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The Studio Collection

Background imageThe Studio Collection: The Midnight Ride of Paul Revere, 1931, (1943). Creator: Grant DeVolson Wood

The Midnight Ride of Paul Revere, 1931, (1943). Creator: Grant DeVolson Wood
The Midnight Ride of Paul Revere, 1931, (1943). Depiction of the legendary journey of American patriot Paul Revere from Boston to Lexington in 1775

Background imageThe Studio Collection: I Make Myself Known to My Aunt. Etching from David Copperfield, c1840-1880, (1923)

I Make Myself Known to My Aunt. Etching from David Copperfield, c1840-1880, (1923). Artist: Hablot Knight Browne
I Make Myself Known to My Aunt. Etching from David Copperfield, 1840-1880, (1923). David Copperfield is the eighth novel by Charles Dickens

Background imageThe Studio Collection: The Gulf Stream, 1899, (1943). Creator: Winslow Homer

The Gulf Stream, 1899, (1943). Creator: Winslow Homer
The Gulf Stream, 1899, (1943). A man drifts on his fishing boat which has lost its mast. Sharks surround the boat, and a waterspout approaches ominously

Background imageThe Studio Collection: Neeltje Tuyp, 1897 (1898). Artist: Nico Jungmann

Neeltje Tuyp, 1897 (1898). Artist: Nico Jungmann
Neeltje Tuyp, 1897 (1898). Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Background imageThe Studio Collection: Stags heads, 1898. Artist: Henry Moore

Stags heads, 1898. Artist: Henry Moore
Stags heads, 1898. From studies by Henry Moore. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Background imageThe Studio Collection: Column on the March, 1915. (1943). Creator: CRW Nevinson

Column on the March, 1915. (1943). Creator: CRW Nevinson
Column on the March, 1915. (1943). Soldiers marching during the First World War. Painting in the Birmingham Museum & Art Gallery. From " The Studio", Volume 125

Background imageThe Studio Collection: Mont Ste. Victoire, c1880s, (1946). Creator: Paul Cezanne

Mont Ste. Victoire, c1880s, (1946). Creator: Paul Cezanne
Mont Ste. Victoire, c1880s, (1946). The Montagne Sainte-Victoire in Provence, France. From " The Studio", Volume 132, July - December 1946. [The Offices of the Studio, London, 1946]

Background imageThe Studio Collection: Chesil Beach, late 18th-early 19th century, (1943). Creator: John Constable

Chesil Beach, late 18th-early 19th century, (1943). Creator: John Constable
Chesil Beach, late 18th-early 19th century, (1943). View of Chesil Beach in Dorset. From " The Studio", Volume 125. [The Offices of the Studio, London & New York, 1943]

Background imageThe Studio Collection: Lucerne - Evening, c1842, (1946). Creator: JMW Turner

Lucerne - Evening, c1842, (1946). Creator: JMW Turner
Lucerne - Evening, c1842, (1946). View of Lake Lucerne in Switzerland. From " The Studio", Volume 132, July - December 1946. [The Offices of the Studio, London, 1946]

Background imageThe Studio Collection: Flowers, c1920s, (1943). Creator: Jozef Pankiewicz

Flowers, c1920s, (1943). Creator: Jozef Pankiewicz
Flowers, c1920s, (1943). From " The Studio", Volume 125. [The Offices of the Studio, London & New York, 1943]

Background imageThe Studio Collection: The Snake and the Frog, 1898. Artist: Kawanabe Kyosai

The Snake and the Frog, 1898. Artist: Kawanabe Kyosai
The Snake and the Frog, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Background imageThe Studio Collection: Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock

Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock
Let Me Think of the Comfortable Family Dinners. 1862, (1923). Dreamthorp: a Book of Essays Written in the Country, had a running theme in an understanding that human finiteness contributes to our

Background imageThe Studio Collection: Tessa at Home. From George Eliots Romola, 1862-63, (1923). Artist: Frederic Leighton

Tessa at Home. From George Eliots Romola, 1862-63, (1923). Artist: Frederic Leighton
Tessa at Home. From George Eliots Romola, 1862-63, (1923). Romola (1862-63) is a historical novel by George Eliot set in the fifteenth century

Background imageThe Studio Collection: Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Background imageThe Studio Collection: Rosamond, Queen of the Lombards. c1850-1900, (1923). Artist: Frederick Augustus Sandys

Rosamond, Queen of the Lombards. c1850-1900, (1923). Artist: Frederick Augustus Sandys
Rosamond, Queen of the Lombards. c1850-1900, (1923). Rosamund ( fl. 572) was a Lombard queen. She was the daughter of Cunimund, king of the Gepids, and wife of Alboin, king of the Lombards

Background imageThe Studio Collection: Amor Mundi. From Christine Rossettis Poem. c1850-1900, (1923). Artist: Frederick Augustus Sandys

Amor Mundi. From Christine Rossettis Poem. c1850-1900, (1923). Artist: Frederick Augustus Sandys
Amor Mundi. From Christine Rossettis Poem. c1850-1900, (1923). The tone of the poem in general describes in loss of hope and misery

Background imageThe Studio Collection: L Etang De Menil, 1898. Artist: Fernand Khnopff

L Etang De Menil, 1898. Artist: Fernand Khnopff
L Etang De Menil, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

Background imageThe Studio Collection: Portrait of a woman, 1898. Artist: Aubrey Beardsley

Portrait of a woman, 1898. Artist: Aubrey Beardsley
Portrait of a woman, 1898. Plate taken from The Studio magazine, volume 13, no 62 (London, 14th May 1898)

Background imageThe Studio Collection: Hunting animals, 1898. Artist: Kawanabe Kyosai

Hunting animals, 1898. Artist: Kawanabe Kyosai
Hunting animals, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Background imageThe Studio Collection: A Dutch boatman, 1898. Artist: Nico Jungmann

A Dutch boatman, 1898. Artist: Nico Jungmann
A Dutch boatman, 1898. Plate taken from The Studio magazine, volume 15, no 67 (London, 15th October 1898)

Background imageThe Studio Collection: Hotel De Ville, Ghent, 1923. Artist: John Sell Cotman

Hotel De Ville, Ghent, 1923. Artist: John Sell Cotman
Hotel De Ville, Ghent, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: On the Rampart, Domfont, France, 1923. Artist: John Sell Cotman

On the Rampart, Domfont, France, 1923. Artist: John Sell Cotman
On the Rampart, Domfont, France, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Classical Landscape, 1923. Artist: John Sell Cotman

Classical Landscape, 1923. Artist: John Sell Cotman
Classical Landscape, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: A Dismasted Brig, 1923. Artist: John Sell Cotman

A Dismasted Brig, 1923. Artist: John Sell Cotman
A Dismasted Brig, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: In Norwich Cathedral, 1923. Artist: John Sell Cotman

In Norwich Cathedral, 1923. Artist: John Sell Cotman
In Norwich Cathedral, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Walsingham Abbey, 1923. Artist: John Sell Cotman

Walsingham Abbey, 1923. Artist: John Sell Cotman
Walsingham Abbey, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: New Bridge, Durham, 1923. Artist: John Sell Cotman

New Bridge, Durham, 1923. Artist: John Sell Cotman
New Bridge, Durham, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Greta Woods, 1923. Artist: John Sell Cotman

Greta Woods, 1923. Artist: John Sell Cotman
Greta Woods, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Durham Cathedral, 1923. Artist: John Sell Cotman

Durham Cathedral, 1923. Artist: John Sell Cotman
Durham Cathedral, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Trees Near The Greta River, 1923. Artist: John Sell Cotman

Trees Near The Greta River, 1923. Artist: John Sell Cotman
Trees Near The Greta River, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: The Drop Gate, Duncombe Park, 1923. Artist: John Sell Cotman

The Drop Gate, Duncombe Park, 1923. Artist: John Sell Cotman
The Drop Gate, Duncombe Park, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Richmond, Yorkshire, 1923. Artist: John Sell Cotman

Richmond, Yorkshire, 1923. Artist: John Sell Cotman
Richmond, Yorkshire, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: St. Mary Redcliffe, Bristol, 1923. Artist: John Sell Cotman

St. Mary Redcliffe, Bristol, 1923. Artist: John Sell Cotman
St. Mary Redcliffe, Bristol, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: The Lake, 1923. Artist: John Sell Cotman

The Lake, 1923. Artist: John Sell Cotman
The Lake, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: The Shepherd Landscape, 1923. Artist: John Sell Cotman

The Shepherd Landscape, 1923. Artist: John Sell Cotman
The Shepherd Landscape, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Park Scene, 1923. Artist: John Sell Cotman

Park Scene, 1923. Artist: John Sell Cotman
Park Scene, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Rocky Landscape, Sunset, 1923. Artist: John Sell Cotman

Rocky Landscape, Sunset, 1923. Artist: John Sell Cotman
Rocky Landscape, Sunset, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Composition Called Toledo, 1923. Artist: John Sell Cotman

Composition Called Toledo, 1923. Artist: John Sell Cotman
Composition Called Toledo, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Dark Trees, 1923. Artist: John Sell Cotman

Dark Trees, 1923. Artist: John Sell Cotman
Dark Trees, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Castle on a Hill, 1923. Artist: John Sell Cotman

Castle on a Hill, 1923. Artist: John Sell Cotman
Castle on a Hill, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Mountain Scene, 1923. Artist: John Sell Cotman

Mountain Scene, 1923. Artist: John Sell Cotman
Mountain Scene, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Lake in Wales, 1923. Artist: John Sell Cotman

Lake in Wales, 1923. Artist: John Sell Cotman
Lake in Wales, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: A Ploughed Field, 1923. Artist: John Sell Cotman

A Ploughed Field, 1923. Artist: John Sell Cotman
A Ploughed Field, 1923. From The Water-Colour Drawings of John Sell Cotman, edited by C.G. Holme. [The Studio Limited, London, 1923]

Background imageThe Studio Collection: Illustration from History of the Plague (Defoe), 1862, (1923). Artist: Frederic Shields

Illustration from History of the Plague (Defoe), 1862, (1923). Artist: Frederic Shields
Illustration from History of the Plague (Defoe), 1862, (1923). Frederic James Shields (1833-1911) was a British artist, illustrator and designer closely associated with the Pre-Raphaelites

Background imageThe Studio Collection: Box Wrapper, c1925. Artist: Robert Burns

Box Wrapper, c1925. Artist: Robert Burns
Box Wrapper, c1925. A box wrapper believed to have been designed for Crawfrods Cafe of Princes Street, Edinburgh. From Art and Publicity - Fine Printing and Design by Sydney R. Jones

Background imageThe Studio Collection: Design for Stage Setting, c1927. Artist: Alexander Baranowsky

Design for Stage Setting, c1927. Artist: Alexander Baranowsky
Design for Stage Setting, c1927. From Design in the Theatre edited by Geoffrey Holme. [The Studio, Ltd. London, 1927]

Background imageThe Studio Collection: Costume Design, 1926, (1927). Artist: Reginald Leefe

Costume Design, 1926, (1927). Artist: Reginald Leefe
Costume Design, 1926, (1927). From Design in the Theatre edited by Geoffrey Holme. [The Studio, Ltd. London, 1927]

Background imageThe Studio Collection: Stage Setting for The Faithful Shepherdess, c1927. Artist: Norman Wilkinson of Four Oaks

Stage Setting for The Faithful Shepherdess, c1927. Artist: Norman Wilkinson of Four Oaks
Stage Setting for The Faithful Shepherdess, c1927. The Faithful Shepherdess is a Jacobean era stage play, the work that inaugurated the playwriting career of John Fletcher (1579-1625)

Background imageThe Studio Collection: Craven A - English Poster, c1926. Artist: Jean D ylen

Craven A - English Poster, c1926. Artist: Jean D ylen
Virginia Cigarettes - English Poster, c1926. From Posters & Publicity - Fine Printing and Design by Sydney R. Jones, edited by Geoffrey Holme. [The Studio, Ltd. London, 1926]

Background imageThe Studio Collection: Design for Costume in Ben Jonsons The Devil is an Ass, c1927. Artist: Claud Lovat Fraser

Design for Costume in Ben Jonsons The Devil is an Ass, c1927. Artist: Claud Lovat Fraser
Design for Costume in Ben Jonsons The Devil is an Ass, c1927. The Devil Is an Ass is a Jacobean comedy by Ben Jonson, first performed in 1616 and first published in 1631

Background imageThe Studio Collection: Rikola Verlag, c1926. Artist: Lupus

Rikola Verlag, c1926. Artist: Lupus
Rikola Verlag, c1926. From Posters & Publicity - Fine Printing and Design by Sydney R. Jones, edited by Geoffrey Holme. [The Studio, Ltd. London, 1926]

Background imageThe Studio Collection: Bretelles Filver - French Poster, c1926. Artist: Jean D ylen

Bretelles Filver - French Poster, c1926. Artist: Jean D ylen
Bretelles Filver - French Poster, c1926. From Posters & Publicity - Fine Printing and Design by Sydney R. Jones, edited by Geoffrey Holme. [The Studio, Ltd. London, 1926]

Background imageThe Studio Collection: Western Highlands - First Class Hotels - British Poster, c1926. Artist: Andrew Johnson

Western Highlands - First Class Hotels - British Poster, c1926. Artist: Andrew Johnson
Western Highlands - First Class Hotels - British Poster, c1926. From Posters & Publicity - Fine Printing and Design by Sydney R. Jones, edited by Geoffrey Holme. [The Studio, Ltd. London, 1926]

Background imageThe Studio Collection: Riquet with the Tuft. From Charles Perraults Fairy Tales. Water-Colour Drawing, 1923

Riquet with the Tuft. From Charles Perraults Fairy Tales. Water-Colour Drawing, 1923. Artist: Harry Clarke
Riquet with the Tuft. From Charles Perraults Fairy Tales. Water-Colour Drawing, 1923. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme. [The Studio, Ltd. London, 1923]

Background imageThe Studio Collection: The Facts in the Case of M. Valdemar. 1923

The Facts in the Case of M. Valdemar. 1923. The Facts in the Case of M. Valdemar is a short story by American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at

Background imageThe Studio Collection: Illustration to Wordsworths Poem To The Daisy, No. 2, 1923. Artist: Eleanor Fortescue-Brickdale

Illustration to Wordsworths Poem To The Daisy, No. 2, 1923. Artist: Eleanor Fortescue-Brickdale
Illustration to Wordsworths Poem To The Daisy, No. 2, 1923. William Wordsworth (7 April 1770 - 23 April 1850) was a major English Romantic poet

Background imageThe Studio Collection: Lois and Her Nurse. From A Book of Quaker Saints. (L. V. Hodgkin. ), 1923

Lois and Her Nurse. From A Book of Quaker Saints. (L. V. Hodgkin. ), 1923. Artist: Frederick Cayley Robinson
Lois and Her Nurse. From A Book of Quaker Saints. (L. V. Hodgkin.), 1923. IA Book of Quaker Saints, was written for the instruction of Quaker children

Background imageThe Studio Collection: Whispering Trees, From A Dish of Apples, 1917, (1923). Artist: Arthur Rackham

Whispering Trees, From A Dish of Apples, 1917, (1923). Artist: Arthur Rackham
Whispering Trees, From A Dish of Apples 1917, (1923). A collection of poems written by Eden Phillpotts (1862-1960) is written on a theme of nature and harvest

Background imageThe Studio Collection: To Make My Small Elves Coats, 1908, (1923). Artist: Arthur Rackham

To Make My Small Elves Coats, 1908, (1923). Artist: Arthur Rackham
To Make My Small Elves Coats, 1908, (1923). From A Midsummer Nights Dream. Act II, Scene 2 (Shakespeare). From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme

Background imageThe Studio Collection: Little Brother and Little Sister, 1917, (1923). Artist: Arthur Rackham

Little Brother and Little Sister, 1917, (1923). Artist: Arthur Rackham
Little Brother and Little Sister, 1917, (1923). Tired of the cruel mistreatment they endure from their wicked stepmother, who is also a witch, a brother and sister run away from home

Background imageThe Studio Collection: Don Quixote. Pen Sketch from Line: An Art Study, 1923. Artist: Edmund Joseph Sullivan

Don Quixote. Pen Sketch from Line: An Art Study, 1923. Artist: Edmund Joseph Sullivan
Don Quixote. Pen Sketch from Line: An Art Study, 1923. A Spanish novel by Miguel de Cervantes Saavedra. Published in two volumes, in 1605 and 1615

Background imageThe Studio Collection: The Legend of St. Cuthbert, Pen Drawing, 1891-1920, (1923). Artist: Robert Spencer

The Legend of St. Cuthbert, Pen Drawing, 1891-1920, (1923). Artist: Robert Spencer
The Legend of St. Cuthbert, Pen Drawing, 1891-1920, (1923). Cuthbert, monk, hermit and Bishop of Lindisfarne, died on 20 March 687

Background imageThe Studio Collection: The Rape of the Lock. (Alexander Pope. ) Pen Drawing, 1896, (1923). Artist: Aubrey Beardsley

The Rape of the Lock. (Alexander Pope. ) Pen Drawing, 1896, (1923). Artist: Aubrey Beardsley
The Rape of the Lock. (Alexander Pope.) Pen Drawing, 1896, (1923). The Rape of the Lock is a mock-heroic narrative poem written by Alexander Pope with Art Nouveau illustration by Aubrey Beardesley

Background imageThe Studio Collection: Christian Fighting Apollyon, 1895, (1923). Artist: William Strang

Christian Fighting Apollyon, 1895, (1923). Artist: William Strang
Christian Fighting Apollyon, 1895, (1923). From: The pilgrims progress, in the centre, Christian is falling back under the weight of Apollyon, a winged demon

Background imageThe Studio Collection: The Poems of Ronsard. Original Woodcut, 1902, (1923). Artist: Lucien Pissarro

The Poems of Ronsard. Original Woodcut, 1902, (1923). Artist: Lucien Pissarro
The Poems of Ronsard. Original Woodcut, 1902, (1923). Pierre de Ronsard (1524-1585) was a French poet or, as his own generation in France called him, a prince of poets

Background imageThe Studio Collection: Illustration from Morte D Arthur, 1893-1894, (1923). Artist: Aubrey Beardsley

Illustration from Morte D Arthur, 1893-1894, (1923). Artist: Aubrey Beardsley
Illustration from Morte D Arthur, 1893-1894, (1923). Le Morte d Arthur is a reworking of traditional tales by Sir Thomas Malory about the legendary King Arthur

Background imageThe Studio Collection: Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). Artist: Hugh Thomson

Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). Artist: Hugh Thomson
Well, My Kate, I See You Have Changed Your Dress As I Bade You. 1912, (1923). She Stoops to Conquer is a comedy by Anglo-Irish author Oliver Goldsmith that was first performed in London in 1773

Background imageThe Studio Collection: The Letter. Unpublished Pen Drawing, 1890, 1923. Artist: Edwin Austin Abbey

The Letter. Unpublished Pen Drawing, 1890, 1923. Artist: Edwin Austin Abbey
The Letter. Unpublished Pen Drawing, 1890, 1923. Edwin Austin Abbey RA (1852-1911) was an American muralist, illustrator, and painter

Background imageThe Studio Collection: The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923)

The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923). Artist: Henry Holiday
The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923). The Hunting of the Snark (An Agony in 8 Fits) is a poem written by Lewis Carroll

Background imageThe Studio Collection: Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Artist: Catherine Greenaway

Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Artist: Catherine Greenaway
Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Catherine Kate Greenaway (1846-1901) was an English childrens book illustrator and writer

Background imageThe Studio Collection: Juvenile Party, From Punch, 1864, (1923). Artist: John Leech

Juvenile Party, From Punch, 1864, (1923). Artist: John Leech
Juvenile Party, From Punch, 1864, (1923). A work devoted to the serious glorification of juvenile aristocracy. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme

Background imageThe Studio Collection: Boxing Night. Pen Drawing on Wood, c1890, (1923). Artist: Luke Fildes

Boxing Night. Pen Drawing on Wood, c1890, (1923). Artist: Luke Fildes
Boxing Night. Pen Drawing on Wood, 1923. Sir Samuel Luke Fildes (1843-1927) was an English painter and illustrator born in Liverpool and trained at the South Kensington and Royal Academy schools

Background imageThe Studio Collection: The Shepheards Calendar - March, 1898, (1923). Artist: Walter Crane

The Shepheards Calendar - March, 1898, (1923). Artist: Walter Crane
The Shepheards Calendar - March, 1898, (1923).. Cranes cover design for Spensers Shepheards Calender is bold in its blatantly illustrative style

Background imageThe Studio Collection: Queen Catherine: Lord Cardinal, -To You I Speak c1890, (1923) Artist: Sir John Gilbert

Queen Catherine: Lord Cardinal, -To You I Speak c1890, (1923) Artist: Sir John Gilbert
Queen Catherine: Lord Cardinal, -To You I Speak. c1890, (1923). From King Henry The Eighth, Act II, Scene 4. From British Book Illustration - Yesterday and To-day edited by Geoffrey Holme

Background imageThe Studio Collection: Vanity Fair. From The Pilgrims Progress (Bunyan), c1861, (1923). Artist: Frederic Shields

Vanity Fair. From The Pilgrims Progress (Bunyan), c1861, (1923). Artist: Frederic Shields
Vanity Fair. From The Pilgrims Progress (Bunyan), 1861, (1923). A 1678 Christian allegory written by John Bunyan. It is regarded as one of the most significant works of religious English literature

Background imageThe Studio Collection: The Trial Sermon, c1862, (1923). Artist: James Abbott McNeill Whistler

The Trial Sermon, c1862, (1923). Artist: James Abbott McNeill Whistler
The Trial Sermon, 1862, (1923). James Abbott McNeill Whistler (1834-1903) was an American artist, active during the American Gilded Age and based primarily in the United Kingdom

Background imageThe Studio Collection: Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923)

Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923). Artist: John Dawson Watson
Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923). A 1678 Christian allegory written by John Bunyan

Background imageThe Studio Collection: Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham

Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham
Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). She Had Wandered Off Into This Day-Dream, and Almost Forgotten Mr

Background imageThe Studio Collection: The Passion Flowers of Life. c1860-1890, (1923). Artist: John Pettie

The Passion Flowers of Life. c1860-1890, (1923). Artist: John Pettie
The Passion Flowers of Life. c1860-1890, (1923). John Pettie RA (1839-1893) was a Scottish painter who spent most of his career in England

Background imageThe Studio Collection: The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney

The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney
The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Great Expectations is the thirteenth novel by Charles Dickens

Background imageThe Studio Collection: Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Artist: Dalziel Brothers

Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Artist: Dalziel Brothers
Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Fifty-two wood engravings by the Dalziel brothers; after Arthur Boyd Houghton

Background imageThe Studio Collection: Illustration from poem A Becketts Troth. c1860-1875, (1923). Artist: George John Pinwell

Illustration from poem A Becketts Troth. c1860-1875, (1923). Artist: George John Pinwell
Illustration from poem A Becketts Troth. c1860-1875, (1923). Gilbert a Becket. Romantic story of a 12th-century crusader, Gilbert O Becket, who is rescued by a Saracen woman

Background imageThe Studio Collection: Elijah and the Widows Son, c1840-1890, (1923). Artist: Ford Madox Brown

Elijah and the Widows Son, c1840-1890, (1923). Artist: Ford Madox Brown
Elijah and the Widows Son, c1840-1890, (1923).From the Book of Kings; God told Elijah to go to the town of Sarepta and to seek out a widow that would find him water and food (vv.7-9)

Background imageThe Studio Collection: Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais

Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais
Illustration from Sister Annes Probation, c1850-1890, (1923). Harriet Martineau (1802-1876) was a British social theorist and Whig writer, often cited as the first female sociologist



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