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Theodore Lane Collection

Background imageTheodore Lane Collection: Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James

Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. Jamess Street, London, August 12, 1821

Background imageTheodore Lane Collection: Playing rackets, Fleet Prison, London, c1825. Artist: Theodore Lane

Playing rackets, Fleet Prison, London, c1825. Artist: Theodore Lane
Playing rackets, Fleet Prison, London, c1825

Background imageTheodore Lane Collection: The Rival Whiskers, n.d. Creator: Theodore Lane

The Rival Whiskers, n.d. Creator: Theodore Lane
The Rival Whiskers, n.d

Background imageTheodore Lane Collection: Trepanning, June 1821. Creator: Theodore Lane

Trepanning, June 1821. Creator: Theodore Lane
Trepanning, June 1821

Background imageTheodore Lane Collection: Theatrical Pleasures, Plate 4: Taken Places Occupied, ca. 1835. Creator: Theodore Lane

Theatrical Pleasures, Plate 4: Taken Places Occupied, ca. 1835. Creator: Theodore Lane
Theatrical Pleasures, Plate 4: Taken Places Occupied, ca. 1835

Background imageTheodore Lane Collection: Theatrical Pleasures, ( Snug in the Gallery, Plate 3), ca. 1835. Creator: Theodore Lane

Theatrical Pleasures, ( Snug in the Gallery, Plate 3), ca. 1835. Creator: Theodore Lane
Theatrical Pleasures, ( Snug in the Gallery, Plate 3), ca. 1835

Background imageTheodore Lane Collection: Theatrical Pleasures, Plate 5: Feasting in the Saloon, ca. 1835. Creator: Theodore Lane

Theatrical Pleasures, Plate 5: Feasting in the Saloon, ca. 1835. Creator: Theodore Lane
Theatrical Pleasures, Plate 5: Feasting in the Saloon, ca. 1835

Background imageTheodore Lane Collection: Dignity! - 'Grace was in all her Steps. Heaven in her eyes, In all her actions di

Dignity! - "Grace was in all her Steps. Heaven in her eyes, In all her actions di
Dignity! - " Grace was in all her Steps. Heaven in her eyes, In all her actions dignity", June 21, 1821

Background imageTheodore Lane Collection: A Wooden Substitute, or Any Port in a Storm, January 19, 1821. Creator: Theodore Lane

A Wooden Substitute, or Any Port in a Storm, January 19, 1821. Creator: Theodore Lane
A Wooden Substitute, or Any Port in a Storm, January 19, 1821

Background imageTheodore Lane Collection: Theatrical Pleasures, Plate 2: Contending for a Seat, ca. 1835. Creator: Theodore Lane

Theatrical Pleasures, Plate 2: Contending for a Seat, ca. 1835. Creator: Theodore Lane
Theatrical Pleasures, Plate 2: Contending for a Seat, ca. 1835

Background imageTheodore Lane Collection: The Rival Whiskers, ca. 1824. Creators: George Hunt, Theodore Lane

The Rival Whiskers, ca. 1824. Creators: George Hunt, Theodore Lane
The Rival Whiskers, ca. 1824. [" They look not like the Inhabitants o the Earth and yet are on t" ]

Background imageTheodore Lane Collection: Interior view of the Automaton Exhibition in the Gothic Hall, Haymarket, London, 1826

Interior view of the Automaton Exhibition in the Gothic Hall, Haymarket, London, 1826

Background imageTheodore Lane Collection: Delicious Dreams! Castles in the air! Glorious prospects!, 1821

Delicious Dreams! Castles in the air! Glorious prospects!, 1821. Queen Caroline and her supporters (Flinn, Hume, Lady Anne Hamilton, Alderman Wood)

Background imageTheodore Lane Collection: Grand entrance to Bamboozl em, 1821

Grand entrance to Bamboozl em, 1821. Queen Caroline and Alderman Matthew Wood heading a procession through the City, met by a group of Radical reformers

Background imageTheodore Lane Collection: Sunday Morning, c1825. Artist: George Hunt

Sunday Morning, c1825. Artist: George Hunt
Sunday Morning, c1825. Scene inside barbers shop; a hop boy receives a haircut (left); a large man being brutally shaved bellows with rage (centre)

Background imageTheodore Lane Collection: Queen Carolines procession

Queen Carolines procession
Luciferas procession, Fairy-queen, 1821. Queen Caroline as Lucifera sitting in a coach made of objects which figured in the evidence against her

Background imageTheodore Lane Collection: An old friend with a new face or the baron in disguise, 1821

An old friend with a new face or the baron in disguise, 1821. A bison with the head of Bartolomeo Pergami is embraced by Queen Caroline

Background imageTheodore Lane Collection: The man of the woods & the cat-o -mountain, 1821

The man of the woods & the cat-o -mountain, 1821. A monkey with Alderman Matthew Woods head squats beside a plump cat with the head of Queen Caroline; he puts his left hand on her shoulder

Background imageTheodore Lane Collection: Moments of pleasure, 1820

Moments of pleasure, 1820. Queen Caroline, seated on a couch receives the news of the Bill of Pains and Penalties being dropped and Alderman Matthew Wood dances around in front of her

Background imageTheodore Lane Collection: Stewards Court of the Manor of Torre Devon, 1820. Artist

Stewards Court of the Manor of Torre Devon, 1820. Artist
Stewards Court of the Manor of Torre Devon, 1820. Scene of the House of Lords as arranged for the Bill of Pains and Penalties intended to strip Queen Caroline of her tittles

Background imageTheodore Lane Collection: Proteus taking a benefit according to law, 1825

Proteus taking a benefit according to law, 1825
Proteus Taking a Benefit According to Law, 1825. Interior view of Whitecross Street Prison for debtors, London

Background imageTheodore Lane Collection: Amorous, clamorous, uproarious and glorious, all coming from a public dinner, c1820

Amorous, clamorous, uproarious and glorious, all coming from a public dinner, c1820. A merry making scene outside the closed iron gate of Covent Garden Theatre

Background imageTheodore Lane Collection: Returning Justice lifts aloft her Scale, 1821

Returning Justice lifts aloft her Scale, 1821. Caroline of Brunswick, between Bergami and Alderman Wood, falls from the tilting summit of a breaking pillar which rests on the word Adultery

Background imageTheodore Lane Collection: A Wooden Substitute, or Any Port in a Storm, 1821

A Wooden Substitute, or Any Port in a Storm, 1821. Alderman Wood takes Caroline of Brunswicks left arm, staring at her and grinning inanely; in the background Bergami stands with arms raised

Background imageTheodore Lane Collection: The Q-ns Ass in a Band-box, 1821

The Q-ns Ass in a Band-box, 1821. Caroline of Brunswick, inside a box, sits on a zebra which stands in a round band-box; the zebra, with the head of Alderman Wood

Background imageTheodore Lane Collection: Best Mode of Going to Bartholomew Fair, c1825. Artist: Theodore Lane

Best Mode of Going to Bartholomew Fair, c1825. Artist: Theodore Lane
Best Mode of Going to Bartholomew Fair, c1825. A man wearing a spiked barrel, marked By Your Leave. Possibly a derogatory comment on the Irish, as he is wearing green, and carries a wooden club

Background imageTheodore Lane Collection: People bargaining for mounts at West Smithfield, London, 1825. Artist: Theodore Lane

People bargaining for mounts at West Smithfield, London, 1825. Artist: Theodore Lane
People bargaining for mounts at West Smithfield, London, 1825. Child chimney-sweeps covered in soot ride a donkey. A white horse panics

Background imageTheodore Lane Collection: Kings Bench Prison, Southwark, London, c1825. Artist: Theodore Lane

Kings Bench Prison, Southwark, London, c1825. Artist: Theodore Lane
View of the yard at Kings Bench Prison, Southwark, London, c1825; showing figures playing with rackets and balls, whilst spectators watch from the windows above

Background imageTheodore Lane Collection: The Enthusiast (?The Gouty Angler?), 1850. Artist: HG Beckwith

The Enthusiast (?The Gouty Angler?), 1850. Artist: HG Beckwith
The Enthusiast (?The Gouty Angler?), 1850. After Theodore Lane (1800?1828)


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