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An Idyll, c1815. Artist: Thomas RowlandsonAn Idyll, c1815. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]
Box Lobby Loungers of 1785, c1785. Artists: Thomas Rowlandson, Otto LimitedBox Lobby Loungers of 1785, c1785. Painting held at the J. Paul Getty Museum, Los Angeles. From The Connoisseur Volume 105. [Otto Limited, London, 1940]
A Book Auction, c1810. Artists: Otto Limited, Thomas RowlandsonA Book Auction, c1810. Painting held at the Yale Center for British Art, Connecticut. From The Connoisseur Volume 103. [Otto Limited, London, 1939]
Doctor Syntax Made Free of the Cellar, 1817. Artist: Thomas RowlandsonDoctor Syntax Made Free of the Cellar, 1817. From The Tour of Dr Syntax in Search of the Picturesque, by William Combe. [R Ackerman, 101 Strand, London, 1812]
The Hunt Supper, c1780-1825. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]
Weighing, c1789. Artist: Thomas RowlandsonWeighing, c1789. From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill [The Connoisseur Magazine, London, 1908]
An old English Village Scene, c18th century. (1941). Artist: Thomas RowlandsonAn old English Village Scene, c18th century. From The Connoisseur, 1941 edited by H. Granville Fell. [The National Magazine Co. Ltd, London, 1941]
Vicissitudes of the road in 1787, the highwayman, Lord Barrymore stopped, 1890. Richard Barry, 7th Earl Barrymore (1769-1793) was a notorious gambler, sportsman, rake and womaniser
The kill, fox hunting, 1787 (1890). A print from The Graphic, 6 December 1890
The Tour of Dr. Syntax in Search of the Picturesque, 19th century, (1907) Artist: Thomas RowlandsonThe Tour of Dr Syntax in Search of the Picturesque: Dr Syntax Gazing at Some Ruins, 19th century. An Illustration apparently designed for The Tour of Dr Syntax in Search of the Picturesque but not
Old Q or A Worn Out Debauchee, c1790, (1902) Artist: Thomas RowlandsonOld Q or A Worn Out Debauchee, c1790. William Douglas, 3rd Earl March, Fourth Duke of Queensbury (1725-1810). From the original water-colour drawing in the possession of Lady Dorothy Nevill. 1902
Sheep-Shearing, c1776-1827, (1906). Artist: Thomas RowlandsonSheep-Shearing. From The Studio Volume 38 [London Offices of the Studio, London, 1906.]
A Field Day in Hyde Park, 1789, (1914). Artist: Thomas Malton IIA Field Day in Hyde Park, 1789. Coloured aquatint by Thomas Malton (1748-1804), after Thomas Rowlandson (1756-1827). From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]
Military Scene: Landing Troops and Guns. 1801. (1914). Artist: Thomas RowlandsonMilitary Scene: Landing Troops and Guns, 1801. After an engraving by Thomas Rowlandson (1756-1827). From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]
Coach and Six, 1907. Artist: Thomas RowlandsonCoach and Six. After an original work by Thomas Rowlandson (1756-1827). From The Connoisseur 1907-8
A Squall in Hyde Park, 1791, (1929). Artist: Thomas RowlandsonA Squall in Hyde Park, 1791, (1929). Illustration from the Apollo Volume X, no 55, July 1929
The Chelsea Mall, 1929. Artist: Thomas RowlandsonThe Chelsea Mall, 1929. Londoners watching boats on the River Thames. Illustration from the Apollo Volume X, no 55, (July 1929)
The Falmouth Road, late 18th-early 19th century, (1929). Artist: Thomas RowlandsonThe Falmouth Road, late 18th-early 19th century, (1929). Illustration from the Apollo Volume X, no 55, (July 1929)
The Interior of a French Barracks, 1787, (1929). Artist: Thomas RowlandsonThe Interior of a French Barracks, 1787, (1929). Satire showing French soldiers preening in mirrors, having pedicures and pampering their wigs. Illustration from the Apollo Volume X, no 55, July 1929
Mr H Angelos Fencing Academy, 1791, (1929). Artist: Thomas RowlandsonMr H Angelos Fencing Academy, 1791, (1929). Illustration from the Apollo Volume X, no 55, (July 1929)
A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Illustration from the Apollo Volume X, no 55, (July 1929)
The Admiralty. - Board Room, c1841. Artist: Henry MelvilleThe Admiralty. - Board Room, c1841. From London Interiors with their Costumes & Ceremonies from Drawings made by permission of the Public Offices
Box Lobby Loungers of 1785, c1785. Artist: Thomas RowlandsonBox Lobby Loungers of 1785, c1785. Etching held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]
Christies Auction Rooms, (1790), 1901. Artist: Augustus Charles PuginChristies Auction Rooms, 1790. After an original engraving from The Microcosm of London, illustrated by Augustus Charles Pugin (1762-1832) and Thomas Rowlandson (1757-1827)
English Travelling, or the First Stage from Dover, 1785. Artist: Thomas RowlandsonEnglish Travelling, or the First Stage from Dover, 1785. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily
French Travelling, or the First Stage from Calais, 1792. Artist: F DukesFrench Travelling, or the First Stage from Calais, 1792. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily
A French Family, 1790. Artist: Samuel AlkenA French Family, 1790. An anti-French view of our continental cousins: a dog wearing clothes, a man with an effete hairstyle, a child showing her legs
Reconciliation or the Return from Scotland, late 18th century. Illustration from Social Caricature in the Eighteenth Century
How to escape winning, 1791. Artist: Thomas RowlandsonHow to escape winning, 1791. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
Going to the races, late 18th century. Artist: Thomas RowlandsonGoing to the races, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]
George Morland, 1786. Artist: Thomas RowlandsonGeorge Morland, 1786. Portrait of British artist George Morland (1763-1804). Illustration from Social Caricature in the Eighteenth Century
The Historian animating the mind of a young painter, 1784. Artist: Thomas RowlandsonThe Historian animating the mind of a young painter, 1784. Illustration from Social Caricature in the Eighteenth Century
Starving poet and publisher, late 18th century. Artist: Thomas RowlandsonStarving poet and publisher, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse
James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Artist: Thomas RowlandsonJames Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Scots writer James Boswell and his wife Margaret at tea with English lexicographer Dr Samuel Johnson
The Journalist with a view of Auchinleck or The Land of Stones, c 1786. Artist: Thomas RowlandsonThe Journalist with a view of Auchinleck or The Land of Stones, c 1786. Caricature of Scots writer James Boswell (1740-1795) on the coast near his family seat of Auchinleck in Scotland
Actor reciting to a manager, late 18th century. Artist: Thomas RowlandsonActor reciting to a manager, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse
The Prospect before us, 1791. Artist: Thomas RowlandsonThe Prospect before us, 1791. Respectfully dedicated to those singers, dancers and musical professors who are fortunately engaged with the proprietor of the Kings theatre at the pantheon
Comforts of Bath: The Games, or Assembly with Card Players, 1798. Artist: Thomas RowlandsonComforts of Bath: The Games, or Assembly with Card Players, 1798. The smart set enjoying the season at Bath, home of the famous Roman baths and Pump Room
A Sudden Squall in Hyde Park, c1791. Artist: Thomas RowlandsonA Sudden Squall in Hyde Park, c1791. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)
Vauxhall Gardens, 1795. Artist: Thomas RowlandsonVauxhall Gardens, 1795. Vauxhall Gardens in Lambeth, London, was a pleasure ground open for public amusement, and filled with statues, landscaped walks, theatrical arches, a Rotunda
1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson1784, or the Fashions of the Day, 1784. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]
The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Artist: Thomas RowlandsonThe Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Illustration from Social Caricature in the Eighteenth Century
The French coffee house, late 18th century. Artist: Thomas RowlandsonThe French coffee house, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]
The Reverend Doctor Syntax, 1828
The Dinner, Humours of Fox Hunting, 1799. Artist: Thomas RowlandsonThe Dinner, Humours of Fox Hunting, 1799
The Betting Post, Humours of Fox Hunting, 1799. Artist: Thomas RowlandsonThe Betting Post, Humours of Fox Hunting, 1799
Exhibition Stare Case, 1811. Artist: Thomas RowlandsonExhibition Stare Case, 1811. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow
A Bawd on Her Last Legs, 1792. Artist: Thomas RowlandsonA Bawd on Her Last Legs, 1792. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow
