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The Elder Collection (page 8)

Background imageThe Elder Collection: Tradescants House, South Lambeth, London, 1798. Artist: J Caulfield

Tradescants House, South Lambeth, London, 1798. Artist: J Caulfield
Tradescants House, South Lambeth, London, 1798. View of the house occupied by John Tradescant (c1570-c1637), traveller, naturalist and gardener

Background imageThe Elder Collection: Church of St Botolph, Aldgate, City of London, 1810. Artist: W Preston

Church of St Botolph, Aldgate, City of London, 1810. Artist: W Preston
Church of St Botolph, Aldgate, City of London, 1810. View of St Botolph, Aldgate with the Sir John Cass School on the left

Background imageThe Elder Collection: Church of St Botolph, Aldgate, City of London, 1750

Church of St Botolph, Aldgate, City of London, 1750. View of St Botolph, Aldgate and Sir John Casss charity school, from the south. Also with figures and an angel in the sky blowing a horn

Background imageThe Elder Collection: Church of St Botolph, Aldgate, City of London, 1806. Artist: Valentine Davis

Church of St Botolph, Aldgate, City of London, 1806. Artist: Valentine Davis
Church of St Botolph, Aldgate, City of London, 1806

Background imageThe Elder Collection: William Faithorne, c1800. Artist: Alexander Bannerman

William Faithorne, c1800. Artist: Alexander Bannerman
William Faithorne, c1800. Oval portrait of either Willaim Faithorne the Elder, or his son, William Faithorne the Younger. Both were artists and engravers

Background imageThe Elder Collection: Guilford Street, St Pancras, London, 1753. Artist: Nathaniel Parr

Guilford Street, St Pancras, London, 1753. Artist: Nathaniel Parr
View of the Foundling Hospital with figures outside, St Pancras, London, 1753

Background imageThe Elder Collection: The Covent Garden macaronies, 1772

The Covent Garden macaronies, 1772. A macaroni (possibly George Colman) standing outside entrance to Covent Garden Theatre has snatched the wig off the head of a smaller man

Background imageThe Elder Collection: Taste a-la-mode as in the year 1735 - being the contrast to the year 1745, 1749

Taste a-la-mode as in the year 1735 - being the contrast to the year 1745, 1749

Background imageThe Elder Collection: The sailors revenge, or the Strand in an uproar... 1749. Artist: LP Boitard

The sailors revenge, or the Strand in an uproar... 1749. Artist: LP Boitard
The sailors revenge, or the Strand in an uproar... 1749. A crowd of seamen makes a bonfire of the fittings of brothels, presumably in the Strand

Background imageThe Elder Collection: Elevation of the hall of Christs Hospital, City of London, 1825

Elevation of the hall of Christs Hospital, City of London, 1825

Background imageThe Elder Collection: View of London from the south, 1638

View of London from the south, 1638. Panoramic view of Westminster and the City of London looking across the River Thames from Southwark

Background imageThe Elder Collection: Plan of part of Christs Hospital, Newgate Street and St Bartolomews Hospital, London, 1818

Plan of part of Christs Hospital, Newgate Street and St Bartolomews Hospital, London, 1818
Plan of part of Christs Hospital, Newgate Street, London and part of St Bartholomews Hospital, London, 1818, showing the proposed line of division between them

Background imageThe Elder Collection: St George and the Dragon statue, inside the Storkyrkan Church, Stockholm, Sweden

St George and the Dragon statue, inside the Storkyrkan Church, Stockholm, Sweden. The Storkyrkan (Great Church) is the oldest church in Gamla Stan, the old town of Stockholm

Background imageThe Elder Collection: Portrait of Barbara Juliane von Krudener (1764-1824). Artist: Meyer, Friedrich Wilhelm, the Elder

Portrait of Barbara Juliane von Krudener (1764-1824). Artist: Meyer, Friedrich Wilhelm, the Elder
Portrait of Barbara Juliane von Krudener (1764-1824). Private Collection

Background imageThe Elder Collection: Portrait of the Emperor Maximilian, 1518. Artist: Hans Burgkmair, the Elder

Portrait of the Emperor Maximilian, 1518. Artist: Hans Burgkmair, the Elder
Portrait of the Emperor Maximilian, 1518. Maximilian I (1459-1519), the son of Frederick III, Holy Roman Emperor, and Eleanor of Portugal

Background imageThe Elder Collection: Thomas Hobbes, English philosopher, c1668 (1894). Artist: William Faithorne

Thomas Hobbes, English philosopher, c1668 (1894). Artist: William Faithorne
Thomas Hobbes (1588-1679), English philosopher, c1668 (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Background imageThe Elder Collection: The Peasants Revolt of 1381, 1804 (1906). Artist: John Harris the Elder

The Peasants Revolt of 1381, 1804 (1906). Artist: John Harris the Elder
The Peasants Revolt of 1381, 1804 (1906). King Richard II and his council go down the Thames in a barge to confer with the rebels

Background imageThe Elder Collection: Landscape: a River among Mountains, c1600

Landscape: a River among Mountains, c1600. The composition follows an engraving after Pieter Bruegel the Elder (1525-1569)

Background imageThe Elder Collection: German Helmsmith at Work, c1515. Artist: Hans Burgkmair, the Elder

German Helmsmith at Work, c1515. Artist: Hans Burgkmair, the Elder
German Helmsmith at Work, c1515. A drawing from the AEneid of Henry von Waldeck, shows a helmsmith forging a flat topped helm with fixed visor and face guard

Background imageThe Elder Collection: Pilgrims of Hampton Races, c1839. Artist: Pierce Egan the Elder

Pilgrims of Hampton Races, c1839. Artist: Pierce Egan the Elder
Pilgrims of Hampton Races, c1839

Background imageThe Elder Collection: The Adoration of the Kings, 1564, (1937). Artist: Pieter Bruegel the Elder

The Adoration of the Kings, 1564, (1937). Artist: Pieter Bruegel the Elder
The Adoration of the Kings, 1564. After an oil on panel by Pieter Bruegel the Elder (c1525?1569). From The Studio Vol. 114 [At the Offices of the Studio Ltd. London, 1937]

Background imageThe Elder Collection: Robert Cecil (c1563-1612), 1st Earl of Salisbury, English statesman, 1912

Robert Cecil (c1563-1612), 1st Earl of Salisbury, English statesman, 1912
Robert Cecil (c1563-1612), 1st Earl of Salisbury, English statesman. The son of William Cecil, Lord Burghley, chief advisor to Elizabeth I

Background imageThe Elder Collection: Elixir of Life: The Alchemist, 1558 (1956)

Elixir of Life: The Alchemist, 1558 (1956). From the Kupferstichkabinett, Berlin. A print from Ideas, a volume about the origin and early history of many things, common and less common

Background imageThe Elder Collection: The Painter and the Connoisseur, c1565 (1956)

The Painter and the Connoisseur, c1565 (1956). This is thought to be a self-portrait of the Flemish Renaissance painter Pieter Brueghel the Elder

Background imageThe Elder Collection: Knight and Squire, early 16th century, (1929). Artist: Hans Wechtlin the Elder

Knight and Squire, early 16th century, (1929). Artist: Hans Wechtlin the Elder
Knight and Squire, early 16th century, (1929). Chiaroscuro cut. Illustration from the Apollo Volume IX, no 53, (May 1929)

Background imageThe Elder Collection: The Virgin and Child with Saints and Donors (The Donne Triptych), c1478 (1927). Artist: Dirck Bouts

The Virgin and Child with Saints and Donors (The Donne Triptych), c1478 (1927). Artist: Dirck Bouts
The Virgin and Child with Saints and Donors (The Donne Triptych), c1478 (1927). Found in the collection of the National Gallery, London

Background imageThe Elder Collection: The Madonna and Child, (1927). Artist: Dirck Bouts

The Madonna and Child, (1927). Artist: Dirck Bouts
The Madonna and Child, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

Background imageThe Elder Collection: John Milton, English poet, (1912)

John Milton, English poet, (1912). Miltons (1608-1674) most famous work is his epic Paradise Lost, first published in 1667. He became totally blind in about 1652

Background imageThe Elder Collection: Sir Orlando Bridgeman, 17th century, (c1920). Artist: R White

Sir Orlando Bridgeman, 17th century, (c1920). Artist: R White
Sir Orlando Bridgeman, 17th century, (c1920). Portrait of Bridgeman (1609-1674), English jurist, lawyer, and politician. Illustration from Story of the British Nation, Volume II

Background imageThe Elder Collection: Sacred Conversation, c1525. Artist: Jacopo Palma il Vecchio

Sacred Conversation, c1525. Artist: Jacopo Palma il Vecchio
Sacred Conversation, c1525. Painting held at the Gallerie dell Accademia, Venice. From The Studio Volume 119. [The Studio Ltd, London & New York, 1940]

Background imageThe Elder Collection: Studies of Peasants, 1913. Artist: Pieter Bruegel the Elder

Studies of Peasants, 1913. Artist: Pieter Bruegel the Elder
Studies of Peasants, 1913. A print from The Art of the Great Masters, by Frederic Lees, Sampson Low, Marston and Co, London, 1913

Background imageThe Elder Collection: A Jewish Merchant, mid 19th century. Artist: Henry Chawnes Shenton, the elder

A Jewish Merchant, mid 19th century. Artist: Henry Chawnes Shenton, the elder
A Jewish Merchant, mid 19th century. Engraving after the original painting of c1650 by Rembrandt

Background imageThe Elder Collection: Maximilian I, Holy Roman Emperor, (1816). Artist: Charles Turner

Maximilian I, Holy Roman Emperor, (1816). Artist: Charles Turner
Maximilian I, Holy Roman Emperor, (1816). A print from Fifteen Splendid Portraits of Royal Personages, engraved in mezzotinto by Richard Earlom, Charles Turner and R Dunkarton, printed by J McCreery

Background imageThe Elder Collection: Fitz-Giggo: A New English Uproar 1763. Artist: LP Boitard

Fitz-Giggo: A New English Uproar 1763. Artist: LP Boitard
Fitz-Giggo: A New English Uproar 1763. Some excited members of the audience are invading the stage. Illustration from Social Caricature in the Eighteenth Century

Background imageThe Elder Collection: The Present Age... 1767.Artist: LP Boitard

The Present Age... 1767.Artist: LP Boitard
The Present Age: Adress d to the professsors of driving, dressing, ogling writing, playing, gambling, racing, dancing, duelling, boxing, swearing, humming, building, etc, etc, etc, 1767

Background imageThe Elder Collection: The Imports of Great Britain from France... 1757.Artist: LP Boitard

The Imports of Great Britain from France... 1757.Artist: LP Boitard
The Imports of Great Britain from France: Humbly address d to the laudable association of anti-gallicans, and the generous promoters of the British Arts

Background imageThe Elder Collection: The Beau Monde in St Jamess Park, 1750. Artist: LP Boitard

The Beau Monde in St Jamess Park, 1750. Artist: LP Boitard
The Beau Monde in St Jamess Park, 1750. The smart set parading in a London park, with a quote from Alexander Pope: The ruling passion be it what it will, the ruling passion conquers reason still

Background imageThe Elder Collection: Folly Triumphant, 1749. Artist: LP Boitard

Folly Triumphant, 1749. Artist: LP Boitard
Folly Triumphant, 1749. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageThe Elder Collection: Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Artist: Evan Davis

Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Artist: Evan Davis
Taste a la mode in the year 1735: Being the contrast to the year 1745, (c1745). Illustration from Social Caricature in the Eighteenth Century

Background imageThe Elder Collection: Taste a la mode, 1745. Artist: F Patton

Taste a la mode, 1745. Artist: F Patton
Taste a la mode, 1745. Satire on the fashion for wide skirts. Illustration from Social Caricature in the Eighteenth Century

Background imageThe Elder Collection: The Embleme of Englands Distractions, 1658, (1899)

The Embleme of Englands Distractions, 1658, (1899)
The Embleme of Englands Distraction as also of her attained and further expected Freedom and Happines per H. M. 1658, (1899)

Background imageThe Elder Collection: Heidelberg Castle, Germany, in 1620 (1903). Artist: Matthaus Merian

Heidelberg Castle, Germany, in 1620 (1903). Artist: Matthaus Merian
Heidelberg Castle, Germany, in 1620 (1903). A print from The Worlds History, A Survey of Mans Record, by Dr HF Helmolt, Volume II, William Heinemann, London, 1903

Background imageThe Elder Collection: King Arthur, 16th century, (1903)

King Arthur, 16th century, (1903). Bronze statue made in the 16th century, of the mythical king, said by some to have been born in the 5th century AD

Background imageThe Elder Collection: The archdukes and high barons of Germany at the coronation of the Emperor Maximilian, 16th century

The archdukes and high barons of Germany at the coronation of the Emperor Maximilian, 16th century, (1870). A fragment taken from the Triumph of Maximilian, by J Burgkmair

Background imageThe Elder Collection: John Milton, English poet, (19th century)

John Milton, English poet, (19th century). Milton (1608-1674), author of Paradise Lost, became totally blind in about 1652

Background imageThe Elder Collection: The Circumcision, 17th century. Artist: Jacob Willemsz de Wet the elder

The Circumcision, 17th century. Artist: Jacob Willemsz de Wet the elder
The Circumcision, 17th century. Found in the collection of the Far Eastern Art Museum, Khabarovsk, Russia

Background imageThe Elder Collection: A House Concert, 18th century. Artist: Jan Josef Horemans the elder

A House Concert, 18th century. Artist: Jan Josef Horemans the elder
A House Concert, 18th century. Found in the collection of the State Museum of History and Art, Serpukhov

Background imageThe Elder Collection: Still Life with a Lithograph, 19th century. Artist: Ferdinand Wagner the elder

Still Life with a Lithograph, 19th century. Artist: Ferdinand Wagner the elder
Still Life with a Lithograph, 19th century. Found in the collection of the State M Ciurlionis Art Museum, Kaunas, Lithuania



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