Hemskirk Collection: The Triumph of Envy, from The Cycle of the Vicissitudes of Human Affairs, plate 4, 1564

The Triumph of Envy, from The Cycle of the Vicissitudes of Human Affairs, plate 4, 1564

Background imageVan Hemskirk Collection: The Triumph of Peace, from The Cycle of the Vicissitudes of Human Affairs, plate 8, 1564

The Triumph of Peace, from The Cycle of the Vicissitudes of Human Affairs, plate 8, 1564

Background imageVan Hemskirk Collection: The Triumph of Want, from The Cycle of the Vicissitudes of Human Affairs, plate 6, 1564

The Triumph of Want, from The Cycle of the Vicissitudes of Human Affairs, plate 6, 1564

Background imageVan Hemskirk Collection: The World Disposing of Justice, from The Unrestrained World, plate 1, 1550

The World Disposing of Justice, from The Unrestrained World, plate 1, 1550

Background imageVan Hemskirk Collection: Foolish Knowledge and Foolish Love Trying to Restrain the World

Foolish Knowledge and Foolish Love Trying to Restrain the World, from The Unrestrained World, plate 2, 1550

Background imageVan Hemskirk Collection: The Triumph of the Riches, from The Cycle of the Vicissitudes of Human Affairs, plate 2

The Triumph of the Riches, from The Cycle of the Vicissitudes of Human Affairs, plate 2, 1564

Background imageVan Hemskirk Collection: The Triumph of Humility, from The Cycle of the Vicissitudes of Human Affairs, plate 7

The Triumph of Humility, from The Cycle of the Vicissitudes of Human Affairs, plate 7, 1564

Background imageVan Hemskirk Collection: Jonadab Counselling Amnon, from The Story of Tamar and Amnon, plate 1, 1559. 1559

Jonadab Counselling Amnon, from The Story of Tamar and Amnon, plate 1, 1559. 1559
Jonadab Counselling Amnon, from The Story of Tamar and Amnon, plate 1, 1559

Background imageVan Hemskirk Collection: Man Born to Toil, from The Reward of Labour and Diligence, plate 1, 1572. 1572

Man Born to Toil, from The Reward of Labour and Diligence, plate 1, 1572. 1572
Man Born to Toil, from The Reward of Labour and Diligence, plate 1, 1572

Background imageVan Hemskirk Collection: The Chaldeans Carrying Away the Pillars of the Temple of Jerusalem

The Chaldeans Carrying Away the Pillars of the Temple of Jerusalem, from The Disasters of the Jewish People, plate 17, 1569

Background imageVan Hemskirk Collection: The Adoration of the Shepherds; verso: Sketches, ca. 1532-37

The Adoration of the Shepherds; verso: Sketches, ca. 1532-37

Background imageVan Hemskirk Collection: Calvary, between 1545 and 1550. Artist: Maerten van Heemskerck

Calvary, between 1545 and 1550. Artist: Maerten van Heemskerck
Calvary, between 1545 and 1550. Heemskerck, Maarten Jacobsz, van (1498-1574). Found in the collection of the State Hermitage, St. Petersburg

Background imageVan Hemskirk Collection: Roman goddess, Venus Genetrix, c1518-1574. Artist: Maerten van Heemskerck

Roman goddess, Venus Genetrix, c1518-1574. Artist: Maerten van Heemskerck
Roman goddess, Venus Genetrix, 15th Century. The goddess of motherhood and domesticity

Background imageVan Hemskirk Collection: Golgotha ( Calvary ), 16th century. Artist: Maerten van Heemskerck

Golgotha ( Calvary ), 16th century. Artist: Maerten van Heemskerck
Golgotha ( Calvary ), 16th century. At the Crucifixion, the soldier pierces Christs side with a lance. In the right foreground the soldiers cast lots for Christs cloak

Background imageVan Hemskirk Collection: Calvary, detail from left side panel, 1545-1550. Artist: Maerten van Heemskerck

Calvary, detail from left side panel, 1545-1550. Artist: Maerten van Heemskerck
Calvary, detail from left side panel, 1545-1550. From the collection of the Hermitage, St. Petersburg, Russia

Background imageVan Hemskirk Collection: Calvary, detail from centre panel, 1545-1550. Artist: Maerten van Heemskerck

Calvary, detail from centre panel, 1545-1550. Artist: Maerten van Heemskerck
Calvary, detail from centre panel, 1545-1550. The blind Longinus on a horse pierces the crucified Christs side with his spear. From the collection of the Hermitage, St. Petersburg, Russia

Background imageVan Hemskirk Collection: Bullfight a l?Antique, 1552. Artist: Maerten van Heemskerck

Bullfight a l?Antique, 1552. Artist: Maerten van Heemskerck
Bullfight a l?Antique, 1552. From the collection of Musee des Beaux-Arts, Lille, France

Background imageVan Hemskirk Collection: Calvary, detail, 1545-1550. Artist: Maerten van Heemskerck

Calvary, detail, 1545-1550. Artist: Maerten van Heemskerck
Calvary, detail, 1545-1550. This side panel shows the wife and daughter and their patron saints of the man who commissioned the triptych (left panel). From the collection of the Hermitage, St

Background imageVan Hemskirk Collection: Tamar giving birth to Pharez and Sarah, 16th century

Tamar giving birth to Pharez and Sarah, 16th century. Tamar had twins by her father-in-law Judah Pharez (Peres) whose descendants include King David and Jesus of Nazareth and Sarah (Zera)

Background imageVan Hemskirk Collection: Surrender of the Elector of Saxony, Italian, Milan, ca. 1560-70. Creator: Unknown

Surrender of the Elector of Saxony, Italian, Milan, ca. 1560-70. Creator: Unknown
Surrender of the Elector of Saxony, Italian, Milan, ca. 1560-70


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