Tempest Collection

Miranda. The Tempest, 1916. Artist: Waterhouse, John William (1849-1917)
Miranda. The Tempest, 1916. Private Collection

The Tempest. Prospero and Ariel. Private Collection

Christ on the Sea of Galilee, 1854. Creator: Eugene Delacroix
Christ on the Sea of Galilee, 1854. This scene is based on an incident recounted in three Gospels of the New Testament: a furious storm breaks out while Jesus

Scene from the play The Tempest by William Shakespeare, 1797. Creator: Romney, George (1734-1802)
Scene from the play The Tempest by William Shakespeare, 1797. Private Collection

You demi-puppets that by moonshine do the green sour ringlets make, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Sometimes a thousand twangling instruments will hum about mine ears, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Come unto these yellow sands illustration from The Tempest, 1926
Come unto these yellow sands illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 376;

Re-enter Ariel like a water-nymph, illustration from The Tempest, 1926
Re-enter Ariel like a water-nymph, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 316

Storm, ca. 1745-58. ca. 1745-1758. Creator: Jean Baptiste Claude Chatelain
Storm, ca. 1745-1758

Neptune calming the Tempest Aeolus raised against the Fleet of Aeneas, 1531-76

Tempest in a roundel composition, at left waves toss a small ship occupied by seven figures, ships and dark clouds beyond, ca. 1625-60

Christ Asleep during the Tempest, ca. 1853. Creator: Eugene Delacroix
Christ Asleep during the Tempest, ca. 1853

Ferdinand and Miranda playing a game of chess, 1822. Creator: Saint-Evre, Gillot (1791-1858)
Ferdinand and Miranda playing a game of chess, 1822. Found in the Collection of Musee de la Vie romantique, Paris

The Grandeur of the Lightning Flash, 1935
The Grandeur of the Lightning Flash, . From The Popular Science Educator, Volume 1, edited by Charles Ray. [The Amalgamated Press, Ltd. London, ]

Crab Crab any Crab, Cries of London, (c1688?). Artist: Pierce Tempest
Crab Crab any Crab, (c1688?). A crab seller, carrying a basket of crabs on her head. From Cries of London, (c1688?)

Any Kitchin Stuffe have you maids, Cries of London, (c1688?). Artist: Pierce Tempest
Any Kitchin Stuffe have you maids, (c1688?). A collector of kitchen fat, carrying a tub on her head. From Cries of London, (c1688?)

Any work for John Cooper, Cries of London, (c1688?). Artist: Pierce Tempest
Any work for John Cooper, (c1688?). A cooper or barrel maker with his tools and materials, including a saw and metal hoops. From Cries of London, (c1688?)

Madam Creswell, Cries of London, (c1688?). Artist: Pierce Tempest
Madam Creswell, (c1688?). A madam, or employer of prostitutes. From Cries of London, (c1688?)

Merry Andrew, possibly a jester or fool, Cries of London, (c1688?)
Merry Andrew, a clown or buffoon, (c1688?). Cross-looking man dancing with one shoe and a ruff. From Cries of London, (c1688?)

4 Paire for a Shilling Holland Socks, Cries of London, (c1688?)
4 Paire for a Shilling Holland Socks, (c1688?). A seller of socks made from holland linen with a wooden box of her wares; she holds out a handful of socks. From Cries of London, (c1688?)

Buy a Rabbet a Rabbet, Cries of London, (c1688?). Artist: Pierce Tempest
Buy a Rabbet a Rabbet, (c1688?). A rabbit seller, carrying two poles with dead rabbits hanging from them. From Cries of London, (c1688?)

Reclining woman with a basket, Cries of London, (c1688?). Artist: Pierce Tempest
Reclining woman with a basket, (c1688?). The title page from Cries of London, (c1688?)

Buy my Dish of great Eeles, Cries of London, (c1688?). Artist: Pierce Tempest
Buy my Dish of great Eeles, (c1688?). An eel seller carrying a large basket of her wares on her head. From Cries of London, (c1688?)

London Curtezan, Cries of London, (c1688?). Artist: Pierce Tempest
London Curtezan, (c1688?). A courtesan with beauty spots, holding a mask and a fan. Beauty spots were used to hide scars from smallpox or venereal disease. From Cries of London, (c1688?)

The Spanish Fryar, Cries of London, (c1688?). Artist: Pierce Tempest
The Spanish Fryar, (c1688?). A friar holds out a book, possibly a prayer book for sale. From Cries of London, (c1688?)

Buy a fine singing Bird, Cries of London, (c1688?). Artist: Pierce Tempest
Buy a fine singing Bird, (c1688?). A seller of singing birds, carrying two cages, one containing a solitary bird, the other several. From Cries of London, (c1688?)

Buy any Wax or Wafers, Cries of London, (c1688?). Artist: Pierce Tempest
Buy any Wax or Wafers, (c1688?). A wax and wafer seller, wearing a straw hat and carrying a small basket. These items were used in the making of seals for documents. From Cries of London, (c1688?)

Fine Writeing Inke, Cries of London, (c1688?). Artist: Pierce Tempest
Fine Writeing Inke, A seller of writing ink, carrying a cask on his back and a bunch of quills in his hand. From his waist hang a funnel and measuring jug. From Cries of London, (c1688?)

Small Coale, Cries of London, (c1688?). Artist: Pierce Tempest
Small Coale, (c1688?). A coal seller, carrying a large sack over his shoulder. From Cries of London, (c1688?)

Go charge my goblins that they grind their joints with dry convulsions, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Merrily, merrily shall I live now under the blossom that hangs on the bough, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Enter certain reapers, properly habited, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act IV: Scene I, Line 138;

Come, temperate nymphs, and help to celebrate a contract of true love, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Each one, tripping on his toe, will be here with mop and mow, illustration from The Tempest
Each one, tripping on his toe, will be here with mop and mow, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Enter several strange Shapes, bringing in a banquest …. inviting the King, etc
Enter several strange Shapes, bringing in a banquest ….inviting the King, etc. to eat, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

…. And sometime voices, illustration from William Shakespeares The Tempest, 1926
…. And sometime voices, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act III: Scene II, Line 147;

The isle is full of noises, sounds and sweet airs, that give delight and hurst not, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Alas, now, pray you, work not so hard, illustration from The Tempest, 1926
Alas, now, pray you, work not so hard, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act III: Scene I, Line 15;

I ll kiss they foot: I ll swear myself thy subject, illustration from The Tempest, 1926
I ll kiss they foot: I ll swear myself thy subject, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act II: Scene II, Line 153;

For every trifle are they set upon me, illustration from The Tempest, 1926
For every trifle are they set upon me, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act II: Scene II, Line 8;

This music crept by be upon the waters, illustration from The Tempest, 1926
This music crept by be upon the waters, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 391;

Burthen (dispersedly) Hark Hark!, illustration from The Tempest, 1926
Burthen (dispersedly) Hark Hark!, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 382;

Safely in harbour is the kings ship, illustration from The Tempest, 1926
Safely in harbour is the kings ship, illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 226

Had I not four or five women once that tended me? The Tempest, 1926
Had I not four or five women once that tended me? illustration from William Shakespeares The Tempest, pub. 1926 (colour lithograph). William Shakespeare (1564 - 1616); Act I: Scene II, Line 46

Go bring the rabble, O er whom I give thee power, here to this place, Frontispiece, 1926
Go bring the rabble, O er whom I give thee power, here to this place, Frontispiece from William Shakespeares The Tempest, pub. 1926 (colour lithograph)

Representation of a tempest, c1472-c1519 (1883). Artist: Leonardo da Vinci
Representation of a tempest, drawn with the pen and partly washed with Indian ink, c1472-c1519 (1883). from the Royal Library, Windsor Castle, 1883. From The Literary Works of Leonardo Da Vinci, Vol

Storm on a Scottish Loch, 19th century, (1917). Artist: John Thomson
Storm on a Scottish Loch. From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

Marie Tempest, British actress and singer, 1888. Artist: Ernest Barraud
Marie Tempest, British actress and singer, 1888. A photograph from The Theatre, A Monthly Review, Volume XII, July to December, 1888, Strand Publishing Company, London, 1888

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