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The Connoisseur Collection (page 11)

Background imageThe Connoisseur Collection: Cottage Interior, at Lexden, Essex, 1802. Artist: William Redmore Bigg

Cottage Interior, at Lexden, Essex, 1802. Artist: William Redmore Bigg
Cottage Interior, at Lexden, Essex, 1802. From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageThe Connoisseur Collection: The Wood Gatherers, c1843. Artist: Jean-Baptiste-Camille Corot

The Wood Gatherers, c1843. Artist: Jean-Baptiste-Camille Corot
The Wood Gatherers, c1843. Painting is held at Guildhall Art Gallery, London. From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageThe Connoisseur Collection: The Fair Penitent. Laetitia in Penitence Finds Relief and Protection From Her Parents, c1811

The Fair Penitent. Laetitia in Penitence Finds Relief and Protection From Her Parents, c1811. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageThe Connoisseur Collection: The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789

The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. Artist: John Raphael Smith
The Tavern Door, Laetitia Deserted by her Seducer is Thrown on the Town, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageThe Connoisseur Collection: Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789

Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. Artist: John Raphael Smith
Dressing for the Masquerade. Laetitia Flies from Reflection to Public Entertainments, 1789. After George Morland (1762-1804). From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageThe Connoisseur Collection: Hon. Thomas Willoughby, c1710. Artist: Rosalba Zuanna Carriera

Hon. Thomas Willoughby, c1710. Artist: Rosalba Zuanna Carriera
Hon. Thomas Willoughby, c1710. From The Connoisseur Vol. LXXV. [The Connoisseur, London, 1926]

Background imageThe Connoisseur Collection: A Pair of Staffordshire Earthenware Busts Representing King George III and Queen Charlotte, with Tr

A Pair of Staffordshire Earthenware Busts Representing King George III and Queen Charlotte, with Translucent Running Glazes, c1761. From The Connoisseur Volume 102. [The Connoisseur Ltd. London, 1938]

Background imageThe Connoisseur Collection: Bird Motif (Cock) from an embroidered valance of Ionian Islands, c1640

Bird Motif (Cock) from an embroidered valance of Ionian Islands, c1640. Bird motif (cock) pattern from and embroidered valance of The Ionian Islands, Greece. From The Connoisseur Volume 102

Background imageThe Connoisseur Collection: An Early Autograph Album: A Hauspostill from the works of Martin Luther, c1550

An Early Autograph Album: A Hauspostill from the works of Martin Luther, c1550. A Hauspostill from the works of Martin Luther given by Duke Friedrick Wilhelm Of Saxony (1562-1602)

Background imageThe Connoisseur Collection: The Farmyard, c1797. Artist: William Nutter

The Farmyard, c1797. Artist: William Nutter
The Farmyard, c1797. After Henry Singleton (1766-1839). From The Connoisseur Volume XLIII. [The Connoisseur Ltd. London, 1915]

Background imageThe Connoisseur Collection: Mrs. Siddons and her Son in the Tragedy of Isabella, 1784. Artist: William Hamilton

Mrs. Siddons and her Son in the Tragedy of Isabella, 1784. Artist: William Hamilton
Mrs. Siddons and her Son in the Tragedy of Isabella, 1784. Sarah Siddons (1755-1831), Welsh born actress famous for her portrayal of Lady Macbeth. From The Connoisseur Volume 102

Background imageThe Connoisseur Collection: La Comtesse De Lieven, 1823. Artist: William Bromley

La Comtesse De Lieven, 1823. Artist: William Bromley
La Comtesse De Lieven, 1823. Princess Dorothea von Lieven (1785-1857), Baltic German noblewoman and wife of Prince Khristofor Andreyevich Lieven, Russian ambassador to London, 1812 to 1834

Background imageThe Connoisseur Collection: The Cleveland Yacht at Sea in a Fresh Breeze, 1678. Artist: Willem van de Velde the Younger

The Cleveland Yacht at Sea in a Fresh Breeze, 1678. Artist: Willem van de Velde the Younger
The Cleveland Yacht at Sea in a Fresh Breeze, 1678. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]

Background imageThe Connoisseur Collection: Chinese Wine-Pot with coloured glazes, c1680

Chinese Wine-Pot with coloured glazes, c1680. The shape of this teapot is known as Cadogan as it was copied from a Chinese porcelain wine-pot in the collection of the Earl of Cadogan

Background imageThe Connoisseur Collection: Bow-Fronted Commode, with Metal Mouldings and Headings, veneered and inlaid with coloured woods, c

Bow-Fronted Commode, with Metal Mouldings and Headings, veneered and inlaid with coloured woods, c1780. Bow-Fronted Commode, with Metal Mouldings and Headings

Background imageThe Connoisseur Collection: A 20-Carat Gold Ampulla or Anointing Vessel with Effigy of the Magdalen, 1803

A 20-Carat Gold Ampulla or Anointing Vessel with Effigy of the Magdalen, 1803. From The Connoisseur Volume 102. [The Connoisseur Ltd. London, 1938]

Background imageThe Connoisseur Collection: Long Upholstered Sofa: Serpentine-Shaped, Carved and Gilt, c1750

Long Upholstered Sofa: Serpentine-Shaped, Carved and Gilt, c1750. Long Upholstered Sofa: Serpentine-Shaped, Carved and Gilt. From The Connoisseur Volume 102. [The Connoisseur Ltd. London, 1938]

Background imageThe Connoisseur Collection: An Octagonal Salt-Glaze Teapot, c1770

An Octagonal Salt-Glaze Teapot, c1770. An Octagonal Salt-Glaze Teapot and Cover of Staffordshire Ware moulded with military subjects in yellow, rose, green and blue

Background imageThe Connoisseur Collection: The Daphne Room, c1938

The Daphne Room, c1938. The Daphne room which was added to the Raleigh Tavern shortly after 1770, it contains both English and American furniture

Background imageThe Connoisseur Collection: The Parlour of the Raleigh Tavern, c1938

The Parlour of the Raleigh Tavern, c1938. The Capitol at Williamsburg, Virginia housed the House of Burgesses of the Colony of Virginia from 1705, when the capital was relocated there from Jamestown

Background imageThe Connoisseur Collection: A New England Chest-on-Chest with Bombe Base in one of the bedrooms of the palace of Williamsburg

A New England Chest-on-Chest with Bombe Base in one of the bedrooms of the palace of Williamsburg, c1938. The Capitol at Williamsburg

Background imageThe Connoisseur Collection: The Secretarys Office at the Capitol, in the Wing devoted to general court and council, c1938

The Secretarys Office at the Capitol, in the Wing devoted to general court and council, c1938. The Capitol at Williamsburg, Virginia housed the House of Burgesses of the Colony of Virginia from 1705

Background imageThe Connoisseur Collection: Three China Figures From The Wallace Elliot Collection, c1775

Three China Figures From The Wallace Elliot Collection, c1775
Three China Figures From The Wallace Elliot Collection, left, bow figure of a shepherd boy after Giovanni Bologna (British Museum, London), centre Longton Hall figure of a goatherd and right

Background imageThe Connoisseur Collection: Small Mahogany Cabinet on Stand, c1680

Small Mahogany Cabinet on Stand, c1680. Small Mahogany Cabinet on Stand, with painted decorations in the manner of Cipriani. The interior is similarly decorated and fitted with eleven drawings

Background imageThe Connoisseur Collection: The Great Staircase of the Palace, c1938

The Great Staircase of the Palace, c1938. The great staircase of the palace has old pine treads, with nosings of walnut inlaid with box, the carving follows the style of this period in england c1720

Background imageThe Connoisseur Collection: Detail Showing Cupola of Capitol, Queen Annes Arms over central Arch, c1938

Detail Showing Cupola of Capitol, Queen Annes Arms over central Arch, c1938
Detail Showing Cupola of Capitol: Queen Annes Arms over central Arch, c1938. The Capitol at Williamsburg, Virginia housed the House of Burgesses of the Colony of Virginia from 1705

Background imageThe Connoisseur Collection: The College of William and Mary, c1938

The College of William and Mary, c1938. The main building of The College of William and Mary was designed by Christopher Wren

Background imageThe Connoisseur Collection: The General Court at the Capitol of Williamsburg, c1938

The General Court at the Capitol of Williamsburg, c1938. The Capitol at Williamsburg, Virginia housed the House of Burgesses of the Colony of Virginia from 1705

Background imageThe Connoisseur Collection: The Room in the Capitol Where The Executive Council Assembled, c1938

The Room in the Capitol Where The Executive Council Assembled, c1938. A photograph displaying the Portrait and Arms of Queen Anne (1665-1714), During whose reign the capitol was completed

Background imageThe Connoisseur Collection: The Assembly Room of the House of Burgesses, c1938

The Assembly Room of the House of Burgesses, c1938. At the Capitol of Williamsburg, showing the bar, the arms of the Colony, and portraits of William III and Mary II

Background imageThe Connoisseur Collection: Commode of Lunette Form, c1775

Commode of Lunette Form, c1775. Commode of Lunette Form, Inlaid with East India Satinwood and Borders of Harewood and Tulipwood, Ornamented with Wedgwood Medallions, English

Background imageThe Connoisseur Collection: Detail of Curtain, from Turkey, c1650

Detail of Curtain, from Turkey, c1650. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]

Background imageThe Connoisseur Collection: An Upholstered Arm Chair, c1680

An Upholstered Arm Chair, c1680. An upholstered arm chair from the late Charles II (1630-1685) period. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]

Background imageThe Connoisseur Collection: A Corner of the Ladies Exercise Hall, c1898

A Corner of the Ladies Exercise Hall, c1898. The Sandow Institute of Curative Physical Therapeutics, of 32A, St. Jamess Street, London. From The Connoisseur Volume XXV. [The Connoisseur Ltd

Background imageThe Connoisseur Collection: Fahua jar with openwork design showing the Eight Daoist Immortals, c1550

Fahua jar with openwork design showing the Eight Daoist Immortals, c1550. A porcelain jar dating from The Ming Period (1368-1644) of Jiangxi China, from The Eumorfopoulos collection

Background imageThe Connoisseur Collection: One of the Spacious Exercise Halls, c1898

One of the Spacious Exercise Halls, c1898. The Sandow Institute of Curative Physical Therapeutics, at 32A, St. Jamess Street, London. From The Connoisseur Volume XXV. [The Connoisseur Ltd

Background imageThe Connoisseur Collection: Henry Du Pre Labouchere (1831-1912), English politician, writer, publisher, c1898

Henry Du Pre Labouchere (1831-1912), English politician, writer, publisher, c1898
Henry Du Pre Labouchere (1831?1912), English politician, writer, publisher, c1898. From The Connoisseur Volume XXV. [The Connoisseur Ltd. London, 1909]

Background imageThe Connoisseur Collection: One of the Reception Rooms at the Sandow Institute, c1898

One of the Reception Rooms at the Sandow Institute, c1898. Eugen Sandow (1867-1925) was a German pioneering bodybuilder known as the father of modern bodybuilding

Background imageThe Connoisseur Collection: One Pound Note Executed for the Northumberland Bank, c1820

One Pound Note Executed for the Northumberland Bank, c1820. Northumberland Bank, Newcastle. From The Connoisseur Volume XXV. [The Connoisseur Ltd. London, 1909]

Background imageThe Connoisseur Collection: Corner View of the Wedgwood Museum on the Old Works at Etruria, Staffordshire, c1908

Corner View of the Wedgwood Museum on the Old Works at Etruria, Staffordshire, c1908. The Etruria Works was a ceramics factory opened by Josiah Wedgwood (1730-1795) in 1769 in Stoke-on-Trent

Background imageThe Connoisseur Collection: Two pages from A Book of Hours, c1350

Two pages from A Book of Hours, c1350. From The Connoisseur Volume 102. [The Connoisseur Ltd. London, 1938]

Background imageThe Connoisseur Collection: Famille Verte Vase, with four upright panels painted with rocks and flowering plants, two monsters

Famille Verte Vase, with four upright panels painted with rocks and flowering plants, two monsters, a phoenix and a pheasant, c1692

Background imageThe Connoisseur Collection: An upholstered armchair with wings, carved walnut frame and original silk needlework covering, c17

An upholstered armchair with wings, carved walnut frame and original silk needlework covering, c1720. From The Connoisseur Volume 102. [The Connoisseur Ltd. London, 1938]

Background imageThe Connoisseur Collection: Door of Panelled Room, Early Georgian, 26, Hatton Garden, c1909

Door of Panelled Room, Early Georgian, 26, Hatton Garden, c1909. This door is part of a room interior which was moved to the Victoria and Alebert Museum upon the buildings demolition in 1907

Background imageThe Connoisseur Collection: The Costume of a man in the reign of Edward III, c1353

The Costume of a man in the reign of Edward III, c1353. The costume of a man in the reign of King Edward III (1312-1377). From The Connoisseur Volume XXIV. [The Connoisseur Ltd. London, 1909]

Background imageThe Connoisseur Collection: The Costume of a woman in the reign of Edward III, c1353

The Costume of a woman in the reign of Edward III, c1353. The costume of a woman in the reign of King Edward III (1312-1377). From The Connoisseur Volume XXIV. [The Connoisseur Ltd. London, 1909]

Background imageThe Connoisseur Collection: Title Page of The Vicar of Wakefield, 1766

Title Page of The Vicar of Wakefield, 1766. Title Page of The Vicar of Wakefield, A Tale by Oliver Goldsmith (1728-1774). It was written from 1761 to 1762 and published in 1766

Background imageThe Connoisseur Collection: The Adam Salon, Stoke Edith, c1909

The Adam Salon, Stoke Edith, c1909. A 17th century quadrangular mansion, Stoke Edith House is a derelict country house with surrounding park in Stoke Edith, Herefordshire, England



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