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Unrecognisable Collection

Background imageUnrecognisable Collection: Woman Lying On Her Belly, c1920. Creator: Francis Picabia

Woman Lying On Her Belly, c1920. Creator: Francis Picabia
Woman Lying On Her Belly, c1920. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to Dadaism

Background imageUnrecognisable Collection: Country Lane, c1900-1912. Creator: Francis Picabia

Country Lane, c1900-1912. Creator: Francis Picabia
Country Lane, c1900-1912. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to Dadaism

Background imageUnrecognisable Collection: Naked Masculine, c1920. Creator: Francis Picabia

Naked Masculine, c1920. Creator: Francis Picabia
Naked Masculine, c1920. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to Dadaism

Background imageUnrecognisable Collection: Man of Profile Upright Washing, C1920. Creator: Francis Picabia

Man of Profile Upright Washing, C1920. Creator: Francis Picabia
Man of Profile Upright Washing, c1920. Francis Picabia's early works are in the Impressionist style

Background imageUnrecognisable Collection: The Cry, 1894. Creator: Eugene Carriere

The Cry, 1894. Creator: Eugene Carriere
The Cry, 1894

Background imageUnrecognisable Collection: Fashionable style of hair-dressing, reigns of Charles I and II, c1620-1680, (1937)

Fashionable style of hair-dressing, reigns of Charles I and II, c1620-1680, (1937). From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan

Background imageUnrecognisable Collection: The Beekeepers, 1565, (1943). Creator: Pieter Bruegel the Elder

The Beekeepers, 1565, (1943). Creator: Pieter Bruegel the Elder
The Beekeepers, 1565, (1943). Figures wearing long coats with hoods and basket-work masks. Drawing in the Kupferstichkabinett, Staatlichen Museen, Berlin

Background imageUnrecognisable Collection: Sand-blasting Gear Wheels, c1917

Sand-blasting Gear Wheels, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageUnrecognisable Collection: William I, 1856. Artist: Alfred Crowquill

William I, 1856. Artist: Alfred Crowquill
William I, 1856. From Alfred Crowquills Comic History of the Kings and Queens of England - From William the Conqueror to the Present Time. [Read & Co. London, 1856]

Background imageUnrecognisable Collection: The End of a Bout, c1903, (1903). Artist: Ogawa & Burton

The End of a Bout, c1903, (1903). Artist: Ogawa & Burton
The End of a Bout, c1903, (1903). Japanese Fencers. From The Sports of the World, by F. G. Aflalo, F.R.G.S. F.Z.S. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Background imageUnrecognisable Collection: Form Study. c1868. Artist: James Abbott McNeill Whistler

Form Study. c1868. Artist: James Abbott McNeill Whistler
Form Study. c1868. From The Studio Volume 54. [London Offices of the Studio, London, 1911-12]

Background imageUnrecognisable Collection: Meditation, c1914. Artist: William Alison Martin

Meditation, c1914. Artist: William Alison Martin
Meditation, c1914. From The Studio Volume 61. [London Offices of the Studio, London, 1914]

Background imageUnrecognisable Collection: Study, La maison de l empereur, c1823-1870. Artist: Prosper Merimee

Study, La maison de l empereur, c1823-1870. Artist: Prosper Merimee
Study, La maison de l empereur, c1823-1870. Prosper Merimee was a French dramatist, historian, archaeologist, and short story writer, Private collection

Background imageUnrecognisable Collection: Hamadryade, c1850-1898. Artist: Felicien Joseph Victor Rops

Hamadryade, c1850-1898. Artist: Felicien Joseph Victor Rops
Hamadryade, c1850-1898

Background imageUnrecognisable Collection: Poor little girls!, 1799. Artist: Francisco Goya

Poor little girls!, 1799. Artist: Francisco Goya
Poor little girls!, 1799. Plate 22 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageUnrecognisable Collection: They carried her off!, 1799. Artist: Francisco Goya

They carried her off!, 1799. Artist: Francisco Goya
They carried her off!, 1799. Plate 8 of Los caprichos

Background imageUnrecognisable Collection: Hush, 1799. Artist: Francisco Goya

Hush, 1799. Artist: Francisco Goya
Hush, 1799. Plate 28 of Los caprichos

Background imageUnrecognisable Collection: Carnival fantasy, 1819-1823. Artist: Francisco Goya

Carnival fantasy, 1819-1823. Artist: Francisco Goya
Carnival fantasy, 1819-1823. Plate 14 of Proverbs, published in 1864

Background imageUnrecognisable Collection: Nobody knows himself, 1799. Artist: Francisco Goya

Nobody knows himself, 1799. Artist: Francisco Goya
Nobody knows himself, 1799. Plate 6 of Los caprichos

Background imageUnrecognisable Collection: The sleep of reason produces monsters, 1799. Artist: Francisco Goya

The sleep of reason produces monsters, 1799. Artist: Francisco Goya
The sleep of reason produces monsters, 1799. From Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Background imageUnrecognisable Collection: Jasper Hoiby, 2011. Artist: Alan John Ainsworth

Jasper Hoiby, 2011. Artist: Alan John Ainsworth
Jasper Hoiby, Cheltenham Jazz Festival, 2011

Background imageUnrecognisable Collection: Jazzman, 2010. Artist: Alan John Ainsworth

Jazzman, 2010. Artist: Alan John Ainsworth
Jazzman, Bonita Blues Festival, Florica, 2010


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