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The Studio Collection

Background imageThe Studio Collection: The Midnight Ride of Paul Revere, 1931, (1943). Creator: Grant DeVolson Wood

The Midnight Ride of Paul Revere, 1931, (1943). Creator: Grant DeVolson Wood
The Midnight Ride of Paul Revere, 1931, (1943). Depiction of the legendary journey of American patriot Paul Revere from Boston to Lexington in 1775

Background imageThe Studio Collection: I Make Myself Known to My Aunt. Etching from David Copperfield, c1840-1880, (1923)

I Make Myself Known to My Aunt. Etching from David Copperfield, c1840-1880, (1923). Artist: Hablot Knight Browne
I Make Myself Known to My Aunt. Etching from David Copperfield, 1840-1880, (1923). David Copperfield is the eighth novel by Charles Dickens

Background imageThe Studio Collection: The Gulf Stream, 1899, (1943). Creator: Winslow Homer

The Gulf Stream, 1899, (1943). Creator: Winslow Homer
The Gulf Stream, 1899, (1943). A man drifts on his fishing boat which has lost its mast. Sharks surround the boat, and a waterspout approaches ominously

Background imageThe Studio Collection: Neeltje Tuyp, 1897 (1898). Artist: Nico Jungmann

Neeltje Tuyp, 1897 (1898). Artist: Nico Jungmann
Neeltje Tuyp, 1897 (1898). Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Background imageThe Studio Collection: Stags heads, 1898. Artist: Henry Moore

Stags heads, 1898. Artist: Henry Moore
Stags heads, 1898. From studies by Henry Moore. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Background imageThe Studio Collection: The Snake and the Frog, 1898. Artist: Kawanabe Kyosai

The Snake and the Frog, 1898. Artist: Kawanabe Kyosai
The Snake and the Frog, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Background imageThe Studio Collection: Column on the March, 1915. (1943). Creator: CRW Nevinson

Column on the March, 1915. (1943). Creator: CRW Nevinson
Column on the March, 1915. (1943). Soldiers marching during the First World War. Painting in the Birmingham Museum & Art Gallery. From " The Studio", Volume 125

Background imageThe Studio Collection: Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock

Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock
Let Me Think of the Comfortable Family Dinners. 1862, (1923). Dreamthorp: a Book of Essays Written in the Country, had a running theme in an understanding that human finiteness contributes to our

Background imageThe Studio Collection: Tessa at Home. From George Eliots Romola, 1862-63, (1923). Artist: Frederic Leighton

Tessa at Home. From George Eliots Romola, 1862-63, (1923). Artist: Frederic Leighton
Tessa at Home. From George Eliots Romola, 1862-63, (1923). Romola (1862-63) is a historical novel by George Eliot set in the fifteenth century

Background imageThe Studio Collection: Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Background imageThe Studio Collection: Rosamond, Queen of the Lombards. c1850-1900, (1923). Artist: Frederick Augustus Sandys

Rosamond, Queen of the Lombards. c1850-1900, (1923). Artist: Frederick Augustus Sandys
Rosamond, Queen of the Lombards. c1850-1900, (1923). Rosamund ( fl. 572) was a Lombard queen. She was the daughter of Cunimund, king of the Gepids, and wife of Alboin, king of the Lombards

Background imageThe Studio Collection: Amor Mundi. From Christine Rossettis Poem. c1850-1900, (1923). Artist: Frederick Augustus Sandys

Amor Mundi. From Christine Rossettis Poem. c1850-1900, (1923). Artist: Frederick Augustus Sandys
Amor Mundi. From Christine Rossettis Poem. c1850-1900, (1923). The tone of the poem in general describes in loss of hope and misery

Background imageThe Studio Collection: L Etang De Menil, 1898. Artist: Fernand Khnopff

L Etang De Menil, 1898. Artist: Fernand Khnopff
L Etang De Menil, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Background imageThe Studio Collection: Portrait of a woman, 1898. Artist: Aubrey Beardsley

Portrait of a woman, 1898. Artist: Aubrey Beardsley
Portrait of a woman, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Background imageThe Studio Collection: Hunting animals, 1898. Artist: Kawanabe Kyosai

Hunting animals, 1898. Artist: Kawanabe Kyosai
Hunting animals, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Background imageThe Studio Collection: A Dutch boatman, 1898. Artist: Nico Jungmann

A Dutch boatman, 1898. Artist: Nico Jungmann
A Dutch boatman, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Background imageThe Studio Collection: Mont Ste. Victoire, c1880s, (1946). Creator: Paul Cezanne

Mont Ste. Victoire, c1880s, (1946). Creator: Paul Cezanne
Mont Ste. Victoire, c1880s, (1946). The Montagne Sainte-Victoire in Provence, France. From " The Studio", Volume 132, July - December 1946. [The Offices of the Studio, London, 1946]

Background imageThe Studio Collection: Chesil Beach, late 18th-early 19th century, (1943). Creator: John Constable

Chesil Beach, late 18th-early 19th century, (1943). Creator: John Constable
Chesil Beach, late 18th-early 19th century, (1943). View of Chesil Beach in Dorset. From " The Studio", Volume 125. [The Offices of the Studio, London & New York, 1943]

Background imageThe Studio Collection: Lucerne - Evening, c1842, (1946). Creator: JMW Turner

Lucerne - Evening, c1842, (1946). Creator: JMW Turner
Lucerne - Evening, c1842, (1946). View of Lake Lucerne in Switzerland. From " The Studio", Volume 132, July - December 1946. [The Offices of the Studio, London, 1946]

Background imageThe Studio Collection: Flowers, c1920s, (1943). Creator: Jozef Pankiewicz

Flowers, c1920s, (1943). Creator: Jozef Pankiewicz
Flowers, c1920s, (1943). From " The Studio", Volume 125. [The Offices of the Studio, London & New York, 1943]

Background imageThe Studio Collection: Hotel De Ville, Ghent, 1923. Artist: John Sell Cotman

Hotel De Ville, Ghent, 1923. Artist: John Sell Cotman
Hotel De Ville, Ghent, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: On the Rampart, Domfont, France, 1923. Artist: John Sell Cotman

On the Rampart, Domfont, France, 1923. Artist: John Sell Cotman
On the Rampart, Domfont, France, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Classical Landscape, 1923. Artist: John Sell Cotman

Classical Landscape, 1923. Artist: John Sell Cotman
Classical Landscape, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: A Dismasted Brig, 1923. Artist: John Sell Cotman

A Dismasted Brig, 1923. Artist: John Sell Cotman
A Dismasted Brig, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: In Norwich Cathedral, 1923. Artist: John Sell Cotman

In Norwich Cathedral, 1923. Artist: John Sell Cotman
In Norwich Cathedral, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Walsingham Abbey, 1923. Artist: John Sell Cotman

Walsingham Abbey, 1923. Artist: John Sell Cotman
Walsingham Abbey, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: New Bridge, Durham, 1923. Artist: John Sell Cotman

New Bridge, Durham, 1923. Artist: John Sell Cotman
New Bridge, Durham, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Greta Woods, 1923. Artist: John Sell Cotman

Greta Woods, 1923. Artist: John Sell Cotman
Greta Woods, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Durham Cathedral, 1923. Artist: John Sell Cotman

Durham Cathedral, 1923. Artist: John Sell Cotman
Durham Cathedral, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Trees Near The Greta River, 1923. Artist: John Sell Cotman

Trees Near The Greta River, 1923. Artist: John Sell Cotman
Trees Near The Greta River, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: The Drop Gate, Duncombe Park, 1923. Artist: John Sell Cotman

The Drop Gate, Duncombe Park, 1923. Artist: John Sell Cotman
The Drop Gate, Duncombe Park, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Richmond, Yorkshire, 1923. Artist: John Sell Cotman

Richmond, Yorkshire, 1923. Artist: John Sell Cotman
Richmond, Yorkshire, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: St. Mary Redcliffe, Bristol, 1923. Artist: John Sell Cotman

St. Mary Redcliffe, Bristol, 1923. Artist: John Sell Cotman
St. Mary Redcliffe, Bristol, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: The Lake, 1923. Artist: John Sell Cotman

The Lake, 1923. Artist: John Sell Cotman
The Lake, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: The Shepherd Landscape, 1923. Artist: John Sell Cotman

The Shepherd Landscape, 1923. Artist: John Sell Cotman
The Shepherd Landscape, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Park Scene, 1923. Artist: John Sell Cotman

Park Scene, 1923. Artist: John Sell Cotman
Park Scene, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Rocky Landscape, Sunset, 1923. Artist: John Sell Cotman

Rocky Landscape, Sunset, 1923. Artist: John Sell Cotman
Rocky Landscape, Sunset, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Composition Called Toledo, 1923. Artist: John Sell Cotman

Composition Called Toledo, 1923. Artist: John Sell Cotman
Composition Called Toledo, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Dark Trees, 1923. Artist: John Sell Cotman

Dark Trees, 1923. Artist: John Sell Cotman
Dark Trees, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Castle on a Hill, 1923. Artist: John Sell Cotman

Castle on a Hill, 1923. Artist: John Sell Cotman
Castle on a Hill, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Mountain Scene, 1923. Artist: John Sell Cotman

Mountain Scene, 1923. Artist: John Sell Cotman
Mountain Scene, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Lake in Wales, 1923. Artist: John Sell Cotman

Lake in Wales, 1923. Artist: John Sell Cotman
Lake in Wales, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: A Ploughed Field, 1923. Artist: John Sell Cotman

A Ploughed Field, 1923. Artist: John Sell Cotman
A Ploughed Field, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Illustration from History of the Plague (Defoe), 1862, (1923). Artist: Frederic Shields

Illustration from History of the Plague (Defoe), 1862, (1923). Artist: Frederic Shields
Illustration from History of the Plague (Defoe), 1862, (1923). Frederic James Shields (1833-1911) was a British artist, illustrator and designer closely associated with the Pre-Raphaelites

Background imageThe Studio Collection: Box Wrapper, c1925. Artist: Robert Burns

Box Wrapper, c1925. Artist: Robert Burns
Box Wrapper, c1925. A box wrapper believed to have been designed for Crawfrods Cafe of Princes Street, Edinburgh. From Art and Publicity - Fine Printing and Design by Sydney R. Jones

Background imageThe Studio Collection: Design for Stage Setting, c1927. Artist: Alexander Baranowsky

Design for Stage Setting, c1927. Artist: Alexander Baranowsky
Design for Stage Setting, c1927. From Design in the Theatre edited by Geoffrey Holme. [The Studio, Ltd. London, 1927]

Background imageThe Studio Collection: Costume Design, 1926, (1927). Artist: Reginald Leefe

Costume Design, 1926, (1927). Artist: Reginald Leefe
Costume Design, 1926, (1927). From Design in the Theatre edited by Geoffrey Holme. [The Studio, Ltd. London, 1927]

Background imageThe Studio Collection: Stage Setting for The Faithful Shepherdess, c1927. Artist: Norman Wilkinson of Four Oaks

Stage Setting for The Faithful Shepherdess, c1927. Artist: Norman Wilkinson of Four Oaks
Stage Setting for The Faithful Shepherdess, c1927. The Faithful Shepherdess is a Jacobean era stage play, the work that inaugurated the playwriting career of John Fletcher (1579-1625)



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