Unrecognisable Collection

'Woman Lying On Her Belly', c1920. Creator: Francis Picabia
'Woman Lying On Her Belly', c1920. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to

'Country Lane', c1900-1912. Creator: Francis Picabia
'Country Lane', c1900-1912. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to Dadaism.

'Naked Masculine', c1920. Creator: Francis Picabia
Naked Masculine', c1920. Francis Picabia's early works were in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements contibuting to Dadaism.

'Man of Profile Upright Washing', C1920. Creator: Francis Picabia
'Man of Profile Upright Washing', c1920. Francis Picabia's early works are in the Impressionist style. After 1912 he developed a style of abstract cubism with orphic elements which

The Cry, 1894. Creator: Eugene Carriere
The Cry, 1894

Fashionable style of hair-dressing, reigns of Charles I and II, c1620-1680, (1937). From " History of American Costume - Book One 1607-1800", by Elisabeth McClellan

The Beekeepers, 1565, (1943). Creator: Pieter Bruegel the Elder
The Beekeepers, 1565, (1943). Figures wearing long coats with hoods and basket-work masks. Drawing in the Kupferstichkabinett, Staatlichen Museen, Berlin

Sand-blasting Gear Wheels, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

William I, 1856. Artist: Alfred Crowquill
William I, 1856. From Alfred Crowquills Comic History of the Kings and Queens of England - From William the Conqueror to the Present Time. [Read & Co. London, 1856]

The End of a Bout, c1903, (1903). Artist: Ogawa & Burton
The End of a Bout, c1903, (1903). Japanese Fencers. From The Sports of the World, by F. G. Aflalo, F.R.G.S. F.Z.S. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1903]

Form Study. c1868. Artist: James Abbott McNeill Whistler
Form Study. c1868. From The Studio Volume 54. [London Offices of the Studio, London, 1911-12]

Meditation, c1914. Artist: William Alison Martin
Meditation, c1914. From The Studio Volume 61. [London Offices of the Studio, London, 1914]

Study, La maison de l empereur, c1823-1870. Artist: Prosper Merimee
Study, La maison de l empereur, c1823-1870. Prosper Merimee was a French dramatist, historian, archaeologist, and short story writer, Private collection

Hamadryade, c1850-1898. Artist: Felicien Joseph Victor Rops
Hamadryade, c1850-1898

Poor little girls!, 1799. Artist: Francisco Goya
Poor little girls!, 1799. Plate 22 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

They carried her off!, 1799. Artist: Francisco Goya
They carried her off!, 1799. Plate 8 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Hush, 1799. Artist: Francisco Goya
Hush, 1799. Plate 28 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political liberalism

Carnival fantasy, 1819-1823. Artist: Francisco Goya
Carnival fantasy, 1819-1823. Plate 14 of Proverbs, published in 1864. The series also known as disparates (absurdities) or suenos (dreams) is seen as symbolic of the absurdity of the human condition

Nobody knows himself, 1799. Artist: Francisco Goya
Nobody knows himself, 1799. Plate 6 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

The sleep of reason produces monsters, 1799. Artist: Francisco Goya
The sleep of reason produces monsters, 1799. From Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Jasper Hoiby, 2011. Artist: Alan John Ainsworth
Jasper Hoiby, Cheltenham Jazz Festival, 2011

Jazzman, 2010. Artist: Alan John Ainsworth
Jazzman, Bonita Blues Festival, Florica, 2010

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