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The Cleveland Museum Of Art Collection (#90)

Background imageThe Cleveland Museum Of Art Collection: Sampler, 1775. Creator: Unknown

Sampler, 1775. Creator: Unknown
Sampler, 1775

Background imageThe Cleveland Museum Of Art Collection: Sampler, 1751. Creator: Unknown

Sampler, 1751. Creator: Unknown
Sampler, 1751

Background imageThe Cleveland Museum Of Art Collection: Sampler, 1742. Creator: Unknown

Sampler, 1742. Creator: Unknown
Sampler, 1742

Background imageThe Cleveland Museum Of Art Collection: Sampler, 1600s. Creator: Unknown

Sampler, 1600s. Creator: Unknown
Sampler, 1600s

Background imageThe Cleveland Museum Of Art Collection: Sampler, 1600 - 1630. Creator: Unknown

Sampler, 1600 - 1630. Creator: Unknown
Sampler, 1600 - 1630

Background imageThe Cleveland Museum Of Art Collection: Sampler with Hebraic Inscription, 19th-early 20th century. Creator: Unknown

Sampler with Hebraic Inscription, 19th-early 20th century. Creator: Unknown
Sampler with Hebraic Inscription, 19th-early 20th century

Background imageThe Cleveland Museum Of Art Collection: Sampler Fragment, 1819. Creator: Unknown

Sampler Fragment, 1819. Creator: Unknown
Sampler Fragment, 1819

Background imageThe Cleveland Museum Of Art Collection: Sampler Fragment, 1817. Creator: Unknown

Sampler Fragment, 1817. Creator: Unknown
Sampler Fragment, 1817

Background imageThe Cleveland Museum Of Art Collection: Sampler Fragment, 1813. Creator: Unknown

Sampler Fragment, 1813. Creator: Unknown
Sampler Fragment, 1813

Background imageThe Cleveland Museum Of Art Collection: Samite fragment with hunters, 800s. Creator: Unknown

Samite fragment with hunters, 800s. Creator: Unknown
Samite fragment with hunters, 800s. This silk preserves pairs of horsemen hunting ibexes (mountain goats). The ibexes and two pairs of rabbits originally filled the spaces between rows of large

Background imageThe Cleveland Museum Of Art Collection: Samite roundels with hunters, 800s. Creator: Unknown

Samite roundels with hunters, 800s. Creator: Unknown
Samite roundels with hunters, 800s. These textiles are woven with floral roundels that enclose horsemen hunting lions. The theme of horsemen hunting with lances, the floral frames of the roundels

Background imageThe Cleveland Museum Of Art Collection: Samite fragments with double-headed eagles, from the tomb of Saint Bernard Calvo, 1200-1243

Samite fragments with double-headed eagles, from the tomb of Saint Bernard Calvo, 1200-1243. This silk is woven with horizontal rows of incompleted ovals

Background imageThe Cleveland Museum Of Art Collection: Saluting Protective Spirit, 883-859 BC. Creator: Unknown

Saluting Protective Spirit, 883-859 BC. Creator: Unknown
Saluting Protective Spirit, 883-859 BC. Assyrian kings ruled the worlds largest empire prior to the rise of Persia in the 6th century bc, consolidating lands from Iran to Egypt

Background imageThe Cleveland Museum Of Art Collection: Saltillo Style Blanket / Sarape, c. 1860-1875. Creator: Unknown

Saltillo Style Blanket / Sarape, c. 1860-1875. Creator: Unknown
Saltillo Style Blanket/Sarape, c. 1860-1875

Background imageThe Cleveland Museum Of Art Collection: Salome, 1899. Creator: Luc-Olivier Merson (French, 1846-1920); Imprimerie Champenois

Salome, 1899. Creator: Luc-Olivier Merson (French, 1846-1920); Imprimerie Champenois
Salome, 1899

Background imageThe Cleveland Museum Of Art Collection: Salome with the Head of Saint John the Baptist, mid-1600s. Creator: Jacob Duck (Dutch, c

Salome with the Head of Saint John the Baptist, mid-1600s. Creator: Jacob Duck (Dutch, c
Salome with the Head of Saint John the Baptist, mid-1600s. The colourful, exotic garments worn by the woman at the right demonstrate Jacob Ducks skill in painting luxurious surfaces: she is Salome

Background imageThe Cleveland Museum Of Art Collection: Salome. Creator: Wilhelm Volz (German, 1855-1901); Original lithographie Pan II 3

Salome. Creator: Wilhelm Volz (German, 1855-1901); Original lithographie Pan II 3
Salome

Background imageThe Cleveland Museum Of Art Collection: Sakyamuni with a Disciple Thangka, 14th century. Creator: Unknown

Sakyamuni with a Disciple Thangka, 14th century. Creator: Unknown
Sakyamuni with a Disciple Thangka, 14th century

Background imageThe Cleveland Museum Of Art Collection: Sakyamuni Buddha, 1300s. Creator: Unknown

Sakyamuni Buddha, 1300s. Creator: Unknown
Sakyamuni Buddha, 1300s

Background imageThe Cleveland Museum Of Art Collection: Sakhi Persuades Radha to Meet Krishna, from the Lambagraon Gita Govinda

Sakhi Persuades Radha to Meet Krishna, from the Lambagraon Gita Govinda
Sakhi Persuades Radha to Meet Krishna, from the " Lambagraon" Gita Govinda (Song of the Cowherd) of Jayadeva, c. 1820-1825

Background imageThe Cleveland Museum Of Art Collection: Sake Party with No Light, late 1800s-early 1900s. Creator: Tomioka Tessai (Japanese, 1836-1924)

Sake Party with No Light, late 1800s-early 1900s. Creator: Tomioka Tessai (Japanese, 1836-1924)
Sake Party with No Light, late 1800s-early 1900s

Background imageThe Cleveland Museum Of Art Collection: Saint-Tropez, 1897. Creator: Maximilien Luce (French, 1858-1941)

Saint-Tropez, 1897. Creator: Maximilien Luce (French, 1858-1941)
Saint-Tropez, 1897. This is a brilliant impression of Luces most important colour lithograph, which exemplifies the ideas of his close friend and fellow artist Paul Signac (1863-1935)

Background imageThe Cleveland Museum Of Art Collection: Saints Presenting a Devout Woman to the Virgin and Child, 1720s

Saints Presenting a Devout Woman to the Virgin and Child, 1720s

Background imageThe Cleveland Museum Of Art Collection: Saints Connected with the House of Hapsburg: A General Account of the Ancestry

Saints Connected with the House of Hapsburg: A General Account of the Ancestry of Emperor Maximilian I

Background imageThe Cleveland Museum Of Art Collection: Saint-Mammes, Loing Canal, 1885. Creator: Alfred Sisley (French, 1840-1899)

Saint-Mammes, Loing Canal, 1885. Creator: Alfred Sisley (French, 1840-1899)
Saint-Mammes, Loing Canal, 1885

Background imageThe Cleveland Museum Of Art Collection: Saint-Honorat, Pres dArles, 1853. Creator: Edouard Baldus (French, 1813-1889)

Saint-Honorat, Pres dArles, 1853. Creator: Edouard Baldus (French, 1813-1889)
Saint-Honorat, Pres dArles, 1853. Two years after his initial photographic trip to Provence, Baldus returned in 1853 to again document some of the regions most imposing classical

Background imageThe Cleveland Museum Of Art Collection: Saint Sebastian, about 1776. Creator: James Barry (Irish, 1741-1806)

Saint Sebastian, about 1776. Creator: James Barry (Irish, 1741-1806)
Saint Sebastian, about 1776. This etching by Irish artist James Barry portrays Sebastian, the Roman solider who was shot with arrows for refusing to renounce his Christian faith

Background imageThe Cleveland Museum Of Art Collection: Saint Roch, early 1600s. Creator: Unknown

Saint Roch, early 1600s. Creator: Unknown
Saint Roch, early 1600s

Background imageThe Cleveland Museum Of Art Collection: Saint Peter Martyr, 16th Century?. Creator: Giovanni Battista Paggi (Italian, 1554-1627)

Saint Peter Martyr, 16th Century?. Creator: Giovanni Battista Paggi (Italian, 1554-1627)
Saint Peter Martyr, 16th Century?

Background imageThe Cleveland Museum Of Art Collection: Saint Paul the Hermit, c. 1662-1664. Creator: Mattia Preti (Italian, 1613-1699)

Saint Paul the Hermit, c. 1662-1664. Creator: Mattia Preti (Italian, 1613-1699)
Saint Paul the Hermit, c. 1662-1664. After training in Rome in the 1630s and 1640s, Preti went to Naples where he continued working in a mode inspired by the work of Caravaggio

Background imageThe Cleveland Museum Of Art Collection: Saint Michael, third quarter 15th century. Creator: Master E. S. (German)

Saint Michael, third quarter 15th century. Creator: Master E. S. (German)
Saint Michael, third quarter 15th century

Background imageThe Cleveland Museum Of Art Collection: Saint Jerome. Creator: Jean-Honore Fragonard (French, 1732-1806)

Saint Jerome. Creator: Jean-Honore Fragonard (French, 1732-1806)
Saint Jerome. Religious scenes are unusual during a century more interested in carefree themes. The prosperous bourgeoisie demanded works with decorative appeal for their homes-pictures of readily

Background imageThe Cleveland Museum Of Art Collection: Saint Jerome, c. 1638-1640. Creator: Jusepe de Ribera (Spanish, 1591-1652)

Saint Jerome, c. 1638-1640. Creator: Jusepe de Ribera (Spanish, 1591-1652)
Saint Jerome, c. 1638-1640. Saint Jerome (about ad 347-420) translated biblical texts into Latin. Although he sometimes appears as a scholar in his study

Background imageThe Cleveland Museum Of Art Collection: Saint in Red Cloak, late 19th - early 20th century. Creator: Unknown

Saint in Red Cloak, late 19th - early 20th century. Creator: Unknown
Saint in Red Cloak, late 19th - early 20th century

Background imageThe Cleveland Museum Of Art Collection: Saint Jerome in a Landscape, c. 1530. Creator: Domenico Campagnola (Italian, 1500-1564)

Saint Jerome in a Landscape, c. 1530. Creator: Domenico Campagnola (Italian, 1500-1564)
Saint Jerome in a Landscape, c. 1530

Background imageThe Cleveland Museum Of Art Collection: Saint George, c. 1440-1450. Creator: Unknown

Saint George, c. 1440-1450. Creator: Unknown
Saint George, c. 1440-1450

Background imageThe Cleveland Museum Of Art Collection: Saint Eustace, c. 1501. Creator: Albrecht Dürer (German, 1471-1528)

Saint Eustace, c. 1501. Creator: Albrecht Dürer (German, 1471-1528)
Saint Eustace, c. 1501. Saint Eustace, the largest of Durers engravings, reflects his intense, scientific interest in the depiction of nature so that the profusion of detail almost obscures

Background imageThe Cleveland Museum Of Art Collection: Saint Deicolus and the Boar, 1747-1748. Creator: Johann Wolfgang Baumgartner (German, 1712-1761)

Saint Deicolus and the Boar, 1747-1748. Creator: Johann Wolfgang Baumgartner (German, 1712-1761)
Saint Deicolus and the Boar, 1747-1748. Baumgartners innovations in rococo design are magnificently demonstrated in this sheet showing the story of Saint Deicolus and the Boar

Background imageThe Cleveland Museum Of Art Collection: Saint Catherine with a Kneeling Male Donor, 1400s. Creator: Unknown

Saint Catherine with a Kneeling Male Donor, 1400s. Creator: Unknown
Saint Catherine with a Kneeling Male Donor, 1400s. This panel was originally part of a much larger composition. Saint Catherine stands behind a donor, a cleric

Background imageThe Cleveland Museum Of Art Collection: Saint Barbara, c. 1520. Creator: Master of the Holy Blood (Netherlandish)

Saint Barbara, c. 1520. Creator: Master of the Holy Blood (Netherlandish)
Saint Barbara, c. 1520. Saint Catherine holds the sword with which she was martyred, and Saint Barbara holds both a book and a ring symbolizing her scholarly pursuits and union with God

Background imageThe Cleveland Museum Of Art Collection: Saint Agostino from Bulagajo, Perugia (San Agostino dalla parte del Bulagajo, Perugia), 1829

Saint Agostino from Bulagajo, Perugia (San Agostino dalla parte del Bulagajo, Perugia), 1829. An early work by Steinle, this drawing dates from the beginning of the artists sojourn in Rome (1828-3)

Background imageThe Cleveland Museum Of Art Collection: Sailing Vessels: Two Galleys Sailing Behind an Armed Three-Master with Phaeton... 1561-65

Sailing Vessels: Two Galleys Sailing Behind an Armed Three-Master with Phaeton... 1561-65
Sailing Vessels: Two Galleys Sailing Behind an Armed Three-Master with Phaeton and Jupiter in the Sky, 1561-65

Background imageThe Cleveland Museum Of Art Collection: Sail Boats, 1839-1864. Creator: Ichiryusai Hiroshige II (Japanese, 1826-1869)

Sail Boats, 1839-1864. Creator: Ichiryusai Hiroshige II (Japanese, 1826-1869)
Sail Boats, 1839-1864

Background imageThe Cleveland Museum Of Art Collection: Sagots Gallery, 1898. Creator: Georges Alfred Bottini (French, 1874-1907)

Sagots Gallery, 1898. Creator: Georges Alfred Bottini (French, 1874-1907)
Sagots Gallery, 1898. The last decades of the 19th century was the golden era of French colour lithography. Jules Cheret (1836-1932) popularized the technique to make colourful posters which

Background imageThe Cleveland Museum Of Art Collection: Saftar Jung Tomb, Delhi, c. 1890s. Creator: A. W. A. Plate Studio (Ceylonese), studio of

Saftar Jung Tomb, Delhi, c. 1890s. Creator: A. W. A. Plate Studio (Ceylonese), studio of
Saftar Jung Tomb, Delhi, c. 1890s

Background imageThe Cleveland Museum Of Art Collection: Sacrificial Offering in a Temple, after 1750. Creator: Giovanni Battista Piranesi (Italian

Sacrificial Offering in a Temple, after 1750. Creator: Giovanni Battista Piranesi (Italian
Sacrificial Offering in a Temple, after 1750

Background imageThe Cleveland Museum Of Art Collection: Saddle Cloth, 1700s. Creator: Unknown

Saddle Cloth, 1700s. Creator: Unknown
Saddle Cloth, 1700s

Background imageThe Cleveland Museum Of Art Collection: Sacrifice of Priapus. Creator: Jacopo de Barbari (Italian, 1440 / 50-before 1515)

Sacrifice of Priapus. Creator: Jacopo de Barbari (Italian, 1440 / 50-before 1515)
Sacrifice of Priapus



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