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Thomas Collier Collection

Background imageThomas Collier Collection: Southwold from the Beach, c1860-1890, (1906). Creator: Thomas Collier

Southwold from the Beach, c1860-1890, (1906). Creator: Thomas Collier
Southwold from the Beach, c1860-1890, (1906). Watercolour by Tom Collier (1840-1891). Held at Shipley Art Gallery, Gateshead, Tyne & Wear, UK

Background imageThomas Collier Collection: Landscape, near Wareham, Dorset - an Outdoor Sketch, (c1900). Creator: Unknown

Landscape, near Wareham, Dorset - an Outdoor Sketch, (c1900). Creator: Unknown
Landscape, near Wareham, Dorset - an Outdoor Sketch, (c1900). Rural scene with sheep in the distance. Print after a late-19th century painting by Thomas Collier

Background imageThomas Collier Collection: Moorland Scene, 1878. Artist: Thomas Collier

Moorland Scene, 1878. Artist: Thomas Collier
Moorland Scene, 1878; a path through the moors with heather and sheep

Background imageThomas Collier Collection: Llanberis Pass, 1875. Artist: Thomas Collier

Llanberis Pass, 1875. Artist: Thomas Collier
Llanberis Pass, Gwynedd, Wales, 1875

Background imageThomas Collier Collection: The Marshes, c1879. Artist: Thomas Collier

The Marshes, c1879. Artist: Thomas Collier
The Marshes, c1879. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: Moel Siabod, c1886. Artist: Thomas Collier

Moel Siabod, c1886. Artist: Thomas Collier
Moel Siabod, c1886. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: The Windmill, c1890. Artist: Thomas Collier

The Windmill, c1890. Artist: Thomas Collier
The Windmill, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: The Downs near Lewes (Seaford Cliff in the distance), c1887. Artist: Thomas Collier

The Downs near Lewes (Seaford Cliff in the distance), c1887. Artist: Thomas Collier
The Downs near Lewes (Seaford Cliff in the distance), c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageThomas Collier Collection: A Common in August, c1890. Artist: Thomas Collier

A Common in August, c1890. Artist: Thomas Collier
A Common in August, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: Lock on the Kennet, 1889. Artist: Thomas Collier

Lock on the Kennet, 1889. Artist: Thomas Collier
Lock on the Kennet, 1889. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: Blythburgh Common, 1888. Artist: Thomas Collier

Blythburgh Common, 1888. Artist: Thomas Collier
Blythburgh Common, 1888. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: River Scene with Cottages, c1887. Artist: Thomas Collier

River Scene with Cottages, c1887. Artist: Thomas Collier
River Scene with Cottages, c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: A Path over the Fields, 1881. Artist: Thomas Collier

A Path over the Fields, 1881. Artist: Thomas Collier
A Path over the Fields, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: Stacking Peat, Festiniog, North Wales, 1881. Artist: Thomas Collier

Stacking Peat, Festiniog, North Wales, 1881. Artist: Thomas Collier
Stacking Peat, Festiniog, North Wales, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageThomas Collier Collection: Arundel Park, with Deer, 1880. Artist: Thomas Collier

Arundel Park, with Deer, 1880. Artist: Thomas Collier
Arundel Park, with Deer, 1880. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: Loch Awe, 1874. Artist: Thomas Collier

Loch Awe, 1874. Artist: Thomas Collier
Loch Awe, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: Arundel Park, 1874. Artist: Thomas Collier

Arundel Park, 1874. Artist: Thomas Collier
Arundel Park, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageThomas Collier Collection: A Sussex Common, c1889. Artist: Thomas Collier

A Sussex Common, c1889. Artist: Thomas Collier
A Sussex Common, c1889. From The Studio Volume 32. [London Offices of the Studio, London, 1904]

Background imageThomas Collier Collection: Southwold Common in August, c1889. Artists: Otto Limited, Thomas Collier

Southwold Common in August, c1889. Artists: Otto Limited, Thomas Collier
Southwold Common in August, c1889. From The Connoisseur Volume 104. [Otto Limited, London, 1939]

Background imageThomas Collier Collection: A Path Over the Fields, (1881), 1937

A Path Over the Fields, (1881), 1937
A Path Over the Fields, 1881. After a work by Thomas Collier (1840-1891). From The Connoisseur, 1937


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