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University Collection (page 21)

Background imageUniversity Collection: An illuminated initial in a page of the Chronicle of James I or Llibre dels feyts

An illuminated initial in a page of the Chronicle of James I or Llibre dels feyts del Rey en Jacme

Background imageUniversity Collection: Illuminated page of the Chronicle of James I or Llibre dels feyts del Rey en Jacme

Illuminated page of the Chronicle of James I or Llibre dels feyts del Rey en Jacme

Background imageUniversity Collection: Sepulchre of poet Garcilaso de la Vega (1501-1536) in the chapel of the University of Toledo

Sepulchre of poet Garcilaso de la Vega (1501-1536) in the chapel of the University of Toledo

Background imageUniversity Collection: Engraving of the ascension of a procession to Mount Randa in Majorca, in the work

Engraving of the ascension of a procession to Mount Randa in Majorca, in the work Ars Inventiva Veritatis by Ramon Llull

Background imageUniversity Collection: Cover Cancionero (Song book) by Juan de la Encina, facsimile reproduction, 1928

Cover Cancionero (Song book) by Juan de la Encina, facsimile reproduction, 1928

Background imageUniversity Collection: Cover Doce comedias (Twelve comedies) by Lope de Vega, published in 1624 in Pamplona

Cover Doce comedias (Twelve comedies) by Lope de Vega, published in 1624 in Pamplona

Background imageUniversity Collection: Cover of Julia or the New Heloise by Rousseau published in 1857

Cover of Julia or the New Heloise by Rousseau published in 1857

Background imageUniversity Collection: Engraving, a poor before a lady in an edition of La Comedie Espagnole by Lope de Rueda, 1883

Engraving, a poor before a lady in an edition of La Comedie Espagnole by Lope de Rueda, 1883

Background imageUniversity Collection: La Celestina wakes Melibea, engraving in La Celestina by Fernando de Rojas, published in 1883

La Celestina wakes Melibea, engraving in La Celestina by Fernando de Rojas, published in 1883

Background imageUniversity Collection: La Celestina, 1883, engraving with the Celestina making a spell

La Celestina, 1883, engraving with the Celestina making a spell

Background imageUniversity Collection: La Celestina, 1883, engraving with Calixto and Melibea under the tree

La Celestina, 1883, engraving with Calixto and Melibea under the tree

Background imageUniversity Collection: Cover of La Celestina by Fernando de Rojas, 1883 edition

Cover of La Celestina by Fernando de Rojas, 1883 edition

Background imageUniversity Collection: Rinconete and Cortadillo, from Novelas Ejemplares (Exemplary Novels) by Miguel de Cervantes

Rinconete and Cortadillo, from Novelas Ejemplares (Exemplary Novels) by Miguel de Cervantes, Valencia: Imp Salvador Fauli, 1769. Volume I. Engraving of the cover

Background imageUniversity Collection: Cover of Los trabajos de Persiles y Sigismunda (Works of Persiles and Sigismunda)

Cover of Los trabajos de Persiles y Sigismunda (Works of Persiles and Sigismunda) by Miguel de Cervantes. Madrid, 1617

Background imageUniversity Collection: Novelas Ejemplares (Exemplary Novels) by Miguel de Cervantes, Volume I, cover, Printing

Novelas Ejemplares (Exemplary Novels) by Miguel de Cervantes, Volume I, cover, Printing Salvador Fauli, Valencia 1769

Background imageUniversity Collection: Vida y hechos del Ingenioso Caballero Don Quijote de la Mancha (Life and facts of

Vida y hechos del Ingenioso Caballero Don Quijote de la Mancha (Life and facts of the Ingenious Gentleman Don Quixote from La Mancha), edition of 1608

Background imageUniversity Collection: Cover of the work Vida y hechos del Ingenioso Caballero Don Quijote de la Mancha

Cover of the work Vida y hechos del Ingenioso Caballero Don Quijote de la Mancha (Life and facts of the Ingenious Gentleman Don Quixote from La Mancha) by Miguel de Cervantes, volume 1, 1714

Background imageUniversity Collection: Engraving in an episode of Don Quixote, in Vida y hechos del Ingenioso Caballero

Engraving in an episode of Don Quixote, in Vida y hechos del Ingenioso Caballero Don Quijote de la Mancha (Life and facts of the Ingenious Gentleman Don Quixote from La Mancha)

Background imageUniversity Collection: Engraving in an episode of Don Quixote, in El Ingenioso Hidalgo Don Quijote de la Mancha

Engraving in an episode of Don Quixote, in El Ingenioso Hidalgo Don Quijote de la Mancha (The Ingenious Nobleman Don Quixote de la Mancha)

Background imageUniversity Collection: View of the city of San Sebastian. Engraving in Civitates Orbis Terrarum, 1576

View of the city of San Sebastian. Engraving in Civitates Orbis Terrarum, 1576 by George Braun with drawings by Frans Hoenberg and engravings by George Hoefnagel

Background imageUniversity Collection: View of the city of Burgos. Engraving in the work Civitates Orbis Terrarrum, 1576

View of the city of Burgos. Engraving in the work Civitates Orbis Terrarrum, 1576, by George Braun with drawings by Frans Hoenberg and engravings by George Hoefnagel

Background imageUniversity Collection: View of the city of Ecija and the Genil river. Engraving in the work Civitates Orbis Terrarum

View of the city of Ecija and the Genil river. Engraving in the work Civitates Orbis Terrarum, by George Braun, 1576, with drawings by Frans Hoenberg and engravings by George Hoefnagel

Background imageUniversity Collection: Francisco Pizarro and his companions are on the Gorgona island, engraving from 1726

Francisco Pizarro and his companions are on the Gorgona island, engraving from 1726, with the portrait of Diego de Almagro (1472-1538). Spanish conqueror

Background imageUniversity Collection: Juan Ponce fights with the Florida people and they are going to be killed, engraving

Juan Ponce fights with the Florida people and they are going to be killed, engraving from 1726, Juan Ponce de Leon (1460-1521), Spanish conqueror

Background imageUniversity Collection: Vasco Nunez takes possession of the South Sea, engraving from 1726, Vasco Nunez de Balboa

Vasco Nunez takes possession of the South Sea, engraving from 1726, Vasco Nunez de Balboa, (1475-1517), Spanish conqueror

Background imageUniversity Collection: Death of Magellan to intervene in the fight between natives in one of the islands

Death of Magellan to intervene in the fight between natives in one of the islands of the Philippines, on April 27, 1521, engraving from 1726

Background imageUniversity Collection: The ship Victoria on arrival to Seville in 1522, it was one of the five ships of

The ship Victoria on arrival to Seville in 1522, it was one of the five ships of Magellans expedition, that under the command of Juan Sebastian Elcano went around the world, engraving from 1726

Background imageUniversity Collection: The fleet of ships Trinidad, led by Magellan, Concepcion, San Antonio and Victoria

The fleet of ships Trinidad, led by Magellan, Concepcion, San Antonio and Victoria on its way to the South Sea after crossing the Strait of Magellan, engraving, 1726

Background imageUniversity Collection: Magellan discovers the Strait, engraving from 1726, Ferdinand Magellan (1480-1521)

Magellan discovers the Strait, engraving from 1726, Ferdinand Magellan (1480-1521), Portuguese navigator at the service of Spain

Background imageUniversity Collection: Cover of the work Cronica de la Nueva Espana (Chronicle of New Spain)

Cover of the work Cronica de la Nueva Espana (Chronicle of New Spain) by Francisco Lopez de Gomara, which includes the conquest of Mexico by Hernan Cortes. Edition of 1554

Background imageUniversity Collection: Cover of the work Opera Omnia by Paracelsus, edition of 1658

Cover of the work Opera Omnia by Paracelsus, edition of 1658

Background imageUniversity Collection: Cover of the work Ethicorum Nicomachiorum by Aristotle, edition of 1582

Cover of the work Ethicorum Nicomachiorum by Aristotle, edition of 1582

Background imageUniversity Collection: Cover of the work Fama y obras postumas (Fame and posthumous works) by Sor

Cover of the work Fama y obras postumas (Fame and posthumous works) by Sor Juana Ines de la Cruz, 1725 edition

Background imageUniversity Collection: Cover of a work by Ruiz de Alarcon

Cover of a work by Ruiz de Alarcon

Background imageUniversity Collection: Royal Commentaries of Garcilaso de la Vega, first page of Book First

Royal Commentaries of Garcilaso de la Vega, first page of Book First

Background imageUniversity Collection: First page of the book Comentarios Reales (Royal Commentaries), edition of 1723

First page of the book Comentarios Reales (Royal Commentaries), edition of 1723 with a dedicatory to King Philip V, written by Garcilaso de la Vega

Background imageUniversity Collection: Cover of the book La Araucana, 1776 edition with engraving of the bust of the author

Cover of the book La Araucana, 1776 edition with engraving of the bust of the author

Background imageUniversity Collection: View of the courtyard of the University of Baeza, where Antonio Machado taught between 1912

View of the courtyard of the University of Baeza, where Antonio Machado taught between 1912 and 1919, the two flats with rounded arches can be observed

Background imageUniversity Collection: Mural of David Alfaro Siqueiros on the facade of the building of the rectory

Mural of David Alfaro Siqueiros on the facade of the building of the rectory of the university campus

Background imageUniversity Collection: Facade of the University of La Laguna

Facade of the University of La Laguna

Background imageUniversity Collection: Carreras and Candi, Francisco (Barcelona, ??1862-1937), historian, geographer

Carreras and Candi, Francisco (Barcelona, ??1862-1937), historian, geographer and politician from Catalonia, Spain. In 1890 he was president of the Conservative Youth

Background imageUniversity Collection: The Forge of Vulcan, oil on canvas

The Forge of Vulcan, oil on canvas

Background imageUniversity Collection: Heavenly Globes, name and figures of the celestial constellations and signs of the Arctic

Heavenly Globes, name and figures of the celestial constellations and signs of the Arctic and Antarctic Poles. French engraving of 1667

Background imageUniversity Collection: Adoration of the Magi, oil on canvas by Francisco Rizzi

Adoration of the Magi, oil on canvas by Francisco Rizzi

Background imageUniversity Collection: Representation of a class at the University of Salamanca

Representation of a class at the University of Salamanca

Background imageUniversity Collection: University of Cervera. Chapel and main altar, by Jaime Padro i Cots (1777-1787)

University of Cervera. Chapel and main altar, by Jaime Padro i Cots (1777-1787)

Background imageUniversity Collection: University College, Gower Street, London, 1828. Artist: W Wallis

University College, Gower Street, London, 1828. Artist: W Wallis
University College, Gower Street, London, 1828

Background imageUniversity Collection: View of Oxford and Cambridge University Club, in Pall Mall, Westminster, London, c1840

View of Oxford and Cambridge University Club, in Pall Mall, Westminster, London, c1840. A view from the street, with pedestrians and horse drawn carriages



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